Pride and Prejudice


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Jane Austen began her second novel, Pride and Prejudice, before she was twenty-one. It was originally titled First Impression because the appearances of the characters created the plot of the novel. However, because the novel is also concerned with the effects of the characterís first impressions, that is their prejudice, Austen found the title Pride and Prejudice more appropriate.

Pride and Prejudice, similar to other Austen novels, is written in gentle or Horacian satire. The main object of Austenís satire in the novel is the mercenary and the ignorance of the people, a common criticism of the 18th century. Characters in the novel which best carries these qualities are:

Mrs. Bennet, a foolish woman who talks too much and is obsessed with getting her daughters married;
Lydia Bennet, the youngest of the Bennet daughter who is devoted to a life of dancing, fashions, gossips and flirting; and
Mr. Williams Collins, the silly and conceited baboon who is completely stupify by Lady Catherine in every aspect of his life that he has forgotten his own morals and duty.

The tone of the novel is light, satirical, and vivid. Scenes such as Mr. Collins proposal to Elizabeth, and Lady Catherine visits to Lizzy at Longbourn, provides comic relief to the reader while at the same time revealing certain traits of the characters. For example, Lydiaís lack of common sense and responsibility is revealed when she takes pride in being the first Bennet girl to be married. Lydia does not take into consideration the circumstance of her marriage, the personality of her husband, or the prospects of their marriage for the future. Elizabeth Bennetís ability to laugh off her misfortune and to continue to be optimistic, considering her situation, also contributes to the tone of the novel.

The point of view in Pride and Prejudice is limited omniscient; the story is told through Elizabeth, but not in first person. As a result, the mood of the novel lacks dramatic emotions. The atmosphere is intellectual and cold; there are little descriptions of the setting. The main actions of the novel are the interactions between opinions, ideas, and attitudes, which weaves and advances the plot of the novel. The emotions in the novel are to be perceived beneath the surface of the story and are not to be expressed to the readers directly.

Austenís powers of subtle discrimination and shrewd perceptiveness is revealed in Pride and Prejudice; she is able to convey such a complex message using a simple, yet witty, style.

The main subject in the novel is stated in the first sentence of the novel: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." In this statement, Austen has cleverly done three things: she has declared that the main subject of the novel will be courtship and marriage, she has established the humorous tone of the novel by taking a simple subject to elaborate and to speak intelligently of, and she has prepared the reader for a chase in the novel of either a husband in search of a wife, or a women in pursuit of a husband.

The first line also defines Austen's book as a piece of literature that connects itself to the 18th century period. Pride and Prejudice is 18th century because of the emphasis on man in his social environment rather than in his individual conditions. The use of satire and wit, a common form of 18th century literature, also contributes to label the book as 18th century. However, because Austen had allowed personal feelings of the characters to be expressed in her work, she can also be classified as Romantic. In the figure of Elizabeth, Austen shows passion attempting to find a valid mode of existence in society. Passion and reason also comes together in the novel to show that they are complementary of marriage.

There are seven different marriages presented in the novel. Excluding the Gardiner and the Lucas, the remaining five marriages contrasts each other to reveal Austenís opinions and thoughts on the subject of marriage.

The marriage between Darcy and Elizabeth reveals the characteristics that constitute a successful marriage. One of these characteristics is that the feeling cannot be brought on by appearances, and must gradually develop between the two people as they get to know one another. In the beginning, Elizabeth and Darcy were distant from each other because of their prejudice. The series of events which they both experienced gave them the opportunity to understand one another and the time to reconcile their feelings for each other. Thus, their mutual understanding is the foundation of their relationship and will lead them to a peaceful and lasting marriage. This relationship between Elizabeth and Darcy reveals the importance of getting to know oneís partner before marrying.

The marriage between Jane Bennet and Bingley is also an example of successful marriage. Austen, through Elizabeth, expresses her opinion of this in the novel:

"....really believed all his [Bingley] expectations of felicity, to be rationally founded, because they had for basis the excellent understanding, and super-excellent disposition of Jane, and a general similarity of feeling and taste between her and himself." (Chapter 55)

However, unlike Darcy and Elizabeth, there is a flaw in their relationship. The flaw is that both characters are too gullible and too good-hearted to ever act strongly against external forces that may attempt to separate them:

"You [Jane and Bingley] are each of you so complying, that nothing will ever be resolved on; so easy, that every servant will cheat you; and so generous, that you will always exceed your income." (Chapter 55)

Obviously, Lydia and Wickhamís marriage is an example of a bad marriage. Their marriage was based on appearances, good looks, and youthful vivacity. Once these qualities can no longer be seen by each other, the once strong relationship will slowly fade away. As in the novel, Lydia and Wickhamís marriage gradually disintegrates; Lydia becomes a regular visitor at her two elder sisterís home when "her husband was gone to enjoy himself in London or Bath." Through their relationship, Austen shows that hasty marriage based on superficial qualities quickly cools and leads to unhappiness.

Although little is told of how Mr. Bennet and Mrs. Bennet got together, it can be inferred by their conversions that their relationship was similar to that of Lydia and Wickham--Mr. Bennet had married a woman he found sexually attractive without realizing she was an unintelligent woman. Mrs. Bennetís favoritism towards Lydia and her comments on how she was once as energetic as Lydia reveals this similarity. Mr. Bennetís comment on Wickham being his favorite son-in-law reinforces this parallelism. The effect of the relationships was that Mr. Bennet would isolate himself from his family; he found refuge in his library or in mocking his wife. Mr. Bennetís self-realization at the end of the novel in which he discovers that his lack of attention towards his family had led his family to develop the way they are, was too late to save his family. He is Austenís example of a weak father. In these two latter relationships, Austen shows that it is necessary to use good judgement to select a spouse, otherwise the two people will lose respect for each other.

The last example of a marriage is of a different nature than the ones mentioned above. The marriage between Mr. Collins and Charlotte is based on economics rather than on love or appearance. It was a common practice during Austenís time for women to marry a husband to save herself from spinsterhood or to gain financial security. In Pride and Prejudice, Austen dramatizes gender inequality and shows that women who submit themselves to this type of marriage will have to suffer in tormenting silence as Charlotte does:

"When Mr. Collins said any thing of which his wife might reasonably be ashamed, which certainly was not unseldom, she [Elizabeth] would involuntarily turned her eye on Charlotte. Once or twice she could discern a faint blush; but in general Charlotte wisely did not hear." (Chapter 28)

These five marriages contribute to the theme that a happy and strong marriage takes time to build and must be based on mutual feeling, understanding, and respect. Hasty marriages acting on impulse, and based on superficial qualities will not survive and will lead to inevitable unhappiness.

In Pride and Prejudice, Austen has denounced the elements of marriage and society that she found distasteful. These are the conclusions of her observation of the people in her world. However in her writing, Jane has also reflected her own enjoyment in life among these people with and without their faults.



--

What does Ms. Austen try to tell me? That pride and prejudice are bad habits that interfere with personal relationships? Yes, but that is not new. Plenty of warnings against these social evils can be found in the world's great and small religious teachings. Ms. Austin deftly employs some of our shortcomings to give me a sketch of some of English society of her time without moralizing. Ask me what I think makes this work so enduring and I will answer: "it is so entertaining". I am certain that Ms. Austin wants her readers to experience a broad range of genuine emotions and she has succeeded with me. I can imagine the "oh no!" of her first female readers when they found that Lydia Bennett had eloped with Mr. Wickham. There are numerous scenes in the novel which we would name "situation comedy" today. If these were turned into TV series the producers would lard them with artificial laughter because Ms. Austen wanted her readers to snicker if not laugh often. It begins on page 1 of the novel when Mr. Bennett asks the immortal question whether Mr. Bingley has rented his estate expressly to hook one of the Bennett girls. Allow me a comment on the name Darcy which is of French origin and means that this old aristocratic family came from the town of Arcy (stress on the last syllable). We know how that family came to England. When William the Conqueror crossed the English Channel there was a well-known D'Arcy in his retinue. That Darcy remained in England.--Submitted by Dieter Heymann.

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Recent Forum Posts on Pride and Prejudice

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Hi Everyone, How would you define and explain this quote, in relation to Jane Austen's Pride and Prejudice? Thanks! ďLiterature becomes significant when it exhibits a social conscience, when it explores the injustices and inequities of the inward world, and when it asks the questions that are and will always be relevant to human civilization.Ē


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What is your opinion about relationship between Mr.Darcy and Mr.Wickham?


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For my own curiosity and an art project I'm working on, I need your help! Without listing people or couples, what one image would you say represents Pride and Prejudice the best? It doesn't necessarily need to be a scene from the book, but whatever you think happens to fit the best. What do you all think?


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I just stumbled across a new version of Pride and Prejudice. It's called The Lizzie Bennett Diaries, " a brilliant web series that adapts Jane Austen's Pride & Prejudice to a modern-day California setting." I haven't seen it yet, but I'm gonna watch it here in the next few days. If you should decide to take on this challenge, report back here with your opinions! And here's the actual site, with the program. You can also find it on youtube. http://www.lizziebennet.com/


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Question Regarding Pride and Prejudice

I've been wondering if Pride and Prejudice was inspired by a relationship Jane Austen (or any of her acquaintances) had? Aside from that, I've come across many character analysis websites, and almost all of them described Mrs Bennet as a "noisy, foolish and tiresome" character. Why is she portrayed that way despite her being the caring mom that worries about her daughters future? I find Pride and Prejudice very interesting and fascinating. I would really appreciate answers to clarify things.


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What's the deal with Wickham and Colonel Fitzwilliam?

Hi everyone, I'm writing a type of compare and contrast paper and stumbled upon comparing the first encounter between Elizabeth and Wickham and Elizabeth and Colonel Fitzwilliam. The two characters are very similar in that they have a gentlemenlike appeal, they're good at initiating conversation (very agreeable), they're both interested in Elizabeth and they both lack fortune. Elizabeth is or was partial to both of them at one point. After having met Colonel Fitzwilliam, she even compares him to George Wickham, her "former favourite." I find these the similarities between the two guys very interesting. From my point of view, it shows the criteria she uses as a foundation for her affection. As in there are certain things she looks for (appeal, ability to converse, confidence) and certain things she looks over (money). Especially in this quote: "If gratitude and esteem are good foundations of affection, Elizabeth's change of sentiment will be neither improbable nor faulty. But if otherwise -- if the regard springing from such sources is unreasonable or unnatural, in comparison of what is so often described as arising on a first interview with its object, and even before two words have been exchanged -- nothing can be said in her defence, except that she had given somewhat of a trial to the latter method in her partiality for Wickham." I'm not sure what it means exactly, but I think she realizes that her foundations for affection might not be a good judge of character. Anyway, what do you guys think of Elizabeth's relationship with Wickham and Colonel Fitzwilliam? Is there a more important connection between the two, or a more profound reason to even compare them at all? Why are they so similar and what is the importance of Colonel Fitzwilliam's character (besides revealing Mr. Darcy's little schemes).


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Pride and Prejudice

What are your thoughts on why Austen only focuses on specific social classes while leaving characters in lower classes under-developed? It seems, as mentioned by many critics, that Jane Austen does not give any detail on the lives of people in lower social classes. They are a minor part of the novel, and seem to just go on with their daily routines without any development.


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