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Charles Dickens (1812-1870), English Victorian era author wrote numerous highly acclaimed novels including his most autobiographical David Copperfield (1848-1850);
�Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve o'clock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously.�
As a prolific 19th Century author of short stories, plays, novellas, novels, fiction and non, during his lifetime Dickens became known the world over for his remarkable characters, his mastery of prose in the telling of their lives, and his depictions of the social classes, mores and values of his times. Some considered him the spokesman for the poor, for he definitely brought much awareness to their plight, the downtrodden and the have-nots. He had his share of critics like Virginia Woolf and Henry James, but also many admirers, even into the 21st Century.
Gilbert Keith Chesterton wrote numerous introductions to his works, collected in his Appreciations and Criticisms of the works of Charles Dickens (1911) and in his highly acclaimed biography Charles Dickens (1906) he writes: He was the voice in England of this humane intoxication and expansion, this encouraging of anybody to be anything. Critic John Forster (1812-1876) became his best friend, editor of many of his serialisations, and official biographer after his death, publishing The Life of Charles Dickens in 1874. Scottish poet and author Andrew Lang (1844-1912) included a letter to Dickens in his Letters to Dead Authors (1886). Elbert Hubbard (1856-1915) in his Little Journeys (1916) series follows in the footsteps of Dickens through his old haunts in London. George Gissing (1857-1903) also respected his works and wrote several introductions for them, as well as his Charles Dickens: A Critical Study (1898) in which he writes: Humour is the soul of his work. Like the soul of man, it permeates a living fabric which, but for its creative breath, could never have existed. While George Orwell (1903-1950) was at times a critic of Dickens, in his 1939 essay Charles Dickens he, like many others before, again brought to light the author still relevant today and worthy of continued study: Nearly everyone, whatever his actual conduct may be, responds emotionally to the idea of human brotherhood. Dickens voiced a code which was and on the whole still is believed in, even by people who violate it. It is difficult otherwise to explain why he could be both read by working people (a thing that has happened to no other novelist of his stature) and buried in Westminster Abbey.
Charles John Huffman Dickens was born on 7 February, 1812 in Portsmouth, Hampshire, England (now the Dickens Birthplace Museum) the son of Elizabeth n�e Barrow (1789-1863) and John Dickens (c.1785-1851) a clerk in the Navy Pay Office. John was a congenial man, hospitable and generous to a fault which caused him financial difficulties throughout his life. He inspired the character Mr. Micawber in David Copperfield (1849-1850). Charles had an older brother Frances, known as Fanny, and younger siblings Alfred Allen, Letitia Mary, Harriet, Frederick William known as Fred, Alfred Lamert, and Augustus Newnham.
When Dickens� father was transferred to Chatham in Kent County, the family settled into the genteel surroundings of a larger home with two live-in servants�one being Mary Weller who was young Charles� nursemaid. Dickens was a voracious reader of such authors as Henry Fielding, Daniel Defoe, and Oliver Goldsmith. When he was not attending the school of William Giles where he was an apt pupil, he and his siblings played games of make-believe, gave recitations of poetry, sang songs, and created theatrical productions that would spark a lifelong love of the theatre in Dickens. But household expenses were rising and in 1824, John Dickens was imprisoned for debt in the Marshalsea Prison. All of the family went with him except for Charles who, at the age of twelve, was sent off to work at Warren�s Shoe Blacking Factory to help support the family, pasting labels on boxes. He lived in a boarding house in Camden Town and walked to work everyday and visited his father on Sundays.
It was one of the pivotal points in Dickens� education from the University of Hard Knocks and would stay with him forever. The idyllic days of his childhood were over and he was rudely introduced to the world of the working poor, where child labour was rampant and few if any adults spared a kind word for many abandoned or orphaned children. Many of his future characters like Oliver Twist, David Copperfield, and Philip Pirrip would be based on his own experiences. The appalling working conditions, long hours and poor pay typical of the time were harsh, but the worst part of the experience was that when his father was released his mother insisted he continue to work there. While he felt betrayed by and resented her for many years to come, his father arranged for him to attend the Wellington House Academy in London as a day pupil from 1824-1827, perhaps saving him from a life of factory work and setting him on the road to becoming a writer.
In 1827 the Dickens were evicted from their home in Somers Town for unpaid rent dues and Charles had to leave school. He obtained a job as a clerk in the law firm of Ellis and Blackmore. He soon learned shorthand and became a court reporter for the Doctors Commons. He spent much of his spare time reading in the British Museum�s library and studying acting. In 1830 he met and fell in love with Maria Beadnell, though her father sent her to finishing school in Paris a few years later. In 1833, his first story of many, �A Dinner at Poplar Walk� was published in the Monthly Magazine. He also had some sketches published in the Morning Chronicle which in 1834 he began reporting for and adopted the pseudonym �Boz�. At this time Dickens moved out on his own to live as a bachelor at Furnival�s Inn, Holborn. His father was arrested again for debts and Charles bailed him out, and for many years later both his parents and some of his siblings turned to him for financial assistance.
Dickens� first book, a collection of stories titled Sketches by Boz was published in 1836, a fruitful year for him. He married Catherine Hogarth, daughter of the editor of the Evening Chronicle on 2 April, 1836, at St. Luke�s in Chelsea. A year later they moved into 48 Doughty Street, London, now a museum. The couple would have ten children: Charles Culliford Boz (b.1837), Mary (Mamie) (1838-1838), Kate Macready (b.1839), Walter Landor (b.1841), Francis (Frank) Jeffrey (b.1844), Alfred Tennyson (b.1845), Sydney Smith (b.1847), Henry Fielding (b.1849), Dora Annie (1850-1851), Edward Bulwer Lytton (b.1852). Also in the same year, 1836, Dickens became editor for Bentley�s Miscellany of which Pickwick Papers (1836-1837) was first serialised.
Thus began a prolific and commercially successful period of Dickens� life as a writer. Most of his novels were first serialised in monthly magazines as was a common practice of the time. Oliver Twist between 1837 and 1839 was followed by Nicholas Nickleby (1838-1839), The Old Curiosity Shop (1840-1841), and Barnaby Rudge (1841). Dickens� series of five Christmas Books were soon to follow; A Christmas Carol (1843), The Chimes (1844), The Cricket on the Hearth (1845), The Battle of Life (1846), and The Haunted Man (1848). Dickens had found a readership who eagerly anticipated his next installments.
After the death of Catherine�s sister Mary in 1837 the couple holidayed in various parts of England. After Dickens resigned from Bentley�s in 1839, they moved to 1 Devonshire Terrace, Regent�s Park. Further travels to the United States and Canada in 1842 led to his controversial American Notes (1842). Martin Chuzzlewit was first serialised in 1843. The next year the Dickens traveled through Italy and settled in Genoa for a year of which his Pictures From Italy (1846) was written.
Dombey and Son (1846) was his next publication, followed by David Copperfield (1849). In 1850 he started his own weekly journal Household Words which would be in circulation for the next nine years. From 1851 to 1860 the Dickens lived at Tavistock House where Charles became heavily involved in amateur theatre. He wrote, directed, and acted in many productions at home with his children and friends, often donating the money raised from ticket sales to those in need. He collaborated with Wilkie Collins on the drama No Thoroughfare (1867). Novels to follow were Bleak House (1852-1853), Hard Times (1854), and Little Dorrit (1855-1857). In 1856 Dickens purchased Gad�s Hill, his last place of residence near Rochester in Kent County. He continued in the theatre as well, acting in Wilkie Collins� The Frozen Deep in 1857 with actress Ellen Ternan (1839-1914) playing opposite him. The two fell in love and Dickens would leave Catherine a year later.
By now Dickens was widely read in Europe and in 1858 he set off on a tour of public readings. A year later he founded his second weekly journal All the Year Round, the same year A Tale of Two Cities (1859) was first serialised. Great Expectations (1860-1861) was followed by Our Mutual Friend (1864-1865). In 1865, traveling back from Paris with Ellen and her mother, they were involved in the disastrous Staplehurst train crash, of which Dickens sustained minor injuries, but never fully recovered from the post-traumatic shock of it. Two years later he traveled to America for a reading tour. His �farewell readings� took place in London�s St. James Hall. Charles Dickens died from a cerebral hemorrhage on 9 June 1870 at his home, Gad�s Hill. He is buried in Poet�s Corner of Westminster Abbey, London, his tomb inscribed thus: �He was a sympathiser to the poor, the suffering, and the oppressed; and by his death, one of England�s greatest writers is lost to the world.� Thomas Carlyle (1795-1881), Scottish historian and author, upon hearing of his death said: The good, the gentle, high-gifted, ever-friendly, noble Dickens�every inch of him an honest man. Unfinished at his death, The Mystery of Edwin Drood was published in 1870.
My father had left a small collection of books in a little room upstairs, to which I had access (for it adjoined my own) and which nobody else in our house ever troubled. From that blessed little room, Roderick Random, Peregrine Pickle, Humphrey Clinker, Tom Jones, the Vicar of Wakefield, Don Quixote, Gil Blas, and Robinson Crusoe, came out, a glorious host, to keep me company. They kept alive my fancy, and my hope of something beyond that place and time, - they, and the Arabian Nights, and the Tales of the Genii, - and did me no harm; for whatever harm was in some of them was not there for me; I knew nothing of it. It is astonishing to me now, how I found time, in the midst of my porings and blunderings over heavier themes, to read those books as I did.�Ch. 4, David Copperfield
Biography written by C.D. Merriman for Jalic Inc. Copyright Jalic Inc. 2006. All Rights Reserved.
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The Trial for Murder: Why are the spooky guys in Piccadilly "going from west to east"
The Trial for Murder: Why are the spooky guys in Piccadilly "going from west to east"? I am expecting some street names, for instance going from St. James's Street to XYZ. So I guess "going from west to east" has a special meaning. What is it?
Posted By gavagai at Tue 16 Mar 2021, 8:26 PM in Dickens, Charles || 5 Replies
The link between Charles Dickens and Fanny Price (Jane Austen)
Blinding insight: Charles Dickens was born in Portsmouth, 1812. His father was a clerk in the Admiralty. He earned �80 a year, but had a large family, so he was often short of money. Fanny Price, the heroine of Mansfield Park by Jane Austen, was also born in Portsmouth. Her father was a lieutenant in the Royal Marines, although he had so many children, he could hardly have been away to sea. I don't what he was doing. Perhaps his talents lay in press-ganging or perhaps administration. In any case, he was a lower middle class man working for the Admiralty with a large family and money worries. Charles Dickens could have been one of Fanny Price's younger brothers.
Posted By kev67 at Sat 27 Feb 2021, 10:45 PM in Dickens, Charles || 0 Replies
Psychoanalysis of late, great authors
One thing about Charles Dickens, more than any other author I can think of, was that he put so much of his own life into his books, that critics, academics and journalists have spent the 150 years since his death psychoanalysing him. For instance, we all know about his father's imprisonment in debtors' prison, his time as a boy working in a blacking factory, his shameful treatment of his wife, and the girlfriend he kept on the side. For instance, suppose you watched a lecture on YouTube about Great Expectations, you might hear about Dickens' relationship with his mother, his fear of his being condemned to a working class life during his stint at the blacking factory, his infatuation with a young woman in his youth who turned him down, his having read David Copperfield first and crying, which must relate to his marital situation at the time. Whenever I read a literary paper like the Times Literary Supplement or the London Review of Books, I was always struck how there were more articles on the lives of famous authors than there was discussion of new books. If I were an an author, I would be very wary about giving myself away, but I suppose it is an occupational hazard. From a British perspective, probably George Eliot is probably the next most psychoanalysed author.
Posted By kev67 at Fri 26 Feb 2021, 12:05 AM in Dickens, Charles || 1 Reply
Did Dickens have a thing against French people?
I think every major French character I have read so far in Dickens' novels has been a villain. There was Mme Defarge in A Tale of Two Cities. M. Defarge, although not as villainous as his wife, was still a villain. In Bleak House, Lady Dedlock's maid, Mademoiselle Hortense, was a villainess. In Little Dorritt, Rigaud/Blandois is a villain. At what point does it become statistically significant and we can say with 95% certainty, that Dickens had a problem with the French?
Posted By kev67 at Wed 22 Apr 2020, 1:54 PM in Dickens, Charles || 1 Reply
Dickens' Most Vacuous Heroine
The Dickens Fellowship of London is holding an event later this year to debate who is the most vacuous heroine in his work. http://www.dickensfellowship.org/Events/dickens%E2%80%99s-most-vacuous-heroine Who would you vote for? Jackson
Posted By Jackson Richardson at Wed 17 Jan 2018, 7:34 PM in Dickens, Charles || 17 Replies
What makes Victorian literature interesting
The thing I find most interesting about Victorian literature is that is works on several levels. On the one level there are the actual stories themselves, some of which are reasonably entertaining. On another level, there is all the history. It's an incomplete history, because only people from a certain subsection of society had the time to write books. Then what they wrote was not totally realistic, it was dramatized up to make it interesting. Nevertheless, you don't get science fiction books written by aliens or people from the future, but you do get historical books written by people from the past. Those people lived in a culture with different values and prejudices different to today. Another thing you can do with a long dead author, which is sort of impolite to do with a living author, is learn how their own lives impacted their fiction. I suppose most authors would not like to be laid bare like this, at least while they are still alive. I am not sure enough is known about Shakespeare to know how his personal life was reflected in his books. He definitely reacted to the politics of his day. You can speculate to some degree with Jane Austen, for example her short-lived engagement to Mr Bigelow and her romance with Tom Lefroy that was cut short. The Brontes laid themselves open, particularly Charlotte. Their life stories are in part why they are loved so much. I think Dickens is the exemplar though. Everyone has heard about him working in a blacking factory as a boy, his changing views on Jews, his problems portraying young women, his treatment of his wife and taking up with his mistress, all of which was reflected in his books. I think Dickens was clever is appointing his own biographer, his friend John Forster, and supplying him with material. Something else about the Victorian era is that is it a sort of transition period between today and the more feudal times. You had basically everything you have today, just in a more primitive state. You had your technology, your science, your business, your social reform. You still had a lot of religion and class, and in those days an expanding empire. It's a long time ago and yet still quite modern.
Posted By kev67 at Sun 24 Dec 2017, 5:33 PM in Dickens, Charles || 0 Replies
Dickens' religious convictions
I was looking at the Unitarian website this evening. I was aware Elizabeth Gaskell was a Unitarian, but I was surprised to see Charles Dickens listed as one. I looked him up on Wikipedia and it said that, In the early 1840s Dickens had showed an interest in Unitarian Christianity, and Robert Browning remarked that �Mr. Dickens is an enlightened Unitarian.� Writer Gary Colledge, however, asserted that he "never strayed from his attachment to popular lay Anglicanism".' From his writing, I assumed Dickens was a natural Christian, and not someone who struggled with his/her faith like Thomas Hardy or George Elliot, or atheists like later Victorians such as George Gissing and H.G. Wells. Both Pip from Great Expectations and David Copperfield say, 'May God forgive me,' or something very similar when recounting episodes from their lives when they thought they had treated people badly. These are both first person narratives. In other books he seems very Christian, particularly in A Christmas Carol. In other ways he was not so religious, such as when he left his wife to live with his new girlfriend, Ellen Ternan.
Posted By kev67 at Wed 8 Mar 2017, 11:05 PM in Dickens, Charles || 17 Replies
I dont like Charles Dickens books and find them boring?
Im just wondering if im the only one who doesnt like his works. Whenever i read comments on the Internet about Dickens, everyone is like ''wow amazin'', ''his works are must-read books''. and im like ''whatttt?'' Do you all really like his works? I mean... They, of course, are very very precious works to come that era in which we live. I just find his works quite boring! im sorry to say that.
Posted By lifeisart at Wed 12 Oct 2016, 11:15 PM in Dickens, Charles || 23 Replies
What do you think about Dickens realism?
Generally speaking there are two definitions of literary realism (More precise definitions or arguments are absolutely welcome): 1-It is the aim of some of the modern fiction to portray the fictional characters and their enviroments as closely as posible to the world of the readers in order to convince them of their plausibility. 2-It is a literary period (usually of the 19 C) specially devoted to paint "the world as it was". It was usually a very pessimistic trend. Some of its most famous representatives are Stendhal, Balzac and Flaubert (France), E�a de Queir�s (Portugal) and Machado de Assis (Brazil). But Dickens highly imaginative (and sometimes phantastic) fiction is also considered realistic. What would characters like Miss Havisham (Great Espectation) and spontaneously combusting Krook (Bleak House) have in common with Madame Bovary and Father Goriot? Please give your opinions.
Posted By Danik 2016 at Wed 12 Oct 2016, 2:55 PM in Dickens, Charles || 27 Replies
Favorite Charles Dickens novel
I'm a big fan of Charles Dickens. A Tale of Two Cities remains a powerful, exciting adventure novel with an epic and a prophetic voice behind it, with thoroughly allegorical and primeval feeling. A Christmas Carol has the energy of an allegory with the concise feature of a novella. Great Expectations is not a novel I immediately thrilled to while reading, but it has lingered in my memory as perhaps one of Dickens's most mature, retrospective, elegaic novels. David Copperfield was a bit too long for my taste, but I thought it was a great novel overall, filled with some of the best prose and some of my favorite literary characters - Mr. Micawber, David Copperfield, Betsy Trotwood, Uriah Heep. And now I am in the midst of swimming in the wide billows of Dickens's big epic megalosaurus of a mega-novel - Bleak House, the novel where he, in Chesterton's words, "grew up." I'd say this may come close to becoming my favorite novel, replacing A Tale of Two Cities. I am awed by the control of the two voices - the omniscient, cinematic, present narrator, with his command of moralizing and poetry in his voice, and the voice of Esther Summerson, which develops and shifts and carries with it its own elegaic, reserved power that captures the Dickens rhetoric. I think Bleak House, in a way unique among all his novels, captures Dickens' powers of rhetoric at a fever pitch. This makes me think, more than his other works, that Dickens was one of literature's great masters of rhetoric. So, what is your favorite Dickens novel, and why? What do you think of his earlier work - Pickwick Papers, Oliver Twist - as compared to his later work - Bleak House, Our Mutual Friend, Hard Times, Great Expectations?
Posted By ajvenigalla at Mon 6 Jun 2016, 10:05 PM in Dickens, Charles || 5 Replies