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Virginia Woolf (1882-1941), English author, feminist, essayist, publisher, and critic wrote A Room of One’s Own (1929);
All I could do was to offer you an opinion upon one minor point—a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved.-Ch. 1
Now regarded as a classic feminist work, Woolf based her extended essay A Room on lectures she had given at women’s colleges at Cambridge University. Using such female authors as Jane Austen and Emily and Charlotte Bronte, she examines women and their struggles as artists, their position in literary history and need for independence. She also invents a female counterpart of William Shakespeare, a sister named Judith to at times sarcastically get her point across. Woolf proved to be an innovative and influential 20th Century author. In some of her novels she moves away from the use of plot and structure to employ stream-of-consciousness to emphasise the psychological aspects of her characters. Themes in her works include gender relations, class hierarchy and the consequences of war. Woolf was among the founders of the Modernist movement which also includes T. S. Eliot, Ezra Pound, James Joyce, and Gertrude Stein.
The effects of bi-polar disorder at times caused Woolf protracted periods of convalescence, withdrawing from her busy social life, distressed that she could not focus long enough to read or write. She spent times in nursing homes for ‘rest cures’; frankly referred to herself as ‘mad’; said she heard voices and had visions. “My own brain is to me the most unaccountable of machinery—always buzzing, humming, soaring roaring diving, and then buried in mud. And why? What’s this passion for?” (from a letter dated 28 Dec. 1932). The subject of suicide enters her stories and essays at times and she disagreed with the perception that it is an act of cowardice and sin. When Virginia was not depressed she worked intensely for long hours at a time. She was vivacious, witty and ebullient company and a member of the Bloomsbury Group or ‘Bloomsbury’ which had been started by her brother Thoby and his friends from Cambridge. It quickly grew to encompass many of London’s literary circle, who gathered to discuss art, literature, and politics. During her life and since her death she has been the subject of much debate and discussion surrounding the sexual abuse she suffered at the hands of her half-brother, her mental health issues and sexual orientation. Also, her pacifist political views in line with Bloomsbury caused controversy. From Three Guineas (1931);
Therefore if you insist upon fighting to protect me, or “our” country, let it be understood, soberly and rationally between us, that you are fighting to gratify a sex instinct which I cannot share; to procure benefits which I have not shared and probably will not share; but not to gratify my instincts, or to protect either myself or my country. “For,” the outsider will say, “in fact, as a woman, I have no country. As a woman I want no country. As a woman my country is the whole world.”-Ch. 3
Regardless of the polemic, or because of it, even into the 21st Century Woolf’s prodigious output of diaries, letters, critical reviews, essays, short stories, and novels continue to be the source of much scholarly study. Adeline Virginia Stephen was born in London, England on 25 January 1882, daughter of Sir Leslie Stephen (1832-1904), literary critic and first editor of the Dictionary of National Biography. His first wife, daughter of William Makepeace Thackeray, Harriet Marion (b.1840) died in 1875. Virginia’s mother was his second wife, Julia Prinsep Jackson Duckworth (1846-1895) who inspired the character Mrs. Ramsay in To The Lighthouse (1927).
Virginia had two brothers, Thoby (1880-1906) and Adrian (1883-1948) who became a psychoanalyst. She was very close to her older sister Vanessa ‘Nessa’ (1876-1961) who would become a painter and marry art critic Clive Bell. She also had four half-siblings; Laura Makepeace Stephen (1870-1945), and George (1868-1934), Gerald (1870-1937) [who would found Duckworth and Co. Publishing] and Stella (1869-1897) Duckworth.
A number of the Stephen relatives were friends of Scottish historian and author Thomas Carlyle. Many other successful Victorian authors of the time were regular visitors to their bustling home in Hyde Park including Henry James and George Eliot; Virginia would write an article about her for the Times Literary Supplement in 1919. “Middlemarch, the magnificent book which with all its imperfections is one of the few English novels for grown-up people.” (“George Eliot”). Their works and many others’ including Charles Dickens’s and Thackeray’s were part of her home education. Her father had a massive library so she and her sister were not without material although Virginia would soon reject the values and morals of their generation.
The Stephens summered at ‘Talland House’ in St. Ives, County Cornwall in the southwest of England along the rocky shores of the Atlantic Ocean. Virginia had vivid and fond memories of these times which often had an influence on her writing including visits to a nearby lighthouse. However they ended when her mother died; she was just thirteen years old and suffered the first major breakdown of many that would plague her off and on the rest of her life. The death of Stella, who had become like a mother to Virginia and the death of her father caused another period of profound depression. “The beauty of the world ... has two edges, one of laughter, one of anguish, cutting the heart asunder.” (A Room of One’s Own). Vanessa then moved her sister and brothers to another neighborhood in London, Bloomsbury. Virginia was feeling better and by 1905 was writing in earnest articles and essays, and became a book reviewer for the Times Literary Supplement. She also taught teaching English and History at Morley College in London.
In 1906 Virginia, Vanessa and their brothers traveled to Europe, where Thoby contracted typhoid fever and died from in 1906. Back in England the Bloomsbury Group was flourishing, their home a meeting place for writers, scholars and artists including Clive Bell, artist and art critic, who Vanessa married 1907. They would not stay together for long. After his third proposal, Virginia finally married left-wing political journalist, author and editor Leonard Woolf (1880-1969) on 10 August 1912. They would have no children. In 1914 when World War I broke out they were living in Richmond and Woolf was working on her first novel The Voyage Out (1915) a satirical coming-of-age story;
As the streets that lead from the Strand to the Embankment are very narrow, it is better not to walk down them arm-in-arm. If you persist, lawyers’ clerks will have to make flying leaps into the mud; young lady typists will have to fidget behind you. In the streets of London where beauty goes unregarded, eccentricity must pay the penalty, and it is better not to be very tall, to wear a long blue cloak, or to beat the air with your left hand.-Ch. 1
Leonard and Virginia would themselves get into the publishing business, together founding the Hogarth Press in 1917. Works by T. S. Eliot and Katherine Mansfield would be among their many publications including Virginia’s. Night and Day (1919) was followed by her short story collection Monday or Tuesday (1921) and essays in The Common Reader (1925). Jacob’s Room (1922) was followed by Mrs. Dalloway (1925) which inspired a film “The Hours” in 2002. To The Lighthouse (1927) was followed by Orlando: A Biography (1928);
Different though the sexes are, they inter-mix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is very opposite of what it is above…..Every secret of a writer’s soul, every experience of his life, every quality of his mind is written large in his works.-Ch. 4
One of her more popular novels, it was adapted to the screen in 1993. A roman à clef, Orlando’s character is modeled after Vita Sackville West (1892-1962), friend and possible lover of Woolf; Princess Sasha based on her friend Violet Trefusis. Vita’s husband Harold Nicolson also plays a part as Marmaduke. Their son Nigel referred to it as “the longest and most charming love letter in literature.” “I was in a queer mood, thinking myself very old: but now I am a woman again—as I always am when I write.” (The Diary of Virginia Woolf, 31 May 1929.) The Waves (1931) is said to be Woolf’s most experimental work. Flush: A Biography (1933) is told through the eyes of Elizabeth Barrett Browning’s spaniel. The Second Common Reader (1933) her next collection of critical essays, was followed by The Years (1937) and Roger Fry: A Biography (1940).
With the outbreak of WWII the Woolfs were living at their country retreat, ‘Monk’s House’ near the village of Rodmell in Lewes, Sussex, which is now preserved by the National Trust. In 1940 they received word that their London home had been destroyed. Fear of a German invasion loomed and Leonard’s Jewish heritage provoked the couple to make a suicide pact if the possibility of falling into German hands arose. Leonard as usual was ever vigilant to the onset of the next major depressive episode in his wife; she would get migraine headaches and lay sleepless at night. However, he and her doctor, who had seen her the day before, would never intuit that her next one was to be her last. Her letters to friends had been written in shaky handwriting and though she was actively working on her manuscript for what was to be the last publication before her death, Between the Acts (1941) she did express much disdain for its worth and wanted to ‘scrap’ it.
The scullery maid....was cooling her cheeks by the lily pond. There had always been lilies there, self-sown from wind-dropped seed, floating red and white on the green plates of their leaves. Water, for hundreds of years, had silted down into the hollow, and lay there four or five feet deep over a black cushion of mud....fish swam—gold, splashed with white....poised in the blue patch made by the sky....It was in that deep centre, in that black heart, that the lady had drowned herself.
Virginia Woolf died on 28 March 1941 when she drowned herself in the River Ouse near their home in Sussex, by putting rocks in her coat pockets. Her body was found later in April and she was then cremated, her ashes spread under two elms at Monks’ House. She had left two similar suicide notes, one possibly written a few days earlier before an unsuccessful attempt. The one addressed to Leonard read in part;
Dearest, I feel certain I am going mad again....And I shan’t recover this time.....I am doing what seems the best thing to do....I can’t fight any longer....Everything has gone from me but the certainty of your goodness. I can’t go on spoiling your life any longer....I don’t think two people could have been happier than we have been. V.
After her death, Leonard set to the task of editing her vast collection of correspondence, journals, and unpublished works and also wrote an autobiography. He died in 1960. Posthumous publications include; The Death of the Moth and Other Essays (1942), A Haunted House and Other Short Stories (1944), and The Moment and Other Essays (1948). Virginia’s nephew, the late Professor Quentin Bell (1910-1996) wrote the award winning Virginia Woolf: A biography (2 vols, London: Hogarth Press, 1972).
Every season is likeable, and wet days and fine, red wine and white, company and solitude. Even sleep, that deplorable curtailment of the joy of life, can be full of dreams; and the most common actions—a walk, a talk, solitude in one’s own orchard—can be enhanced and lit up by the association of the mind. Beauty is everywhere, and beauty is only two finger’s-breadth from goodness. So, in the name of health and sanity, let us not dwell on the end of the journey. The Common Reader “Montaigne”-Ch. 6
Biography written by C. D. Merriman for Jalic Inc. Copyright Jalic Inc. 2007. All Rights Reserved.
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To The Lighthouse
I have just finished reading this book, and interesting story, but there is one thing which has stuck within my mind that I remain uncertain about. I noticed that the colors red and brown seem to be used throughout the story, and there seems to be some significance and importance placed upon these two colors, and they are most often used paired together. But I have not been able to understand just what their meaning might be. If anyone can offer any insight on the use of the colors in this story it would be much appreciated.
Posted By Dark Muse at Tue 29 Apr 2008, 3:19 PM in Woolf, Virginia || 12 Replies
Visions: Virginia Woolf's and Mine
VISIONS:yawnb: Two of Virginia Woolf’s major works came out in the first year(4/’37-4/’38) of the first Baha’i Seven Year Plan(1937-1944). One work, Three Guineas, was an essay in epistolary format demonstrating Virginia Woolf's views on war and women. As an unfinished manuscript it was published in 1937 entitled The Pargiters. Three Guineas became a book-length essay published in June 1938. The fiction portion of this manuscript became The Years, Woolf's most popular novel during her lifetime. It was on the best seller lists for many months in 1937. Her novel The Waves was published in French in 1937. In a BBC interview from 1937, Woolf explained why English words can not be reduced to static definitions: “English words are full of echoes, memories, of associations. They’ve been out and about on people’s lips, in their houses, in the streets, in the fields for so many centuries, and that is one of the chief difficulties in writing today. They are stored with other meanings, with other memories. And they have contracted so many famous marriages in the past.”1 On 11 April 1937, ten days before the Baha’i community began its Seven Year Plan, the New York Times published a review of Woolf’s novel The Years in which she contracts many meanings and marriages of words. The reviewer wrote that Woolf’s work was more “a poem or a piece of music.”2 There is no cataloguing the characters, no regimenting them into some customary form; they delight in living, thinking, feeling and brooding. Woolf gives them a local habitation and a name; like her autobiography her novels require close reading as she goes about redefining heritage, history, culture and identity and their many intersections. She tries to reach a style of inclusiveness to represent the modern consciousness more appropriately. -Ron Price with thanks to 1Tricia Ares, “Feminist Body, Feminist Mind: A Comparative Analysis of Hélène Cixous and Virginia Woolf,” Modern Matriarch, May 14, 2007; and 2 Peter Jack, “Virginia Woolf’s Richest Novel,” The New York Times, 11 April 1937. For many you described a world, a vision of some place they would find familiar: with style, humour and a brilliant sensibility, where they could stretch the night and fill it fuller and fuller with dreams, while they searched for some form of salvation. But you offered secular intelligence, no doctrine, salvation, no dogma—far, far, far outside of beliefs, just naturalness, charm of spirit which moved precariously entre deux guerres recapturing moments in the past renewed in our time in their uncertainty for your peace and ours, with your genius, for our world’s words. Many, but not all, felt you could say the unsayable and lift veil after veil to reveal the meaning of life; and so, too, did those pledged in that preliminary task, that initial stage in the unfoldment of another vision of a spiritual destiny which my generation laboured to fulfil in my life’s century: 1944-2044.1 1 Shoghi Effendi, Messages to America, Wilmette, 1947, p.13. Ron Price 12 April 2008
Posted By Ron Price at Sat 12 Apr 2008, 9:22 AM in Woolf, Virginia || 0 Replies
Who's afraid of Virginia Woolf?
Well, not me. I just finished reading "A Haunted House." The first I've read of Woolf. Anybody have any thoughts on this short story or its author? I was slightly confused the first time through it. By the end of the second reading I was in love with it. It's beautiful and it reads like poetry as much as prose. In fact, at just 700 words it could almost be considered a long poem of sorts. Here it is for anybody interested or anybody who hasn't read it in awhile: http://www.online-literature.com/virginia_woolf/856/
Posted By Chester at Tue 8 Apr 2008, 7:52 PM in Woolf, Virginia || 4 Replies
Sos!!!!!
Hi, people!!!! I'm still looking for info about V. Woolf and cinema !!! Could anybody help to find her essey "Cinema" (in "The Captain's Death Bed and Other Essays")? Thanks!!!
Posted By olenopa at Tue 1 Apr 2008, 11:07 AM in Woolf, Virginia || 0 Replies
The mark on the wall
Hi everyone,:yawnb: I am working on a project about Virginia's The Mark on the Wall.Could anyone give me some information about this short story ??or internet links ??? I do appreciate you help. Thank you so much.
Posted By Cherry Lee at Sun 23 Mar 2008, 9:26 PM in Woolf, Virginia || 0 Replies
what are the achievements of Virginia Woolf?
hi how are you? can you tell me?
Posted By Macbeth1 at Fri 21 Mar 2008, 10:36 AM in Woolf, Virginia || 2 Replies
please hellllllllp me
hello everybody , I am new member please can any one help me in analyzing the characters of virginia woolf " the weaves " during thier childhood . I need this tomorrow because my teacher needs them on saturday . I really appreciate your help:) :)
Posted By dazy at Thu 20 Mar 2008, 3:19 PM in Woolf, Virginia || 1 Reply
V.Woolf and cinema
Hello everyone!!!! It's great that there is such forum!!! I am looking for information about V. Woolf and cinema. Maybe somebody knows what films V. Woof saw and what she said about cinema? Olenopa
Posted By olenopa at Thu 6 Mar 2008, 6:27 AM in Woolf, Virginia || 0 Replies
stream of consciousness
"Stream of Consciousness" Definition: Stream of Consciousness is a literary technique which was pioneered by Dorthy Richardson, Virginia Woolf, and James Joyce. Stream of consciousness is characterized by a flow of thoughts and images, which may not always appear to have a coherent structure or cohesion. The plot line may weave in and out of time and place, carrying the reader through the life span of a character or further along a timeline to incorporate the lives (and thoughts) of characters from other time periods. Writers who create stream-of-consciousness works of literature focus on the emotional and psychological processes that are taking place in the minds of one or more characters. Important character traits are revealed through an exploration of what is going on in the mind. Also Known As: Interior Monologue
Posted By emmy at Tue 19 Feb 2008, 3:24 PM in Woolf, Virginia || 0 Replies
urgent
hiiiiiiiiii everybody . first time in ur forum and soooooo glade 2 be . needing the help of every onr here !!! im doing my MA thesis on woolf's short stories and her technique of stream of consciousness and need whatever information that u have..... pls
Posted By emmy at Tue 19 Feb 2008, 3:09 PM in Woolf, Virginia || 0 Replies