Oscar Wilde


Advanced Search

Oscar Wilde (1854-1900), Irish dramatist, poet, and author wrote the darkly sardonic Faustian themed The Picture of Dorian Gray (1891);

In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, .... "I hate them for it,"cried Hallward. "An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty. Some day I will show the world what it is; and for that reason the world shall never see my portrait of Dorian Gray."--Ch. 1

Ever the aesthete, Wilde himself was profoundly affected by beauty and lived and dressed flamboyantly compared to the typical Victorian styles and mores of the time. He was often publicly caricatured and the target of much moral outrage in Europe and America. His writings such as Dorian Gray with homoerotic themes also brought much controversy for him but he was part of the ever-growing movement of 'decadents' who advocated pacifism, social reform, and libertarianism. While many vilified him, he was making his mark with style and wit and enjoyed much success with many of his plays. Wilde was lauded by and acquainted with many influential figures of the day including fellow playwright George Bernard Shaw, American poets Walt Whitman and Henry Wadsworth Longfellow, and English author and social critic John Ruskin. His works have inspired countless fellow authors, have been translated to numerous languages, and have been adapted to the stage and screen many times over. Fiction by Wilde includes The Canterville Ghost (1887), The Happy Prince and Other Tales (1888), The Portrait of Mr. W. H. (1889), A House of Pomegranates (1891), Lord Arthur Savile's Crime (1891), and Intentions (essays, 1891). His plays include Vera, or the Nihilists (1880), The Duchess of Padua (1883), Lady Windermere's Fan (1892), A Florentine Tragedy (La Sainte Courtisane 1893), A Woman of No Importance (1893), Salomé (1894), An Ideal Husband (1895), and The Importance of Being Earnest (1895).

Oscar Fingal O'Flahertie Wills Wilde was born on 16 October 1854, in Dublin, Ireland, the second of three children born to writer Jane Francesca Agnes née Elgee (1821-1896) and surgeon Sir William Robert Wills Wilde (1815-1876). Wilde's mother was a prominent poet and nationalist; his father a successful ear and eye surgeon and noted philanthropist, knighted in 1864. Oscar had an older brother named William and a younger sister, Isola. After his initial years of schooling at home, in 1871 he entered Trinity College, Dublin, then went on to study the classics at Magdalen College, Oxford, England from 1874-1878. It was here that he came under the influence of writer and critic Walter Pater (1839-1894) and helped found the Aesthetic Movement, "art for art's sake". Wilde excelled in his studies, winning many prizes and awards including Oxford's Newdigate Prize for his poem "Ravenna" (1878);

Adieu! Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.

After school Wilde settled in London and continued to write poetry; his first collection simply titled Poems was published in 1881. That same year he set off on a long tour of America and Canada to deliver lectures on aestheticism. He arrived back in Europe in 1883 and while not further lecturing lived in Paris, France. In 1884 Wilde married Constance Mary Lloyd (1858-1898) with whom he would have two sons; Cyril (1885-1915), who was killed during World War I, and Vyvyan (1886-1976), who would become an author, penning his memoir Son of Oscar Wilde (1954) and publishing Oscar Wilde: A Pictorial Biography in 1960. The Wildes settled in Chelsea, London where Oscar continued to write and work for such magazines as the Pall Mall Gazette and became editor of Woman's World in 1887.

In 1891 Wilde met English poet Lord Alfred Douglas "Bosie" (1870-1945), son of John Douglas, 9th Marquess of Queensberry (1844-1900). It was the beginning of a tumultuous relationship that would cause many problems for Oscar and eventually lead to his downfall. Alfred had a tempestuous relationship with his father which did not help matters. He disapproved of his son's lifestyle and when he learned of his openly living with Wilde, he set out to defame Wilde. For the opening performance of The Importance of Being Earnest in 1895 at St. James's Theatre in London the Marquess planned to publicly expose and humiliate Wilde. Oscar took legal steps to protect himself against the 'brute' but he ultimately won a case whereby Wilde was charged with "gross indecency" for homosexual acts. The outcome of the sensational trial was a sentence of two years hard labour which Wilde served most of at the Reading Gaol outside of London. After Wilde was imprisoned Constance had her and her sons' last names changed to Holland. Now prisoner C. 3.3, Wilde turned to his pen and wrote many essays, poems, and letters including one to Alfred, "De Profundis" (a heavily edited version was first published in 1905; the complete version in 1962). After his release from prison in May of 1897, Wilde wrote "Ballad of Reading Gaol" (1898) about the injustice of the death penalty and the hanging of Charles Thomas Wooldridge;

Yet each man kills the thing he loves
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Adopting the name Sebastian Melmoth, Wilde went to Paris, penniless, and is said to have reunited with his friend and lover of many years, Canadian journalist Robert Baldwin "Robbie" Ross (1869-1918), who was also executor of Wilde's estate. He took up residence in the Hôtel d'Alsace on rue des Beaux-Arts. On his deathbed, Ross by his side, Wilde was baptised into the Roman Catholic Church and received Extreme Unction. Oscar Wilde died of meningitis on 30 November 1900. He now rests in Père Lachaise cemetery in Paris; Ross' ashes were added to the angel-adorned tomb in 1950.

All trials are trials for one's life, just as all sentences are sentences of death; and three times have I been tried. The first time I left the box to be arrested, the second time to be led back to the house of detention, the third time to pass into a prison for two years. Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may weep undisturbed. She will hang the night with stars so that I may walk abroad in the darkness without stumbling, and send the wind over my footprints so that none may track me to my hurt: she will cleanse me in great waters, and with bitter herbs make me whole.--"De Profundis"

Biography written by C. D. Merriman for Jalic Inc. Copyright Jalic Inc. 2008. All Rights Reserved.


The above biography is copyrighted. Do not republish it without permission.

Recent Forum Posts on Oscar Wilde

The Preface to The Picture of Dorian Gray

The Preface is a defense of Aestheticism as well as an introduction to the 'The Picture of Dorian Gray'. "The artist is the creator of beautiful things." " We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless." The great debate in the Victorian period was; is the object of Art the creation of Beauty, or is it social reform? Any thoughts? Please vote and share your ideas. Thanks


The Truth of Masks - just a presentation of Art's highest desire: style and beauty?

dear all, reading 'The Truth of Masks' astonished me. Wilde takes side with 'archaeological' accuracy in plays thus emphasises the value of realism: " has the illusion of truth for its method, and the illusion of beauty for its result." This notion is against all I have read so far by Wilde. This very contradiction is foiled in the last passage: "Not that I agree with everything that I have said in this essay. There is much with which I entirely disagree. The essay simply represents an artistic standpoint, and in aesthetic criticism attitude is everything. For in art there is no such thing as a universal truth. A Truth in art is that whose contradictory is also true. And just as it is only in art-criticism, and through it, that we can apprehend the Platonic theory of ideas, so it is only in art-criticism, and through it, that we can realise Hegel's system of contraries. The truths of metaphysics are the truths of masks." Now, I assume the whole essay is just a presentation of Wilde's (or Art's) crucial urge: to achieve beauty of form. I mean, the essay is - why am I not surprised? - very well written. And further, that the 'Truth' in his very discussion is to be put into perspective as to depict the relativity of Truth in Art: 'The truths of metaphysics are the truths of masks.' If anyone can give me a hint, I would really appreciate! Thanks, Chrigi


Is Oscar Wilde overrated?

Thoughts?


Help with qoute

I want to put a Oscar Wilde qoute on my wall. I have only found it in Swedish. Does anyone know the real qoute in English? When I translated the Swedish version on Google translate it came up with this: "I believe that man's primary goal in life is to realize oneself. Making oneself through pleasure is finer than doing it through torture." Thank you so much!


Pat bateman's 'Wilde' Wednesday

I have decreed a day of appreciation for Ireland's foppish most witty and poetic son, Oscar Wilde. Let's celebrate his works and discuss how much we love the big fop From Dorian Gray to De Profundis his pre-eminent talents we will certainly miss. "The fact is, that civilisation requires slaves. The Greeks were quite right there. Unless there are slaves to do the ugly, horrible, uninteresting work, culture and contemplation become almost impossible. Human slavery is wrong, insecure, and demoralizing. On mechanical slavery, on the slavery of the machine, the future of the world depends." OSCAR WILDE, The Soul of Man Under Socialism


Older Oscar Wilde Books. Value?

Hello forum Please bear with me as i am new here. I Have in my possession a couple of Oscar Wilde Texts. They are not origionals i know this. However i am trying to value them. The first Book is a copy of "A critic in pall mall" "being extracts from reviews and micellanies" The Book has a dark green cover with gold Text and a gold 3 stripe border. The spine has "methuen" written at the base. The title page states "Methuen & co. LTD 36 Essex street W.C London" The next page (the back of the title page) has small text in the centre "First published in 1919" Then the base of that page has " This selection has been made by Mr. E. V. Lucas" The final text page has " Printed by T. and A. Constable, Printers to his Majesty at the Edinburgh University Press" The second book is "The Picture of Dorian Gray" This book features the same cover however the base of the spine has "London" instead of Methuen. The title page reads thus (at the base of the page) "Paris Ye Olde Paris Booke-Shoppe 11 Rue De Chateaudunn 1913 London: Simpkin, Marshall & co., LTD." on the reverse side of the title page it reads in the center of the page " First published in Lippincott's Magazine, July 1890. First edition, with Preface and seven additional chapters (ward, lock & co.), 1891 present edition first printed, January 1910 Second Printing, June 1913" It then has an editorial note dated 1908 by Robert Ross and a publishers note dated 1909 speaking of this being an edition in the style of the popular 5 shilling edition issued by Messrs Methuen. The final text page has the same printing statement as the former book. I am not interested in selling these books so please do not ask. I am however trying to value them. Apologies if i have breached forum rules with my thread. Mods please let me know if i have. Any help is appriciated as i am having trouble locating details of the exact copies i have on the internet. Nicko


The Picture of Dorian Gray - Oscar Wilde

I'm working on an AP Literature assignment that was given to me this summer. I've read the book, but when it gets to answering the questions i don't know or understand what exactly it is asking. I'm not expecting anyone to do my work but can some one please help lead me to the right answer. Chapter 1 1. Why does Lord Henry insist that Basil should exhibit his painting of Dorian Gray? 2. Why does Basil Hallward not want to put the portrait in an exhibition? 3. How do Lord Henry's comments on marriage support the novel's motif of leading a double life? 4. To what extent has Dorian Gray influenced Basil's art? 5. What is Lord Henry's assessment of upper class involvement in philanthropy? 6. What does Basil's hesitation to introduce Lord Henry and Dorian to each other reveal about both Basil and Lord Henry? Chapter 2 1. What is Lord Henry's opinion of nature of influence? 2. To what extent does Lord Henry's discussion of society reflect Wilde's criticism of Victorian culture? 3. How does Lord Henry's assessment of the relationship between beauty and genius exemplify the principles of Aesthetic movement? 4. Why is Dorian upset when basil finally finishes the portrait? 5. How does Dorian enter into a Faustian Pact with the portrait?


What does Oscar Wilde bring us common readers most

Hi, every one. I'm a new guy in the blocks. I'd like to discuss Oscar Wilde with you. He's my favorite. What does Oscar Wilde, in your opinion, bring us common readers most? His idea of aesthetic art? His satire on the society? His beatiful writing style? Or his focus on redemptions and true love?


“Missing” Oscar Wilde Play

I just thought I’d post a link for those Oscar Wilde nuts who may not have come across his play For Love of the King. This was a play that was never meant to be published despite Robert Ross’s attempts to do so in publishing the collected works of Oscar Wilde in 1908. It was a play that was written to a family friend as a gift and from which Ross couldn’t get the permission to print it in the collect works and as a result it has become to be known in some circles as the “missing play”. Upon reading it it’s clear that it is not really meant for performance in the strictest sense, however it is a very interesting piece which shows Wilde’s love of the Eastern aesthetic and fairy tale combination. It is also interesting to note the prevalence of the peacock, a common aesthetic symbol relatively late in the Wilde canon (1894) and his instance of the finest detail of the play's construction. http://www.gutenberg.org/files/23229/23229-h/23229-h.htm I wonder if anyone will ever stage this play? :smile5: Enjoy.


Wilde's use of the word 'profile'

Hello to everyone, I'm translating Wilde's Phrases and Philosophies for the Use of the Young into Spanish and would like to ask your opinion on the sense of the term 'profile' or 'profiles' when he writes for instance: "If the poor only had profiles there would be no difficulty in solving the problem of poverty" or "There is something tragic about the enormous number of young men there are in England at the present moment who start life with perfect profiles, and end by adopting some useful profession". Gracias


Post a New Comment/Question on Wilde


Related links for Oscar Wilde

Here is where you find links to related content on this site or other sites, possibly including full books or essays about Oscar Wilde written by other authors featured on this site.




Art of Worldly Wisdom Daily
In the 1600s, Balthasar Gracian, a jesuit priest wrote 300 aphorisms on living life called "The Art of Worldly Wisdom." Join our newsletter below and read them all, one at a time.
Email:
Sonnet-a-Day Newsletter
Shakespeare wrote over 150 sonnets! Join our Sonnet-A-Day Newsletter and read them all, one at a time.
Email: