Subscribe for ad free access & additional features for teachers. Authors: 267, Books: 3,607, Poems & Short Stories: 4,435, Forum Members: 71,154, Forum Posts: 1,238,602, Quizzes: 344

Half-hours with the Poets

I.--MR. WORDSWORTH AND THE LITTLE COTTAGE GIRL.

"I met a little cottage girl,
She was eight years old she said,
Her hair was thick with many a curl
That clustered round her head."

WORDSWORTH.

This is what really happened.

Over the dreary downs of his native Cumberland the aged
laureate was wandering with bowed head and countenance
of sorrow.

Times were bad with the old man.

In the south pocket of his trousers, as he set his face
to the north, jingled but a few odd coins and a cheque
for St. Leon water. Apparently his cup of bitterness was
full.

In the distance a child moved--a child in form, yet the
deep lines upon her face bespoke a countenance prematurely
old.

The poet espied, pursued and overtook the infant. He
observed that apparently she drew her breath lightly and
felt her life in every limb, and that presumably her
acquaintance with death was of the most superficial
character.

"I must sit awhile and ponder on that child," murmured
the poet. So he knocked her down with his walking-stick
and seating himself upon her, he pondered.

Long he sat thus in thought. "His heart is heavy," sighed
the child.

At length he drew forth a note-book and pencil and prepared
to write upon his knee. "Now then, my dear young friend,"
he said, addressing the elfin creature, "I want those
lines upon your face. Are you seven?"

"Yes, we are seven," said the girl sadly, and added, "I
know what you want. You are going to question me about
my afflicted family. You are Mr. Wordsworth, and you are
collecting mortuary statistics for the Cottagers' Edition
of the Penny Encyclopaedia."

"You are eight years old?" asked the bard.

"I suppose so," answered she. "I have been eight years
old for years and years."

"And you know nothing of death, of course?" said the poet
cheerfully.

"How can I?" answered the child.

"Now then," resumed the venerable William, "let us get
to business. Name your brothers and sisters."

"Let me see," began the child wearily; "there was Rube
and Ike, two I can't think of, and John and Jane."

"You must not count John and Jane," interrupted the bard
reprovingly; "they're dead, you know, so that doesn't
make seven."

"I wasn't counting them, but perhaps I added up wrongly,"
said the child; "and will you please move your overshoe
off my neck?"

"Pardon," said the old man. "A nervous trick, I have been
absorbed; indeed, the exigency of the metre almost demands
my doubling up my feet. To continue, however; which died
first?"

"The first to go was little Jane," said the child.

"She lay moaning in bed, I presume?"

"In bed she moaning lay."

"What killed her?"

"Insomnia," answered the girl. "The gaiety of our cottage
life, previous to the departure of our elder brothers
for Conway, and the constant field-sports in which she
indulged with John, proved too much for a frame never
too robust."

"You express yourself well," said the poet. "Now, in
regard to your unfortunate brother, what was the effect
upon him in the following winter of the ground being
white with snow and your being able to run and slide?"

"My brother John was forced to go," answered she. "We
have been at a loss to understand the cause of his death.
We fear that the dazzling glare of the newly fallen snow,
acting upon a restless brain, may have led him to a fatal
attempt to emulate my own feats upon the ice. And, oh,
sir," the child went on, "speak gently of poor Jane. You
may rub it into John all you like; we always let him
slide."

"Very well," said the bard, "and allow me, in conclusion,
one rather delicate question: Do you ever take your little
porringer?"

"Oh, yes," answered the child frankly--

"'Quite often after sunset,
When all is light and fair,
I take my little porringer'--

"I can't quite remember what I do after that, but I know
that I like it."

"That is immaterial," said Wordsworth. "I can say that
you take your little porringer neat, or with bitters, or
in water after every meal. As long as I can state that
you take a little porringer regularly, but never to
excess, the public is satisfied. And now," rising from
his seat, "I will not detain you any longer. Here is
sixpence--or stay," he added hastily, "here is a cheque
for St. Leon water. Your information has been most
valuable, and I shall work it, for all I am Wordsworth."
With these words the aged poet bowed deferentially to
the child and sauntered off in the direction of the Duke
of Cumberland's Arms, with his eyes on the ground, as if
looking for the meanest flower that blows itself.


II:--HOW TENNYSON KILLED THE MAY QUEEN

"If you're waking call me early, call me early, mother dear."


PART I

As soon as the child's malady had declared itself the
afflicted parents of the May Queen telegraphed to Tennyson,
"Our child gone crazy on subject of early rising, could
you come and write some poetry about her?"

Alfred, always prompt to fill orders in writing from the
country, came down on the evening train. The old cottager
greeted the poet warmly, and began at once to speak of
the state of his unfortunate daughter.

"She was took queer in May," he said, "along of a sort
of bee that the young folks had; she ain't been just
right since; happen you might do summat."

With these words he opened the door of an inner room.

The girl lay in feverish slumber. Beside her bed was an
alarm-clock set for half-past three. Connected with the
clock was an ingenious arrangement of a falling brick
with a string attached to the child's toe.

At the entrance of the visitor she started up in bed.
"Whoop," she yelled, "I am to be Queen of the May, mother,
ye-e!"

Then perceiving Tennyson in the doorway, "If that's a
caller," she said, "tell him to call me early."

The shock caused the brick to fall. In the subsequent
confusion Alfred modestly withdrew to the sitting-room.

"At this rate," he chuckled, "I shall not have long to
wait. A few weeks of that strain will finish her."


PART II

Six months had passed.

It was now mid-winter.

And still the girl lived. Her vitality appeared
inexhaustible.

She got up earlier and earlier. She now rose yesterday
afternoon.

At intervals she seemed almost sane, and spoke in a most
pathetic manner of her grave and the probability of the
sun shining on it early in the morning, and her mother
walking on it later in the day. At other times her malady
would seize her, and she would snatch the brick off the
string and throw it fiercely at Tennyson. Once, in an
uncontrollable fit of madness, she gave her sister Effie
a half-share in her garden tools and an interest in a
box of mignonette.

The poet stayed doggedly on. In the chill of the morning
twilight he broke the ice in his water-basin and cursed
the girl. But he felt that he had broken the ice and he
stayed.

On the whole, life at the cottage, though rugged, was
not cheerless. In the long winter evenings they would
gather around a smoking fire of peat, while Tennyson read
aloud the Idylls of the King to the rude old cottager.
Not to show his rudeness, the old man kept awake by
sitting on a tin-tack. This also kept his mind on the
right tack. The two found that they had much in common,
especially the old cottager. They called each other
"Alfred" and "Hezekiah" now.


PART III

Time moved on and spring came.

Still the girl baffled the poet.

"I thought to pass away before," she would say with a
mocking grin, "but yet alive I am, Alfred, alive I am."

Tennyson was fast losing hope.

Worn out with early rising, they engaged a retired
Pullman-car porter to take up his quarters, and being a
negro his presence added a touch of colour to their life.

The poet also engaged a neighbouring divine at fifty
cents an evening to read to the child the best hundred
books, with explanations. The May Queen tolerated him,
and used to like to play with his silver hair, but
protested that he was prosy.

At the end of his resources the poet resolved upon
desperate measures.

He chose an evening when the cottager and his wife were
out at a dinner-party.

At nightfall Tennyson and his accomplices entered the
girl's room.

She defended herself savagely with her brick, but was
overpowered.

The negro seated himself upon her chest, while the
clergyman hastily read a few verses about the comfort of
early rising at the last day.

As he concluded, the poet drove his pen into her eye.

"Last call!" cried the negro porter triumphantly.


III.--OLD MR. LONGFELLOW ON BOARD THE HESPERUS.

"It was the schooner Hesperus that sailed the wintry sea,
And the skipper had taken his little daughter to bear
him company."--LONGFELLOW.

There were but three people in the cabin party of the
Hesperus: old Mr. Longfellow, the skipper, and the
skipper's daughter.

The skipper was much attached to the child, owing to the
singular whiteness of her skin and the exceptionally
limpid blue of her eyes; she had hitherto remained on
shore to fill lucrative engagements as albino lady in a
circus.

This time, however, her father had taken her with him
for company. The girl was an endless source of amusement
to the skipper and the crew. She constantly got up games
of puss-in-the-corner, forfeits, and Dumb Crambo with
her father and Mr. Longfellow, and made Scripture puzzles
and geographical acrostics for the men.

Old Mr. Longfellow was taking the voyage to restore his
shattered nerves. From the first the captain disliked
Henry. He was utterly unused to the sea and was nervous
and fidgety in the extreme. He complained that at sea
his genius had not a sufficient degree of latitude. Which
was unparalleled presumption.

On the evening of the storm there had been a little jar
between Longfellow and the captain at dinner. The captain
had emptied it several times, and was consequently in a
reckless, quarrelsome humour.

"I confess I feel somewhat apprehensive," said old Henry
nervously, "of the state of the weather. I have had some
conversation about it with an old gentleman on deck who
professed to have sailed the Spanish main. He says you
ought to put into yonder port."

"I have," hiccoughed the skipper, eyeing the bottle, and
added with a brutal laugh that "he could weather the
roughest gale that ever wind did blow." A whole Gaelic
society, he said, wouldn't fizz on him.

Draining a final glass of grog, he rose from his chair,
said grace, and staggered on deck.

All the time the wind blew colder and louder.

The billows frothed like yeast. It was a yeast wind.

The evening wore on.

Old Henry shuffled about the cabin in nervous misery.

The skipper's daughter sat quietly at the table selecting
verses from a Biblical clock to amuse the ship's bosun,
who was suffering from toothache.

At about ten Longfellow went to his bunk, requesting the
girl to remain up in his cabin.

For half an hour all was quiet, save the roaring of the
winter wind.

Then the girl heard the old gentleman start up in bed.

"What's that bell, what's that bell?" he gasped.

A minute later he emerged from his cabin wearing a cork
jacket and trousers over his pyjamas.

"Sissy," he said, "go up and ask your pop who rang that
bell."

The obedient child returned.

"Please, Mr. Longfellow," she said, "pa says there weren't
no bell."

The old man sank into a chair and remained with his head
buried in his hands.

"Say," he exclaimed presently, "someone's firing guns
and there's a glimmering light somewhere. You'd better
go upstairs again."

Again the child returned.

"The crew are guessing at an acrostic, and occasionally
they get a glimmering of it."

Meantime the fury of the storm increased.

The skipper had the hatches battered down.

Presently Longfellow put his head out of a porthole and
called out, "Look here, you may not care, but the cruel
rocks are goring the sides of this boat like the horns
of an angry bull."

The brutal skipper heaved the log at him. A knot in it
struck a plank and it glanced off.

Too frightened to remain below, the poet raised one of
the hatches by picking out the cotton batting and made
his way on deck. He crawled to the wheel-house.

The skipper stood lashed to the helm all stiff and stark.
He bowed stiffly to the poet. The lantern gleamed through
the gleaming snow on his fixed and glassy eyes. The man
was hopelessly intoxicated.

All the crew had disappeared. When the missile thrown by
the captain had glanced off into the sea, they glanced
after it and were lost.

At this moment the final crash came.

Something hit something. There was an awful click followed
by a peculiar grating sound, and in less time than it
takes to write it (unfortunately), the whole wreck was
over.

As the vessel sank, Longfellow's senses left him. When
he reopened his eyes he was in his own bed at home, and
the editor of his local paper was bending over him.

"You have made a first-rate poem of it, Mr. Longfellow,"
he was saying, unbending somewhat as he spoke, "and I am
very happy to give you our cheque for a dollar and a
quarter for it."

"Your kindness checks my utterance," murmured Henry
feebly, very feebly.

Stephen Leacock