Alexandre Dumas pere

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Alexandre Dumas, père, (1802-1870), prolific French playwright, historian, and author is best known today for his novel (first serialised in the magazine Le Siècle), The Three Musketeers (1844);

It is by his courage, please observe, by his courage alone, that a gentleman can make his way nowadays. Whoever hesitates for a second perhaps allows the bait to escape which during that exact second fortune held out to him. You are young. You ought to be brave for two reasons: the first is that you are a Gascon, and the second is that you are my son. Never fear quarrels, but seek adventures. I have taught you how to handle a sword; you have thews of iron, a wrist of steel. Fight on all occasions.--Ch. 1

This is the counsel young D'Artagnan's father gives him as he sets off to Paris to become a musketeer. He becomes fast friends with Athos, Porthos, and Aramis and embraces their motto "One for all, and all for one", exemplifying the major theme in Dumas' works of loyalty and honour among men. Like Honore de Balzac (1799-1850) Dumas père also wrote several roman feuilleton or serial works; Twenty Years After (1845) and The Vicomte de Bragelonne (1847), including Louise de la Valliere, Ten Years Later, and The Man in the Iron Mask concludes his d'Artagnan Romances.

The Count of Monte Cristo (1844), first serialised in the weekly Journal des débats was also a huge literary and financial success for Dumas père. Through protagonist Edmond Dantès the reader is taken along his journey of a wrongful trial, his search for justice, revenge, and ultimately riches, forgiveness, and love. Mirroring Dumas père's own life of high adventure and decadence, he based many of his protagonists on historical figures, as is apparent in his Celebrated Crimes series (written between 1839 and 1841) which includes essays on The Borgias, Ali Pacha, Mary Stuart, and La Constantin. Although the issue of his part-African ancestry was not one that Dumas père wrote about often Georges: The Planter of the Isle of France (1843) particularly deals with the theme of mixed-race and white colonialism. Dumas père collaborated with French historian and author Auguste Maquet (1813-1886) on some of his more famous works; many of them are still in print today and have inspired other author's works and numerous adaptations to the stage and screen.

Alexandre Dumas père was born on 24 July 1802 in the village of Villers-Cotterêts, just outside of Paris, France, the third child born to Marie Louise Labouret, daughter of an inn keeper, and Thomas Alexandre Davy de la Pailleterie (1762-1806) a military General under Napoléon. Alexandres' grandfather, the Marquis Alexandre Davy de La Pailleterie (1710-1786) married a slave he fell in love with in San Domingo (now Haiti) named Marie Louise Césette Dumas (d.1772). Thomas took her last name when he himself enlisted with the French army. After a falling out with Napoléon due to his criticism of the Egypt campaign, and a long imprisonment which left him in poor health, Thomas returned returned home a broken man with no pension. After his death the family was left in dire financial straits. Alexandre's mother set her best efforts to providing an education for her son although he proved to be less than enthusiastic about it. He attended Abbé Grégoire's school before finding employment with a local notary to help support the family.

In 1822 Dumas père set off for Paris and was soon immersed in literary life. He worked as a scribe for the duc d'Orléans, later to be King Louis Philippe when the 1830 revolution which Dumas père participated in ousted King Charles X. He met noted playwrights and collaborated with them before making his own entrance to the stage at the Comédie française with his plays Henry III and His Court (1829), The Tower of Nesle (1832), Kean (1836), and his Byronic Antony (first performed in 1831) inspired by the works of Lord George Gordon Byron. An avid reader of William Shakespeare and Sir Walter Scott, his dramas were immensely popular, being among the first of the Romantic movement along with friend and sometimes rival Victor Hugo's (1802-1885). They were a decided change from the Neoclassic style that dominated Parisian stages at the time. During this period Dumas père had a son, Alexandre fils (1824-1895) with his lover Marie Laure Catherine Labay (1794-1868) who also became a noted author and playwright, being admitted to the Académie française in 1874. Although Dumas père kept up his womanising ways, in 1840 he married actress Ida Ferrier (1811-1859) and had an illegitimate daughter, Marie Alexandrine (b.1831) with Belle Kreilssamner (1803-1875).

After a short but terrifying bout of cholera during the epidemic of 1832, Dumas père was ordered by his physician--"when they have nothing more to say" [from The Glacier Land (1852)]--to take a tour of Europe; on 21 July 1832 he left Paris and embarked on his first of many travels which took him to such countries as Austria, the Netherlands, Spain, England, Germany, and North Africa. As was his wont, he kept remarkable records of his adventures included in Travel Impressions: In Switzerland (1834), A Year in Florence (1841), From Paris to Cadiz (1847), The Caucasus (1859), and Travel Impressions: In Russia (1860).

Dumas père continued his prodigious output of essays, short stories, and novels. With the success of The Count of Monte Cristo and The Three Musketeers he sought a place of refuge to concentrate on further writings. He bought land and built the Château de Monte Cristo (nicknamed Château d'If) in Port Marly, Yvelines, France, now a museum. There he worked when not lavishly entertaining guests, but it was not long before he had to sell it when his debts grew too much. In 1851 he fled to Brussels, Belgium to avoid creditors. Further titles published during this time were his Valois Romances including Queen Margot (1845), The Lady of Monsoreau (a.ka. Chicot the Jester (1845), and The Forty-Five Guardsmen (1847); and The Regent's Daughter (1845), The Two Dianas (1846), The Black Tulip (1850), The Wolf Leader (1857), The Companions of Jehu (1857), and his autobiography Mes Mémoires (written between 1852-55).

Alexandre Dumas père died on 5 December 1870 at his son's villa in Puys, near Dieppe, France. He was buried in the cemetery of Villers-Cotterêts, but as of the year 2002 he now rests in the Panthéon in Paris, among other such notable French literary giants as Émile Zola, Victor Hugo, Jean Jacques Rousseau, and Francois-Marie Arouet Voltaire.

Tell the angel who will watch over your future destiny, Morrel, to pray sometimes for a man, who like Satan thought himself for an instant equal to God, but who now acknowledges with Christian humility that God alone possesses supreme power and infinite wisdom. .... There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of living.

"Live, then, and be happy, beloved children of my heart, and never forget that until the day when God shall deign to reveal the future to man, all human wisdom is summed up in these two words,--"Wait and hope."--Ch. 117, The Count of Monte Cristo

Biography written by C. D. Merriman for Jalic Inc. Copyright Jalic Inc. 2008. All Rights Reserved.

The above biography is copyrighted. Do not republish it without permission.

Recent Forum Posts on Alexandre Dumas pere

Der schwarze Teufal

Has anyone been listening to BBC radio 4's book of the week? I think it's about Alexandre Dumas's old man. Apparently he was a general in Napoleon's army and a regular killing machine in hand to hand combat. He was nick-named the Schwarze Teufal by the Austrians because he was half black.

Finally starting the Marie Antoinette series

I've read the complete Musketeers series, Monte Cristo, and The Black Tulip, and enjoyed them enough to put together a large Dumas collection that I've never gotten around to dipping into. I've decided to start with the biggie: his five-novel, >10-volume Marie Antoinette series. This series was pretty badly abused by its English publishers. The initial novel, Memoirs of a Physician, has been divided into various numbers of volumes with numerous different titles (Joseph Balsamo being one, and probably the most familiar). Also, in addition to whatever trimming may have been done in the text, the last thirty chapters have been left out of almost every edition. The only completely unabridged English editions of the Antoinette series were published by Dent (UK) and Little Brown (US). Naturally, I didn't learn this until I'd already collected the series, so I ended up having to replace most of them. So today I'll be starting Memoirs of a Physician, which I have in the three-book 1893 edition from Little Brown. It'll probably be a slow go; I don't want to bring these books outside, especially during winter, so I'll just be reading them at home and continuing my in-progress read, Peter Hamilton's mammoth Night's Dawn sci-fi trilogy, while on the bus. Opinions and comments from others who have read this are most welcome, but please keep them spoiler-free or include appropriate warnings. I've never been much of a history buff, so even stuff that one might assume everyone knows, I probably don't. This'll be the longest series I've read since I plowed through all of Harry Potter after the last book came out, and my roughly year-long Arthurian read a few years before that. I'm looking forward to it.

Attention Dumas lovers!

Be read. My library has some rather old editions of Dumas' Romances. These were translated and printed around 1890. the publisher was Little, Brown & Company who is still in business. While reading one of these, an advertisement fell out which lists all the Dumas' Romances of which there are 48 volumes. They are listed in chronological order, or the order Dumas wanted them read in serial form. Since there have been requests on the order in which the romances are to be read, I am posting them here to get maximum exposure, then this thread can be moved to the author's section. The cost for the 48 volumes, according to the ad, was $48 for cloth bound or $132 for half crushed Morocco. Today, you couldn't buy a single volume of crushed Morocco for $132. Romances of Henry II The Two Dianas (2 vols) The Duke's Page (2 vols) The Horoscope and The Brigand (1 vol) Valois Romances Marguerite de Valois (1 vol) The Forty-Five (1 vol) La Dame de Monsereau (1 vol) D'Artagnan Romances The Three Musketeers (2 vols) Twenty Years After (2 vols) Vicomte de Bragellone (4 vols) Includes Bragellone, Louise de Valiere, The Iron Mask Romances of Regency and Louis XV Chevalier d'Harmental (1 vol) The Regent's Daughter (1 vol) Olympe de Cleves (2 vols) Marie Antoinette Romances Memoirs of a Physician (3 vols) The Queen's Necklace (2 vols) Ange Pitou (2 vols) Comtesse de Charny (3 vols) Chevalier de Maison Rouge (1 vol) Chauvelin's Will, The Velvet Necklace, and Blanche de Beaulieu (1 vol) Romances of Napoleon Companions of Jehu (2 vols) The Whites and the Blues (2 vols) She Wolves of Machcoul (2 vols) Historical Romances Agenor de Mauleon (2 vols) Ascanio (1 vol) The War of Woman (1 vol) Sylvandire (1 vol) The Black Tulip and Tales of the Caucasus (1 vol) Black, the Story of a Dog (1 vol) The Count of Monte Cristo (3 vols) For those wishing to read Dumas as it was originally published in the US, this is a good list. Beware of print on demand publishers. They combine volumes, change titles, and edit where they can cut down on words. Many of these books are available on for $10 on up per volume.

French actor Pardieu to play A. Dumas pere ....

in new film. Pardieu, who played Edmund Dantes, aka The Count of Monte Cristo, in a TV film, is to now have the role of Dumas himself in a forthcoming film. Pardieu, who is a large man, was IMO miscast as Dantes because of his hefty weight, but he should make a good Dumas who was also a heavier man. There have been some objections to giving the role to Depardieu, a white man, since Dumas was, to my nearest calculations, about 1/8 black. His pateranal grandmother was a Santo Domingo black with some French blood. Santo Domingo is now the island of Haiti shared with the Dominican Republic. Dumas was a dark complected man with long curly black hair. With the proper makeup and wig, Dpardieu should make a good Dumas pere. Dumas pere authored 48 historical high adventure novels, as well as many travel books, plays, and true crime stories. His life itself was full of adventure and a stable full of mistresses. He has sold more novels than any other French author, and his books have been made into more than 100 movies. He also had a namesake son known as Alexandre Dumas fils who wrote the famous love story, Lady of the Camellias or Camille. This was made into a 30s movie starring Robert Taylor and Greta Garbo. When Dumas pere died, he was interred in his native village in Picardy. But in 2002 he was disinterred and given new burial in the Pantheon of Paris where reside Emil Zola and Victor Hugo. His pallbearers were four in number and were dressed as Musketeers: Athos, Porthos, Aramas, and D' Artagnan. Dumas cut quite a swath in life so a movie of his life should be interesting to say the least. One could do worse than reading the 48 novels devoted to French history. His Chateau Monte Cristo, located outside Paris is open to the public. While Dumas had others work on some of the plots of his novels, the master's touch was on all of them, especially the dialogs. Dumas is said to be the greatest writer of dialog ever.

Good News Dumas fans

Ok this is really fun. Someone has put together various illustrations for dumas books taken from various editions over the years. Check it out!

Advice on reading Dumas

I have just finnished reading The Three Musketeers and I really quite enjoyed it. I had someone tell me that the book was part of a series including: Twenty Years After The Vicomte de Bragelonne Louise de la Vallière The Man in the Iron Mask I had not known that the Three Musketeers was part of an acutal series, and I had already planned on reading The Man in the Iron Mask, but thought it was a completely seperate book. Is this the kind of series where you can read the books out of order? Or do they have to be read chronologically, from the first book to the last in order to make sense?


Hello Dumas fans! I just finished this seldom read novel by Dumas. It is delightful. I strongly recommend it. It takes place at the final years of the reign of the Sun King, though he does not really appear in any overt way. Maria, Louise de Valliere, and Madame Montespan are all out of the picture, and Madame De Maintenon seems to be running the show. Versailles is a drag. Court is no fun; the hip crowd is in Paris making fun of Court. But the novel begins in the country. Our hero is Roger Tancrede, the Chevalier of Anguilhem. He is from a once noble family that has fallen on hard times--funds all but dried up. The neighbors are a more wealthy family and are a snooty bunch, except for the saintly, young daughter, aptly named Constance. The two youngsters fall deeply in love but are kept apart by their families--for class differences. Roger's family does not want him to propose, because a refusal would be scandalous. Constance's family doesn't want her to marry Roger because they see a dead end there and have higher hopes. Suddenly Roger's family comes into the possibility of a huge fortune--into the millions. A distant relative has died intestate. One other man has a claim to the fortune, the relative's Indian-born son. It becomes Roger's goal to travel to Paris, enter society, and convince the judges and lawyers (who all seem to be on the take) to look favorably upon him. He is befriended by some Paris coolios and learns the ways of the courtier. It becomes clear that in order to win his case he must marry the daughter of one of the judges. He expects her to be an ugly beast, but she is gorgeous. Her name is Sylvandire. So he is on the twin horns so to speak--a pietas question. Where does duty lie--true love, or filial responsibility? Save mom and dad from poverty and forsake his own happiness, or make them paupers for his own selfish desires? It is at this point that we see the narrative enter what most refer to as the rough draft of Monte Cristo. For reasons I will not describe as they might spoil the fun for some of you readers, Roger finds himself wrongly imprisoned and vows revenge upon his betrayers. Everything is wrapped up in nice Dumas style. Some have said of this novel that it is marred by a misogynistic element. Women are painted as either saints or beasts. Very little middle ground there. That is true. But it is the romantic period. Idealism is the vogue. My advice is to ignore that. It is a convention of the time. Try not to pay so much attention to the frame and look at the picture! There is much to delight the Dumas fan. There is the Monte Cristo bit of vengeance. There is the similarity to Dartagnan's naive entry into Paris. There is the overwhelming sense of place--Provence, Marseilles, Paris etc. There is also the sense of time--This Paris feels very different than Fronde Paris or Louis XIII Paris or Pre-Colbert Paris. Read this one kids. You'll love it! In fact you can read it right here (flip book is my favorite option)

Hi, new to the forums, and I need a suggestion.

Hey there, new to the forums here. I've been getting interested in french literature, and I was wondering if anybody had any suggestions on a good french hardcover edition of "Le Comte de Monte-Cristo". I would like the book to still be available to purchase new. Thanks,

Any Dumas fans out there?

Hey!!! I am new to the Forums, and thought that I would see how many Alexandre Dumas fans are out there, and if they would care to tell me of any of his books that I might be interested in. I have read The Count of Monte Cristo, The Three Musketeers, and I am currently reading Twenty Years After. Any suggestions would be greatly appreciated!

English Translations?

After reading the Three Musketeers, I've had the urge to read more of Dumas's novels. But I'm unsure as to which translation is the best for me to read. I read the modern library version of the Three Musketeers, which I thought was pretty good. Then again, I don't have anything to judge it against, so I'm unsure how true to the original text it actually was. I'd like to get the best translations for the rest of the series, and possibly replace the Three Musketeers if that particular translation isn't true to the text, as well as the Count of Monte Christo. Does anyone have any suggestions?

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