The Count of Monte Cristo

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This is a dangerously fabulous read. Telling others that this novel is your favourite can reveal a malevolent side to your personality. Genius plot writer, Alexander Dumas, constructed a story so evil, so clever, and so violent that future reads will just be boring. The sum of the book can be understood in three simple words..."Pede poena claudo", or "retribution comes limping." To seek justice for the three men who so selfishly stole 14 years of his life, Edmund Dantes uses deception to emotionally and financially destroy his foes. The Count of Monte Cristo operates very much like the Russian mafia; if a wrongful act is committed, the wrong-doer's entire family and fortune is extinguished before his or her very eyes.

When this novel appeared for the first time between 1844 and 1846, it was instantly a huge success. The story speaks to the reader from the first page to the last and, although it consists of about 1600 pages, it never bores. A young ignorant sailor, Edmond Dantès, is sucked into the political games of the time just before the Hundred Days in the year 1815 that would bring back Napoleon. In prison, he discovers the truth and decides to take revenge on them. When he then finally discovers the treasure, he starts to prepare for the revenge he longed for all those years. The revenge is compelling, smart, admirably bad. Ironically the bad guys of 14 years before destroy their own lives because of the same characteristics they used to put Edmond in prison. In this book Dumas deals with very real feelings of people, addressing the treacherous circumstances people had to live in in France at the time of the revolution, but asks a very fundamental question as to justness. The book, ends on a high spiritual note.--Submitted by kiki1982

The story takes place in France, Italy, islands in the Mediterranean, and in the Levant during the historical events of 1815–1838. It begins from just before the Hundred Days period (when Napoleon returned to power after his exile) to the reign of Louis-Philippe of France. The historical setting is a fundamental element of the book. An adventure story primarily concerned with themes of hope, justice, vengeance, mercy and forgiveness, it focuses on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment. However, his plans have devastating consequences for the innocent as well as the guilty.--Submitted by Anonymous

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Recent Forum Posts on The Count of Monte Cristo

Eugenie Danglars and Louise d'Armilly

Best friends or a little bit more than best friends?

Unexplained inconsistencies

I've read The Count of Monte Cristo a few times now, and can honestly say it's probably my favorite book. And for the most part I understand everything that's went on. But there are a few things I'm confused about. First of all, when The Count meets Franz the first time, he introduces himself as "Sinbad the Sailor." When Franz sees him in Rome, The Count pretends not to recognize him. (Though, considering his skill at disguise, he could not have seriously expected Franz not to recognize him.) So why would he ignore this prior episode? Franz himself wondered this, but it was never resolved. Another thing is, the identity of Edmond's aliases throughout the book appears somewhat inconsistent. For example, when The Count talks to Julie and Emmanuel about Lord Wilmore, he says he's an old ACQUAINTANCE of his; a philanthropist (implying he may have been the one who saved M. Morrel.) And that he had "lost track" of him. Yet, later on when Villefort is inquiring about The Count, Lord Wilmore is easy to find, and instead of calling himself The Count's friend or acquaintance, he says he is his enemy. So why these inconsistencies? In all other matters The Count was almost impossibly exact and careful to conceal his identity and achieve his revenge.

When exactly did Renée died and when was Valentine born?

I'm deeply puzzled by something seemingly contradicting in The Count of Monte Cristo. In Chapter 43 Monte Cristo asked when Renée died and the concierge answered, "Yes, monsieur, one and twenty years ago; and since then we have not seen the poor marquis three times." In Chapter 48 (and later in the story also), it sounded Valentine at the time was scarcely 18. "His drawing-room, under the regenerating influence of a young wife and a daughter by his first marriage, scarcely eighteen ..." How is this possible? Can someone please help?

Help with The Count of Monte Cristo

Hi so I'm working on a study guide for English and for the like of me I cannot figure out the answer to this questions. Please please help, ill answer any of your threads. The question is this: What is the relationship between Monsieur de saint meran and valentine? Why doesn't he share the same family relationship with eugenie danglars?

Which Dumas book to read next?

I've read the count of monte cristo (The best book ever written I think) but I then read the three musketeers and was very disappointed as I felt it didn't compare to the count. Does anyone have any other favorites of his?

Question on chapter 33

Hi there, another question on Count of Montecristo. There's a passage I cannot figure out. In the Chapter 33 (Roman Bandits) at the end of the story of Luigi Vampa he met Simbad the Sailor (we know who he is). Then Dumas wrote: "'What is your name?' inquired the traveller.--'Luigi Vampa,' replied the shepherd, with the same air as he would have replied, Alexander, King of Macedon.--'And yours?'--'I,' said the traveller, 'am called Sinbad the Sailor.'" Franz d'Epinay started with surprise. "Sinbad the Sailor." he said. "Yes," replied the narrator; "that was the name which the traveller gave to Vampa as his own." "Well, and what may you have to say against this name?" inquired Albert; "it is a very pretty name, and the adventures of the gentleman of that name amused me very much in my youth, I must confess."--Franz said no more. The name of Sinbad the Sailor, as may well be supposed, awakened in him a world of recollections, as had the name of the Count of Monte Cristo on the previous evening" But reading back on this passage I found no evidence that Franz heard the name "Count of Monte Cristo" before. So how is it possible he reffer to the previous evening? Is this an error from Dumas?

Count of Monte Cristo Music

Hey guys, First of I would like to say The Count of Monte Cristo by Alexander Dumas is my favorite novel by far (got 3 copies/read multiple times). After reading the book and being a bit disappointed by the movie I picked up my guitar and made a song that was inspired during some parts of the novel. Since I see that you guys are enthusiasts of the novel as I am. I was hoping to get some input on what you think of the song. Any critique/advice/or comment is welcome. Thanks. Here is the link:

Edmond Dantes' concept of justice

Hi guys, I need some help. Right now, I am analyzing about Edmond Dantes' changing concept of justice. Can you tell me another concept of justice used by Edmond Dantes aside from Lex Talionis (Eye for an eye.......)??? I got a sense that Edmond's last concept of justice is based on Matthew 5 (Turning the other cheek....). The idea that I have in mind is that Edmond's early concept is based on revenge while the latter concept is based on love. It's mostly like a change from the old testament to the new testament. What do you think about it???:nod: Thx before:yawnb:

Monte Cristo tattoo

I have been trying to think of a suitable tattoo inspired by this book, any suggestions? Cristo's crest has been my first choice but I have not been able to find any visual representations of it. Is anyone aware of any illustrations of it?

Monte Cristo Mood and Tone

I am having a little trouble identifying the mood and tone of the book since it is so volatile, could anyone please help me out. Thank you.

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