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The Letter

I

For many years he had lived withdrawn from the world in which he had
once played so active and even turbulent a part. The study of Tuscan
art was his only pursuit, and it was to help him in the
classification of his notes and documents that I was first called to
his villa. Colonel Alingdon had then the look of a very old man,
though his age can hardly have exceeded seventy. He was small and
bent, with a finely wrinkled face which still wore the tan of
youthful exposure. But for this dusky redness it would have been
hard to reconstruct from the shrunken recluse, with his low
fastidious voice and carefully tended hands, an image of that young
knight of adventure whose sword had been at the service of every
uprising which stirred the uneasy soil of Italy in the first half of
the nineteenth century.

Though I was more of a proficient in Colonel Alingdon's later than
his earlier pursuits, the thought of his soldiering days was always
coming between me and the pacific work of his old age. As we sat
collating papers and comparing photographs, I had the feeling that
this dry and quiet old man had seen even stranger things than people
said: that he knew more of the inner history of Europe than half the
diplomatists of his day.

I was not alone in this conviction; and the friend who had engaged
me for Colonel Alingdon had appended to his instructions the
injunction to "get him to talk." But this was what no one could do.
Colonel Alingdon was ready to discuss by the hour the date of a
Giottesque triptych, or the attribution of a disputed master; but on
the history of his early life he was habitually silent.

It was perhaps because I recognized this silence and respected it
that it afterward came to be broken for me. Or it was perhaps merely
because, as the failure of Colonel Alingdon's sight cut him off from
his work, he felt the natural inclination of age to revert from the
empty present to the crowded past. For one cause or another he _did_
talk to me in the last year of his life; and I felt myself mingled,
to an extent inconceivable to the mere reader of history, with the
passionate scenes of the Italian struggle for liberty. Colonel
Alingdon had been mixed with it in all its phases: he had known the
last Carbonari and the Young Italy of Mazzini; he had been in
Perugia when the mercenaries of a liberal Pope slaughtered women and
children in the streets; he had been in Sicily with the Thousand,
and in Milan during the _Cinque Giornate_.

"They say the Italians didn't know how to fight," he said one day,
musingly--"that the French had to come down and do their work for
them. People forget how long it was since they had had any fighting
to do. But they hadn't forgotten how to suffer and hold their
tongues; how to die and take their secrets with them. The Italian
war of independence was really carried on underground: it was one of
those awful silent struggles which are so much more terrible than
the roar of a battle. It's a deuced sight easier to charge with your
regiment than to lie rotting in an Austrian prison and know that if
you give up the name of a friend or two you can go back scot-free to
your wife and children. And thousands and thousands of Italians had
the choice given them--and hardly one went back."

He sat silent, his meditative fingertips laid together, his eyes
fixed on the past which was the now only thing clearly visible to
them.

"And the women?" I said. "Were they as brave as the men?"

I had not spoken quite at random. I had always heard that there had
been as much of love as of war in Colonel Alingdon's early career,
and I hoped that my question might give a personal turn to his
reminiscences.

"The women?" he repeated. "They were braver--for they had more to
bear and less to do. Italy could never have been saved without
them."

His eye had kindled and I detected in it the reflection of some
vivid memory. It was then that I asked him what was the bravest
thing he had ever known of a woman's doing.

The question was such a vague one that I hardly knew why I had put
it, but to my surprise he answered almost at once, as though I had
touched on a subject of frequent meditation.

"The bravest thing I ever saw done by a woman," he said, "was
brought about by an act of my own--and one of which I am not
particularly proud. For that reason I have never spoken of it
before--there was a time when I didn't even care to think of it--but
all that is past now. She died years ago, and so did the Jack
Alingdon she knew, and in telling you the story I am no more than
the mouthpiece of an old tradition which some ancestor might have
handed down to me."

He leaned back, his clear blind gaze fixed smilingly on me, and I
had the feeling that, in groping through the labyrinth of his young
adventures, I had come unawares upon their central point.


II

When I was in Milan in 'forty-seven an unlucky thing happened to me.

I had been sent there to look over the ground by some of my Italian
friends in England. As an English officer I had no difficulty in
getting into Milanese society, for England had for years been the
refuge of the Italian fugitives, and I was known to be working in
their interests. It was just the kind of job I liked, and I never
enjoyed life more than I did in those days. There was a great deal
going on--good music, balls and theatres. Milan kept up her gayety
to the last. The English were shocked by the _insouciance_ of a race
who could dance under the very nose of the usurper; but those who
understood the situation knew that Milan was playing Brutus, and
playing it uncommonly well.

I was in the thick of it all--it was just the atmosphere to suit a
young fellow of nine-and-twenty, with a healthy passion for waltzing
and fighting. But, as I said, an unlucky thing happened to me. I was
fool enough to fall in love with Donna Candida Falco. You have heard
of her, of course: you know the share she had in the great work. In
a different way she was what the terrible Princess Belgioioso had
been to an earlier generation. But Donna Candida was not terrible.
She was quiet, discreet and charming. When I knew her she was a
widow of thirty, her husband, Andrea Falco, having died ten years
previously, soon after their marriage. The marriage had been
notoriously unhappy, and his death was a release to Donna Candida.
Her family were of Modena, but they had come to live in Milan soon
after the execution of Ciro Menotti and his companions. You remember
the details of that business? The Duke of Modena, one of the most
adroit villains in Europe, had been bitten with the hope of uniting
the Italian states under his rule. It was a vision of Italian
liberation--of a sort. A few madmen were dazzled by it, and Ciro
Menotti was one of them. You know the end. The Duke of Modena, who
had counted on Louis Philippe's backing, found that that astute
sovereign had betrayed him to Austria. Instantly, he saw that his
first business was to get rid of the conspirators he had created.
There was nothing easier than for a Hapsburg Este to turn on a
friend. Ciro Menotti had staked his life for the Duke--and the Duke
took it. You may remember that, on the night when seven hundred men
and a cannon attacked Menotti's house, the Duke was seen looking on
at the slaughter from an arcade across the square.

Well, among the lesser fry taken that night was a lad of eighteen,
Emilio Verna, who was the only brother of Donna Candida. The Verna
family was one of the most respected in Modena. It consisted, at
that time, of the mother, Countess Verna, of young Emilio and his
sister. Count Verna had been in Spielberg in the twenties. He had
never recovered from his sufferings there, and died in exile,
without seeing his wife and children again. Countess Verna had been
an ardent patriot in her youth, but the failure of the first
attempts against Austria had discouraged her. She thought that in
losing her husband she had sacrificed enough for her country, and
her one idea was to keep Emilio on good terms with the government.
But the Verna blood was not tractable, and his father's death was
not likely to make Emilio a good subject of the Estes. Not that he
had as yet taken any active share in the work of the conspirators:
he simply hadn't had time. At his trial there was nothing to show
that he had been in Menotti's confidence; but he had been seen once
or twice coming out of what the ducal police called "suspicious"
houses, and in his desk were found some verses to Italy. That was
enough to hang a man in Modena, and Emilio Verna was hanged.

The Countess never recovered from the blow. The circumstances of her
son's death were too abominable, to unendurable. If he had risked
his life in the conspiracy, she might have been reconciled to his
losing it. But he was a mere child, who had sat at home, chafing but
powerless, while his seniors plotted and fought. He had been
sacrificed to the Duke's insane fear, to his savage greed for
victims, and the Countess Verna was not to be consoled.

As soon as possible, the mother and daughter left Modena for Milan.
There they lived in seclusion till Candida's marriage. During her
girlhood she had had to accept her mother's view of life: to shut
herself up in the tomb in which the poor woman brooded over her
martyrs. But that was not the girl's way of honoring the dead. At
the moment when the first shot was fired on Menotti's house she had
been reading Petrarch's Ode to the Lords of Italy, and the lines
_l'antico valor Ne Vitalici cor non e ancor morto_ had lodged like a
bullet in her brain. From the day of her marriage she began to take
a share in the silent work which was going on throughout Italy.
Milan was at that time the centre of the movement, and Candida Falco
threw herself into it with all the passion which her unhappy
marriage left unsatisfied. At first she had to act with great
reserve, for her husband was a prudent man, who did not care to have
his habits disturbed by political complications; but after his death
there was nothing to restrain her, except the exquisite tact which
enabled her to work night and day in the Italian cause without
giving the Austrian authorities a pretext for interference.

When I first knew Donna Candida, her mother was still living: a
tragic woman, prematurely bowed, like an image of death in the
background of the daughter's brilliant life. The Countess, since her
son's death, had become a patriot again, though in a narrower sense
than Candida. The mother's first thought was that her dead must be
avenged, the daughter's that Italy must be saved; but from different
motives they worked for the same end. Candida felt for the Countess
that protecting tenderness with which Italian children so often
regard their parents, a feeling heightened by the reverence which
the mother's sufferings inspired. Countess Verna, as the wife and
mother of martyrs, had done what Candida longed to do: she had given
her utmost to Italy. There must have been moments when the
self-absorption of her grief chilled her daughter's ardent spirit;
but Candida revered in her mother the image of their afflicted
country.

"It was too terrible," she said, speaking of what the Countess had
suffered after Emilio's death. "All the circumstances were too
unmerciful. It seemed as if God had turned His face from my mother;
as if she had been singled out to suffer more than any of the
others. All the other families received some message or token of
farewell from the prisoners. One of them bribed the gaoler to carry
a letter--another sent a lock of hair by the chaplain. But Emilio
made no sign, sent no word. My mother felt as though he had turned
his back on us. She used to sit for hours, saying again and again,
'Why was he the only one to forget his mother?' I tried to comfort
her, but it was useless: she had suffered too much. Now I never
reason with her; I listen, and let her ease her poor heart. Do you
know, she still asks me sometimes if I think he may have left a
letter--if there is no way of finding out if he left one? She
forgets that I have tried again and again: that I have sent bribes
and messages to the gaoler, the chaplain, to every one who came near
him. The answer is always the same--no one has ever heard of a
letter. I suppose the poor boy was stunned, and did not think of
writing. Who knows what was passing through his poor bewildered
brain? But it would have been a great help to my mother to have a
word from him. If I had known how to imitate his writing I should
have forged a letter."

I knew enough of the Italians to understand how her boy's silence
must have aggravated the Countess's grief. Precious as a message
from a dying son would be to any mother, such signs of tenderness
have to the Italians a peculiar significance. The Latin race is
rhetorical: it possesses the gift of death-bed eloquence, the knack
of saying the effective thing on momentous occasions. The letters
which the Italian patriots sent home from their prisons or from the
scaffold are not the halting farewells that anguish would have wrung
from a less expressive race: they are veritable "compositions,"
saved from affectation only by the fact that fluency and sonority
are a part of the Latin inheritance. Such letters, passed from hand
to hand among the bereaved families, were not only a comfort to the
survivors but an incentive to fresh sacrifices. They were the "seed
of the martyrs" with which Italy was being sown; and I knew what it
meant to the Countess Verna to have no such treasure in her bosom,
to sit silent while other mothers quoted their sons' last words.

I said just now that it was an unlucky day for me when I fell in
love with Donna Candida; and no doubt you have guessed the reason.
She was in love with some one else. It was the old situation of
Heine's song. That other loved another--loved Italy, and with an
undivided passion. His name was Fernando Briga, and at that time he
was one of the foremost liberals in Italy. He came of a middle-class
Modenese family. His father was a doctor, a prudent man, engrossed
in his profession and unwilling to compromise it by meddling in
politics. His irreproachable attitude won the confidence of the
government, and the Duke conferred on him the sinister office of
physician to the prisons of Modena. It was this Briga who attended
Emilio Falco, and several of the other prisoners who were executed
at the same time.

Under shelter of his father's loyalty young Fernando conspired in
safety. He was studying medicine, and every one supposed him to be
absorbed in his work; but as a matter of fact he was fast ripening
into one of Mazzini's ablest lieutenants. His career belongs to
history, so I need not enlarge on it here. In 1847 he was in Milan,
and had become one of the leading figures in the liberal group which
was working for a coalition with Piedmont. Like all the ablest men
of his day, he had cast off Mazziniism and pinned his faith to the
house of Savoy. The Austrian government had an eye on him, but he
had inherited his father's prudence, though he used it for nobler
ends, and his discretion enabled him to do far more for the cause
than a dozen enthusiasts could have accomplished. No one understood
this better than Donna Candida. She had a share of his caution, and
he trusted her with secrets which he would not have confided to many
men. Her drawing-room was the centre of the Piedmontese party, yet
so clever was she in averting suspicion that more than one hunted
conspirator hid in her house, and was helped across the Alps by her
agents.

Briga relied on her as he did on no one else; but he did not love
her, and she knew it. Still, she was young, she was handsome, and he
loved no one else: how could she give up hoping? From her intimate
friends she made no secret of her feelings: Italian women are not
reticent in such matters, and Donna Candida was proud of loving a
hero. You will see at once that I had no chance; but if she could
not give up hope, neither could I. Perhaps in her desire to secure
my services for the cause she may have shown herself overkind; or
perhaps I was still young enough to set down to my own charms a
success due to quite different causes. At any rate, I persuaded
myself that if I could manage to do something conspicuous for Italy
I might yet make her care for me. With such an incentive you will
not wonder that I worked hard; but though Donna Candida was full of
gratitude she continued to adore my rival.

One day we had a hot scene. I began, I believe, by reproaching her
with having led me on; and when she defended herself, I retaliated
by taunting her with Briga's indifference. She grew pale at that,
and said it was enough to love a hero, even without hope of return;
and as she said it she herself looked so heroic, so radiant, so
unattainably the woman I wanted, that a sneer may have escaped
me:--was she so sure then that Briga was a hero? I remember her
proud silence and our wretched parting. I went away feeling that at
last I had really lost her; and the thought made me savage and
vindictive.

Soon after, as it happened, came the _Five Days_, and Milan was
free. I caught a distant glimpse of Donna Candida in the hospital to
which I was carried after the fight; but my wound was a slight one
and in twenty-four hours I was about again on crutches. I hoped she
might send for me, but she did not, and I was too sulky to make the
first advance. A day or two later I heard there had been a commotion
in Modena, and not being in fighting trim I got leave to go over
there with one or two men whom the Modenese liberals had called in
to help them. When we arrived the precious Duke had been swept out
and a provisional government set up. One of my companions, who was a
Modenese, was made a member, and knowing that I wanted something to
do, he commissioned me to look up some papers in the ducal archives.
It was fascinating work, for in the pursuit of my documents I
uncovered the hidden springs of his late Highness's paternal
administration. The principal papers relative to the civil and
criminal administration of Modena have since been published, and the
world knows how that estimable sovereign cared for the material and
spiritual welfare of his subjects.

Well--in the course of my search, I came across a file of old papers
marked: "Taken from political prisoners. A.D. 1831." It was the year
of Menotti's conspiracy, and everything connected with that date was
thrilling. I loosened the band and ran over the letters. Suddenly I
came across one which was docketed: "Given by Doctor Briga's son to
the warder of His Highness's prisons." _Doctor Briga's son?_ That
could be no other than Fernando: I knew he was an only child. But
how came such a paper into his hands, and how had it passed from
them into those of the Duke's warder? My own hands shook as I opened
the letter--I felt the man suddenly in my power.

Then I began to read. "My adored mother, even in this lowest circle
of hell all hearts are not closed to pity, and I have been given the
hope that these last words of farewell may reach you...." My eyes
ran on over pages of plaintive rhetoric. "Embrace for me my adored
Candida...let her never forget the cause for which her father
and brother perished...let her keep alive in her breast the
thought of Spielberg and Reggio. Do not grieve that I die so young...
though not with those heroes in deed I was with them in spirit,
and am worthy to be enrolled in the sacred phalanx..." and so on.
Before I reached the signature I knew the letter was from Emilio
Verna.

I put it in my pocket, finished my work and started immediately for
Milan. I didn't quite know what I meant to do--my head was in a
whirl. I saw at once what must have happened. Fernando Briga, then a
lad of fifteen or sixteen, had attended his father in prison during
Emilio Verna's last hours, and the latter, perhaps aware of the
lad's liberal sympathies, had found an opportunity of giving him the
letter. But why had Briga given it up to the warder? That was the
puzzling question. The docket said: "_ Given by_ Doctor Briga's
son"--but it might mean "taken from." Fernando might have been seen
to receive the letter and might have been searched on leaving the
prison. But that would not account for his silence afterward. How
was it that, if he knew of the letter, he had never told Emilio's
family of it? There was only one explanation. If the letter had been
taken from him by force he would have had no reason for concealing
its existence; and his silence was clear proof that he had given it
up voluntarily, no doubt in the hope of standing well with the
authorities. But then he was a traitor and a coward; the patriot of
'forty-eight had begun life as an informer! But does innate
character ever change so radically that the lad who has committed a
base act at fifteen may grow up into an honorable man? A good man
may be corrupted by life, but can the years turn a born sneak into a
hero?

You may fancy how I answered my own questions....If Briga had
been false and cowardly then, was he not sure to be false and
cowardly still? In those days there were traitors under every coat,
and more than one brave fellow had been sold to the police by his
best friend....You will say that Briga's record was unblemished,
that he had exposed himself to danger too frequently, had stood by
his friends too steadfastly, to permit of a rational doubt of his
good faith. So reason might have told me in a calmer moment, but she
was not allowed to make herself heard just then. I was young, I was
angry, I chose to think I had been unfairly treated, and perhaps at
my rival's instigation. It was not unlikely that Briga knew of my
love for Donna Candida, and had encouraged her to use it in the good
cause. Was she not always at his bidding? My blood boiled at the
thought, and reaching Milan in a rage I went straight to Donna
Candida.

I had measured the exact force of the blow I was going to deal. The
triumph of the liberals in Modena had revived public interest in the
unsuccessful struggle of their predecessors, the men who, sixteen
years earlier, had paid for the same attempt with their lives. The
victors of 'forty-eight wished to honor the vanquished of
'thirty-two. All the families exiled by the ducal government were
hastening back to recover possession of their confiscated property
and of the graves of their dead. Already it had been decided to
raise a monument to Menotti and his companions. There were to be
speeches, garlands, a public holiday: the thrill of the
commemoration would run through Europe. You see what it would have
meant to the poor Countess to appear on the scene with her boy's
letter in her hand; and you see also what the memorandum on the back
of the letter would have meant to Donna Candida. Poor Emilio's
farewell would be published in all the journals of Europe: the
finding of the letter would be on every one's lips. And how conceal
those fatal words on the back? At the moment, it seemed to me that
fortune could not have given me a handsomer chance of destroying my
rival than in letting me find the letter which he stood convicted of
having suppressed.

My sentiment was perhaps not a strictly honorable one; yet what
could I do but give the letter to Donna Candida? To keep it back was
out of the question; and with the best will in the world I could not
have erased Briga's name from the back. The mistake I made was in
thinking it lucky that the paper had fallen into my hands.

Donna Candida was alone when I entered. We had parted in anger, but
she held out her hand with a smile of pardon, and asked what news I
brought from Modena. The smile exasperated me: I felt as though she
were trying to get me into her power again.

"I bring you a letter from your brother," I said, and handed it to
her. I had purposely turned the superscription downward, so that she
should not see it.

She uttered an incredulous cry and tore the letter open. A light
struck up from it into her face as she read--a radiance that smote
me to the soul. For a moment I longed to snatch the paper from her
and efface the name on the back. It hurt me to think how short-lived
her happiness must be.

Then she did a fatal thing. She came up to me, caught my two hands
and kissed them. "Oh, thank you--bless you a thousand times! He died
thinking of us--he died loving Italy!"

I put her from me gently: it was not the kiss I wanted, and the
touch of her lips hardened me.

She shone on me through her happy tears. "What happiness--what
consolation you have brought my poor mother! This will take the
bitterness from her grief. And that it should come to her now! Do
you know, she had a presentiment of it? When we heard of the Duke's
flight her first word was: 'Now we may find Emilio's letter.' At
heart she was always sure that he had written--I suppose some
blessed instinct told her so." She dropped her face on her hands,
and I saw her tears fall on the wretched letter.

In a moment she looked up again, with eyes that blessed and trusted
me. "Tell me where you found it," she said.

I told her.

"Oh, the savages! They took it from him--"

My opportunity had come. "No," I said, "it appears they did _not_
take it from him."

"Then how--"

I waited a moment. "The letter," I said, looking full at her, "was
given up to the warder of the prison by the son of Doctor Briga."

She stared, repeating the words slowly. "The son of Doctor Briga?
But that is--Fernando," she said.

"I have always understood," I replied, "that your friend was an only
son."

I had expected an outcry of horror; if she had uttered it I could
have forgiven her anything. But I heard, instead, an incredulous
exclamation: my statement was really too preposterous! I saw that
her mind had flashed back to our last talk, and that she charged me
with something too nearly true to be endurable.

"My brother's letter? Given to the prison warder by Fernando Briga?
My dear Captain Alingdon--on what authority do you expect me to
believe such a tale?"

Her incredulity had in it an evident implication of bad faith, and I
was stung to a quick reply.

"If you will turn over the letter you will see."

She continued to gaze at me a moment: then she obeyed. I don't think
I ever admired her more than I did then. As she read the name a
tremor crossed her face; and that was all. Her mind must have
reached out instantly to the farthest consequences of the discovery,
but the long habit of self-command enabled her to steady her muscles
at once. If I had not been on the alert I should have seen no hint
of emotion.

For a while she looked fixedly at the back of the letter; then she
raised her eyes to mine.

"Can you tell me who wrote this?" she asked.

Her composure irritated me. She had rallied all her forces to
Briga's defence, and I felt as though my triumph were slipping from
me.

"Probably one of the clerks of the archives," I answered. "It is
written in the same hand as all the other memoranda relating to the
political prisoners of that year."

"But it is a lie!" she exclaimed. "He was never admitted to the
prisons."

"Are you sure?"

"How should he have been?"

"He might have gone as his father's assistant."

"But if he had seen my poor brother he would have told me long ago."

"Not if he had really given up this letter," I retorted.

I supposed her quick intelligence had seized this from the first;
but I saw now that it came to her as a shock. She stood motionless,
clenching the letter in her hands, and I could guess the rapid
travel of her thoughts.

Suddenly she came up to me. "Colonel Alingdon," she said, "you have
been a good friend of mine, though I think you have not liked me
lately. But whether you like me or not, I know you will not deceive
me. On your honor, do you think this memorandum may have been
written later than the letter?"

I hesitated. If she had cried out once against Briga I should have
wished myself out of the business; but she was too sure of him.

"On my honor," I said, "I think it hardly possible. The ink has
faded to the same degree."

She made a rapid comparison and folded the letter with a gesture of
assent.

"It may have been written by an enemy," I went on, wishing to clear
myself of any appearance of malice.

She shook her head. "He was barely fifteen--and his father was on
the side of the government. Besides, this would have served him with
the government, and the liberals would never have known of it."

This was unanswerable--and still not a word of revolt against the
man whose condemnation she was pronouncing!

"Then--" I said with a vague gesture.

She caught me up. "Then--?"

"You have answered my objections," I returned.

"Your objections?"

"To thinking that Signor Briga could have begun his career as a
patriot by betraying a friend."

I had brought her to the test at last, but my eyes shrank from her
face as I spoke. There was a dead silence, which I broke by adding
lamely: "But no doubt Signor Briga could explain."

She lifted her head, and I saw that my triumph was to be short. She
stood erect, a few paces from me, resting her hand on a table, but
not for support.

"Of course he can explain," she said; "do you suppose I ever doubted
it? But--" she paused a moment, fronting me nobly--"he need not, for
I understand it all now."

"Ah," I murmured with a last flicker of irony.

"I understand," she repeated. It was she, now, who sought my eyes
and held them. "It is quite simple--he could not have done
otherwise."

This was a little too oracular to be received with equanimity. I
suppose I smiled.

"He could not have done otherwise," she repeated with tranquil
emphasis. "He merely did what is every Italian's duty--he put Italy
before himself and his friends." She waited a moment, and then went
on with growing passion: "Surely you must see what I mean? He was
evidently in the prison with his father at the time of my poor
brother's death. Emilio perhaps guessed that he was a friend--or
perhaps appealed to him because he was young and looked kind. But
don't you see how dangerous it would have been for Briga to bring
this letter to us, or even to hide it in his father's house? It is
true that he was not yet suspected of liberalism, but he was already
connected with Young Italy, and it is just because he managed to
keep himself so free of suspicion that he was able to do such good
work for the cause." She paused, and then went on with a firmer
voice. "You don't know the danger we all lived in. The government
spies were everywhere. The laws were set aside as the Duke
pleased--was not Emilio hanged for having an ode to Italy in his
desk? After Menotti's conspiracy the Duke grew mad with fear--he was
haunted by the dread of assassination. The police, to prove their
zeal, had to trump up false charges and arrest innocent persons--you
remember the case of poor Ricci? Incriminating papers were smuggled
into people's houses--they were condemned to death on the paid
evidence of brigands and galley-slaves. The families of the
revolutionists were under the closest observation and were shunned
by all who wished to stand well with the government. If Briga had
been seen going into our house he would at once have been suspected.
If he had hidden Emilio's letter at home, its discovery might have
ruined his family as well as himself. It was his duty to consider
all these things. In those days no man could serve two masters, and
he had to choose between endangering the cause and failing to serve
a friend. He chose the latter--and he was right."

I stood listening, fascinated by the rapidity and skill with which
she had built up the hypothesis of Briga's defence. But before she
ended a strange thing happened--her argument had convinced me. It
seemed to me quite likely that Briga had in fact been actuated by
the motives she suggested.

I suppose she read the admission in my face, for hers lit up
victoriously.

"You see?" she exclaimed. "Ah, it takes one brave man to understand
another."

Perhaps I winced a little at being thus coupled with her hero; at
any rate, some last impulse of resistance made me say: "I should be
quite convinced, if Briga had only spoken of the letter afterward.
If brave people understand each other, I cannot see why he should
have been afraid of telling you the truth."

She colored deeply, and perhaps not quite resentfully.

"You are right," she said; "he need not have been afraid. But he
does not know me as I know him. I was useful to Italy, and he may
have feared to risk my friendship."

"You are the most generous woman I ever knew!" I exclaimed.

She looked at me intently. "You also are generous," she said.

I stiffened instantly, suspecting a purpose behind her praise. "I
have given you small proof of it!" I said.

She seemed surprised. "In bringing me this letter? What else could
you do?" She sighed deeply. "You can give me proof enough now."

She had dropped into a chair, and I saw that we had reached the most
difficult point in our interview.

"Captain Alingdon," she said, "does any one else know of this
letter?"

"No. I was alone in the archives when I found it."

"And you spoke of it to no one?"

"To no one."

"Then no one must know."

I bowed. "It is for you to decide."

She paused. "Not even my mother," she continued, with a painful
blush.

I looked at her in amazement. "Not even--?"

She shook her head sadly. "You think me a cruel daughter? Well--_he_
was a cruel friend. What he did was done for Italy: shall I allow
myself to be surpassed?"

I felt a pang of commiseration for the mother. "But you will at
least tell the Countess--"

Her eyes filled with tears. "My poor mother--don't make it more
difficult for me!"

"But I don't understand--"

"Don't you see that she might find it impossible to forgive him? She
has suffered so much! And I can't risk that--for in her anger she
might speak. And even if she forgave him, she might be tempted to
show the letter. Don't you see that, even now, a word of this might
ruin him? I will trust his fate to no one. If Italy needed him then
she needs him far more to-day."

She stood before me magnificently, in the splendor of her great
refusal; then she turned to the writing-table at which she had been
seated when I came in. Her sealing-taper was still alight, and she
held her brother's letter to the flame.

I watched her in silence while it burned; but one more question rose
to my lips.

"You will tell _him_, then, what you have done for him?" I cried.

And at that the heroine turned woman, melted and pressed unhappy
hands in mine.

"Don't you see that I can never tell him what I do for him? That is
my gift to Italy," she said.

The Dilettante.

IT was on an impulse hardly needing the arguments he found himself
advancing in its favor, that Thursdale, on his way to the club,
turned as usual into Mrs. Vervain's street.

The "as usual" was his own qualification of the act; a convenient
way of bridging the interval--in days and other sequences--that lay
between this visit and the last. It was characteristic of him that
he instinctively excluded his call two days earlier, with Ruth
Gaynor, from the list of his visits to Mrs. Vervain: the special
conditions attending it had made it no more like a visit to Mrs.
Vervain than an engraved dinner invitation is like a personal
letter. Yet it was to talk over his call with Miss Gaynor that he
was now returning to the scene of that episode; and it was because
Mrs. Vervain could be trusted to handle the talking over as
skilfully as the interview itself that, at her corner, he had felt
the dilettante's irresistible craving to take a last look at a work
of art that was passing out of his possession.

On the whole, he knew no one better fitted to deal with the
unexpected than Mrs. Vervain. She excelled in the rare art of taking
things for granted, and Thursdale felt a pardonable pride in the
thought that she owed her excellence to his training. Early in his
career Thursdale had made the mistake, at the outset of his
acquaintance with a lady, of telling her that he loved her and
exacting the same avowal in return. The latter part of that episode
had been like the long walk back from a picnic, when one has to
carry all the crockery one has finished using: it was the last time
Thursdale ever allowed himself to be encumbered with the debris of a
feast. He thus incidentally learned that the privilege of loving her
is one of the least favors that a charming woman can accord; and in
seeking to avoid the pitfalls of sentiment he had developed a
science of evasion in which the woman of the moment became a mere
implement of the game. He owed a great deal of delicate enjoyment to
the cultivation of this art. The perils from which it had been his
refuge became naively harmless: was it possible that he who now took
his easy way along the levels had once preferred to gasp on the raw
heights of emotion? Youth is a high-colored season; but he had the
satisfaction of feeling that he had entered earlier than most into
that chiar'oscuro of sensation where every half-tone has its value.

As a promoter of this pleasure no one he had known was comparable to
Mrs. Vervain. He had taught a good many women not to betray their
feelings, but he had never before had such fine material to work in.
She had been surprisingly crude when he first knew her; capable of
making the most awkward inferences, of plunging through thin ice, of
recklessly undressing her emotions; but she had acquired, under the
discipline of his reticences and evasions, a skill almost equal to
his own, and perhaps more remarkable in that it involved keeping
time with any tune he played and reading at sight some uncommonly
difficult passages.

It had taken Thursdale seven years to form this fine talent; but the
result justified the effort. At the crucial moment she had been
perfect: her way of greeting Miss Gaynor had made him regret that he
had announced his engagement by letter. it was an evasion that
confessed a difficulty; a deviation implying an obstacle, where, by
common consent, it was agreed to see none; it betrayed, in short, a
lack of confidence in the completeness of his method. It had been
his pride never to put himself in a position which had to be
quitted, as it were, by the back door; but here, as he perceived,
the main portals would have opened for him of their own accord. All
this, and much more, he read in the finished naturalness with which
Mrs. Vervain had met Miss Gaynor. He had never seen a better piece
of work: there was no over-eagerness, no suspicious warmth, above
all (and this gave her art the grace of a natural quality) there
were none of those damnable implications whereby a woman, in
welcoming her friend's betrothed, may keep him on pins and needles
while she laps the lady in complacency. So masterly a performance,
indeed, hardly needed the offset of Miss Gaynor's door-step
words--"To be so kind to me, how she must have liked you!"--though
he caught himself wishing it lay within the bounds of fitness to
transmit them, as a final tribute, to the one woman he knew who was
unfailingly certain to enjoy a good thing. It was perhaps the one
drawback to his new situation that it might develop good things
which it would be impossible to hand on to Margaret Vervain.

The fact that he had made the mistake of underrating his friend's
powers, the consciousness that his writing must have betrayed his
distrust of her efficiency, seemed an added reason for turning down
her street instead of going on to the club. He would show her that
he knew how to value her; he would ask her to achieve with him a
feat infinitely rarer and more delicate than the one he had appeared
to avoid. Incidentally, he would also dispose of the interval of
time before dinner: ever since he had seen Miss Gaynor off, an hour
earlier, on her return journey to Buffalo, he had been wondering how
he should put in the rest of the afternoon. It was absurd, how he
missed the girl....Yes, that was it; the desire to talk about
her was, after all, at the bottom of his impulse to call on Mrs.
Vervain! It was absurd, if you like--but it was delightfully
rejuvenating. He could recall the time when he had been afraid of
being obvious: now he felt that this return to the primitive
emotions might be as restorative as a holiday in the Canadian woods.
And it was precisely by the girl's candor, her directness, her lack
of complications, that he was taken. The sense that she might say
something rash at any moment was positively exhilarating: if she had
thrown her arms about him at the station he would not have given a
thought to his crumpled dignity. It surprised Thursdale to find what
freshness of heart he brought to the adventure; and though his sense
of irony prevented his ascribing his intactness to any conscious
purpose, he could but rejoice in the fact that his sentimental
economies had left him such a large surplus to draw upon.

Mrs. Vervain was at home--as usual. When one visits the cemetery one
expects to find the angel on the tombstone, and it struck Thursdale
as another proof of his friend's good taste that she had been in no
undue haste to change her habits. The whole house appeared to count
on his coming; the footman took his hat and overcoat as naturally as
though there had been no lapse in his visits; and the drawing-room
at once enveloped him in that atmosphere of tacit intelligence which
Mrs. Vervain imparted to her very furniture.

It was a surprise that, in this general harmony of circumstances,
Mrs. Vervain should herself sound the first false note.

"You?" she exclaimed; and the book she held slipped from her hand.

It was crude, certainly; unless it were a touch of the finest art.
The difficulty of classifying it disturbed Thursdale's balance.

"Why not?" he said, restoring the book. "Isn't it my hour?" And as
she made no answer, he added gently, "Unless it's some one else's?"

She laid the book aside and sank back into her chair. "Mine,
merely," she said.

"I hope that doesn't mean that you're unwilling to share it?"

"With you? By no means. You're welcome to my last crust."

He looked at her reproachfully. "Do you call this the last?"

She smiled as he dropped into the seat across the hearth. "It's a
way of giving it more flavor!"

He returned the smile. "A visit to you doesn't need such
condiments."

She took this with just the right measure of retrospective
amusement.

"Ah, but I want to put into this one a very special taste," she
confessed.

Her smile was so confident, so reassuring, that it lulled him into
the imprudence of saying, "Why should you want it to be different
from what was always so perfectly right?"

She hesitated. "Doesn't the fact that it's the last constitute a
difference?"

"The last--my last visit to you?"

"Oh, metaphorically, I mean--there's a break in the continuity."

Decidedly, she was pressing too hard: unlearning his arts already!

"I don't recognize it," he said. "Unless you make me--" he added,
with a note that slightly stirred her attitude of languid attention.

She turned to him with grave eyes. "You recognize no difference
whatever?"

"None--except an added link in the chain."

"An added link?"

"In having one more thing to like you for--your letting Miss Gaynor
see why I had already so many." He flattered himself that this turn
had taken the least hint of fatuity from the phrase.

Mrs. Vervain sank into her former easy pose. "Was it that you came
for?" she asked, almost gaily.

"If it is necessary to have a reason--that was one."

"To talk to me about Miss Gaynor?"

"To tell you how she talks about you."

"That will be very interesting--especially if you have seen her
since her second visit to me."

"Her second visit?" Thursdale pushed his chair back with a start and
moved to another. "She came to see you again?"

"This morning, yes--by appointment."

He continued to look at her blankly. "You sent for her?"

"I didn't have to--she wrote and asked me last night. But no doubt
you have seen her since."

Thursdale sat silent. He was trying to separate his words from his
thoughts, but they still clung together inextricably. "I saw her off
just now at the station."

"And she didn't tell you that she had been here again?"

"There was hardly time, I suppose--there were people about--" he
floundered.

"Ah, she'll write, then."

He regained his composure. "Of course she'll write: very often, I
hope. You know I'm absurdly in love," he cried audaciously.

She tilted her head back, looking up at him as he leaned against the
chimney-piece. He had leaned there so often that the attitude
touched a pulse which set up a throbbing in her throat. "Oh, my poor
Thursdale!" she murmured.

"I suppose it's rather ridiculous," he owned; and as she remained
silent, he added, with a sudden break--"Or have you another reason
for pitying me?"

Her answer was another question. "Have you been back to your rooms
since you left her?"

"Since I left her at the station? I came straight here."

"Ah, yes--you _could:_ there was no reason--" Her words passed into
a silent musing.

Thursdale moved nervously nearer. "You said you had something to
tell me?"

"Perhaps I had better let her do so. There may be a letter at your
rooms."

"A letter? What do you mean? A letter from _her?_ What has
happened?"

His paleness shook her, and she raised a hand of reassurance.
"Nothing has happened--perhaps that is just the worst of it. You
always _hated_, you know," she added incoherently, "to have things
happen: you never would let them."

"And now--?"

"Well, that was what she came here for: I supposed you had guessed.
To know if anything had happened."

"Had happened?" He gazed at her slowly. "Between you and me?" he
said with a rush of light.

The words were so much cruder than any that had ever passed between
them that the color rose to her face; but she held his startled
gaze.

"You know girls are not quite as unsophisticated as they used to be.
Are you surprised that such an idea should occur to her?"

His own color answered hers: it was the only reply that came to him.

Mrs. Vervain went on, smoothly: "I supposed it might have struck you
that there were times when we presented that appearance."

He made an impatient gesture. "A man's past is his own!"

"Perhaps--it certainly never belongs to the woman who has shared it.
But one learns such truths only by experience; and Miss Gaynor is
naturally inexperienced."

"Of course--but--supposing her act a natural one--" he floundered
lamentably among his innuendoes--"I still don't see--how there was
anything--"

"Anything to take hold of? There wasn't--"

"Well, then--?" escaped him, in crude satisfaction; but as she did
not complete the sentence he went on with a faltering laugh: "She
can hardly object to the existence of a mere friendship between us!"

"But she does," said Mrs. Vervain.

Thursdale stood perplexed. He had seen, on the previous day, no
trace of jealousy or resentment in his betrothed: he could still
hear the candid ring of the girl's praise of Mrs. Vervain. If she
were such an abyss of insincerity as to dissemble distrust under
such frankness, she must at least be more subtle than to bring her
doubts to her rival for solution. The situation seemed one through
which one could no longer move in a penumbra, and he let in a burst
of light with the direct query: "Won't you explain what you mean?"

Mrs. Vervain sat silent, not provokingly, as though to prolong his
distress, but as if, in the attenuated phraseology he had taught
her, it was difficult to find words robust enough to meet his
challenge. It was the first time he had ever asked her to explain
anything; and she had lived so long in dread of offering
elucidations which were not wanted, that she seemed unable to
produce one on the spot.

At last she said slowly: "She came to find out if you were really
free."

Thursdale colored again. "Free?" he stammered, with a sense of
physical disgust at contact with such crassness.

"Yes--if I had quite done with you." She smiled in recovered
security. "It seems she likes clear outlines; she has a passion for
definitions."

"Yes--well?" he said, wincing at the echo of his own subtlety.

"Well--and when I told her that you had never belonged to me, she
wanted me to define _my_ status--to know exactly where I had stood
all along."

Thursdale sat gazing at her intently; his hand was not yet on the
clue. "And even when you had told her that--"

"Even when I had told her that I had _had_ no status--that I had
never stood anywhere, in any sense she meant," said Mrs. Vervain,
slowly--"even then she wasn't satisfied, it seems."

He uttered an uneasy exclamation. "She didn't believe you, you
mean?"

"I mean that she _did_ believe me: too thoroughly."

"Well, then--in God's name, what did she want?"

"Something more--those were the words she used."

"Something more? Between--between you and me? Is it a conundrum?" He
laughed awkwardly.

"Girls are not what they were in my day; they are no longer
forbidden to contemplate the relation of the sexes."

"So it seems!" he commented. "But since, in this case, there wasn't
any--" he broke off, catching the dawn of a revelation in her gaze.

"That's just it. The unpardonable offence has been--in our not
offending."

He flung himself down despairingly. "I give it up!--What did you
tell her?" he burst out with sudden crudeness.

"The exact truth. If I had only known," she broke off with a
beseeching tenderness, "won't you believe that I would still have
lied for you?"

"Lied for me? Why on earth should you have lied for either of us?"

"To save you--to hide you from her to the last! As I've hidden you
from myself all these years!" She stood up with a sudden tragic
import in her movement. "You believe me capable of that, don't you?
If I had only guessed--but I have never known a girl like her; she
had the truth out of me with a spring."

"The truth that you and I had never--"

"Had never--never in all these years! Oh, she knew why--she measured
us both in a flash. She didn't suspect me of having haggled with
you--her words pelted me like hail. 'He just took what he
wanted--sifted and sorted you to suit his taste. Burnt out the gold
and left a heap of cinders. And you let him--you let yourself be cut
in bits'--she mixed her metaphors a little--'be cut in bits, and
used or discarded, while all the while every drop of blood in you
belonged to him! But he's Shylock--and you have bled to death of the
pound of flesh he has cut out of you.' But she despises me the most,
you know--far the most--" Mrs. Vervain ended.

The words fell strangely on the scented stillness of the room: they
seemed out of harmony with its setting of afternoon intimacy, the
kind of intimacy on which at any moment, a visitor might intrude
without perceptibly lowering the atmosphere. It was as though a
grand opera-singer had strained the acoustics of a private
music-room.

Thursdale stood up, facing his hostess. Half the room was between
them, but they seemed to stare close at each other now that the
veils of reticence and ambiguity had fallen.

His first words were characteristic. "She _does_ despise me, then?"
he exclaimed.

"She thinks the pound of flesh you took was a little too near the
heart."

He was excessively pale. "Please tell me exactly what she said of
me."

"She did not speak much of you: she is proud. But I gather that
while she understands love or indifference, her eyes have never been
opened to the many intermediate shades of feeling. At any rate, she
expressed an unwillingness to be taken with reservations--she thinks
you would have loved her better if you had loved some one else
first. The point of view is original--she insists on a man with a
past!"

"Oh, a past--if she's serious--I could rake up a past!" he said with
a laugh.

"So I suggested: but she has her eyes on his particular portion of
it. She insists on making it a test case. She wanted to know what
you had done to me; and before I could guess her drift I blundered
into telling her."

Thursdale drew a difficult breath. "I never supposed--your revenge
is complete," he said slowly.

He heard a little gasp in her throat. "My revenge? When I sent for
you to warn you--to save you from being surprised as _I_ was
surprised?"

"You're very good--but it's rather late to talk of saving me." He
held out his hand in the mechanical gesture of leave-taking.

"How you must care!--for I never saw you so dull," was her answer.
"Don't you see that it's not too late for me to help you?" And as he
continued to stare, she brought out sublimely: "Take the rest--in
imagination! Let it at least be of that much use to you. Tell her I
lied to her--she's too ready to believe it! And so, after all, in a
sense, I sha'n't have been wasted."

His stare hung on her, widening to a kind of wonder. She gave the
look back brightly, unblushingly, as though the expedient were too
simple to need oblique approaches. It was extraordinary how a few
words had swept them from an atmosphere of the most complex
dissimulations to this contact of naked souls.

It was not in Thursdale to expand with the pressure of fate; but
something in him cracked with it, and the rift let in new light. He
went up to his friend and took her hand.

"You would do it--you would do it!"

She looked at him, smiling, but her hand shook.

"Good-by," he said, kissing it.

"Good-by? You are going--?"

"To get my letter."

"Your letter? The letter won't matter, if you will only do what I
ask."

He returned her gaze. "I might, I suppose, without being out of
character. Only, don't you see that if your plan helped me it could
only harm her?"

"Harm _her?_"

"To sacrifice you wouldn't make me different. I shall go on being
what I have always been--sifting and sorting, as she calls it. Do
you want my punishment to fall on _her?_"

She looked at him long and deeply. "Ah, if I had to choose between
you--!"

"You would let her take her chance? But I can't, you see. I must
take my punishment alone."

She drew her hand away, sighing. "Oh, there will be no punishment
for either of you."

"For either of us? There will be the reading of her letter for me."

She shook her head with a slight laugh. "There will be no letter."

Thursdale faced about from the threshold with fresh life in his
look. "No letter? You don't mean--"

"I mean that she's been with you since I saw her--she's seen you and
heard your voice. If there _is_ a letter, she has recalled it--from
the first station, by telegraph."

He turned back to the door, forcing an answer to her smile. "But in
the mean while I shall have read it," he said.

The door closed on him, and she hid her eyes from the dreadful
emptiness of the room.

Edith Wharton


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