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The Moroccan prince arrives at Belmont to woo Portia and learns that if he chooses the wrong chest, he must swear to never ask any woman to marry him. Back in Venice, Launcelot Gobbo, a clown and Shylock's servant, tells his father, old Gobbo, that he wishes to leave Shylock and work for Bassanio. Bassanio agrees to it and instructs his servant Leonardo to prepare dinner for him and Shylock. Gratiano then arrives and tells Bassanio he'll help him win over Portia. Shylock's daughter, Jessica, gives a love letter to Launcelot to deliver to Antonio's Christian friend Lorenzo. In the letter, Lorenzo learns that Jessica will pretend to be a male torchbearer for him at the supper between Antonio and Shylock. Shylock, going to the supper, leaves his house keys with his daughter, Jessica, warning her not to take part in the evening's Christian activities. Later that night, Gratiano, Salerio, and Lorenzo meet outside Shylock's house to get Jessica. After Lorenzo and Jessica unite, they all head to meet Bassanio on Antonio's ship to sail to Portia's. At Portia's house, the Moroccan prince chooses a chest to open. Each has an inscription, and only the correct one contains Portia's picture. He chooses incorrectly (the gold one), and leaves defeated. Salerio assures Solanio that Lorenzo and Jessica were not on the ship with Bassanio and Gratiano, and they are thus missing. Shylock, of course, wants his money and his daughter back. At Portia's house, the Prince of Aragon arrives and chooses the silver chest, also the wrong one. Again, he must swear to never woo any maid in marriage and to never tell a soul which chest he opened.
Solanio and Salerio confirm that Antonio's ship has sunk. They then make fun of Shylock for his predicament of losing his daughters. Shylock then laments of his monetary loss to another Jew, Tubal, yet rejoices that Antonio is sure to default on his loan. At Portia's house, she begs Bassanio to wait in choosing so that she may spend time with him, in case he chooses wrong. He correctly chooses the lead casket, though, and wins Portia's hand in marriage. To seal the union, Portia gives Bassanio a ring, warning that he should never lose it or give it away, lest he risk losing her love for him. Gratiano then announces his intention to wed Nerissa. Next, Salerio, Lorenzo, and Jessica arrive, informing Bassanio that Antonio lost his ships, and, furthermore, that Shylock is viciously declaring forfeiture of the bond by Antonio. Bassanio leaves for Venice to repay the loan. In Venice, Shylock has Antonio arrested for failure to repay the loan. At Belmont, Portia tells Lorenzo and Jessica to manage her house while she and Nerissa go to a monastery until Bassanio returns. In fact, though, she and Nerissa will disguise themselves as young men and travel to Venice.
At a Venetian court, the Duke presides over the sentencing hearing of Antonio wherein Shylock intends to cut "a pound of flesh from Antonio's breast" since the due date has past and that was the terms of the bond, even though Bassanio offers him 6,000 ducats for repayment. Nerissa and Portia, disguised as a court clerk and doctor of civil law respectively, arrive at the court. Gratiano, Bassanio, the Duke, and Portia try to dissuade Shylock, to no avail. Yet, Portia points out that the deed calls for no blood to be shed and exactly one pound to be taken, lest Shylock be guilty of not following the bond himself. Shylock, realizing this is impossible, recants and simply requests 9,000 ducats. Portia then reveals that Shylock is himself guilty of a crime; namely, conspiring to kill another citizen, i.e. Antonio. As punishment, the Duke and Antonio decide that Shylock must give half his belongings to the court; keep the other half for himself and promise to give all his remaining belongings to his daughter and son-in-law (Lorenzo) upon his death; and become a Christian. With no other choice, Shylock agrees. As Portia (as the doctor of civil law) leaves, Bassanio offers her a monetary gift. Portia turns this down, instead requesting Bassanio's gloves and wedding ring instead. Bassanio, due to his vow, hesitates on the ring, but reluctantly gives it after much prodding by Antonio. Nerissa (disguised as a court clerk), vows to try to get her husband (Gratiano) to give her his wedding ring.
At Belmont, Lorenzo and Jessica share a peaceful night together. The next morning, Bassanio and Portia, and Gratiano and Nerissa reunite. After quarreling over the loss of rings, the women admit of their ruse and return the rings to their husbands. Further, they inform Antonio that three of his ships have come to port full of merchandise. Finally, they give the deed to Jessica and Lorenzo promising to give them Shylock's money and possessions upon his death.
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Squander some of your time in this timeless story and you will be amazed by the profound world of love and controversy...You will never fail to learn from Shakespeare's work.--Submitted by jing.
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William Shakespeare has always held a fascination for me and one could wonder how easily he could twist and twirl the flow of human lives in his characters. The Merchant of Venice is not just a book that talks about the everyday merchant of Venice alone but it brings to mind the actual characteristical weaknesses, strengths, and beauty of the human world. The weakness is characterised by Shylock's greediness and eventual fall, Antonio's love for his friend, and the nonchalant attitude or should I say ignorance to the wickedness of an enemy--failure to be on guard--that almost cost him his life. Shylock's daughter, Bassanio, Antonio, Portia, Nerissa, et al were happy at the end of the play. The beauty of it is the knowledge that one could truly bend life situations as is the case with Portia, who surprises everyone with such an unexpected turn of situation, bending Shylock even when he thought he had bended Antonio to a point of no return. Merchant is a great work of art and is a pointer to all those who feel they've got it sorted out because one could be surprised.--Submitted by dolapo.
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Is The Merchant of Venice anti-Semitic?
We are doing a project for my Shakespeare class, and the question is basically, "Does The Merchant of Venice's portrayal of Shylock constitute anti-semitism?"
Posted By QueCubed at Wed 11 Apr 2012, 12:30 PM in Merchant of Venice || 140 Replies
Help please:Compare&Contrast Jessica/Nerissa
In what way are Jessica and Nerissa foils? And in what way are they similar, and different? I have never heard word of a possible foil between these two. Can anyone propose any possibilities? Thanks, Elbazzz:crash:
Posted By Elbazzz at Mon 5 Mar 2012, 9:16 PM in Merchant of Venice || 0 Replies
Foils:comparing and contrasting?
In the Merchant of Venice, Nerissa, Portia, and Jessica are foils. I need to compare and contrast each to the others. How are they foils for each-other? I have some info on Portia and Nerissa, but require info on a foil relationship between: Nerrisa/Jessica,and Portia/Jessica. If anyone can help, it would be most appreciated, as I am on a short timeline, and require aid in this matter asap. Thanks, Elbazzz
Posted By Elbazzz at Mon 5 Mar 2012, 7:55 PM in Merchant of Venice || 9 Replies
The merchant of Venice - what's your take?
What is your thought on the characters? Are they flat, round, dynamic, static? Who do you think is the true protagonist, antagonist. Do you think Shylock deserves the hate other characters give? I for instance think that Shylock could be a vengeful and despicable character. He's greedy, malicious, an usurer, he's the demon that all should beware, even his daughter. Yet I feel such empathy for Shylock. He is a victim just as the rest of them. He is angry and vengeful because he was treated with contempt almost all his life. He is pushed to be an usurer because society gives him no other choices. The hatred and the malice that Shylock bore is not his own, but also something society projected. This reflected by the infamous monologue: "He hath disgraced me, and hindered me half a million, laughed at my losses, mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies; and what's his reason? I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villainy you teach me I will execute, and it shall go hard but I will better the instruction." Also what interpretation do you think Shakespeare intended? Anti-Semitic or Sympathetic?
Posted By BlackCat at Fri 25 Nov 2011, 7:52 PM in Merchant of Venice || 5 Replies
how does Morocco come a-courtin'? act 2 scene 1
i dont understabd this question for english class. how does morocco come a courtin' this question is for act 2 scene 1 when he comes to try and pick the right casket
Posted By philifred at Thu 31 Mar 2011, 8:47 PM in Merchant of Venice || 0 Replies
Spot Shylock's error
I wonder if anyone can see the devout Jew's 'error' SHYLOCK. Yes, to smell pork, to eat of the habitation which your prophet, the Nazarite, conjured the devil into! TMOV a1 s3 I am surprised this has never been remarked on before.
Posted By mike thomas at Thu 6 Jan 2011, 5:30 AM in Merchant of Venice || 3 Replies
conflict between Shylock and Antonio and more
i need a describtion of the conflict between Shylock and Antonio. and a dicussion about Antonio and Bassanio's friendship and wether or not there's enough information about their relationship in the play! i also need 2 know why is Portia the most important character in the play. thank u 4 ur help.
Posted By vanilla-crunch at Mon 2 Aug 2010, 5:21 AM in Merchant of Venice || 0 Replies
Oh father Abraham!
Shylocke the Jew, wishing to cut up his anti semite foe, Anthonio? The gentile who spat on him? One wonders exactly where Shylocke was going to slice off. It makes one consider about the conversion of Shylocke to Christianity: perhaps there is a subtle pointer which hints at Shylocke's secret intention to convert Anthonio to a Jew. Some conversion and some vengeance! Shylock uses Abram, rather than Abraham. It happens that Abram becomes Abraham in Genesis, when circumcision is mentioned. It also happens that Abram is a cut-down version of Abraham. Anyone with me? Ha Ha Ha.
Posted By mike thomas at Fri 16 Jul 2010, 4:08 AM in Merchant of Venice || 1 Reply
Shylocke and his faith
Hi. Shylock says: "This Iacob from our holy Abram was .... " and "O Father Abram, what these Christians are..." So he twice uses the name "Abram". Why is this? Surely a devout Jew (which he seems to be) would know perfectly well that Abram was not the "father" of the Jewish nation until his name was changed to Abraham. regards
Posted By mike thomas at Thu 15 Jul 2010, 6:22 PM in Merchant of Venice || 1 Reply
Anthonio's sadness
Hi. MOV: second line of dialogue; says "It wearies me : you say it wearies you:”. Is he talking to himself? regards
Posted By mike thomas at Thu 15 Jul 2010, 6:10 PM in Merchant of Venice || 0 Replies