Emily Dickinson


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About Our Emily Dickinson Collection

On the left you will find 3 poetry books published by Emily’s family after her death. Many in the academic community feel that these books were poorly edited and are not true to Dickinson’s vision. Regardless, these are the most familiar versions for the public at large, the versions most often taught in school. We have also listed some of her more popular poems individually. In total, our Emily Dickinson collection consists of over 400 poems.

Emily Dickinson Biography

Emily Dickinson (1830-1886), ‘The Belle of Amherst’, American poet, wrote hundreds of poems including “Because I Could Not Stop for Death”, “Heart, we will forget him!”, “I'm Nobody! Who are You?”, and “Wild Nights! Wild Nights!”;

Wild Nights! Wild Nights!
Were I with thee,
Wild Nights should be
Our luxury!

Futile the winds
To a heart in port, --
Done with the compass,
Done with the chart!

Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in Thee!

Among the ranks of other such acclaimed poets as Walt Whitman, Emily Dickinson is considered one of the most original 19th Century American poets. She is noted for her unconventional broken rhyming meter and use of dashes and random capitalisation as well as her creative use of metaphor and overall innovative style. She was a deeply sensitive woman who questioned the puritanical background of her Calvinist family and soulfully explored her own spirituality, often in poignant, deeply personal poetry. She admired the works of John Keats and Elizabeth Barrett Browning, but avoided the florid and romantic style of her time, creating poems of pure and concise imagery, at times witty and sardonic, often boldly frank and illuminating the keen insight she had into the human condition. At times characterised as a semi-invalid, a hermit, a heartbroken introvert, or a neurotic agoraphobic, her poetry is sometimes brooding and sometimes joyous and celebratory. Her sophistication and profound intellect has been lauded by laymen and scholars alike and influenced many other authors and poets into the 21st Century. There has been much speculation and controversy over details of Dickinson’s life including her sexual orientation, romantic attachments, her later reclusive years, and the editing and publication of various volumes of her poems. This biography serves only as an overview of her life and poetry and leaves the in-depth analysis to the many scholars who have devoted years to the study of Emily Dickinson, the woman and her works.

Emily Dickinson was born into one of Amherst, Massachusetts’ most prominent families on 10 December 1830. She was the second child born to Emily Norcross (1804-1882) and Edward Dickinson (1803-1874), a Yale graduate, successful lawyer, Treasurer for Amherst College and a United States Congressman. Her grandfather Samuel Fowler Dickinson (1775-1838) was a Dartmouth graduate, accomplished lawyer and one of the founders of Amherst College. He also built one of the first brick homes in the New England town on Main Street, which is now a National Historic Landmark ‘The Homestead’ and one of the now preserved Dickinson homes in the Emily Dickinson Historic District.

Emily had an older brother named William Austin Dickinson (1829-1895) (known as Austin) who would marry her most intimate friend Susan Gilbert in 1856. Her younger sister’s name was Lavinia ‘Vinnie’ Norcross Dickinson (1833-1899). The Dickinsons were strong advocates for education and Emily too benefited from an early education in classic literature, studying the writings of Virgil and Latin, mathematics, history, and botany. Until she was ten years old, she and her family lived with her grandfather Samuel and his family on Main Street. In 1840 they moved to North Pleasant Street, Emily’s window overlooking the West Street Cemetery where daily burials occurred. The same year, Emily entered Amherst Academy under the tutelage of scientist and theologian, Edward Hitchcock.

Dickinson proved to be a dazzling student and in 1847, though she was already somewhat of a ‘homebody’, at the age of seventeen Emily left for South Hadley, Massachusetts to attend the Mount Holyoke Female Seminary. She stayed there less than a year and some of the theories as to why she left are homesickness and poor health. Another reason some speculate is that when she refused to sign an oath publicly professing her faith in Christ, her ensuing chastisement from Mary Lyon proved to be too much humiliation. Back home in the patriarchal household of aspiring politicians, Emily started to write her first poems. She was in the midst of the college town’s society and bustle although she started to spend more time alone, reading and maintaining lively correspondences with friends and relatives.

In 1855 Emily and her sister spent time in the cities of Washington, D.C. and Philadelphia, Pennsylvania, the same year her father bought the Main Street home where she was born. He built an addition to The Homestead, replete with gardens and conservatory. Thereafter he held a yearly reception for Amherst College’s commencement, to which Emily made an appearance as the gracious hostess. In 1856 Emily’s brother, now himself a successful Harvard graduate and Amherst lawyer, married her best friend Susan Gilbert. They moved into their home nearby ‘The Evergreens’, a wedding gift from his father. They frequently entertained such guests as Ralph Waldo Emerson and Samuel Bowles, editor of the Springfield Republican, who would publish a few of Emily’s poems and become a great friend to her and possible object of affection in some of her poems. In 1862 Dickinson answered a call for poetry submissions in the Atlantic Monthly. She struck up a correspondence with its editor, Thomas Wentworth Higginson. He had tried to correct her work, but she refused to alter it, though they soon became friends and it is speculated that Emily also had romantic feelings for him.

Dark times were soon to fall on Emily. In 1864 and 1865 she went to stay with her Norcross cousins in Boston to see an eye doctor whereupon she was forbidden to read or write. It would be the last time she ventured from Amherst. By the early 1870’s Emily’s ailing mother was confined to her bed and Emily and her sister cared for her. Around the time her father Edward died suddenly in 1874 she stopped going out in public though she still kept up her social contacts via correspondence, writing at her desk in her austere bedroom, and seemed to have enjoyed her solitude. She regularly tended the homestead’s gardens and loved to bake, and the neighborhood children sometimes visited her with their rambunctious games. In 1878 her friend Samuel Bowles died and another of her esteemed friends Charles Wadsworth died in 1882, the same year her mother succumbed to her lengthy illness. A year later her brother Austin’s son Gilbert died. Dickinson herself had been afflicted for some time with her own illness affecting the kidneys, Bright’s Disease, symptoms of which include chronic pain and edema, which may have contributed to her seclusion from the outside world.

‘Called Back’: Emily Dickinson died on 15 May 1886, at the age of fifty-six. She now rests in the West Cemetery of Amherst, Hampshire County, Massachusetts. Not wishing a church service, a gathering was held at The Homestead. She was buried in one of the white dresses she had taken to wearing in her later years, violets pinned to her collar by Lavinia.

Although many friends including Helen Hunt Jackson had encouraged Dickinson to publish her poetry, only a handful of them appeared publicly during her lifetime. Upon her death her sister Lavinia found hundreds of them tied into ‘fascicles’ stitched together by Emily’s own hand. Some were written in pencil, only a few titled, many unfinished. Lavinia enlisted the aid of Higginson and Mabel Loomis Todd to edit them and roughly arrange them chronologically into collections: Poems, Series 1 in 1890, Poems, Series 2 in 1891, and Poems, Series 3 in 1896. The edits were aggressive to standardise punctuation and capitalisation and some poems re-worded, but by and large it was a labour of love. From Thomas Wentworth Higginson's Preface to Poems, Series 1;

--flashes of wholly original and profound insight into nature and life; words and phrases exhibiting an extraordinary vividness of descriptive and imaginative power, yet often set in a seemingly whimsical or even rugged frame....the main quality of these poems is that of extraordinary grasp and insight.

In 1914 Emily’s niece Martha Dickinson Bianchi published another of the many collections to follow. Even with the first few volumes her work attracted much attention, though not without its critics. In 1892, Thomas Bailey Aldrich published a scathing review in the Atlantic Monthly; She was deeply tinged by the mysticism of Blake, and strongly influenced by the mannerism of Emerson....but the incoherence and formlessness of her—versicles are fatal. In 1955, Thomas H. Johnson published the first comprehensive collection of her poems in three volumes titled The Poems of Emily Dickinson, Including Variant Readings Critically Compared With all Known Manuscripts. Johnson’s The Letters of Emily Dickinson appeared in 1958.

This Is My Letter To The World

This is my letter to the world,
That never wrote to me,--
The simple news that Nature told,
With tender majesty.
Her message is committed
To hands I cannot see;
For love of her, sweet countrymen,
Judge tenderly of me!

Biography written by C.D. Merriman for Jalic Inc. Copyright Jalic Inc. 2006. All Rights Reserved.

The above biography is copyrighted. Do not republish it without permission.

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Recent Forum Posts on Emily Dickinson

One Poem that represents Emily's entier career

I had been reading Emily Dickinson's (and other poets) poem as part of my school work. They are full of metaphor allegory; and I like them once I get to know the meaning of the poems. I think her poems are thought provoking. As part of my work, I have to chose one poem that is a good representation of the poet's entire literary career. I am thinking of chosing Emily Dickinson as the poet. But, I need help in identifying the one poem that best represents her career. Any suggestions? Thanks,


about "I felt a funeral in my Brain"

hi, i have some questions about this part of the poem: As all the Heavens were a Bell, And Being, but an Ear, And I, and Silence, some strange Race Wrecked, solitary, here now English is not my first language, and i don't like reading translated poems, so i interpreted it this way: by saying As all the Heavens were a Bell, And Being, but an Ear does she mean that she felt like an ear in a world full of bells? the word heavens doesn't have to be taken directly as heaven right? and And I, and Silence, some strange Race what does race mean here? what's the meaning of the whole line? this line is puzzling me most... thanks =)


Emily Dickinson

It's a bit hard to understand thoroughly her poems. I have met a problem interpreting the poem named "I've known a Heaven, like a Tent-" I've known a Heaven, like a Tent -- To wrap its shining Yards -- Pluck up its stakes, and disappear -- Without the sound of Boards Or Rip of Nail -- Or Carpenter -- But just the miles of Stare -- That signalize a Show's Retreat -- In North America -- No Trace -- no Figment of the Thing That dazzled, Yesterday, No Ring -- no Marvel -- Men, and Feats -- Dissolved as utterly -- As Bird's far Navigation Discloses just a Hue -- A plash of Oars, a Gaiety -- Then swallowed up, of View. The first time i read it, i totally did not understand. However, for now i kinda comprehend a bit about what it. I still need more help to know her hidden messages that she wants to convey to the reader. Interpreting about this poem is a great help for me, especially focusing on the poetic devices that she uses and why does she use it and how? Thanks in advance.


Some questions about poem #214 & #280

Please provide me with the answers asap :) Poem #214 "I taste a liquor..." 1- The liquor that Dickinson tastes is not "brewed" . Why not? 2- What does she mean bye "Inebriate of Air" ? 3- How does the word "Landlords" refer back to the previous stanza? 4- In stanza 3, Dickinson contrasts herself to the bees and butterflies. Can you explain how? Poem #280 "I felt a Funeral..." 1- In stanza 2, what is the "service" ? 2- What does "Then Space" probably refer to? 3- In what way is the speaker "wrecked" in stanza 4? 4- "And Being, but an Ear" . What does Dickinson mean, in your opinion? 5- Dickinson says she "hit a World, at every plunge" . Can you suggest what she may mean? - - - please guys, its for my project :\


Emily Dickinson- After great pain a formal feeling comes

I love this poem, but now that I have to read it for my oral exam and have to find a consistent interpretation for it, I'm getting more and more insecure about whether I have really understood what it is about. So I will post my interpretation of the poem and I would be glad if you could correct me if my reading seems to be mistaken or if you have any thoughts of your own to add. I hope it's okay that I post- for convenience sake- the poem itself first, I think it should not be copyrighted- it was first published in 1890 and its author is dead... After great pain a formal feeling comes-- The nerves sit ceremonious like tombs; The stiff Heart questions--was it He that bore? And yesterday--or centuries before? The feet, mechanical, go round A wooden way Of ground, or air, or ought, Regardless grown, A quartz contentment, like a stone. This is the hour of lead Remembered if outlived, As freezing persons recollect the snow-- First chill, then stupor, then the letting go. I think that this poem is about the process of coping with some severe psychological trauma. We do not learn what has caused this trauma, but some of the images used in the poem suggest that it might have been the death of a beloved person. The irregularity of the structure which is- as far as I know- rather untypical for Dickinson, might suggest the emotional confusion which is involved in this process. 1. stanza The first line is a statement which I take as the premise under which the poem has to be read. After "great pain", there comes something else, a "formal feeling", which is maybe a notion that one has survived. The second line describes what this pain has caused. Here we find an image which indicates deep grief or maybe even death (and this is not the only death image we can find in this poem): "the nerves sit ceremonious like tombs"- it suggests a static state, a feeling of numbness that the intense pain has caused. The image of the "stiff heart" in line three also suggests a state of numbness and paralysis caused by intense pain. What I don't really understand is the use of the pronoun "He". What does it refer to and why is it capitalized (it is the only word- appart from the words at the beginning of each line- that is capitalized!!!)? It obviously seems to be very important, maybe even the key word for an understanding of this poem. Does it refer back to "the stiff heart"? What would it mean then? I would be glad if you could help me out here. The fourth line suggests the distortion of the perception of time due to this intense pain, it is no longer clear when it all started- was it just yesterday or "centuries before"? 2. stanza The second stanza describes the way we act when experiencing great pain. We might try- or have to ("ought")- engage in some activity, but it is merely mechanical. "The feet go round" but our thoughts are actually elsewhere. When walking on a wooden way we hear a dull sound which may reflect the dull state we are in when experiencing intense pain. I have also read that the word "wooden" evokes a coffin, which would be another death image, but this is not very convincing to me (and neither is my own interpretation of "wooden way"- do you have an idea what this could mean?). "Regardless grown" again indicates the numbness of the state that one is in when experiencing imense emotional pain and the 'mechanicality' of all actions. Contentment that is 'quartzen' and like a stone seems to be a contradiction in terms, because contentment is an emotional state and neither the mineral quartz nor a stone can experience human feelings.Quartz or stones are inanimate just as the sufferer of great pain seems to be in her/his state of numbness and apathy which might be confused with contentment, because there is no complaining or other showing of emotion. 3. stanza The "hour of lead" again suggests the distortion of the perception of time. The image indicates that time does not seem to pass as it normally does. It seems to pass more slowly, it is dull and heavy. In the second line of this stanza, however, there seems to be a first suggestion of the possibility of breaking out of this emotional state caused by the intense suffering. It is "remembered if outlived" as "freezing persons recollect the snow". It is however not clear if this is a positive conclusion for the poem, because the last line says "First chill, then stupor, then the letting go" which again is a death image. The "letting go" of a freezing person is letting go of life itself, dying. This might either suggest that the overcoming of a state of intense pain, according to Dickinson, is only possible when letting go of something or someone that has once been as important as life itself to the sufferer and that this can be compared with the letting go of a freezing person or it might suggest that only death itself will make an escape from this state of intense suffering possible. In any case, I think that this overcoming of this intense emotional pain- whether it means letting go of life itself or rather of the memory of something or someone beloved- is the "formal feeling" which Dickinson refers to in the beginning of the poem.


Question abt "Hope Is the Thing with Feathers"

I read this poem here, and noticed that the first line in the 3rd verse is different from what I remember. Here: "I've heard it in the chilliest land" My Collected Poems (Gramercy Books, 1982) which seems to be an exact copy of Poems, 1890, Poems, Second Series, 1891, and Poems, Third Series, 1896, gives: "I've heard it in the chillest land" The latter scans better and is as I know the poem. Any ideas?? Thanks! Chappie


Books of her

Hello =) I just read a book and there were a few poems of Emily. I started to be interested and wanted tu buy a book of several poems of her. But since I live in Germany there is no wide choice. So maybe some of you could tell me some english books? That would be very nice. Thank you, Prongs


Original documents?

Does anybody know of a book or website that contains images of Dickinson's poems as they were originally written? I had a writing teacher last semester who handed out photocopies of an image of 'My life had stood - a loaded gun' in Dickinson's very own loopy, wayward hand and I've since lost mine. Of course, there was not a single word crossed out anywhere, of course she nailed it the first time. There is some interesting periphery there, though - following the poem is a small legend of sorts, like you'd see on a map, offering alternatives to words used in the poem for re-reading. All I remember is the option of swapping "...the power to kill But not the power to die" for "...the art to kill But not the art to die" , which I find much better. The art to die? Holy crap.


Does Emily Dickinson Roll...

...6 feet under when she reads about the poems offered in this forum? "About Our Emily Dickinson Collection On the left you will find 3 poetry books published by Emily’s family after her death. Many in the academic community feel that these books were poorly edited and are not true to Dickinson’s vision. Regardless, these are the most familiar versions for the public at large, the versions most often taught in school." (That is some intense rationalization.) Why not provide Emily Dickinson's original poems in this Emily Dickinson forum?


This is my Letter to the World

What is the paradox in the poem This is My Letter to the World? Is it the letter (meaning her life)?


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