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Chapter 23

Chapter 6

A RIDDLE WITHOUT AN ANSWER


Again Mr Mortimer Lightwood and Mr Eugene Wrayburn sat
together in the Temple. This evening, however, they were not
together in the place of business of the eminent solicitor, but in
another dismal set of chambers facing it on the same second-floor;
on whose dungeon-like black outer-door appeared the legend:

PRIVATE

MR EUGENE WRAYBURN

MR MORTIMER LIGHTWOOD

(Mr Lightwood's Offices opposite.)

Appearances indicated that this establishment was a very recent
institution. The white letters of the inscription were extremely
white and extremely strong to the sense of smell, the complexion
of the tables and chairs was (like Lady Tippins's) a little too
blooming to be believed in, and the carpets and floorcloth seemed
to rush at the beholder's face in the unusual prominency of their
patterns. But the Temple, accustomed to tone down both the still
life and the human life that has much to do with it, would soon get
the better of all that.

'Well!' said Eugene, on one side of the fire, 'I feel tolerably
comfortable. I hope the upholsterer may do the same.'

'Why shouldn't he?' asked Lightwood, from the other side of the
fire.

'To be sure,' pursued Eugene, reflecting, 'he is not in the secret of
our pecuniary affairs, so perhaps he may be in an easy frame of
mind.'

'We shall pay him,' said Mortimer.

'Shall we, really?' returned Eugene, indolently surprised. 'You
don't say so!'

'I mean to pay him, Eugene, for my part,' said Mortimer, in a
slightly injured tone.

'Ah! I mean to pay him too,' retorted Eugene. 'But then I mean so
much that I--that I don't mean.'

'Don't mean?'

'So much that I only mean and shall always only mean and nothing
more, my dear Mortimer. It's the same thing.'

His friend, lying back in his easy chair, watched him lying back in
his easy chair, as he stretched out his legs on the hearth-rug, and
said, with the amused look that Eugene Wrayburn could always
awaken in him without seeming to try or care:

'Anyhow, your vagaries have increased the bill.'

'Calls the domestic virtues vagaries!' exclaimed Eugene, raising his
eyes to the ceiling.

'This very complete little kitchen of ours,' said Mortimer, 'in which
nothing will ever be cooked--'

'My dear, dear Mortimer,' returned his friend, lazily lifting his head
a little to look at him, 'how often have I pointed out to you that its
moral influence is the important thing?'

'Its moral influence on this fellow!' exclaimed Lightwood,
laughing.

'Do me the favour,' said Eugene, getting out of his chair with much
gravity, 'to come and inspect that feature of our establishment
which you rashly disparage.' With that, taking up a candle, he
conducted his chum into the fourth room of the set of chambers--a
little narrow room--which was very completely and neatly fitted
as a kitchen. 'See!' said Eugene, 'miniature flour-barrel, rolling-
pin, spice-box, shelf of brown jars, chopping-board, coffee-mill,
dresser elegantly furnished with crockery, saucepans and pans,
roasting jack, a charming kettle, an armoury of dish-covers. The
moral influence of these objects, in forming the domestic virtues,
may have an immense influence upon me; not upon you, for you
are a hopeless case, but upon me. In fact, I have an idea that I
feel the domestic virtues already forming. Do me the favour to
step into my bedroom. Secretaire, you see, and abstruse set of
solid mahogany pigeon-holes, one for every letter of the alphabet.
To what use do I devote them? I receive a bill--say from Jones. I
docket it neatly at the secretaire, JONES, and I put it into
pigeonhole J. It's the next thing to a receipt and is quite as
satisfactory to ME. And I very much wish, Mortimer,' sitting on
his bed, with the air of a philosopher lecturing a disciple, 'that my
example might induce YOU to cultivate habits of punctuality and
method; and, by means of the moral influences with which I have
surrounded you, to encourage the formation of the domestic
virtues.'

Mortimer laughed again, with his usual commentaries of 'How
CAN you be so ridiculous, Eugene!' and 'What an absurd fellow
you are!' but when his laugh was out, there was something serious,
if not anxious, in his face. Despite that pernicious assumption of
lassitude and indifference, which had become his second nature,
he was strongly attached to his friend. He had founded himself
upon Eugene when they were yet boys at school; and at this hour
imitated him no less, admired him no less, loved him no less, than
in those departed days.

'Eugene,' said he, 'if I could find you in earnest for a minute, I
would try to say an earnest word to you.'

'An earnest word?' repeated Eugene. 'The moral influences are
beginning to work. Say on.'

'Well, I will,' returned the other, 'though you are not earnest yet.'

'In this desire for earnestness,' murmured Eugene, with the air of
one who was meditating deeply, 'I trace the happy influences of
the little flour-barrel and the coffee-mill. Gratifying.'

'Eugene,' resumed Mortimer, disregarding the light interruption,
and laying a hand upon Eugene's shoulder, as he, Mortimer, stood
before him seated on his bed, 'you are withholding something from
me.'

Eugene looked at him, but said nothing.

'All this past summer, you have been withholding something from
me. Before we entered on our boating vacation, you were as bent
upon it as I have seen you upon anything since we first rowed
together. But you cared very little for it when it came, often
found it a tie and a drag upon you, and were constantly away.
Now it was well enough half-a-dozen times, a dozen times, twenty
times, to say to me in your own odd manner, which I know so well
and like so much, that your disappearances were precautions
against our boring one another; but of course after a short while I
began to know that they covered something. I don't ask what it is,
as you have not told me; but the fact is so. Say, is it not?'

'I give you my word of honour, Mortimer,' returned Eugene, after
a serious pause of a few moments, 'that I don't know.'

'Don't know, Eugene?'

'Upon my soul, don't know. I know less about myself than about
most people in the world, and I don't know.'

'You have some design in your mind?'

'Have I? I don't think I have.'

'At any rate, you have some subject of interest there which used
not to be there?'

'I really can't say,' replied Eugene, shaking his head blankly, after
pausing again to reconsider. 'At times I have thought yes; at other
times I have thought no. Now, I have been inclined to pursue
such a subject; now I have felt that it was absurd, and that it tired
and embarrassed me. Absolutely, I can't say. Frankly and
faithfully, I would if I could.'

So replying, he clapped a hand, in his turn, on his friend's
shoulder, as he rose from his seat upon the bed, and said:

'You must take your friend as he is. You know what I am, my
dear Mortimer. You know how dreadfully susceptible I am to
boredom. You know that when I became enough of a man to find
myself an embodied conundrum, I bored myself to the last degree
by trying to find out what I meant. You know that at length I gave
it up, and declined to guess any more. Then how can I possibly
give you the answer that I have not discovered? The old nursery
form runs, "Riddle-me-riddle-me-ree, p'raps you can't tell me what
this may be?" My reply runs, "No. Upon my life, I can't."'

So much of what was fantastically true to his own knowledge of
this utterly careless Eugene, mingled with the answer, that
Mortimer could not receive it as a mere evasion. Besides, it was
given with an engaging air of openness, and of special exemption
of the one friend he valued, from his reckless indifference.

'Come, dear boy!' said Eugene. 'Let us try the effect of smoking.
If it enlightens me at all on this question, I will impart
unreservedly.'

They returned to the room they had come from, and, finding it
heated, opened a window. Having lighted their cigars, they leaned
out of this window, smoking, and looking down at the moonlight,
as it shone into the court below.

'No enlightenment,' resumed Eugene, after certain minutes of
silence. 'I feel sincerely apologetic, my dear Mortimer, but
nothing comes.'

'If nothing comes,' returned Mortimer, 'nothing can come from it.
So I shall hope that this may hold good throughout, and that there
may be nothing on foot. Nothing injurious to you, Eugene, or--'

Eugene stayed him for a moment with his hand on his arm, while
he took a piece of earth from an old flowerpot on the window-sill
and dexterously shot it at a little point of light opposite; having
done which to his satisfaction, he said, 'Or?'

'Or injurious to any one else.'

'How,' said Eugene, taking another little piece of earth, and
shooting it with great precision at the former mark, 'how injurious
to any one else?'

'I don't know.'

'And,' said Eugene, taking, as he said the word, another shot, 'to
whom else?'

'I don't know.'

Checking himself with another piece of earth in his hand, Eugene
looked at his friend inquiringly and a little suspiciously. There
was no concealed or half-expressed meaning in his face.

'Two belated wanderers in the mazes of the law,' said Eugene,
attracted by the sound of footsteps, and glancing down as he
spoke, 'stray into the court. They examine the door-posts of
number one, seeking the name they want. Not finding it at
number one, they come to number two. On the hat of wanderer
number two, the shorter one, I drop this pellet. Hitting him on the
hat, I smoke serenely, and become absorbed in contemplation of
the sky.'

Both the wanderers looked up towards the window; but, after
interchanging a mutter or two, soon applied themselves to the
door-posts below. There they seemed to discover what they
wanted, for they disappeared from view by entering at the
doorway. 'When they emerge,' said Eugene, 'you shall see me
bring them both down'; and so prepared two pellets for the
purpose.

He had not reckoned on their seeking his name, or Lightwood's.
But either the one or the other would seem to be in question, for
now there came a knock at the door. 'I am on duty to-night,' said
Mortimer, 'stay you where you are, Eugene.' Requiring no
persuasion, he stayed there, smoking quietly, and not at all curious
to know who knocked, until Mortimer spoke to him from within
the room, and touched him. Then, drawing in his head, he found
the visitors to be young Charley Hexam and the schoolmaster;
both standing facing him, and both recognized at a glance.

'You recollect this young fellow, Eugene?' said Mortimer.

'Let me look at him,' returned Wrayburn, coolly. 'Oh, yes, yes. I
recollect him!'

He had not been about to repeat that former action of taking him
by the chin, but the boy had suspected him of it, and had thrown
up his arm with an angry start. Laughingly, Wrayburn looked to
Lightwood for an explanation of this odd visit.

'He says he has something to say.'

'Surely it must be to you, Mortimer.'

'So I thought, but he says no. He says it is to you.'

'Yes, I do say so,' interposed the boy. 'And I mean to say what I
want to say, too, Mr Eugene Wrayburn!'

Passing him with his eyes as if there were nothing where he stood,
Eugene looked on to Bradley Headstone. With consummate
indolence, he turned to Mortimer, inquiring: 'And who may this
other person be?'

'I am Charles Hexam's friend,' said Bradley; 'I am Charles
Hexam's schoolmaster.'

'My good sir, you should teach your pupils better manners,'
returned Eugene.

Composedly smoking, he leaned an elbow on the chimneypiece, at
the side of the fire, and looked at the schoolmaster. It was a cruel
look, in its cold disdain of him, as a creature of no worth. The
schoolmaster looked at him, and that, too, was a cruel look,
though of the different kind, that it had a raging jealousy and fiery
wrath in it.

Very remarkably, neither Eugene Wrayburn nor Bradley
Headstone looked at all at the boy. Through the ensuing dialogue,
those two, no matter who spoke, or whom was addressed, looked
at each other. There was some secret, sure perception between
them, which set them against one another in all ways.

'In some high respects, Mr Eugene Wrayburn,' said Bradley,
answering him with pale and quivering lips, 'the natural feelings of
my pupils are stronger than my teaching.'

'In most respects, I dare say,' replied Eugene, enjoying his cigar,
'though whether high or low is of no importance. You have my
name very correctly. Pray what is yours?'

'It cannot concern you much to know, but--'

'True,' interposed Eugene, striking sharply and cutting him short at
his mistake, 'it does not concern me at all to know. I can say
Schoolmaster, which is a most respectable title. You are right,
Schoolmaster.'

It was not the dullest part of this goad in its galling of Bradley
Headstone, that he had made it himself in a moment of incautious
anger. He tried to set his lips so as to prevent their quivering, but
they quivered fast.

'Mr Eugene Wrayburn,' said the boy, 'I want a word with you. I
have wanted it so much, that we have looked out your address in
the book, and we have been to your office, and we have come
from your office here.'

'You have given yourself much trouble, Schoolmaster,' observed
Eugene, blowing the feathery ash from his cigar. 'I hope it may
prove remunerative.'

'And I am glad to speak,' pursued the boy, 'in presence of Mr
Lightwood, because it was through Mr Lightwood that you ever
saw my sister.'

For a mere moment, Wrayburn turned his eyes aside from the
schoolmaster to note the effect of the last word on Mortimer, who,
standing on the opposite side of the fire, as soon as the word was
spoken, turned his face towards the fire and looked down into it.

'Similarly, it was through Mr Lightwood that you ever saw her
again, for you were with him on the night when my father was
found, and so I found you with her on the next day. Since then,
you have seen my sister often. You have seen my sister oftener
and oftener. And I want to know why?'

'Was this worth while, Schoolmaster?' murmured Eugene, with the
air of a disinterested adviser. 'So much trouble for nothing? You
should know best, but I think not.'

'I don't know, Mr Wrayburn,' answered Bradley, with his passion
rising, 'why you address me--'

'Don't you? said Eugene. 'Then I won't.'

He said it so tauntingly in his perfect placidity, that the
respectable right-hand clutching the respectable hair-guard of the
respectable watch could have wound it round his throat and
strangled him with it. Not another word did Eugene deem it worth
while to utter, but stood leaning his head upon his hand, smoking,
and looking imperturbably at the chafing Bradley Headstone with
his clutching right-hand, until Bradley was wellnigh mad.

'Mr Wrayburn,' proceeded the boy, 'we not only know this that I
have charged upon you, but we know more. It has not yet come
to my sister's knowledge that we have found it out, but we have.
We had a plan, Mr Headstone and I, for my sister's education, and
for its being advised and overlooked by Mr Headstone, who is a
much more competent authority, whatever you may pretend to
think, as you smoke, than you could produce, if you tried. Then,
what do we find? What do we find, Mr Lightwood? Why, we
find that my sister is already being taught, without our knowing it.
We find that while my sister gives an unwilling and cold ear to our
schemes for her advantage--I, her brother, and Mr Headstone, the
most competent authority, as his certificates would easily prove,
that could be produced--she is wilfully and willingly profiting by
other schemes. Ay, and taking pains, too, for I know what such
pains are. And so does Mr Headstone! Well! Somebody pays for
this, is a thought that naturally occurs to us; who pays? We apply
ourselves to find out, Mr Lightwood, and we find that your friend,
this Mr Eugene Wrayburn, here, pays. Then I ask him what right
has he to do it, and what does he mean by it, and how comes he to
be taking such a liberty without my consent, when I am raising
myself in the scale of society by my own exertions and Mr
Headstone's aid, and have no right to have any darkness cast upon
my prospects, or any imputation upon my respectability, through
my sister?'

The boyish weakness of this speech, combined with its great
selfishness, made it a poor one indeed. And yet Bradley
Headstone, used to the little audience of a school, and unused to
the larger ways of men, showed a kind of exultation in it.

'Now I tell Mr Eugene Wrayburn,' pursued the boy, forced into
the use of the third person by the hopelessness of addressing him
in the first, 'that I object to his having any acquaintance at all with
my sister, and that I request him to drop it altogether. He is not to
take it into his head that I am afraid of my sister's caring for HIM--'

(As the boy sneered, the Master sneered, and Eugene blew off the
feathery ash again.)

--'But I object to it, and that's enough. I am more important to to
my sister than he thinks. As I raise myself, I intend to raise her;
she knows that, and she has to look to me for her prospects. Now
I understand all this very well, and so does Mr Headstone. My
sister is an excellent girl, but she has some romantic notions; not
about such things as your Mr Eugene Wrayburns, but about the
death of my father and other matters of that sort. Mr Wrayburn
encourages those notions to make himself of importance, and so
she thinks she ought to be grateful to him, and perhaps even likes
to be. Now I don't choose her to be grateful to him, or to be
grateful to anybody but me, except Mr Headstone. And I tell Mr
Wrayburn that if he don't take heed of what I say, it will be worse
for her. Let him turn that over in his memory, and make sure of it.
Worse for her!'

A pause ensued, in which the schoolmaster looked very awkward.

'May I suggest, Schoolmaster,' said Eugene, removing his fast-
waning cigar from his lips to glance at it, 'that you can now take
your pupil away.'

'And Mr Lightwood,' added the boy, with a burning face, under
the flaming aggravation of getting no sort of answer or attention, 'I
hope you'll take notice of what I have said to your friend, and of
what your friend has heard me say, word by word, whatever he
pretends to the contrary. You are bound to take notice of it, Mr
Lightwood, for, as I have already mentioned, you first brought
your friend into my sister's company, and but for you we never
should have seen him. Lord knows none of us ever wanted him,
any more than any of us will ever miss him. Now Mr Headstone,
as Mr Eugene Wrayburn has been obliged to hear what I had to
say, and couldn't help himself, and as I have said it out to the last
word, we have done all we wanted to do, and may go.'

'Go down-stairs, and leave me a moment, Hexam,' he returned.
The boy complying with an indignant look and as much noise as
he could make, swung out of the room; and Lightwood went to
the window, and leaned there, looking out.

'You think me of no more value than the dirt under your feet,' said
Bradley to Eugene, speaking in a carefully weighed and measured
tone, or he could not have spoken at all.

'I assure you, Schoolmaster,' replied Eugene, 'I don't think about
you.'

'That's not true,' returned the other; 'you know better.'

'That's coarse,' Eugene retorted; 'but you DON'T know better.'

'Mr Wrayburn, at least I know very well that it would be idle to
set myself against you in insolent words or overbearing manners.
That lad who has just gone out could put you to shame in half-a-
dozen branches of knowledge in half an hour, but you can throw
him aside like an inferior. You can do as much by me, I have no
doubt, beforehand.'

'Possibly,' remarked Eugene.

'But I am more than a lad,' said Bradley, with his clutching hand,
'and I WILL be heard, sir.'

'As a schoolmaster,' said Eugene, 'you are always being heard.
That ought to content you.'

'But it does not content me,' replied the other, white with passion.
'Do you suppose that a man, in forming himself for the duties I
discharge, and in watching and repressing himself daily to
discharge them well, dismisses a man's nature?'

'I suppose you,' said Eugene, 'judging from what I see as I look at
you, to be rather too passionate for a good schoolmaster.' As he
spoke, he tossed away the end of his cigar.

'Passionate with you, sir, I admit I am. Passionate with you, sir, I
respect myself for being. But I have not Devils for my pupils.'

'For your Teachers, I should rather say,' replied Eugene.

'Mr Wrayburn.'

'Schoolmaster.'

'Sir, my name is Bradley Headstone.'

'As you justly said, my good sir, your name cannot concern me.
Now, what more?'

'This more. Oh, what a misfortune is mine,' cried Bradley,
breaking off to wipe the starting perspiration from his face as he
shook from head to foot, 'that I cannot so control myself as to
appear a stronger creature than this, when a man who has not felt
in all his life what I have felt in a day can so command himself!'
He said it in a very agony, and even followed it with an errant
motion of his hands as if he could have torn himself.

Eugene Wrayburn looked on at him, as if he found him beginning
to be rather an entertaining study.

'Mr Wrayburn, I desire to say something to you on my own part.'

'Come, come, Schoolmaster,' returned Eugene, with a languid
approach to impatience as the other again struggled with himself;
'say what you have to say. And let me remind you that the door is
standing open, and your young friend waiting for you on the
stairs.'

'When I accompanied that youth here, sir, I did so with the
purpose of adding, as a man whom you should not be permitted to
put aside, in case you put him aside as a boy, that his instinct is
correct and right.' Thus Bradley Headstone, with great effort and
difficulty.

'Is that all?' asked Eugene.

'No, sir,' said the other, flushed and fierce. 'I strongly support him
in his disapproval of your visits to his sister, and in his objection to
your officiousness--and worse--in what you have taken upon
yourself to do for her.'

'Is THAT all?' asked Eugene.

'No, sir. I determined to tell you that you are not justified in these
proceedings, and that they are injurious to his sister.'

'Are you her schoolmaster as well as her brother's?--Or perhaps
you would like to be?' said Eugene.

It was a stab that the blood followed, in its rush to Bradley
Headstone's face, as swiftly as if it had been dealt with a dagger.
'What do you mean by that?' was as much as he could utter.

'A natural ambition enough,' said Eugene, coolly. Far be it from
me to say otherwise. The sister who is something too much upon
your lips, perhaps--is so very different from all the associations to
which she had been used, and from all the low obscure people
about her, that it is a very natural ambition.'

'Do you throw my obscurity in my teeth, Mr Wrayburn?'

'That can hardly be, for I know nothing concerning it,
Schoolmaster, and seek to know nothing.'

'You reproach me with my origin,' said Bradley Headstone; 'you
cast insinuations at my bringing-up. But I tell you, sir, I have
worked my way onward, out of both and in spite of both, and
have a right to be considered a better man than you, with better
reasons for being proud.'

'How I can reproach you with what is not within my knowledge,
or how I can cast stones that were never in my hand, is a problem
for the ingenuity of a schoolmaster to prove,' returned Eugene. 'Is
THAT all?'

'No, sir. If you suppose that boy--'

'Who really will be tired of waiting,' said Eugene, politely.

'If you suppose that boy to be friendless, Mr Wrayburn, you
deceive yourself. I am his friend, and you shall find me so.'

'And you will find HIM on the stairs,' remarked Eugene.

'You may have promised yourself, sir, that you could do what you
chose here, because you had to deal with a mere boy,
inexperienced, friendless, and unassisted. But I give you warning
that this mean calculation is wrong. You have to do with a man
also. You have to do with me. I will support him, and, if need be,
require reparation for him. My hand and heart are in this cause,
and are open to him.'

'And--quite a coincidence--the door is open,' remarked Eugene.

'I scorn your shifty evasions, and I scorn you,' said the
schoolmaster. 'In the meanness of your nature you revile me with
the meanness of my birth. I hold you in contempt for it. But if
you don't profit by this visit, and act accordingly, you will find me
as bitterly in earnest against you as I could be if I deemed you
worth a second thought on my own account.'

With a consciously bad grace and stiff manner, as Wrayburn
looked so easily and calmly on, he went out with these words, and
the heavy door closed like a furnace-door upon his red and white
heats of rage.

'A curious monomaniac,' said Eugene. 'The man seems to believe
that everybody was acquainted with his mother!'

Mortimer Lightwood being still at the window, to which he had in
delicacy withdrawn, Eugene called to him, and he fell to slowly
pacing the room.

'My dear fellow,' said Eugene, as he lighted another cigar, 'I fear
my unexpected visitors have been troublesome. If as a set-off
(excuse the legal phrase from a barrister-at-law) you would like to
ask Tippins to tea, I pledge myself to make love to her.'

'Eugene, Eugene, Eugene,' replied Mortimer, still pacing the room,
'I am sorry for this. And to think that I have been so blind!'

'How blind, dear boy?' inquired his unmoved friend.

'What were your words that night at the river-side public-house?'
said Lightwood, stopping. 'What was it that you asked me? Did I
feel like a dark combination of traitor and pickpocket when I
thought of that girl?'

'I seem to remember the expression,' said Eugene.

'How do YOU feel when you think of her just now?'

His friend made no direct reply, but observed, after a few whiffs
of his cigar, 'Don't mistake the situation. There is no better girl in
all this London than Lizzie Hexam. There is no better among my
people at home; no better among your people.'

'Granted. What follows?'

'There,' said Eugene, looking after him dubiously as he paced
away to the other end of the room, 'you put me again upon
guessing the riddle that I have given up.'

'Eugene, do you design to capture and desert this girl?'

'My dear fellow, no.'

'Do you design to marry her?'

'My dear fellow, no.'

'Do you design to pursue her?'

'My dear fellow, I don't design anything. I have no design
whatever. I am incapable of designs. If I conceived a design, I
should speedily abandon it, exhausted by the operation.'

'Oh Eugene, Eugene!'

'My dear Mortimer, not that tone of melancholy reproach, I
entreat. What can I do more than tell you all I know, and
acknowledge my ignorance of all I don't know! How does that
little old song go, which, under pretence of being cheerful, is by
far the most lugubrious I ever heard in my life?

"Away with melancholy,
Nor doleful changes ring
On life and human folly,
But merrily merrily sing
Fal la!"

Don't let us sing Fal la, my dear Mortimer (which is comparatively
unmeaning), but let us sing that we give up guessing the riddle
altogether.'

'Are you in communication with this girl, Eugene, and is what
these people say true?'

'I concede both admissions to my honourable and learned friend.'

'Then what is to come of it? What are you doing? Where are you
going?'

'My dear Mortimer, one would think the schoolmaster had left
behind him a catechizing infection. You are ruffled by the want
of another cigar. Take one of these, I entreat. Light it at mine,
which is in perfect order. So! Now do me the justice to observe
that I am doing all I can towards self-improvement, and that you
have a light thrown on those household implements which, when
you only saw them as in a glass darkly, you were hastily--I must
say hastily--inclined to depreciate. Sensible of my deficiencies, I
have surrounded myself with moral influences expressly meant to
promote the formation of the domestic virtues. To those
influences, and to the improving society of my friend from
boyhood, commend me with your best wishes.'

'Ah, Eugene!' said Lightwood, affectionately, now standing near
him, so that they both stood in one little cloud of smoke; 'I would
that you answered my three questions! What is to come of it?
What are you doing? Where are you going?'

'And my dear Mortimer,' returned Eugene, lightly fanning away
the smoke with his hand for the better exposition of his frankness
of face and manner, 'believe me, I would answer them instantly if
I could. But to enable me to do so, I must first have found out the
troublesome conundrum long abandoned. Here it is. Eugene
Wrayburn.' Tapping his forehead and breast. 'Riddle-me, riddle-
me-ree, perhaps you can't tell me what this may be?--No, upon my
life I can't. I give it up!'

Charles Dickens