Winning ways with character Zadie Smith's animating touch and ear for nuance compensate for some diffuse plotting, finds John Preston

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From: The Sunday Telegraph London
Date: 20050904
Author:John Preston

ZADIE SMITH has acknowledged a big debt to E.M. Forster in her new novel, and to Howard's End in particular. Certainly, the starter- motor of her plot is thematically the same: the child of parents with one set of values is attracated to the child of parents with diametrically opposing views.

The Belseys are a mixed-race family brimming with liberal credentials. Howard, the father, is white, English, a professor of art history in New England and a colossal egomaniac. "Whenever Howard saw an opportunity to take the moral high ground, he pretty much catapulted himself towards it.'' His wife, ...

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