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Ch. VIII: Inferi

There are two ways of making a footing at court. In the clouds, and you are august; in the mud, and you are powerful.

In the first case, you belong to Olympus.

In the second case, you belong to the private closet.

He who belongs to Olympus has but the thunderbolt, he who is of the private closet has the police.

The private closet contains all the instruments of government, and sometimes, for it is a traitor, its chastisement. Heliogabalus goes there to die. Then it is called the latrines.

Generally it is less tragic. It is there that Alberoni admires Vendme. Royal personages willingly make it their place of audience. It takes the place of the throne. Louis XIV. receives the Duchess of Burgundy there. Philip V. is shoulder to shoulder there with the queen. The priest penetrates into it. The private closet is sometimes a branch of the confessional. Therefore it is that at court there are underground fortunes--not always the least. If, under Louis XI., you would be great, be Pierre de Rohan, Marshal of France; if you would be influential, be Olivier le Daim, the barber; if you would, under Mary de Medicis, be glorious, be Sillery, the Chancellor; if you would be a person of consideration, be La Hannon, the maid; if you would, under Louis XV., be illustrious, be Choiseul, the minister; if you would be formidable, be Lebel, the valet. Given, Louis XIV., Bontemps, who makes his bed, is more powerful than Louvois, who raises his armies, and Turenne, who gains his victories. From Richelieu, take Pre Joseph, and you have Richelieu nearly empty. There is the mystery the less. His Eminence in scarlet is magnificent; his Eminence in gray is terrible. What power in being a worm! All the Narvaez amalgamated with all the O'Donnells do less work than one Sr Patrocinio.

Of course the condition of this power is littleness. If you would remain powerful, remain petty. Be Nothingness. The serpent in repose, twisted into a circle, is a figure at the same time of the infinite and of naught.

One of these viper-like fortunes had fallen to Barkilphedro.

He had crawled where he wanted.

Flat beasts can get in everywhere. Louis XIV. had bugs in his bed and Jesuits in his policy.

The incompatibility is nil.

In this world everything is a clock. To gravitate is to oscillate. One pole is attracted to the other. Francis I. is attracted by Triboulet; Louis XIV. is attracted by Lebel. There exists a deep affinity between extreme elevation and extreme debasement.

It is abasement which directs. Nothing is easier of comprehension. It is he who is below who pulls the strings. No position more convenient. He is the eye, and has the ear. He is the eye of the government; he has the ear of the king. To have the eye of the king is to draw and shut, at one's whim, the bolt of the royal conscience, and to throw into that conscience whatever one wishes. The mind of the king is his cupboard; if he be a rag-picker, it is his basket. The ears of kings belong not to kings, and therefore it is that, on the whole, the poor devils are not altogether responsible for their actions. He who does not possess his own thought does not possess his own deed. A king obeys--what? Any evil spirit buzzing from outside in his ear; a noisome fly of the abyss.

This buzzing commands. A reign is a dictation.

The loud voice is the sovereign; the low voice, sovereignty. Those who know how to distinguish, in a reign, this low voice, and to hear what it whispers to the loud, are the real historians.

Victor Hugo

    Preliminary Chapter: Ursus

    Another Preliminary Chapter: The Comprachicos

    Part I: Book I: Night Not So Black As Man

    Book II: The Hooker At Sea

    Book III: The Child in the Shadow

    Part II: Book I: The Everlasting Presence of the Past:

    Book II: Gwynplaine and Dea

    Book III: The Beginning of the Fissure

    Book IV: The Cell of Torture

    Book V: The Sea and Fate Are Moved by the Same Breath

    Book VI: Ursus Under Different Aspects

    Book VII: The Titaness

    Book VIII: The Capitol and Things Around It

    Book IX: In Ruins

    Conclusion: The Night and the Sea

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