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Ch. 24: Ahmedabad

When the Bharati entered upon its second year, my second brother proposed to take me to England; and when my father gave his consent, this further unasked favour of providence came on me as a surprise.

As a first step I accompanied my brother to Ahmedabad where he was posted as judge. My sister-in-law with her children was then in England, so the house was practically empty.

The Judge's house is known as Shahibagh and was a palace of the Badshahs of old. At the foot of the wall supporting a broad terrace flowed the thin summer stream of the Savarmati river along one edge of its ample bed of sand. My brother used to go off to his court, and I would be left all alone in the vast expanse of the palace, with only the cooing of the pigeons to break the midday stillness; and an unaccountable curiosity kept me wandering about the empty rooms.

Into the niches in the wall of a large chamber my brother had put his books. One of these was a gorgeous edition of Tennyson's works, with big print and numerous pictures. The book, for me, was as silent as the palace, and, much in the same way I wandered among its picture plates. Not that I could not make anything of the text, but it spoke to me more like inarticulate cooings than words. In my brother's library I also found a book of collected Sanskrit poems edited by Dr. Haberlin and printed at the old Serampore press. This was also beyond my understanding but the sonorous Sanskrit words, and the march of the metre, kept me tramping among the Amaru Shataka poems to the mellow roll of their drum call.

In the upper room of the palace tower was my lonely hermit cell, my only companions being a nest of wasps. In the unrelieved darkness of the night I slept there alone. Sometimes a wasp or two would drop off the nest on to my bed, and if perchance I happened to roll on one, the meeting was unpleasing to the wasp and keenly discomforting to me.

On moonlight nights pacing round and round the extensive terrace overlooking the river was one of my caprices. It was while so doing that I first composed my own tunes for my songs. The song addressed to the Rose-maiden was one of these, and it still finds a place in my published works.

Finding how imperfect was my knowledge of English I set to work reading through some English books with the help of a dictionary. From my earliest years it was my habit not to let any want of complete comprehension interfere with my reading on, quite satisfied with the structure which my imagination reared on the bits which I understood here and there. I am reaping even to-day both the good and bad effects of this habit.


Rabindranath Tagore