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Chapter 50

CHAPTER L

As the Countess Gemini was not acquainted with the ancient
monuments Isabel occasionally offered to introduce her to these
interesting relics and to give their afternoon drive an
antiquarian aim. The Countess, who professed to think her
sister-in-law a prodigy of learning, never made an objection, and
gazed at masses of Roman brickwork as patiently as if they had
been mounds of modern drapery. She had not the historic sense,
though she had in some directions the anecdotic, and as regards
herself the apologetic, but she was so delighted to be in Rome
that she only desired to float with the current. She would gladly
have passed an hour every day in the damp darkness of the Baths
of Titus if it had been a condition of her remaining at Palazzo
Roccanera. Isabel, however, was not a severe cicerone; she used
to visit the ruins chiefly because they offered an excuse for
talking about other matters than the love affairs of the ladies of
Florence, as to which her companion was never weary of offering
information. It must be added that during these visits the
Countess forbade herself every form of active research; her
preference was to sit in the carriage and exclaim that everything
was most interesting. It was in this manner that she had hitherto
examined the Coliseum, to the infinite regret of her niece, who--
with all the respect that she owed her--could not see why she
should not descend from the vehicle and enter the building. Pansy
had so little chance to ramble that her view of the case was not
wholly disinterested; it may be divined that she had a secret
hope that, once inside, her parents' guest might be induced to
climb to the upper tiers. There came a day when the Countess
announced her willingness to undertake this feat--a mild
afternoon in March when the windy month expressed itself in
occasional puffs of spring. The three ladies went into the
Coliseum together, but Isabel left her companions to wander over
the place. She had often ascended to those desolate ledges from
which the Roman crowd used to bellow applause and where now the
wild flowers (when they are allowed) bloom in the deep crevices;
and to-day she felt weary and disposed to sit in the despoiled
arena. It made an intermission too, for the Countess often asked
more from one's attention than she gave in return; and Isabel
believed that when she was alone with her niece she let the dust
gather for a moment on the ancient scandals of the Arnide. She so
remained below therefore, while Pansy guided her undiscriminating
aunt to the steep brick staircase at the foot of which the
custodian unlocks the tall wooden gate. The great enclosure was
half in shadow; the western sun brought out the pale red tone of
the great blocks of travertine--the latent colour that is the
only living element in the immense ruin. Here and there wandered
a peasant or a tourist, looking up at the far sky-line where, in
the clear stillness, a multitude of swallows kept circling and
plunging. Isabel presently became aware that one of the other
visitors, planted in the middle of the arena, had turned his
attention to her own person and was looking at her with a certain
little poise of the head which she had some weeks before perceived
to be characteristic of baffled but indestructible purpose. Such
an attitude, to-day, could belong only to Mr. Edward Rosier; and
this gentleman proved in fact to have been considering the
question of speaking to her. When he had assured himself that she
was unaccompanied he drew near, remarking that though she would
not answer his letters she would perhaps not wholly close her
ears to his spoken eloquence. She replied that her stepdaughter
was close at hand and that she could only give him five minutes;
whereupon he took out his watch and sat down upon a broken block.

"It's very soon told," said Edward Rosier. "I've sold all my
bibelots!" Isabel gave instinctively an exclamation of horror; it
was as if he had told her he had had all his teeth drawn. "I've
sold them by auction at the Hotel Drouot," he went on. "The sale
took place three days ago, and they've telegraphed me the result.
It's magnificent."

"I'm glad to hear it; but I wish you had kept your pretty things."

"I have the money instead--fifty thousand dollars. Will Mr. Osmond
think me rich enough now?"

"Is it for that you did it?" Isabel asked gently.

"For what else in the world could it be? That's the only thing I
think of. I went to Paris and made my arrangements. I couldn't
stop for the sale; I couldn't have seen them going off; I think
it would have killed me. But I put them into good hands, and they
brought high prices. I should tell you I have kept my enamels.
Now I have the money in my pocket, and he can't say I'm poor!"
the young man exclaimed defiantly.

"He'll say now that you're not wise," said Isabel, as if Gilbert
Osmond had never said this before.

Rosier gave her a sharp look. "Do you mean that without my
bibelots I'm nothing? Do you mean they were the best thing about
me? That's what they told me in Paris; oh they were very frank
about it. But they hadn't seen HER!"

"My dear friend, you deserve to succeed," said Isabel very
kindly.

"You say that so sadly that it's the same as if you said I
shouldn't." And he questioned her eyes with the clear trepidation
of his own. He had the air of a man who knows he has been the
talk of Paris for a week and is full half a head taller in
consequence, but who also has a painful suspicion that in spite
of this increase of stature one or two persons still have the
perversity to think him diminutive. "I know what happened here
while I was away," he went on; "What does Mr. Osmond expect after
she has refused Lord Warburton?"

Isabel debated. "That she'll marry another nobleman."

"What other nobleman?"

"One that he'll pick out."

Rosier slowly got up, putting his watch into his waistcoat-pocket.
"You're laughing at some one, but this time I don't think it's at
me."

"I didn't mean to laugh," said Isabel. "I laugh very seldom. Now
you had better go away."

"I feel very safe!" Rosier declared without moving. This might
be; but it evidently made him feel more so to make the
announcement in rather a loud voice, balancing himself a little
complacently on his toes and looking all round the Coliseum as if
it were filled with an audience. Suddenly Isabel saw him change
colour; there was more of an audience than he had suspected. She
turned and perceived that her two companions had returned from
their excursion. "You must really go away," she said quickly.
"Ah, my dear lady, pity me!" Edward Rosier murmured in a voice
strangely at variance with the announcement I have just quoted.
And then he added eagerly, like a man who in the midst of his
misery is seized by a happy thought: "Is that lady the Countess
Gemini? I've a great desire to be presented to her."

Isabel looked at him a moment. "She has no influence with her
brother."

"Ah, what a monster you make him out!" And Rosier faced the
Countess, who advanced, in front of Pansy, with an animation
partly due perhaps to the fact that she perceived her sister-in-law
to be engaged in conversation with a very pretty young man.

"I'm glad you've kept your enamels!" Isabel called as she left
him. She went straight to Pansy, who, on seeing Edward Rosier,
had stopped short, with lowered eyes. "We'll go back to the
carriage," she said gently.

"Yes, it's getting late," Pansy returned more gently still. And
she went on without a murmur, without faltering or glancing back.
Isabel, however, allowing herself this last liberty, saw that a
meeting had immediately taken place between the Countess and Mr.
Rosier. He had removed his hat and was bowing and smiling; he had
evidently introduced himself, while the Countess's expressive
back displayed to Isabel's eye a gracious inclination. These
facts, none the less, were presently lost to sight, for Isabel
and Pansy took their places again in the carriage. Pansy, who
faced her stepmother, at first kept her eyes fixed on her lap;
then she raised them and rested them on Isabel's. There shone out
of each of them a little melancholy ray--a spark of timid passion
which touched Isabel to the heart. At the same time a wave of
envy passed over her soul, as she compared the tremulous longing,
the definite ideal of the child with her own dry despair. "Poor
little Pansy!" she affectionately said.

"Oh never mind!" Pansy answered in the tone of eager apology.
And then there was a silence; the Countess was a long time coming.
"Did you show your aunt everything, and did she enjoy it?" Isabel
asked at last.

"Yes, I showed her everything. I think she was very much pleased."

"And you're not tired, I hope."

"Oh no, thank you, I'm not tired."

The Countess still remained behind, so that Isabel requested the
footman to go into the Coliseum and tell her they were waiting.
He presently returned with the announcement that the Signora
Contessa begged them not to wait--she would come home in a cab!

About a week after this lady's quick sympathies had enlisted
themselves with Mr. Rosier, Isabel, going rather late to dress
for dinner, found Pansy sitting in her room. The girl seemed to
have been awaiting her; she got up from her low chair. "Pardon my
taking the liberty," she said in a small voice. "It will be the
last--for some time."

Her voice was strange, and her eyes, widely opened, had an
excited, frightened look. "You're not going away!" Isabel
exclaimed.

"I'm going to the convent."

"To the convent?"

Pansy drew nearer, till she was near enough to put her arms round
Isabel and rest her head on her shoulder. She stood this way a
moment, perfectly still; but her companion could feel her
tremble. The quiver of her little body expressed everything she
was unable to say. Isabel nevertheless pressed her. "Why are you
going to the convent?"

"Because papa thinks it best. He says a young girl's better,
every now and then, for making a little retreat. He says the
world, always the world, is very bad for a young girl. This is
just a chance for a little seclusion--a little reflexion." Pansy
spoke in short detached sentences, as if she could scarce trust
herself; and then she added with a triumph of self-control: "I
think papa's right; I've been so much in the world this winter."

Her announcement had a strange effect on Isabel; it seemed to
carry a larger meaning than the girl herself knew. "When was this
decided?" she asked. "I've heard nothing of it."

"Papa told me half an hour ago; he thought it better it shouldn't
be too much talked about in advance. Madame Catherine's to come
for me at a quarter past seven, and I'm only to take two frocks.
It's only for a few weeks; I'm sure it will be very good. I shall
find all those ladies who used to be so kind to me, and I shall
see the little girls who are being educated. I'm very fond of
little girls," said Pansy with an effect of diminutive grandeur.
"And I'm also very fond of Mother Catherine. I shall be very quiet
and think a great deal."

Isabel listened to her, holding her breath; she was almost
awe-struck. "Think of ME sometimes."

"Ah, come and see me soon!" cried Pansy; and the cry was very
different from the heroic remarks of which she had just delivered
herself.

Isabel could say nothing more; she understood nothing; she only
felt how little she yet knew her husband. Her answer to his
daughter was a long, tender kiss.

Half an hour later she learned from her maid that Madame
Catherine had arrived in a cab and had departed again with the
signorina. On going to the drawing-room before dinner she found
the Countess Gemini alone, and this lady characterised the
incident by exclaiming, with a wonderful toss of the head, "En
voila, ma chere, une pose!" But if it was an affectation she
was at a loss to see what her husband affected. She could only
dimly perceive that he had more traditions than she supposed. It
had become her habit to be so careful as to what she said to him
that, strange as it may appear, she hesitated, for several
minutes after he had come in, to allude to his daughter's sudden
departure: she spoke of it only after they were seated at table.
But she had forbidden herself ever to ask Osmond a question. All
she could do was to make a declaration, and there was one that
came very naturally. "I shall miss Pansy very much."

He looked a while, with his head inclined a little, at the basket
of flowers in the middle of the table. "Ah yes," he said at last,
"I had thought of that. You must go and see her, you know; but
not too often. I dare say you wonder why I sent her to the good
sisters; but I doubt if I can make you understand. It doesn't
matter; don't trouble yourself about it. That's why I had not
spoken of it. I didn't believe you would enter into it. But I've
always had the idea; I've always thought it a part of the
education of one's daughter. One's daughter should be fresh and
fair; she should be innocent and gentle. With the manners of the
present time she is liable to become so dusty and crumpled.
Pansy's a little dusty, a little dishevelled; she has knocked
about too much. This bustling, pushing rabble that calls itself
society--one should take her out of it occasionally. Convents are
very quiet, very convenient, very salutary. I like to think of
her there, in the old garden, under the arcade, among those
tranquil virtuous women. Many of them are gentlewomen born;
several of them are noble. She will have her books and her
drawing, she will have her piano. I've made the most liberal
arrangements. There is to be nothing ascetic; there's just to be
a certain little sense of sequestration. She'll have time to
think, and there's something I want her to think about." Osmond
spoke deliberately, reasonably, still with his head on one side,
as if he were looking at the basket of flowers. His tone,
however, was that of a man not so much offering an explanation as
putting a thing into words--almost into pictures--to see,
himself, how it would look. He considered a while the picture he
had evoked and seemed greatly pleased with it. And then he went
on: "The Catholics are very wise after all. The convent is a
great institution; we can't do without it; it corresponds to an
essential need in families, in society. It's a school of good
manners; it's a school of repose. Oh, I don't want to detach my
daughter from the world," he added; "I don't want to make her fix
her thoughts on any other. This one's very well, as SHE should
take it, and she may think of it as much as she likes. Only she
must think of it in the right way."

Isabel gave an extreme attention to this little sketch; she found
it indeed intensely interesting. It seemed to show her how far
her husband's desire to be effective was capable of going--to the
point of playing theoretic tricks on the delicate organism of his
daughter. She could not understand his purpose, no--not wholly;
but she understood it better than he supposed or desired, inasmuch
as she was convinced that the whole proceeding was an elaborate
mystification, addressed to herself and destined to act upon her
imagination. He had wanted to do something sudden and arbitrary,
something unexpected and refined; to mark the difference between
his sympathies and her own, and show that if he regarded his
daughter as a precious work of art it was natural he should be
more and more careful about the finishing touches. If he wished
to be effective he had succeeded; the incident struck a chill
into Isabel's heart. Pansy had known the convent in her childhood
and had found a happy home there; she was fond of the good
sisters, who were very fond of her, and there was therefore for
the moment no definite hardship in her lot. But all the same the
girl had taken fright; the impression her father desired to make
would evidently be sharp enough. The old Protestant tradition had
never faded from Isabel's imagination, and as her thoughts
attached themselves to this striking example of her husband's
genius--she sat looking, like him, at the basket of flowers--poor
little Pansy became the heroine of a tragedy. Osmond wished it to
be known that he shrank from nothing, and his wife found it hard
to pretend to eat her dinner. There was a certain relief
presently, in hearing the high, strained voice of her
sister-in-law. The Countess too, apparently, had been thinking
the thing out, but had arrived at a different conclusion
from Isabel.

"It's very absurd, my dear Osmond," she said, "to invent so many
pretty reasons for poor Pansy's banishment. Why, don't you say at
once that you want to get her out of my way? Haven't you
discovered that I think very well of Mr. Rosier? I do indeed; he
seems to me simpaticissimo. He has made me believe in true love;
I never did before! Of course you've made up your mind that with
those convictions I'm dreadful company for Pansy."

Osmond took a sip of a glass of wine; he looked perfectly
good-humoured. "My dear Amy," he answered, smiling as if he were
uttering a piece of gallantry, "I don't know anything about your
convictions, but if I suspected that they interfere with mine it
would be much simpler to banish YOU."

Henry James