The date at which the following events are assumed to have occurred may be set down as between 1840 and 1850, when the old watering-place herein called "Budmouth" still retained sufficient afterglow from its Georgian gaiety and prestige to lend it an absorbing attractiveness to the romantic and imaginative soul of a lonely dweller inland.
Under the general name of "Egdon Heath," which has been given to the sombre scene of the story, are united or typified heaths of various real names, to the number of at least a dozen; these being virtually one in character and aspect, though their original unity, or partial unity, is now somewhat disguised by intrusive strips and slices brought under the plough with varying degrees of success, or planted to woodland.
It is pleasant to dream that some spot in the extensive tract whose south-western quarter is here described, may be the heath of that traditionary King of Wessex—Lear.
T.H., July, 1895
To prevent disappointment to searchers for scenery it should be added that though the action of the narrative is supposed to proceed in the central and most secluded part of the heaths united into one whole, as above described, certain topographical features resembling those delineated really lie on the margin of the waste, several miles to the westward of the centre. In some other respects also there has been a bringing together of scattered characteristics.
The first edition of this novel was published in three volumes in 1878.
T.H., April, 1912
This novel revolves around five people mainly, and the Egdon Heath. Clym, the native who returns to Egdon changes the life of Mrs. Yeobright, Eustacia, Thomasin, Mr, Wildeve and his own. Eustacia, the heroine and Clym are two contrasting characters beautifully sketched by the author. But I personally liked Mr. Venn, the reddleman the most, maybe because of his presence at the right places, at the right times. Even the Rustics play an important part in this novel. Hardy's use of a barren heath and his art of characterisation are truly remarkable.--Submitted by renderings2u
I have just re-read Return of the Native, and a very fine book it is and couldn’t have been written by anyone else. SPOILER ALERT However I wasn’t clear whether Eustacia commits suicide or just falls into the weir. I know she’s been suicidal, but we’ve been told she’s got over it. I know she’s got ready to flee and then realised (silly soul) that she hasn’t any money. But she isn't described, I thought, as more desperate than she has been. I knew she was due to drown. But we didn’t have any description of her falling in. On the other hand, the whole book is a stream of repeated unfortunate accidents from when Wildeve finds he’s got the wrong licence onwards. (I found myself screaming internally “No, Christian, don’t do it!). It would be in keeping with everyone’s bad luck if she just slipped. Or is Hardy leaving it deliberately ambiguous. Or is suicide, like sex, something the Victorian novel writer just couldn’t describe?
Does anyone know a lot about this book? I have a project and I could use some help. Thanks.
This was a fine book. I read it twice. I like Eustacia and Wildeve, but I also like Clym. I think that all the characters were were well portrayted and I enjoyed reading the book. It is probably one of the best Hardy books. what do you think of it?
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