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The conservative, the transgressive, and the reactionary: Ann Radcliffe's The Italian as a response to Matthew Lewis' The Monk.(Ensayo crítico)

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From: Atenea
Date: 20051201
Author:Messier, Vartan P.

It is widely recognized that there are two stages in the development of the Gothic. The first one established by Radcliffe, which was molded to popular favor, labeled "terror-Gothic" and/or "loyalist," considered "feminine," and drew its inspiration from French sensationalism and Elizabethan Dramatists. The second one, embodied by Lewis, was influenced by the German Shauer-Romantik (horrorRomantic), labeled "horror-Gothic" and subject to much controversy, for even though it was regarded as more daring, innovative, and more "masculine" (Watt 84, 87), it also acquired a reputation ...

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