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Appendices

APPENDIX I

LETTER FROM DOCTOR G. DUMAS


My Dear Master,--You ask for my medical opinion in the case of Jeanne d'Arc. Had I been able to examine it at my leisure with the Doctors Tiphaine and Delachambre, who were summoned before the tribunal at Rouen, I might have found it difficult to come to any definite conclusion. And even more difficult do I find it now, when my diagnosis must necessarily be retrospective and based upon examinations conducted by persons who never dreamed of attempting to discover the existence of any nervous disease. However since they ascribed what we now call disease to the influence of the devil, their questions are not without significance for us. Therefore with many reservations I will endeavour to answer your question.

Of Jeanne's inherited constitution we know nothing; and of her personal antecedents we are almost entirely ignorant. Our only information concerning such matters comes from Jean d'Aulon, who, on the evidence of several women, states[2750] that she was never fully developed, a condition which frequently occurs in neurotic subjects.

[Footnote 2750: Trial, vol. iii. p. 219.]

We should, however, be unable to arrive at any conclusion concerning Jeanne's nervous constitution had not her judges, and in particular Maître Jean Beaupère, in the numerous examinations to which they subjected her, elicited certain significant details on the subject of her hallucinations.

Maître Beaupère begins by inquiring very judiciously whether Jeanne had fasted the day before she first heard her voices. Whence we infer that the interdependence of inanition and hallucinations was recognised by this illustrious professor of theology. Before condemning Jeanne as a witch he wanted to make sure that she was not merely suffering from weakness. Some time later we find Saint Theresa suspecting that the visions said to have been seen by a certain nun were merely the result of long fasting. Saint Theresa insisted on the nun's partaking of food, and the visions ceased.

Jeanne replies that she had only fasted since the morning, and Maître Beaupère proceeds to ask:

Q. "In what direction did you hear the voice?"

A. "I heard it on the right, towards the church."

Q. "Was the voice accompanied by any light?"

A. "I seldom heard it without there being a light. This light appeared in the direction whence the voice came."[2751]

[Footnote 2751: Trial, vol. i, p. 52 and passim.]

We might wonder whether by the expression "à droite" (a latere dextro) Jeanne meant her own right side or the position of the church in relation to her; and in the latter case, the information would have no clinical significance; but the context leaves no doubt as to the veritable meaning of her words.

"How can you," urges Jean Beaupère, "see this light which you say appears to you, if it is on your right?"

If it had been merely a question of the situation of the church and not of Jeanne's own right side, she would only have had to turn her face to see the light in front of her, and Jean Beaupère's objection would have been pointless.

Consequently at about the age of thirteen, at the period of puberty, which for her never came, Jeanne would appear to have been subject on her right side to unilateral hallucinations of sight and hearing. Now Charcot[2752] considered unilateral hallucinations of sight to be common in cases of hysteria.[2753] He even thought that in hysterical subjects they are allied to a hemianæsthesia situated on the same side of the body, and which in Jeanne would be on the right side. Jeanne's trial might have proved the existence of this hemianæsthesia, an extremely significant symptom in the diagnosis of hysteria, if the judges had applied torture or merely had examined the skin of the subject in order to discover anæsthesia patches which were called marks of the devil.[2754] But from the merely oral examination which took place we can only draw inferences concerning Jeanne's general physical condition. In case excessive importance should be attached to such inferences I should add that in the diagnosis of hysteria contemporary neurologists pay less attention than did Charcot to unilateral hallucinations of sight.

[Footnote 2752: A famous French alienist (1825-1893).--W.S.]

[Footnote 2753: Progrès medical, January 19, 1878.]

[Footnote 2754: The existence of patches devoid of feeling was considered in the Middle Ages to prove that the subject was a witch. Hence needles were run into the supposed witch. And if she felt them in every part of her body she was acquitted.--W.S.]

The other characteristics of Jeanne's hallucinations revealed by her examinations during the trial are no less interesting than these, although they do not lead to any more certain conclusions.

Those visions and voices, which the subject refers to an external source and which are so characteristic of hysterical hallucinations, proceed suddenly from the subconscious self. Jeanne's conscious self was so far from being prepared for her voices that she declares she was very much afraid when she first heard them: "I was thirteen when I heard a voice coming from God telling me to lead a good life. And the first time I was very much afraid. This voice came to me about noon; it was in the summer, in my father's garden."[2755]

[Footnote 2755: Trial, vol. i, p. 52.]

And then straightway the voice becomes imperative. It demands an obedience which is not refused: "It said to me: 'Go forth into France,' and I could no longer stay where I was."[2756]

[Footnote 2756: Trial, vol. i, p. 53.]

Her visions all occur in the same manner. They appeal to the senses in exactly the same way and are received by the Maid with equal credulity.

Finally, these hallucinations of hearing and of sight are soon associated with similar hallucinations of smell and touch, which serve to confirm Jeanne's belief in their reality.

Q. "Which part of Saint Catherine did you touch?"

A. "You will hear nothing more."

Q. "Did you kiss or embrace Saint Catherine or Saint Margaret?"

A. "I embraced them both."

Q. "In embracing them did you feel heat or anything?"

A. "I could not embrace them without feeling and touching them."[2757]

[Footnote 2757: Trial, vol. i, p. 186.]

Because they thus appeal to the senses and seem to possess a certain material reality, hysterical hallucinations make a profound and ineffaceable impression on those who experience them. The subjects speak of them as being actual and very striking facts. When they become accusers, as so many women do who claim to have been the victims of imaginary assaults, they support their assertions in the most energetic fashion.

Not only does Jeanne see, hear, smell and touch her saints, she joins the procession of angels they bring in their train. With them she performs actual deeds, as if there were perfect unity between her life and her hallucinations.

"I was in my lodging, in the house of a good woman, near the château of Chinon, when the angel came. And then he and I went together to the King."

Q. "Was this angel alone?"

A. "This angel was with a goodly company of other angels.[2758] They were with him, but not every one saw them.... Some were very much alike; others were not, or at any rate not as I saw them. Some had wings. Certain even wore crowns, and in their company were Saint Catherine and Saint Margaret. With the angel aforesaid and with the other angels they went right into the King's chamber."

[Footnote 2758: According to the evidence of Maître Pierre Maurice, at the condemnation trial (vol. i. p. 480), Jeanne must have seen the angels "in the form of certain infinitesimal things" (sub specie quarumdam rerum minimarum). This was also the character of the hallucinations experienced by Saint Rose of Lima ("Vie de Sainte Rose de Lima," by P. Léonard Hansen, p. 179).]

Q. "Tell us how the angel left you."

A. "He left me in a little chapel, and at his departure I was very sorrowful, and I even wept. Willingly would I have gone away with him; I mean my soul would have gone."[2759]

[Footnote 2759: Trial, vol. i, p. 144.]

In all these hallucinations there is the same objective clearness, the same subjective certitude as in toxic hallucinations; and this clearness, this certitude, may in Jeanne's case suggest hysteria.

But if in certain respects Jeanne resembles hysterical subjects, in others she differs from them. She seems early to have acquired an independence of her visions and an authority over them.

Without ever doubting their reality, she resists them and sometimes disobeys them, when, for example, in defiance of Saint Catherine, she leaps from her prison of Beaurevoir: "Well nigh every day Saint Catherine told me not to leap and that God would come to my aid, and also would succour those of Compiègne. And I said to Saint Catherine: 'Since God is to help those of Compiègne, I want to be with them.'"[2760]

[Footnote 2760: Trial, vol. i, p. 110.]

On another occasion she assumes such authority over her visions that she can make the two saints come at her bidding when they do not come of themselves.

Q. "Do you call these saints, or do they come without being called?"

A. "They often come without being called, and sometimes when they did not come I asked God to send them speedily."[2761]

[Footnote 2761: Trial, vol. i, p. 279 and passim.]

All this is not in the accepted manner of the hysterical, who are usually somewhat passive with regard to their nervous fits and hallucinations. But Jeanne's dominance over her visions is a characteristic I have noted in many of the higher mystics and in those who have attained notoriety. This kind of subject, after having at first passively submitted to his hysteria, afterwards uses it rather than submits to it, and finally by means of it attains in his ecstasy to that divine union after which he strives.

If Jeanne were hysterical, such a characteristic would help us to determine the part played by the neurotic side of her nature in the development of her character and in her life.

If there were any hysterical strain in her nature, then it was by means of this hysterical strain that the most secret sentiments of her heart took shape in the form of visions and celestial voices. Her hysteria became the open door by which the divine--or what Jeanne deemed the divine--entered into her life. It strengthened her faith and consecrated her mission; but in her intellect and in her will Jeanne remains healthy and normal. Nervous pathology can therefore cast but a feeble light on Jeanne's nature. It can reveal only one part of that spirit which your book resuscitates in its entirety. With the expression of my respectful admiration, believe me, my dear master,

DOCTOR G. DUMAS.



APPENDIX II

THE FARRIER OF SALON


Towards the end of the seventeenth century, there lived at Salon-en-Crau, near Aix, a farrier, one François Michel. He came of a respectable family. He himself had served in the cavalry regiment of the Chevalier de Grignan. He was held to be a sensible man, honest and devout. He was close on forty when, in February, 1697, he had a vision.

Returning to his home one evening, he beheld a spectre, holding a torch in its hand. This spectre said to him:

"Fear nothing. Go to Paris and speak to the King. If thou dost not obey this command thou shalt die. When thou shalt approach to within a league of Versailles, I will not fail to make known unto thee what things thou shalt say to his Majesty. Go to the Governor of thy province, who will order all that is necessary for thy journey."

The figure which thus addressed him was in the form of a woman. She wore a royal crown and a mantle embroidered with flowers-de-luce of gold, like the late Queen, Marie-Thérèse, who had died a holy death full fourteen years before.

The poor farrier was greatly afraid. He fell down at the foot of a tree, knowing not whether he dreamed or was awake. Then he went back to his house, and told no man of what he had seen.

Two days afterwards he passed the same spot. There again he beheld the same spectre, who repeated the same orders and the same threats. The farrier could no longer doubt the reality of what he saw; but as yet he could not make up his mind what to do.

A third apparition, more imperious and more importunate than the first, reduced him to obedience. He went to Aix, to the Governor of the province; he saw him and told him how he had been given a mission to speak to the King. The Governor at first paid no great heed to him. But the visionary's patient persistence could not fail to impress him. Moreover, since the King was personally concerned in the matter, it ought not to be entirely neglected. These considerations led the Governor to inquire from the magistrates of Salon touching the farrier's family and manner of life. The result of these inquiries was very favourable. Accordingly the Governor deemed it fitting to proceed forthwith to action. In those days no one was quite sure whether advice, very useful to the most Christian of Kings, might not be sent by some member of the Church Triumphant through the medium of a common artisan. Still less were they sure that some plot in which the welfare of the State was concerned might not be hatched under colour of an apparition. In both contingencies, the second of which was quite probable, it would be advisable to send François Michel to Versailles. And this was the decision arrived at by the Governor.

For the transport of François Michel he adopted measures at once sure and inexpensive. He confided him to an officer who was taking recruits in that direction. After having received the communion in the church of the Franciscans, who were edified by his pious bearing, the farrier set out on February 25 with his Majesty's young soldiers, with whom he travelled as far as La Ferté-sous-Jouarre. On his arrival at Versailles, he asked to see the King or at least one of his Ministers of State. He was directed to M. de Barbezieux, who, when he was still very young, had succeeded his father, M. de Louvois, and in that position had displayed some talent. But the good farrier declined to tell him anything, because he was not a Minister of State.

And it was true that Barbezieux, although a Minister, was not a Minister of State. But that a farrier from Provence should be capable of drawing such a distinction occasioned considerable surprise.

M. de Barbezieux doubtless did not evince such scorn for this compatriot of Nostradamus as would have been shown in his place by a man of broader mind. For he, like his father, was addicted to the practice of astrology, and he was always inquiring concerning his horoscope of a certain Franciscan friar who had predicted the hour of his death.

We do not know whether he gave the King a favourable report of the farrier, or whether the latter was admitted to the presence of M. de Pomponne, who was then at the head of the administration of Provence. But we do know that Louis XIV consented to see the man. He had him brought up the steps leading to the marble courtyard, and then granted him a lengthy audience in his private apartments.

On the morrow, as the King was coming down his private staircase on his way out hunting, he met Marshal de Duras, who was Captain of the King's bodyguard for the day. With his usual freedom of speech the Marshal spoke to the King of the farrier, using a common saying:

"Either the man is mad, or the King is not noble."

At these words the King, contrary to his usual habit, paused and turned to the Marshal de Duras:

"Then I am not noble," he said, "for I talked to him for a long time, and he spoke very sensibly; I assure you he is far from being mad."

The last words he uttered with so solemn a gravity that those who were present were astonished.

Persons who claim to be inspired are expected to show some sign of their mission. In a second interview, François Michel showed the King a sign in fulfilment of a promise he had given. He reminded him of an extraordinary circumstance which the son of Anne of Austria believed known to himself alone. Louis XIV himself admitted it, but for the rest preserved a profound silence touching this interview.

Saint Simon, always eager to collect every court rumour, believed it was a question of some phantom, which more than twenty years before had appeared to Louis XIV in the Forest of Saint-Germain.

For the third and last time the King received the farrier of Salon.

The courtiers displayed so much curiosity in this visionary that he had to be shut up in the monastery of Des Rècollets. There the little Princess of Savoy, who was shortly to marry the Duke of Burgundy, came to see him with several lords and ladies of the court.

He appeared slow to speak, good, simple, and humble. The King ordered him to be furnished with a fine horse, clothes, and money; then he sent him back to Provence.

Public opinion was divided on the subject of the apparition which had appeared to the farrier and the mission he had received from it. Most people believed that he had seen the spirit of Marie-Thérèse; but some said it was Nostradamus.[2762]

[Footnote 2762: Michel de Nostre-Dame, called Nostradamus (1503-1566), a Provençal astrologer, whose prophecies were published under the title of "Centuries." He was invited to the French court by Catherine de' Medici, and became the doctor of Charles IX.--W.S.]

It was only at Salon, where he slept in the church of the Franciscans, that this astrologer was absolutely believed in. His "Centuries," which appeared at Paris and at Lyon in no less than ten editions in the course of one century, entertained the credulous throughout the kingdom. In 1693, there had just been published a book of the prophecies of Nostradamus showing how they had been fulfilled in history from the reign of Henry II down to that of Louis the Great.

It came to be believed that in the following mysterious quatrain the farrier's coming had been prophesied:

"Le penultiesme du surnom du Prophète, Prendra Diane pour son iour et repos: Loing vaguera par frénétique teste, En délivrant un grand peuple d'impos."[2763]

[Footnote 2763: The last syllable but one of the surname of the Prophet will Diane take for her day and her rest. Far shall wander that inspired one delivering a great nation from the burden of taxes.]

An attempt was made to apply these obscure lines to the poor prophet of Salon. In the first line he is said to figure as one of the twelve minor prophets, Micah, which name is closely allied to Michel. In the second line Diane was said to be the mother of the farrier, who was certainly called by that name. But if the line means anything at all, it is more likely to refer to the day of the moon, Monday. It was carefully pointed out that in the third line frénétique means not mad but inspired. The fourth and only intelligible line would suggest that the spectre bade Michel ask the King to lessen the taxes and dues which then weighed so heavily on the good folk of town and country:

En délivrant un grand peuple d'impos. This was enough to make the farrier popular and to cause those unhappy sufferers to centre in this poor windbag their hopes for a better future. His portrait was engraved in copper-plate, and below it was written the quatrain of Nostradamus. M. d'Argenson,[2764] who was at the head of the police department, had these portraits seized. They were suppressed, so says the Gazette d'Amsterdam, on account of the last line of the quatrain written beneath the portrait, the line which runs: En délivrant un grand peuple d'impos. Such an expression was hardly likely to please the court.

[Footnote 2764: Marc René Marquis d'Argenson (1652-1721), after being Lieutenant Général de la Police at Paris, became, from 1718-1720, Président du Conseil des Finances and Garde des Sceaux.--W.S.]

No one ever knew exactly what was the mission the farrier received from his spectre. Subtle folk suspected one of Madame de Maintenon's intrigues. She had a friend at Marseille, a Madame Arnoul, who was as ugly as sin, it was said, and yet who managed to make men fall in love with her. They thought that this Madame Arnoul had shown Marie-Thérèse to the good man of Salon in order to induce the King to live honourably with widow Scarron. But in 1697 widow Scarron had been married to Louis for twelve years at least; and one cannot see why ghostly aid should have been necessary to attach the old King to her.

On his return to his native town, François Michel shoed horses as before.

He died at Lançon, near Salon, on December 10, 1726.[2765]

[Footnote 2765: Gazette d'Amsterdam, March-May, 1697; Annales de la cour et de Paris (vol. ii. pp. 204, 219); Theatrum Europæum (vol. xv. pp. 359-360); Mémoires de Sourches (vol. v. pp. 260, 263); Lettres de Madame Dunoyer (Letter xxvi); Saint Simon, Mémoires, ed. Régnier (Collection des Grands Ecrivains de la France), vol. vi. pp. 222, 228, 231; Appendix X, p. 545; Mémoires du duc de Luynes, vol. x. pp. 410, 412--Abbé Proyart, Vie du duc de Bourgogne (ed. 1782), vol. i. pp. 978, 981.]



APPENDIX III

MARTIN DE GALLARDON


Ignace Thomas Martin was by calling a husbandman. A native of Gallardon in Eure-et-Loir, he dwelt there with his wife and four children in the beginning of the nineteenth century. Those who knew him tell us that he was of average height, with brown straight hair, a calm glance, a thin countenance and an air of quiet and assurance. A pencil portrait, which his son, M. le Docteur Martin, has kindly sent me, gives a more exact idea of the visionary. The portrait, which is in profile, presents a forehead curiously high and straight, a long narrow head, round eyes, broad nostrils, a compressed mouth, a protruding chin, hollow cheeks and an air of austerity. He is dressed as a bourgeois, with a collar and white cravat.

According to the evidence of his brother, a man both physically and mentally sound, his was the gentlest of natures; he never sought to attract attention; in his regular piety there was nothing ecstatic. Both the mayor and the priest of Gallardon confirmed this description. They agreed in representing him to have been a good simple creature, with an intellect well-balanced although not very active.

In 1816 he was thirty-three. On January 15 in this year he was alone in his field, over which he was spreading manure, when in his ear he heard a voice which had not been preceded by footsteps. Then he turned his head in the direction of the voice and saw a figure which alarmed him. In comparison with human size it was but slight; its countenance, which was very thin, dazzled by its unnatural whiteness. It was wearing a high hat and a frock-coat of a light colour, with laced shoes.

It said in a kindly tone: "You must go to the King; you must warn him that his person is in danger, that wicked people are seeking to overthrow his Government."

It added further recommendations to Louis XVIII touching the necessity of having an efficient police, of keeping holy the Sabbath, of ordering public prayers and of suppressing the disorders of the Carnival. If such measures be neglected, it said, "France will fall into yet greater misfortunes." All this was doubtless nothing more or less than what M. La Perruque, Priest of Gallardon, had a hundred times repeated from the pulpit on Sunday.

Martin replied:

"Since you know so much about it, why don't you perform your errand yourself? Why do you appeal to a poor man like me who knows not how to express himself?"

Then the unknown replied to Martin:

"It is not I who will go, but you; do as I command you."

As soon as he had uttered these words, his feet rose from the ground, his body bent, and with this double movement he vanished.

From this time onwards, Martin was haunted by the mysterious being. One day, having gone down into his cellar, he found him there. On another occasion, during vespers, he saw him in church, near the holy water stoup, in a devout attitude. When the service was over, the unknown accompanied Martin on his way home and again commanded him to go and see the King. The farmer told his relatives who were with him, but neither of them had seen or heard anything.

Tormented by these apparitions, Martin communicated them to his priest, M. La Perruque. He, being certain of the good faith of his parishioner and deeming that the case ought to be submitted to the diocesan authority, sent the visionary to the Bishop of Versailles. The Bishop was then M. Louis Charrier de la Roche, a priest who in the days of the Revolution had taken the oath to the Republic. He resolved to subject Martin to a thorough examination; and from the first he told him to ask the unknown what was his name, and who it was who sent him.

But when the messenger in the light-coloured frock-coat appeared again, he declared that his name must remain unknown.

"I come," he added, "from him who has sent me, and he who has sent me is above me."

He may have wished to conceal his name; but at least he did not conceal his views; the vexation he displayed on the escape of La Valette[2766] proved that in politics he was an ultra Royalist of the most violent type.

[Footnote 2766: Antoine Marie Chamans, Comte de La Valette (1769-1830), was a French general during the first empire. Having been arrested in 1815 and condemned to death, he was saved by his wife.--W.S.]

Meanwhile the Comte de Bréteuil, Prefect of Eure-et-Loir, had been told of the visionary at the same time as the Bishop. He also questioned Martin. He expected to find him a nervous, agitated person; but when he found him tranquil, speaking simply, but with logical sequence and precision, he was very astonished.

Like M. l'Abbé La Perruque he deemed the matter sufficiently important to bring before the higher authorities. Accordingly he sent Martin, under the escort of a lieutenant of gendarmerie, to the Ministre de la Police Générale.

Having reached Paris on March 8, Martin lodged with the gendarme at the Hôtel de Calais, in the Rue Montmartre. They occupied a double-bedded room. One morning, when Martin was in bed, he beheld an apparition and told Lieutenant André, who could see nothing, although it was broad daylight. Indeed, Martin's visitations became so frequent that they ceased to cause him either surprise or concern. It was only to the abrupt disappearance of the unknown that he could never grow accustomed. The voice continued to give the same command. One day it told him that if it were not obeyed France would not know peace until 1840.

In 1816 the Ministre de la Police Générale was the Comte Decazes who was afterwards created a duke. He was in the King's confidence. But he knew that the extreme Royalists were hatching plots against his royal master. Decazes wished to see the good man from Gallardon, suspecting doubtless, that he was but a tool in the hands of the Extremists. Martin was brought to the Minister, who questioned him and at once perceived that the poor creature was in no way dangerous. He spoke to him as he would to a madman, endeavouring to regard the subject of his mania as if it were real, and so he said:

"Don't be agitated; the man who has been troubling you is arrested; you will have nothing more to fear from him."

But these words did not produce the desired effect. Three or four hours after this interview, Martin again beheld the unknown, who, after speaking to him in his usual manner, said: "When you were told that I had been arrested, you were told a lie; he who said so has no power over me."

On Sunday, March 10, the unknown returned; and on that day he disclosed the matter concerning which the Bishop of Versailles had inquired, and which he had said at first he would never reveal.

"I am," he declared, "the Archangel Raphaël, an angel of great renown in the presence of God, and I have received power to afflict France with all manner of suffering."

Three days later, Martin was shut up in Charenton on the certificate of Doctor Pinel, who stated him to be suffering from intermittent mania with alienation of mind.

He was treated in the kindest manner and was even permitted to enjoy some appearance of liberty. Pinel himself originated the humane treatment of the insane. Martin in the asylum was not forsaken by the blessed Raphaël. On Friday, the 15th, as the peasant was tying his shoe laces, the Archangel in his frock-coat of a light colour, spoke to him these words:

"Have faith in God. If France persists in her incredulity, the misfortunes I have predicted will happen. Moreover, if they doubt the truth of your visions, they have but to cause you to be examined by doctors in theology."

These words Martin repeated to M. Legros; Director of the Royal Institution of Charenton, and asked him what a doctor in theology was. He did not know the meaning of the term. In the same manner, when he was at Gallardon he had asked the priest, M. La Perruque, the meaning of certain expressions the voice had used. For example, he did not understand the wild frenzy of France [le délvie de la France] nor the evils to which she would fall a victim [elle serait en proie]. But there is nothing that need puzzle us in such ignorance, if it really existed. Martin may well have remembered the words he did not understand and which he afterwards attributed to his Archangel still without understanding them.

The visions recurred at brief intervals. On Sunday, March 31, the Archangel appeared to him in the garden, took his hand, which he pressed affectionately, opened his coat and displayed a bosom of so dazzling a whiteness that Martin could not bear to gaze on it. Then he took off his hat.

"Behold my forehead," he said, "and give heed that it beareth not the mark of the beast whereby the fallen angels were sealed."

Louis XVIII expressed a desire to see Martin and to question him. The King, like his favourite Minister, believed the visionary to be a tool in the hands of the extreme party.

On Tuesday, April 2, Martin was taken to the Tuileries and brought into the King's closet, where was also M. Decazes. As soon as the King saw the farmer, he said to him: "Martin, I salute you."

Then he signed to his Minister to withdraw. Thereupon Martin, according to his own telling, repeated to the King all that the Archangel had revealed to him, and disclosed to Louis XVIII sundry secret matters concerning the years he had spent in exile; finally he made known to him certain plots which had been formed against his person. Then the King, profoundly agitated and in tears, raised his hands and his eyes to heaven and said to Martin:

"Martin, these are things which must never be known save to you and to me."

The visionary promised him absolute secrecy.

Such was the interview of April 2, according to the account given of it by Martin, who then, under the influence of M. La Perruque's sermons, was an infatuated Royalist. It would be interesting to know more of this priest whose inspiration is obvious throughout the whole story. Louis XVIII agreed with M. Decazes that the man was quite harmless; and he was sent back to his plough.

Later, the agents of one of those false dauphins so numerous under the Restoration, got hold of Martin and made use of him in their own interest. After Louis XVIII's death, under the influence of these adventurers, the poor man, reconstituting the story of his interview with the late King, introduced into it other revelations he claimed to have received and completely changed the whole character of the incident. In this second version the passionate Royalist of 1816 was transformed into an accusing prophet, who came to the King's own palace to denounce him as a usurper and a regicide, forbidding him in God's name to be crowned at Reims.

Such ramblings I cannot relate at length. They are to be found fully detailed in the book of M. Paul Marin. The author of this work would have done well to indicate that these follies were suggested to the unhappy man by the partisans of Naundorf, who was passing himself off as the Duke of Normandy, who had escaped from the Temple.

Thomas Ignace Martin died at Chartres in 1834. It is alleged, but it has never been proved, that he was poisoned.[2767]

[Footnote 2767: Rapport adressé à S. Ex. le Ministre de la Police Générale sur l'état du nommé Martin, envoyé par son ordre à la maison royale de Charenton, le 13 Mars, 1816, par MM. Pinel, médecin en chef de l'hôpital de la Salpêtriere, et Royer-Collard, médecin en chef de la maison royale de Charenton, et l'un et l'autre professeurs à la faculté de médecine de Paris. Inscribed at the end with the date--Paris, 6 May, 1816--39 pages in 4'o MS. in the library of the author. Le Capitaine Paul Marin, Thomas Martin de Gallardon Les Médecins et les thaumaturges du XIX'e siècle, Paris, s.d. in 18'o. Mémoires de la Comtesse de Boignes, edited by Charles Nicoullaud, Paris, 1907, vol. iii. pp. 355 and passim.]



APPENDIX IV

ICONOGRAPHICAL NOTE



There is no authentic picture of Jeanne. From her we know that at Arras she saw in the hands of a Scotsman a picture in which she was represented on her knees presenting a letter to her King. From her we know also that she never caused to be made either image or painting of herself, and that she was not aware of the existence of any such image or painting. The portrait painted by the Scotsman, which was doubtless very small, is unfortunately lost and no copy of it is known.[2768] The slight pen-and-ink figure, drawn on a register of May 10, 1429, by a clerk of the Parlement of Paris, who had never seen the Maid, must be regarded as the mere scribbling of a scribe who was incapable of even designing a good initial letter.[2769] I shall not attempt to reconstruct the iconography of the Maid.[2770] The bronze equestrian statue in the Cluny Museum produces a grotesque effect that one is tempted to believe deliberate, if one may ascribe such an intention to an old sculptor. It dates from the reign of Charles VIII. It is a Saint George or a Saint Maurice, which, at a time doubtless quite recent, was taken to represent the Maid. Between the legs of the miserable jade, on which the figure is mounted, was engraved the inscription: La pucelle dorlians, a description which would not have been employed in the fifteenth century.[2771] About 1875, the Cluny Museum exhibited another statuette, slightly larger, in painted wood, which was also believed to be fifteenth century, and to represent Jeanne d'Arc. It was relegated to the store-room, when it turned out to be a bad seventeenth-century Saint Maurice from a church at Montargis.[2772] Any saint in armour is frequently described as a Jeanne d'Arc. This is what happened to a small fifteenth-century head wearing a helmet, found buried in the ground at Orléans, broken off from a statue and still bearing traces of painting: a work in good style and with a charming expression.[2773] I have not patience to relate how many initial letters of antiphonaries and sixteenth-, seventeenth- and even eighteenth-century miniatures have been touched up or repainted and passed off as true and ancient representations of Jeanne. Many of them I have had the opportunity of seeing.[2774] On the other hand, if they were not so well known, it would give me pleasure to recall certain manuscripts of the fifteenth century, which, like Le Champion des Dames and Les Vigiles de Charles VII, contain miniatures in which the Maid is portrayed according to the fancy of the illuminator. Such pictures are interesting because they reveal her as she was imagined by those who lived during her lifetime or shortly afterwards. It is not their merit that appeals to us; they possess none; and in no way do they suggest Jean Foucquet.[2775]

[Footnote 2768: Trial, vol. i, pp. 100, 292.]

[Footnote 2769: There is a wood engraving of this figure in Wallon, Jeanne d'Arc, p. 95.]

[Footnote 2770: E. de Bouteiller and G. de Braux, Notes iconographiques sur Jeanne d'Arc, Paris and Orléans, 1879, in 18'o royal paper.]

[Footnote 2771: Reproduced in many works, notably opposite p. 17 in the book of E. de Bouteiller and G. de Braux, referred to above.]

[Footnote 2772: Ibid., see woodcut opposite p. 8.]

[Footnote 2773: In the Orléans Museum. A copper-plate engraving by M. Georges Lavalley, in the Jeanne d'Arc, of M. Raoul Bergot, Tours, s.d. large 8'o.]

[Footnote 2774: Of this class of so-called portrait, I will merely mention the miniature which serves as frontispiece to vol. iv. of La Vrai Jeanne d'Arc, of P. Ayroles, Paris, 1898, in large 8'o, and the miniature of the Spetz Collection, reproduced in the Jeanne d'Arc of Canon Henri Debout, vol. ii. p. 103 (also in The Maid of France by Andrew Lang, 1908. W.S.).]

[Footnote 2775: Le champion des dames, MS. of the fifteenth century; Bibl. nat., fonds français, No. 841; Martial d'Auvergne, MS. of the end of the fifteenth century, fonds français, No. 5054. An initial of a fifteenth-century Latin MS., Bibl. nat., No. 14665.]

While the Maid lived, and especially while she was in captivity, the French hung her picture in churches.[2776] In the Museum of Versailles there is a little painting on wood which is said to be one of those votive pictures. It represents the Virgin with the Child Jesus, having Saint Michael on her right and Jeanne d'Arc on her left.[2777] It is of Italian workmanship and very roughly executed. Jeanne's head, which has disappeared beneath the blows of some hard-pointed instrument, must have been execrably drawn, if we may judge from the others remaining on this panel. All four figures are represented with a scrolled and beaded nimbus, which would have certainly been condemned by the clerics of Paris and Rouen. And indeed others less strict might accuse the painter of idolatry when he exalted to the left hand of the Virgin, to be equal with the Prince of Heavenly Hosts, a mere creature of the Church Militant.

[Footnote 2776: Trial, vol. i, p. 100. N. Valois, Un nouveau témoignage sur Jeanne d'Arc, pp. 8, 13.]

[Footnote 2777: Reproduced in chromo in Wallon's Jeanne d'Arc.]

Standing, her head, neck, and shoulders covered with a kind of furred hood and tippet fringed with black, her gauntlets and shoes of mail, girt above her red tunic with a belt of gold, Jeanne may be recognised by her name inscribed over her head, and also by the white banner, embroidered with fleurs-de-lis, which she raises in her right hand, and by her silver shield, embossed in the German style; on the shield is a sword bearing on its point a crown. A three-lined inscription in French is on the steps of the throne, whereon sits the Virgin Mary. Although the inscription is three parts effaced and almost unintelligible, with the aid of my learned friend, M. Pierre de Nolhac, Director of the Museum of Versailles, I have succeeded in deciphering a few words. These would convey the idea that the inscription consisted of prayers and wishes for the salvation of Jeanne, who had fallen into the hands of the enemy. It would appear therefore that we have here one of those ex voto hung in the churches of France during the captivity of the Maid. In such a case the nimbus round the head of a living person and the isolated position of Jeanne would be easily explained; it is possible that certain excellent Frenchmen, thinking no evil, adapted to their own use some picture which originally represented the Virgin between two personages of the Church Triumphant. By a few touches they transformed one of these personages into the Maid of God. In so small a panel they could find no place more suitable to her mortal state, none like those generally occupied at the feet of the Virgin and saints by the kneeling donors of pictures. This too might explain perhaps why Saint Michael, the Virgin and the Maid have their names inscribed above them. Over the head of the Maid we read ane darc. This form Darc may have been used in 1430.[2778] In the inscription on the steps of the throne I discern Jehane dArc, with a small d and a capital A for dArc, which is very curious. This causes me to doubt the genuineness of the inscription.

[Footnote 2778: The form Darc occurs in the condemnation trial (Trial, vol. i, p. 191, vol. ii, p. 82). But side by side we find also Dars (document dated March 31, 1427), Day (patent of nobility), Daiz (communicated to me by M. Pierre Champion) and Daix (Chronique de la Pucelle).]

The bestion tapestry[2779] in the Orléans Museum,[2780] which represents Jeanne's arrival before the King at Chinon, is of German fifteenth-century workmanship. Coarse of tissue, barbarous in design, and monotonous in colour, it evinces a certain taste for sumptuous adornment but also an absolute disregard for literal truth.

[Footnote 2779: Tapestry representing small animals.--W.S.]

[Footnote 2780: Reproduced in chromo in Wallon's Jeanne d'Arc, cf. J. Quicherat, Histoire du costume en France depuis les temps les plus reculés, jusqu' la fin du XVIII'e siècle, Paris, 1875, large octavo, p. 271.]

Another German work was exhibited at Ratisbonne in 1429. It represented the Maid fighting in France. But this painting is lost.[2781]

[Footnote 2781: Trial, vol. v, p. 270.]


Anatole France