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Thread: Frank Churchill

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    Registered User kev67's Avatar
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    Frank Churchill

    I was listening to an on-line radio show about Jane Austen again. A TV adapter of P&P said that Frank Churchill was a borderline psychopath, who probably seduced Jane Fairfax at Weymouth, and who made cruel jokes about her. Is that fair? Jane and Frank had their arguments behind scenes, but Frank seems to care about her. He bought her that piano, which was a nice present. At the ball when Mrs Elton refers to Miss Fairfax as "Jane", he reacts as if offended on her part through the over-familiarity. When they are playing that word game and Frank spells out "Dixon", Jane was upset, but I thought it was more a joke on Emma.
    According to Aldous Huxley, D.H. Lawrence once said that Balzac was 'a gigantic dwarf', and in a sense the same is true of Dickens.
    Charles Dickens, by George Orwell

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    Pièce de Résistance Scheherazade's Avatar
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    I cannot say that I like Frank Churchill as a character because, in his effort to protect himself and, I guess, in a way Jane Fairfax, he is selfish and at times cruel. It is difficult to tell how much of his seeming cruelty of attitude towards others is a front... However, I am not sure I agree with the diagnosis that he is a psychopath.
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    "It is not that I am mad; it is only that my head is different from yours.”
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    Registered User prendrelemick's Avatar
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    Where are you Kiki?

    I can't decide about Frank. It all seems a game to him. He is given alot of leeway in his behavior and yet remains respected at the end. Probably because he becomes rich and is the son of a respected gentleman.
    Last edited by prendrelemick; 09-06-2015 at 03:08 AM.
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    Registered User Jackson Richardson's Avatar
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    Frank can clearly charm the birdies from the trees, and like a lot of charmers he is not consistently considerate, particularly when he won't get admired for his care. Psychopath is far too strong. Yes he is selfish, but compared to Mr Elton he is human and affectionate, at least some of the time.

    Interesting comparison with another selfish charmer in the book, Mr Woodhouse.
    Previously JonathanB

    The more I read, the more I shall covet to read. Robert Burton The Anatomy of Melancholy Partion3, Section 1, Member 1, Subsection 1

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    Registered User prendrelemick's Avatar
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    I can imagine Frank being - not exactly abusive - but occasionally cruel towards Jane in their marriage for his own amusement. He is (like Mrs Elton) another exaggeration of one of Emma's faults in that he is self centred.



    "Interesting comparison with another selfish charmer in the book, Mr Woodhouse."


    Each character is there to be compared to Emma, or to be a cautionary tale for Emma. Eventually she realises she herself has exhibited the same traits she dislikes in others.
    Last edited by prendrelemick; 09-10-2015 at 05:16 AM.
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    Ecurb Ecurb's Avatar
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    Who could possibly resist a little (just a little, let's not overdo it) cruelty toward Jane Fairfax? Jane's the one who's self-absorbed, what with her complaints that she might (horrors!) have to get a job: " "I did not mean, I was not thinking of the slave-trade," replied Jane; "governess-trade, I assure you, was all that I had in view; widely different certainly, as to the guilt of those who carry it on; but as to the greater misery of the victims, I do not know where it lies..."

    Frank is definitely careless in his morals and self-absorbed in his behavior, but at least he has a sense of humor about it. If we think of all of Austen's "foils", he might be the best man among them, less wicked than Willoughby, Crawford, Eliot, or Wickham, and more attractive than John Thorpe (or Mr. Collins). Personally, I like Crawford best -- his talents are pitched higher than those of Frank Churchill -- but I suspect Austen thought Frank the best man among them (she does give him a talented, pretty wife by the end of the book). Besides, Frank did rescue Harriet Smith from the Gypsies, which has to rate higher than carrying Marianne home when she twists her ankle.

    If Frank is designed to be compared with Emma, pren -- I wonder if that means that Jane Fairfax is meant to be compared to Knightley? He does admire her, and sometimes I think Emma might have more fun with Frank than with Knightley, just as Frank would have more fun with Emma than with Jane. Thinking more soberly, however, perhaps they're both better off with their Austen-approved partners. If they had married each other, they might run amok.

    p.s. Despite his daughters' objections, I think Sir Walter Eliot should marry Mrs. Clay and have a son, just to screw Mr. Eliot out of the baronetecy.

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    Registered User Clopin's Avatar
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    I do think that being a governess would be significantly worse than getting a regular job by today's standards. Anne Bronte describes it as being pretty unbearable, and it doesn't seem like you got much respect or had any prospects for a decent life.
    So with the courage of a clown, or a cur, or a kite jerkin tight at it's tether

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    Ecurb Ecurb's Avatar
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    The Brontes hated governessing (and tutoring, in Branwell's case) but Jane Eyre didn't seem to have been too badly off. Her ward liked her, Rochester was rarely home, and when he was home, he fell in love with her (too bad he was married).

    We don't have to look that far afield to find a governess, though. I'm sure Mrs. Weston (poor Miss Taylor, formerly) had to deal with Emma's moods, and had to cater to Mr. Woodhouse's ailments. She did (acc. Mr. Woodhouse) choose to leave Hartfield for a house that is half the size (and who can blame her?). Still, it seems she was introduced into Highbury society as a social equal who could marry Mr. Weston, and she remains Emma's good friend.

    I'm sure many jobs, back then, were worse than today's cushy jobs, but Miss Taylor seems to have lived a better life than most slaves in Antigua. Besides, (if I remember correctly) Mrs. Weston was in the party when Jane Fairfax whines about her prospects and compares them to slavery. Isn't that rude and condescending? I wonder if Mr. Knightley noticed, like he noticed Emma's transgression against Miss Bates?

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    Registered User Jackson Richardson's Avatar
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    If Frank was a total cad, he would not have offered the Decent Thing by Jane.

    If he was heroically saintly, he would have defied Mrs Churchill and married her.

    Maybe he is hoping Jane will drift away, but I don't think that is his conscious intention.

    I also don't think he hides the engagement from Mrs Churchill for purely mercenary motives.

    As I say, he is a charmer and just doesn't like confrontation.

    Good girls like Jane Fairfax can be a turnon to men of the world, as Fanny Price attracts Henry Crawford.
    Previously JonathanB

    The more I read, the more I shall covet to read. Robert Burton The Anatomy of Melancholy Partion3, Section 1, Member 1, Subsection 1

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    Registered User kiki1982's Avatar
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    Quote Originally Posted by prendrelemick View Post
    Where are you Kiki?
    Here. I've had lots and lots of work...

    Quote Originally Posted by prendrelemick View Post
    I can't decide about Frank. It all seems a game to him. He is given alot of leeway in his behavior and yet remains respected at the end. Probably because he becomes rich and is the son of a respected gentleman.
    I personally think Austen is very clever.
    Even before he arrives, Frank is a celebrity and everyone is charmed by him. No doubt, he knows this and uses it to his advantage when he needs it. Everyone seems to assume that from the moment he arrives he's 'naturally' going to court Emma. Just because she is the most prominent lady in town. So he does. Why? Because he needs a diversion. If I remember rightly, he already rubbishes Jane's looks to Emma (?) at the first assembly to divert her attention away from the item Jane & Frank. He sees that Emma likes to be flattered, but also that she isn't serious about anything. So he uses her as a safe diversion. After all, his plan is not to be a Willoughby who courts Marianne and then drops her because of his aunt (although this wasn't necessary). By leading Emma up the garden path, he just does what she likes and no-one will be hurt in the process. He could have opted for Harriet Smith too, for example, or another woman in Highbury, but she would have become attached like Marianne and that's the whole issue which Knightley also addresses at the end: false courting is an absolute no-no, but no-one said anything about a bit of innocent flirtation where no-one really thinks it's serious (apart from the community which bis outraged, because... they were wrong all along and have hurt their own self a little bit). So Frank chooses Emma, firstly because that's the logical thing to do and because she's really only interested in being flattered. Not in him personally. And this makes that he can actually go as far as make her think he is about to propose, although he isn't and he's talking about himself all along.
    In my mind, things went like this: back in Weymouth, Churchill asks Jane to be his, but informs her that they'll need to hold out until his aunt has snuffed it. It won't take long, but it's important that she doesn't know about the engagement, because she'll cut him off. After all what would Frank do without his inheritance? He could take orders, but the Church doesn't really pay very well. Recall Edward Ferrars. Then he could take a commission in the army, but he needs money to do that first. And with war going on, that's not ideal. In both cases, it would be very unwise to marry without money. And Jane hasn't got any.
    Though his father has made a fortune, and maybe he could help with a commission in the army or other studies (though I'm not sure whether he's cut out to be say a lawyer or something), there is really no way Frank can get the income he is used to, unless he keeps his aunt sweet. Once she has passed away, his uncle is not that strict about matters of marriage, so it'll be plain wailing. However, Jane and Frank are faced with the fact that Jane's school friend to whom she is now a companion will marry soon, and so she must leave. She can't live with her aunt Miss Bates forever, because that family of two are strapped for cash themselves.
    Then when Frank successfully leads everyone in Highbury to think he is courting Emma, Jane becomes insecure. They do have a snog over that pianoforte while Frank is so kind as to fix the glasses of Jane's grandmother, but for the rest he can't come too often without raising suspicion, can't look at her too intently, can't speak to her too much and about things that matter as someone could hear. They are not supposed to know each other, which is the safest bet in this situation. But it's difficult for her, because she is naturally insecure and thinks his shenanigans are/could become serious. And what if this situation continues for years? In all probability she couldn't even sue for breach of promise because she needs proof on paper. She stands to lose the most if he decides to walk away anyway. She could end up a spinster like her aunt and that's the problem. He won't walk away obviously, but she can't be really certain of that and he can only give her his word and appeal for her to trust him. Which is maybe the subject of the argument on the way to Donwell Abbey on the afternoon that they go strawberry picking. He's too late, she goes home in a mood and he is disappointed (Emma puts his anger down to the temperature ).

    Quote Originally Posted by Ecurb View Post
    The Brontes hated governessing (and tutoring, in Branwell's case) but Jane Eyre didn't seem to have been too badly off. Her ward liked her, Rochester was rarely home, and when he was home, he fell in love with her (too bad he was married).

    We don't have to look that far afield to find a governess, though. I'm sure Mrs. Weston (poor Miss Taylor, formerly) had to deal with Emma's moods, and had to cater to Mr. Woodhouse's ailments. She did (acc. Mr. Woodhouse) choose to leave Hartfield for a house that is half the size (and who can blame her?). Still, it seems she was introduced into Highbury society as a social equal who could marry Mr. Weston, and she remains Emma's good friend.

    I'm sure many jobs, back then, were worse than today's cushy jobs, but Miss Taylor seems to have lived a better life than most slaves in Antigua. Besides, (if I remember correctly) Mrs. Weston was in the party when Jane Fairfax whines about her prospects and compares them to slavery. Isn't that rude and condescending? I wonder if Mr. Knightley noticed, like he noticed Emma's transgression against Miss Bates?
    Well, compared to many other jobs , governessing was indeed relatively OK, but I wouldn't say it was all that wonderful. Essentially you were a servant and were entirely dependent mostly on your mistress, who could then be jealous because of your looks. That's the least of it though. There were no holidays (not like later on where servants had a fixed day off every week), so if you needed to go home you had to ask and hope they'd give you your weeks off, probably you wouldn't even get paid. If the children ran amok, like the Middletons' children in Sense and Sensibility, there were two possibilities: either the master and mistress supported your discipline or they didn't (as was the case with the Ingrams). If you were unlucky it was the latter.
    Add to this that it was a lonely job: you were not really part of the family although at a later stage you may have eaten with them (like Becky Sharp in Vanity Fair), but you were too good for the servants. There wasn't necessarily anyone to talk to among them (some of these people had only gone to school for a short while or maybe not at all). Once your pupil was 'out' in society (been presented at court and officially eligible for marriage), I don't think you went with her to parties, unless the mother/aunts etc. had died and no-one else was available to do the chaperoning. So if you were not discarded because there was no longer any need for you (the girl was past teaching and was now fit to be seen), you were left at home. At this point, the governess was either in need of a new situation, or she would be kept on as a companion/lady in waiting like Miss Taylor, but it was only a matter of time before that wasn't necessary anymore either (i.e. the girl gets married). Besides which the post as companion was a bit of a boot-licking job. Of course this depended on your mistress, but after all one doesn't pay a companion to disagree with or be preached to.
    Also governessing, I think, was rather a recipe to become a spinster: if you didn't go out into society much, then where would you find a husband? Younger children didn't go anywhere at all and chaperones were supposed to sit and look that their girls or the gentlemen they were with didn't do anything untoward, they weren't supposed to be part of the party themselves. On top of this, you were clearly marked as 'inferior' in some circles at least (a Mrs Dashwood would not have associated herself with companions or governesses I'm guessing), so the gentlemen who visited wouldn't have been interested. Actually I'd venture to say that both Jane Eyre and Miss Taylor were very lucky that the one man in the situation who was available was actually interested in them as women. After all, Rochester could potentially not have been all that kean on Jane, pissed off again to Paris and Jane could have been stuck forever at Thornfield (or at least for the next 10 years until she was on the shelf). Mr Weston might not have liked Miss Taylor and society in Highbury can't be called all that vast, after all.
    One has to laugh before being happy, because otherwise one risks to die before having laughed.

    "Je crains [...] que l'âme ne se vide à ces passe-temps vains, et que le fin du fin ne soit la fin des fins." (Edmond Rostand, Cyrano de Bergerac, Acte III, Scène VII)

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    Registered User Jackson Richardson's Avatar
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    Isn't it interesting that Jane Austen gives her own Christian name to the two goodie goodie girls in her novels who are far less interesting than the main heroines - Jane Bennet (sweet, but I'd far rather spend the eveing with Lizzie) and Jane Fairfax (who is a bore I'm sorry to say, although it is to Emma's credit that she reproaches herself for not being nice to her).

    The goodie goodie girl in Mansfield Park though I find far more sympathetic than her spoiled cousins.
    Last edited by Jackson Richardson; 09-13-2015 at 05:32 PM.
    Previously JonathanB

    The more I read, the more I shall covet to read. Robert Burton The Anatomy of Melancholy Partion3, Section 1, Member 1, Subsection 1

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    Ecurb Ecurb's Avatar
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    Governessing might not be the perfect job -- but neither was slavery. Jane is a goody-two shoes whiner, in my opinion. Knightley thinks her love for Frank is "disinterested" (because of her character), but I'm not so sure. Who could blame any woman for marrying a man she didn't really love to save herself from a life of slavery (a condition to which Jane evidently thinks being a governess comparable)?

    Miss Taylor might have been lucky to find Mr. Weston -- but so was Emma lucky to find Knightley in Highbury. I'm guessing Miss Taylor lived a good life at Hartfield -- better than Jane's life with Miss Bates, probably.

    Many readers dislike Emma, because she is snooty and interfering. I like Emma, because she is smart and fun loving. Therefore, I support Emma in her dislike of Jane Fairfax. Without looking it up, I remember one conversation between Emma and Knightley in which Emma claims that Jane does not have an open character. She keeps things hidden and is not easy to get to know. Of course Emma is wrong about many things, but she's right here, and it's possible that Jane has not been forthcoming with Frank about her true feelings. Frank, on the other hand, is happy to deceive people, but he's not very good at it. He's a little too high spirited, like a puppy dog who can't avoid begging for treats. Jane, on the other hand, is passive/aggressive, suffering headaches and indispositions when she doesn't get her way.

    Frank appears to be the manipulative partner, fooling everyone by flirting with Emma. But Jane (I'll bet) is going to rule the home. Franks manipulations are light hearted and light weight, Jane is firing the heavy artillery.

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    Ecurb Ecurb's Avatar
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    I had actually been thinking of a scene in which Mr. Knightley (not Emma) descries Jane's lack of an open temper. Emma begins:

    "No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married."

    Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize. I never had a thought of her in that way, I assure you."

    And soon afterwards, "Jane Fairfax is a very charming young woman -- but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife."
    Emma calls Jane "reserved" earlier.

    I'm sure governesses had a variety of experiences. Jane Eyre hobnobbed with the housekeeper, who was a notch above the servants. Miss Taylor hobnobbed with Emma and Isabella.

    Jane Fairfax isn't a villain of a foil (she's a minor foil, competing with Emma for Frank Churchill, rather than Knightley, as the scene above shows.). She's no devil, like Lucy Steele (who becomes (Lucy Fer)rars). But I'm not at all sure that Jane Austen sympathizes with her more than with Frank. I just hope that Jane's "headaches" don't interfere TOO much with Frank's social (or sex) life, once they are married. Of one thing I am fairly certain: Mrs. Jane Churchill won't miss whining about becoming a governess; she will just find something to complain about.

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    Ecurb Ecurb's Avatar
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    Quote Originally Posted by JonathanB View Post
    Isn't it interesting that Jane Austen gives her own Christian name to the two goodie goodie girls in her novels who are far less interesting than the main heroines - Jane Bennet (sweet, but I'd far rather spend the eveing with Lizzie) and Jane Fairfax (who is a bore I'm sorry to say, although it is to Emma's credit that she reproaches herself for not being nice to her).

    The goodie goodie girl in [I]Mansfield ParkI] though I fiind far more sympathetic than her spoiled cousins.
    I like Jane Bennet a lot better than Jane Fairfax: Miss Bennet actually IS a kind, goodhearted woman; I suspect Miss Fairfax of being a bit more phony.

    I'm not a big Fanny Price fan, but I do like her. The fuddy-duddy stick-in-the-mud in that book is Edmund, not Fanny. Also I can't forgive Edmund for his last interview with Mary Crawford, in which he tells her (as he reports to Fanny later): "Gladly would I submit to all the increased pain of losing her, rather than have to think of her as I do. I told her so.”

    The dude has no class. Besides, he should intercede on Maria's behalf to stop her banishment up north with (horrors!) Mrs. Norris. The Bertram family cross is not that they lack morals, but that they are an unloving, self-centered family, and Sir Thomas only learns to appreciate Fanny because she conduces to his welfare.

    Just as you'd rather spend and evening with Elizabeth than with Jane (who wouldn't), I'd rather hang out with Mary and Henry Crawford than with Fanny and Edmund Bertram.

  15. #15
    Registered User kiki1982's Avatar
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    Interesting point, Jonathan. I wonder whether that's a coincidence...

    Quote Originally Posted by Ecurb View Post
    Governessing might not be the perfect job -- but neither was slavery. Jane is a goody-two shoes whiner, in my opinion. Knightley thinks her love for Frank is "disinterested" (because of her character), but I'm not so sure. Who could blame any woman for marrying a man she didn't really love to save herself from a life of slavery (a condition to which Jane evidently thinks being a governess comparable)?
    OK, OK, slavery might be a bit exaggerated, but we should bear in mind that if she does become a governess, she will fall very deep indeed. Think about it: she's been raised in a finishing school, amongst privileged children (like Becky Sharp, practically the same situation), catered to her every (reasonable) whim and from the one day to the next she will have to go to a place unknown, potentially very far away from anything and anyone she knows and can trust. I mean, the school she came from wasn't Jane Eyre's Lowood, where pupils almost starved or froze to death and you'd be happy to just get away from it (anything is better than there, surely). Jane Fairfax's school is a genteel finishing school, for ladies. Yet Jane is not really a lady, she's only raised like one. So she's had privileges instilled in her, but is now confronted with having to give them up. A Becky Sharp set out confidently to make her own way, but Jane Fairfax hasn't got the determination of Becky. She shrinks at the prospect.
    Finding a good position was also not an easy task: she will either have to go by word of mouth (her school mistress can help, the Knightleys and others like them can help) or have to advertise randomly. In that case, she essentially has to hope someone replies. Hopefully with a good offer and then pray that she lands in a respectable family where the children are not too much of a nuisance and the adults not too snooty. That takes guts (as in a Jane Eyre who sets out boldly into a world she hardly knows). On top of this, who can say whether she's cut out to teach? These girls were not taught how to teach, they were taught their subjects and teaching came with talent basically. Having stood in front of a class of only 4 to 5 children I couldn't control, I can tell you, I barely lasted a week. And that was one afternoon every day. Life becomes a task pretty fast that way.

    Good point about the mercenary motives to her acceptance of Frank's proposal... Though we should note that Jane Austen herself rejected a man of good means, as I recall, despite the fact that she must have known she wouldn't be that well off once her father would pass away. At least that's what she continuously stresses in her novels, so she must have had some inkling about how the world worked in that respect...

    Quote Originally Posted by Ecurb View Post
    Miss Taylor might have been lucky to find Mr. Weston -- but so was Emma lucky to find Knightley in Highbury. I'm guessing Miss Taylor lived a good life at Hartfield -- better than Jane's life with Miss Bates, probably.
    Indeed Miss Taylor was lucky, both with her life at Hartfield and finding a husband so easily. I'd even venture to say that, if Emma had absolutely wanted to find a husband (which she didn't at that point in her life) and had got married, Mr Woodhouse would probably have asked her to stay on to care for him. He dislikes change so much that really Miss Taylor would have had a position for life, if she had wanted one. However, Emma has decidedly more strings to her bow to find herself a match than her companion and ex-governess. She could have gone to her sister in London for the season to find a husband, for example. As there doesn't seem to be a male heir (or entailment concerns), she would have been a fair catch, so she wouldn't have been short of suitors. Miss Taylor, on the other hand, can't apply to any such help. Unless she's got connections/family in good places, of which there don't seem to be many hints.

    Quote Originally Posted by Ecurb View Post
    Without looking it up, I remember one conversation between Emma and Knightley in which Emma claims that Jane does not have an open character. She keeps things hidden and is not easy to get to know. Of course Emma is wrong about many things, but she's right here, and it's possible that Jane has not been forthcoming with Frank about her true feelings. Frank, on the other hand, is happy to deceive people, but he's not very good at it. He's a little too high spirited, like a puppy dog who can't avoid begging for treats. Jane, on the other hand, is passive/aggressive, suffering headaches and indispositions when she doesn't get her way.

    Frank appears to be the manipulative partner, fooling everyone by flirting with Emma. But Jane (I'll bet) is going to rule the home. Franks manipulations are light hearted and light weight, Jane is firing the heavy artillery.
    I love Emma too, but I believe it's important to see through the opinions in the novel. The entire plot is constructed around opinions that turn out to be wrong in the end, so any bad points shouldn't be taken all that literally. Indeed, Jane Fairfax hasn't got an open temper and that's a decided fault in Regency society. The Jane Bennets and Charles Bingleys fared batter, because they had 'easy manners': they were approachable, could talk about nothings all night long and smiled a lot. The Jane Fairfaxes were wall flowers who hardly responded or whose answers were monosyllables...

    However, it's not because the Jane Fairfaxes and Fitzwilliam Darcys do not fit the mould that they are also nasty people. In my mind, Emma judges based on the impressions she has of people (including personal likes/dislikes).
    Jane Fairfax might not be out there with her feelings, but who's to say she isn't in private? Though it's true she seems to be one who will tell what she thinks in private to those she knows, but will shut up in public and then complain no end on the way home in the carriage. You're right that she manipulates, but don't we all try and make our loved ones do what we want? Persuasion I think it's called.
    That said it just shot through my mind that Jane's indispositions and the effect they have on Frank and his eagerness to please her (with the pianoforte) may be a reflection of how he is controlled by the whims of his aunt. a mere tantrum from her side (Oh, I might die if you don't come to Richmond) has him shoot off to London though he has other things to do, primarily because she has the money (maybe she uses that ). Indeed a bit like an enthusiastic puppy can be moulded into a loyal dog eager to please his master who will jump when told so.
    Come to think of it, that returns when Emma barges into Knightley's library (?) at the end saying she can't marry because she can't leave her father. What is Knightley's response? He'll leave his home to go and live at Hartfield. Maybe he's also going to be more controlled by his wife than he'd like to.

    Quote Originally Posted by Ecurb View Post
    I'm sure governesses had a variety of experiences. Jane Eyre hobnobbed with the housekeeper, who was a notch above the servants. Miss Taylor hobnobbed with Emma and Isabella.
    Indeed, the housekeeper was up from everyone else, but then she was the only one there. And I seem to recall there was a slight tinge of boredom in Jane as to the available conversation before Rochester arrives. Think about it: nothing ever happens and Mrs Fairfax has been there for years. How interesting can life at Thornfield possibly be that it would produce conversation if there are no parties at all and the master turns up about two weeks a year?

    Quote Originally Posted by Ecurb View Post
    Jane Fairfax isn't a villain of a foil (she's a minor foil, competing with Emma for Frank Churchill, rather than Knightley, as the scene above shows.). She's no devil, like Lucy Steele (who becomes (Lucy Fer)rars). But I'm not at all sure that Jane Austen sympathizes with her more than with Frank. I just hope that Jane's "headaches" don't interfere TOO much with Frank's social (or sex) life, once they are married. Of one thing I am fairly certain: Mrs. Jane Churchill won't miss whining about becoming a governess; she will just find something to complain about.
    Good point that. Indeed Jane could become a whiner which happy-go-lucky Frank might regret taking for a wife later. Or he may end up like Mr Dashwood who seems to have given up and just does what he's told by his wife, even if it means depriving his stepsisters of everything. It's just easier...
    One has to laugh before being happy, because otherwise one risks to die before having laughed.

    "Je crains [...] que l'âme ne se vide à ces passe-temps vains, et que le fin du fin ne soit la fin des fins." (Edmond Rostand, Cyrano de Bergerac, Acte III, Scène VII)

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