The War of the Worlds


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This story is set in the early 20th century, and begins with the unnamed narrator, a writer of speculative scientific articles, visiting an observatory in Ottershaw on the invitation of a "well-known astronomer" named Ogilvy. There he witnesses an explosion on the surface of the planet Mars, one of a series of such events that arouses much interest in the scientific community. An unspecified time later, a "meteor" is seen landing on Horsell Common, near London. The narrator's home is close by, and he is among the first to discover the object is a space-going artificial cylinder launched from Mars. The cylinder opens, disgorging the Martians: bulky, tentacled creatures that begin setting up strange machinery in the cylinder's impact crater. A human deputation moves towards the crater and is incinerated by an invisible ray of heat.

After the attack, the narrator takes his wife to Leatherhead to stay with relatives until the Martians are killed; upon returning home, he sees first hand what the Martians have been assembling: towering three-legged "fighting-machines" armed with the Heat-Ray and a chemical weapon: "the black smoke". The tripods smash through the army units now positioned around the crater and attack the surrounding communities. The narrator meets a retreating artilleryman, who tells him that another cylinder has landed between Woking and Leatherhead, cutting the narrator off from his wife. The two men try to escape together, but are separated during a Martian attack on Shepperton. More cylinders land across the English countryside and a frantic mass evacuation of London begins; among the fleeing swarms of humanity is the narrator's brother, who is thrown together with the wife and the younger sister of a man named Elphinstone; the three of them eventually gain passage on a ship, crossing the English Channel to safety. One of the tripods is destroyed in the Shepperton battle by an artillery barrage and two more are brought down in Tillingham Bay by the torpedo ram HMS Thunder Child before the vessel is sunk, but soon all organized resistance has been beaten down, the Martian-imported red weed runs riot across the landscape, and the Martian war-machines hold sway over much of southern England. The narrator becomes trapped in a half-destroyed building overlooking the crater of one of the later Martian landing sites. He covertly witnesses the Martians close at hand, including their use of captured humans as a food supply through the direct transfusion of their blood. He hides together with a curate, who has been traumatized by the attacks, and is behaving erratically. Eventually the curate starts loudly proclaiming his repentance. Terrified that they will be heard, the narrator knocks the curate unconscious, but the man's body is discovered by the Martians and dragged away. The narrator barely avoids the same fate, and the Martians eventually abandon their encampment. The narrator then travels into a deserted London where he discovers that both the red weed and the Martians themselves have abruptly succumbed to terrestrial pathogenic bacteria, to which they have no immunity. The narrator is unexpectedly reunited with his wife, and they, along with the rest of humanity, set out to face the new and expanded view of the universe which the invasion has impressed upon them. --Submitted by Anonymous

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Recent Forum Posts on The War of the Worlds

Confusing passage...

"He taught me euchre, and after dividing London between us, I taking the northern side and he the southern, we played for parish points." Can anyone explain to me what this means? What are "parish points"? Was London religiously divided around the early 1900's? They were competing, figuratively speaking, for parishes perhaps?


Perfect prose = beginning of this book...

I honestly think that the beginning of the War of the Worlds is the best prose I've yet encountered. It is just so gripping, cold, and hostile; it manages to set the tone to the absolute perfect pitch. Honestly, I was surprised to find prose of such caliber in a sci-fi book. Truely an unexpected surprise. An astounding book all-in-all, but I still believe the beginning to be the most exceptional portion. Does anyone else agree?


Did Wells ever do an illustration of the fighting machines?

I have seen dozens and dozens of depictions of the Martian tripods, and all of them seem to be different, making it difficult for me to imagine what Wells actually intended the fighting machines to look like. This begs the question, "Did Wells ever do any sketches or drawings of what he himself thought the tripods looked like?"


Best reprint with original illustrations?

Hello Everyone, I want to read War of the Worlds, but I'd like to have all the accompanying illustrations from the original if possible. Can someone please suggest a reprint with all the original illustrations? an ISBN number would be appreciated. Thank You.


War of the Worlds vs Time Machine

I have read the War of the Worlds and the Time Machine both by HG Wells and am looking for imput on the themes connecting the two. They dont have a whole lot in common but am trying to draw something from the veiw of technology or something from them. Like the advancement of technology cannot stop the progression of nature. The martians die from bacteria and the evolution of the Eloi end up leaving them as "cattle" dispite being the upper class. I dont have much to work with and would love any and all ideas


War Of The Worlds as social commentary

Looking a little into the sensibilities and social commentary of H.G. Wells one can see that The War Of The Worlds was addditionally part of his ongoing crusade towards the need for the establishment of social democracy as the ultimate form of government. For this reason (amongst others) he is regarded as something of a prophet on scientific and social development. Wells loathed the purely Capitalist (now labelled Neocon) view of the world that he saw as causing the atomisation of society into enclaved groups of haves and have-nots. The director John Carpenter has continued this crusade for the modern generation with his society/sci-fi genre along with the writings of Kurt von Vonnegut. In a very Scandinavian style of sensibility, he sensed the animalistic nature of society that would descend to the lowest common denominator of "me-ism" without the establishment of an underlying perpetuating values system whereby common folk could trust themselves to a system devised for the greater common good. This may seem very paternalistic and colonial in nature but Wells did perceive that people are very fallible (all too human) and far from being as "unknowable" as we presume ourselves to be, this cohesive system would be infinitely preferable to Law of the Jungle style economics. By demonstrating some of the main types of basic humanistic reactions to an event such as the invasion of Martians (or hurricane in New Orleans, if you will) he categorises a range of human emotions within each sub-type (soldier, padre, astrologist, common citizen, rich, poor, etc.) and casts himself as a member of the American 4th estate (journalist) as eternal seeker of truth. The intention is to demonstrate (through the defeat of the invaders by the simplest organism on the planet) that Man is not nearly as clever as he or she perceives themselves to be without a cohesive society from within which to operate..


This is how it's done!

Being a self-proclaimed WotW enthusiast, I've read the book several times. This is how it's done. Eloquent writing, beautiful descriptive prose, and an exciting story. An all-around perfect book. 10/10. Personally, my favorite chapter is the first appearance of the Tripod-fighting machine. It's really actually quite frightening. Particularly coupled with Edward Gorey's eerie illustration for that chapter. Or Peter Fussey's one. But, they're all great. This is a masterpiece. Literally.


War of the Worlds

Art imitating life is the best way of describing the latest Spielberg film, War of the Worlds. When huge spider-like 'Tripods' stalk the American landscape in search of more blood to suck out of the terrified masses who run in vain to escape, we become witness to a CGI special effects extravaganza of mass destruction being meted out by aliens intent on world domination. --and they are apparently unstoppable. H.G. Wells' classic sci-fi novel (written in 1898), terrifies us to this day with its horrific tale about invaders from another world whose planned harvesting of the earth is carried out with cruel precision as they mobilize their machines into action. The terror and chaos that follows in the wake of the devestating power and command that these invaders are capable of, reminds us of another kind of domination attempt taking place in this country and elsewhere throughout the world. More at Glass Onion


Theme Development

This is one of the greatest books I have ever read. I had to read it for my grade 11 book report and I could not put it down. The only thing that I am having trouble with is the theme and the theme development. I think that I have the basic theme of "The main theme of the book The War of the Worlds is the human response to and how we can cope with disasters. In this story, the disaster is the invasion of Earth by Martians. The disaster is used to show how different people react to disasters. One person might question their faith, while another might question their abilities and someone else might question their beliefs.", but I could really use some advice on wheather I am right or wrong and how this theme is developed. Any help would be greatly appreciated, I am not great at finding things like this I just like to read books, not comment on them.


Jeff Waynes

I would like to comment that War of the WOrlds is one of the best books ever. It has been made into a radio show, a musical, Two movies (with the second one out soon I hope :)) and no matter who you are, you probably at least know the plot-because so many films/books have used the same ideas to their own story.
Jeff Waynes musical version is excellent, and if a movie had been made around that, with the music and everything, I think it would have been a box office hit. Unfortunatly, hollywood decided to change almost everything, until the only similarities were that they were matians and that they were invading earth. It was now set in America, after WWII and they wern't tripods any more-they floated. And Thunder-Child was nowhere to be seen, nor the red weed!
This book is a must read, and Jeff Waynes version is a must hear!
Bye


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