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Sunshine Sketches of a Little Town

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(1912)

This sequence of stories was first published in 1912. It is generally considered to be one of the most enduring classics of Canadian humorous literature. The fictional setting for these stories is Mariposa, a small town on the shore of Lake Wissanotti. Although drawn from his own experiences in Orillia, Ontario, Canada, Leacock notes: "Mariposa is not a real town. On the contrary, it is about seventy or eighty of them. You may find them all the way from Lake Superior to the sea, with the same square streets and the same maple trees and the same churches and hotels." In 1952 Sunshine Sketches was adapted for television by the Canadian Broadcasting Corporation. A second production premiered in the year 2012 starring Canadian actors Gordon Pinsent and Jill Hennessy. Two of Leacock's stories were adapted for television to coincide with the 100 year anniversary of the publication of his classic work.


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Loss

Stephen Leacock was, in 1912, a famous Canadian writer. He was assistant professor of political science at McGill University at the time. In 1912 his book Sunshine Sketches of a Little Town was published. It was an idealized picture of a little Canadian town, modelled after the town he knew on Lake Simcoe, Orillia. Sunshine Sketches is not a novel but, rather, a series of short stories. Leacock’s sketches serve, for me, as an example, a model, for my own prose-poetry. My poetry is in many ways a series of sketches, shorter than short stories, usually packed into a page. To write a bold and masterful novel with monumental literary images has always seemed beyond me as it was for Leacock. Sunshine Sketches is full of humour but it is kind; it focuses on human folly; it is an elaborate web of varying perspectives and varying narrators. The book was published ten weeks before ‘Abdu’l-Baha’s visit to Canada. ‘Abdu’l-Baha always called the Canadians kind. –Ron Price, Pioneering Over Four Epochs, 8 March 2007. They laugh at each other here, Stephen; you would have liked Australia, its wit and irony. I think they laugh more here. A writer who is funny needs to talk to his world—I try; I make it simple but, perhaps, not simple enough. I don’t have your skill and talent, Stephen. I was just five months in utero when you died in ’44. Are you passing on to me some of the power, the leaven by which the arts and wonders of the world are made manifest, Stephen? Are you Stephen? Are you? Will you? Your fictitious small town, Mariposa, could have been Burlington, Picton, King City, Dundas—one of the towns where I lived back in the sixties and the ordinarily ordinary people I knew then… or one of the towns in Australia where I came to dwell: Katherine, Smithton, Zeehan, George Town—but the humour is sharper here, cuts closer to the bone, but still it is the same humour of loss of faith, disillusionment, shattering of ideals that have not been replaced with animating purpose and strong convictions: rather, a deeply inlaid scepticism, cynicism which is a real, a genuine, philosophy of life. Ron Price 8 March 2007

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