Poems & Short Stories: 4,271
Forum Members: 70,634
Forum Posts: 1,033,546
And over 2 million unique readers monthly!
Two days passed, and it was Friday morning. Liza had got up early and
strolled off to her work in good time, but she did not meet her
faithful Sally on the way, nor find her at the factory when she
herself arrived. The bell rang and all the girls trooped in, but still
Sally did not come. Liza could not make it out, and was thinking she
would be shut out, when just as the man who gave out the tokens for
the day's work was pulling down the shutter in front of his window,
Sally arrived, breathless and perspiring.
'Whew! Go' lumme, I am 'ot!' she said, wiping her face with her apron.
'I thought you wasn't comin',' said Liza.
'Well, I only just did it; I overslep' myself. I was aht lite last
'Me an' 'Arry went ter see the ply. Oh, Liza, it's simply spiffin'!
I've never see sich a good ply in my life. Lor'! Why, it mikes yer
blood run cold: they 'ang a man on the stige; oh, it mide me creep all
And then she began telling Liza all about it--the blood and thunder,
the shooting, the railway train, the murder, the bomb, the hero, the
funny man--jumbling everything up in her excitement, repeating little
scraps of dialogue--all wrong--gesticulating, getting excited and red
in the face at the recollection. Liza listened rather crossly, feeling
bored at the detail into which Sally was going: the piece really
didn't much interest her.
'One 'ud think yer'd never been to a theatre in your life before,' she
'I never seen anything so good, I can tell yer. You tike my tip, and
git Tom ter tike yer.'
'I don't want ter go; an' if I did I'd py for myself an' go alone.'
'Cheese it! That ain't 'alf so good. Me an' 'Arry, we set together,
'im with 'is arm round my wiste and me oldin' 'is 'and. It was jam, I
can tell yer!'
'Well, I don't want anyone sprawlin' me abaht, thet ain't my mark!'
'But I do like 'Arry; you dunno the little ways 'e 'as; an' we're
goin' ter be married in three weeks now. 'Arry said, well, 'e says,
"I'll git a licence." "Na," says I, "'ave the banns read aht in
church: it seems more reg'lar like to 'ave banns; so they're goin' ter
be read aht next Sunday. You'll come with me 'an 'ear them, won't yer,
'Yus, I don't mind.'
On the way home Sally insisted on stopping in front of the poster and
explaining to Liza all about the scene represented.
'Oh, you give me the sick with your "Fital Card", you do! I'm goin'
'ome.' And she left Sally in the midst of her explanation.
'I dunno wot's up with Liza,' remarked Sally to a mutual friend.
'She's always got the needle, some'ow.'
'Oh, she's barmy,' answered the friend.
'Well, I do think she's a bit dotty sometimes--I do really,' rejoined
Liza walked homewards, thinking of the play; at length she tossed her
'I don't want ter see the blasted thing; an' if I see that there Jim
I'll tell 'im so; swop me bob, I will.'
She did see him; he was leaning with his back against the wall of his
house, smoking. Liza knew he had seen her, and as she walked by
pretended not to have noticed him. To her disgust, he let her pass,
and she was thinking he hadn't seen her after all, when she heard him
call her name.
She turned round and started with surprise very well imitated. 'I
didn't see you was there!' she said.
'Why did yer pretend not ter notice me, as yer went past--eh, Liza?'
'Why, I didn't see yer.'
'Garn! But you ain't shirty with me?'
'Wot 'ave I got to be shirty abaht?'
He tried to take her hand, but she drew it away quickly. She was
getting used to the movement. They went on talking, but Jim did not
mention the theatre; Liza was surprised, and wondered whether he had
'Er--Sally went to the ply last night,' she said, at last.
'Oh!' he said, and that was all.
She got impatient.
'Well, I'm off!' she said.
'Na, don't go yet; I want ter talk ter yer,' he replied.
'Wot abaht? anythin' in partickler?' She would drag it out of him if
she possibly could.
'Not thet I knows on,' he said, smiling.
'Good night!' she said, abruptly, turning away from him.
'Well, I'm damned if 'e ain't forgotten!' she said to herself,
sulkily, as she marched home.
The following evening about six o'clock, it suddenly struck her that
it was the last night of the 'New and Sensational Drama'.
'I do like thet Jim Blakeston,' she said to herself; 'fancy treatin'
me like thet! You wouldn't catch Tom doin' sich a thing. Bli'me if I
speak to 'im again, the ----. Now I shan't see it at all. I've a good
mind ter go on my own 'ook. Fancy 'is forgettin' all abaht it, like
She was really quite indignant; though, as she had distinctly refused
Jim's offer, it was rather hard to see why.
''E said 'e'd wite for me ahtside the doors; I wonder if 'e's there.
I'll go an' see if 'e is, see if I don't--an' then if 'e's there, I'll
go in on my own 'ook, jist ter spite 'im!'
She dressed herself in her best, and, so that the neighbours shouldn't
see her, went up a passage between some model lodging-house buildings,
and in this roundabout way got into the Westminster Bridge Road, and
soon found herself in front of the theatre.
'I've been witin' for yer this 'alf-hour.'
She turned round and saw Jim standing just behind her.
''Oo are you talkin' to? I'm not goin' to the ply with you. Wot d'yer
tike me for, eh?'
''Oo are yer goin' with, then?'
'I'm goin' alone.'
'Garn! don't be a bloomin' jackass!'
Liza was feeling very injured.
'Thet's 'ow you treat me! I shall go 'ome. Why didn't you come aht the
'Yer told me not ter.'
She snorted at the ridiculous ineptitude of the reply.
'Why didn't you say nothin' abaht it yesterday?'
'Why, I thought you'd come if I didn't talk on it.'
'Well, I think you're a ---- brute!' She felt very much inclined to
'Come on, Liza, don't tike on; I didn't mean no offence.' And he put
his arm round her waist and led her to take their places at the
gallery door. Two tears escaped from the corners of her eyes and ran
down her nose, but she felt very relieved and happy, and let him lead
her where he would.
There was a long string of people waiting at the door, and Liza was
delighted to see a couple of niggers who were helping them to while
away the time of waiting. The niggers sang and danced, and made faces,
while the people looked on with appreciative gravity, like royalty
listening to de Reské, and they were very generous of applause and
halfpence at the end of the performance. Then, when the niggers moved
to the pit doors, paper boys came along offering _Tit-Bits_ and 'extra
specials'; after that three little girls came round and sang
sentimental songs and collected more halfpence. At last a movement ran
through the serpent-like string of people, sounds were heard behind
the door, everyone closed up, the men told the women to keep close and
hold tight; there was a great unbarring and unbolting, the doors were
thrown open, and, like a bursting river, the people surged in.
Half an hour more and the curtain went up. The play was indeed
thrilling. Liza quite forgot her companion, and was intent on the
scene; she watched the incidents breathlessly, trembling with
excitement, almost beside herself at the celebrated hanging incident.
When the curtain fell on the first act she sighed and mopped her face.
'See 'ow 'ot I am.' she said to Jim, giving him her hand.
'Yus, you are!' he remarked, taking it.
'Leave go!' she said, trying to withdraw it from him.
'Not much,' he answered, quite boldly.
'Garn! Leave go!' But he didn't, and she really did not struggle very
The second act came, and she shrieked over the comic man; and her
laughter rang higher than anyone else's, so that people turned to look
at her, and said:
'She is enjoyin' 'erself.'
Then when the murder came she bit her nails and the sweat stood on her
forehead in great drops; in her excitement she even called out as loud
as she could to the victim, 'Look aht!' It caused a laugh and
slackened the tension, for the whole house was holding its breath as
it looked at the villains listening at the door, creeping silently
forward, crawling like tigers to their prey.
Liza trembling all over, and in her terror threw herself against Jim,
who put both his arms round her, and said:
'Don't be afride, Liza; it's all right.'
At last the men sprang, there was a scuffle, and the wretch was
killed, then came the scene depicted on the posters--the victim's son
knocking at the door, on the inside of which were the murderers and
the murdered man. At last the curtain came down, and the house in
relief burst forth into cheers and cheers; the handsome hero in his
top hat was greeted thunderously; the murdered man, with his clothes
still all disarranged, was hailed with sympathy; and the villains--the
house yelled and hissed and booed, while the poor brutes bowed and
tried to look as if they liked it.
'I am enjoyin' myself,' said Liza, pressing herself quite close to
Jim; 'you are a good sort ter tike me--Jim.'
He gave her a little hug, and it struck her that she was sitting just
as Sally had done, and, like Sally, she found it 'jam'.
The _entr'actes_ were short and the curtain was soon up again, and the
comic man raised customary laughter by undressing and exposing his
nether garments to the public view; then more tragedy, and the final
act with its darkened room, its casting lots, and its explosion.
When it was all over and they had got outside Jim smacked his lips and
'I could do with a gargle; let's go onto thet pub there.'
'I'm as dry as bone,' said Liza; and so they went.
When they got in they discovered they were hungry, and seeing some
appetising sausage-rolls, ate of them, and washed them down with a
couple of pots of beer; then Jim lit his pipe and they strolled off.
They had got quite near the Westminster Bridge Road when Jim suggested
that they should go and have one more drink before closing time.
'I shall be tight,' said Liza.
'Thet don't matter,' answered Jim, laughing. 'You ain't got ter go ter
work in the mornin' an' you can sleep it aht.'
'Arright, I don't mind if I do then, in for a penny, in for a pound.'
At the pub door she drew back.
'I say, guv'ner,' she said, 'there'll be some of the coves from dahn
our street, and they'll see us.'
'Na, there won't be nobody there, don't yer 'ave no fear.'
'I don't like ter go in for fear of it.'
'Well, we ain't doin' no 'arm if they does see us, an' we can go into
the private bar, an' you bet your boots there won't be no one there.'
She yielded, and they went in.
'Two pints of bitter, please, miss,' ordered Jim.
'I say, 'old 'ard. I can't drink more than 'alf a pint,' said Liza.
'Cheese it,' answered Jim. 'You can do with all you can get, I know.'
At closing time they left and walked down the broad road which led
'Let's 'ave a little sit dahn,' said Jim, pointing to an empty bench
between two trees.
'Na, it's gettin' lite; I want ter be 'ome.'
'It's such a fine night, it's a pity ter go in already;' and he drew
her unresisting towards the seat. He put his arm round her waist.
'Un'and me, villin!' she said, in apt misquotation of the melodrama,
but Jim only laughed, and she made no effort to disengage herself.
They sat there for a long while in silence; the beer had got to Liza's
head, and the warm night air filled her with a double intoxication.
She felt the arm round her waist, and the big, heavy form pressing
against her side; she experienced again the curious sensation as if
her heart were about to burst, and it choked her--a feeling so
oppressive and painful it almost made her feel sick. Her hands began
to tremble, and her breathing grew rapid, as though she were
suffocating. Almost fainting, she swayed over towards the man, and a
cold shiver ran through her from top to toe. Jim bent over her, and,
taking her in both arms, he pressed his lips to hers in a long,
passionate kiss. At last, panting for breath, she turned her head away
Then they again sat for a long while in silence, Liza full of a
strange happiness, feeling as if she could laugh aloud hysterically,
but restrained by the calm and silence of the night. Close behind
struck a church clock--one.
'Bless my soul!' said Liza, starting, 'there's one o'clock. I must get
'It's so nice out 'ere; do sty, Liza.' He pressed her closer to him.
'Yer know, Liza, I love yer--fit ter kill.'
'Na, I can't stay; come on.' She got up from the seat, and pulled him
up too. 'Come on,' she said.
Without speaking they went along, and there was no one to be seen
either in front or behind them. He had not got his arm round her now,
and they were walking side by side, slightly separated. It was Liza
who spoke first.
'You'd better go dahn the Road and by the church an' git into Vere
Street the other end, an' I'll go through the passage, so thet no one
shouldn't see us comin' together,' she spoke almost in a whisper.
'Arright, Liza,' he answered, 'I'll do just as you tell me.'
They came to the passage of which Liza spoke; it was a narrow way
between blank walls, the backs of factories, and it led into the upper
end of Vere Street. The entrance to it was guarded by two iron posts
in the middle so that horses or barrows should not be taken through.
They had just got to it when a man came out into the open road. Liza
quickly turned her head away.
'I wonder if 'e see us,' she said, when he had passed out of earshot.
''E's lookin' back,' she added.
'Why, 'oo is it?' asked Jim.
'It's a man aht of our street,' she answered. 'I dunno 'im, but I know
where 'e lodges. D'yer think 'e sees us?'
'Na, 'e wouldn't know 'oo it was in the dark.'
'But he looked round; all the street'll know it if he see us.'
'Well, we ain't doin' no 'arm.'
She stretched out her hand to say good night.
'I'll come a wy with yer along the passage,' said Jim.
'Na, you mustn't; you go straight round.'
'But it's so dark; p'raps summat'll 'appen to yer.'
'Not it! You go on 'ome an' leave me,' she replied, and entering the
passage, stood facing him with one of the iron pillars between them.
'Good night, old cock,' she said, stretching out her hand. He took it,
'I wish yer wasn't goin' ter leave me, Liza.'
'Garn! I must!' She tried to get her hand away from his, but he held
it firm, resting it on the top of the pillar.
'Leave go my 'and,' she said. He made no movement, but looked into her
eyes steadily, so that it made her uneasy. She repented having come
out with him. 'Leave go my 'and.' And she beat down on his with her
'Liza!' he said, at last.
'Well, wot is it?' she answered, still thumping down on his hand with
'Liza,' he said a whisper, 'will yer?'
'Will I wot?' she said, looking down.
'You know, Liza. Sy, will yer?'
'Na,' she said.
He bent over her and repeated--
She did not speak, but kept beating down on his hand.
'Liza,' he said again, his voice growing hoarse and thick--'Liza, will
She still kept silence, looking away and continually bringing down her
fist. He looked at her a moment, and she, ceasing to thump his hand,
looked up at him with half-opened mouth. Suddenly he shook himself,
and closing his fist gave her a violent, swinging blow in the belly.
'Come on.' he said.
And together they slid down into the darkness of the passage.
|Art of Worldly Wisdom Daily|
In the 1600s, Balthasar Gracian, a jesuit priest wrote 300 aphorisms on living life called "The Art of Worldly Wisdom." Join our newsletter below and read them all, one at a time.
Shakespeare wrote over 150 sonnets! Join our Sonnet-A-Day Newsletter and read them all, one at a time.