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Chapter 18

In December, 1847, Wuthering Heights and Agnes Grey appeared. The first-named of these stories has revolted many readers by the power with which wicked and exceptional characters are depicted. Others, again, have felt the attraction of remarkable genius, even when displayed on grim and terrible criminals. Miss Bronte herself says, with regard to this tale, "Where delineation of human character is concerned, the case is different. I am bound to avow that she had scarcely more practical knowledge of the peasantry amongst whom she lived, than a nun has of the country-people that pass her convent gates. My sister's disposition was not naturally gregarious: circumstances favoured and fostered her tendency to seclusion; except to go to church, or take a walk on the hills, she rarely crossed the threshold of home. Though the feeling for the people around her was benevolent, intercourse with them she never sought, nor, with very few exceptions, ever experienced and yet she knew them, knew their ways, their language, and their family histories; she could hear of them with interest, and talk of them with detail minute, graphic, and accurate; but with them she rarely exchanged a word. Hence it ensued, that what her mind has gathered of the real concerning them, was too exclusively confined to those tragic and terrible traits, of which, in listening to the secret annals of every rude vicinage, the memory is sometimes compelled to receive the impress. Her imagination, which was a spirit more sombre than sunny - more powerful than sportive - found in such traits material whence it wrought creations like Heathcliff, like Earnshaw, like Catherine. Having formed these beings, she did not know what she had done. If the auditor of her work, when read in manuscript, shuddered under the grinding influence of natures so relentless and implacable - of spirits so lost and fallen; if it was complained that the mere hearing of certain vivid and fearful scenes banished sleep by night, and disturbed mental peace by day, Ellis Bell would wonder what was meant, and suspect the complainant of affectation. Had she but lived, her mind would of itself have grown like a strong tree - loftier, straighter, wider-spreading - and its matured fruits would have attained a mellower ripeness and sunnier bloom; but on that mind time and experience alone could work; to the influence of other intellects she was not amenable."

Whether justly or unjustly, the productions of the two younger Miss Brontes were not received with much favour at the time of their publication. "Critics failed to do them justice. The immature, but very real, powers revealed in Wuthering Heights, were scarcely recognised; its import and nature were misunderstood; the identity of its author was misrepresented: it was said that this was an earlier and ruder attempt of the same pen which had produced Jane Eyre." . . . "Unjust and grievous error! We laughed at it at first, but I deeply lament it now.

Henceforward Charlotte Bronte's existence becomes divided into two parallel currents - her life as Currer Bell, the author; her life as Charlotte Bronte, the woman. There were separate duties belonging to each character - not opposing each other; not impossible, but difficult to be reconciled. When a man becomes an author, it is probably merely a change of employment to him. He takes a portion of that time which has hitherto been devoted to some other study or pursuit; he gives up something of the legal or medical profession, in which he has hitherto endeavoured to serve others, or relinquishes part of the trade or business by which he has been striving to gain a livelihood; and another merchant or lawyer, or doctor, steps into his vacant place, and probably does as well as he. But no other can take up the quiet, regular duties of the daughter, the wife, or the mother, as well as she whom God has appointed to fill that particular place: a woman's principal work in life is hardly left to her own choice; nor can she drop the domestic charges devolving on her as an individual, for the exercise of the most splendid talents that were ever bestowed. And yet she must not shrink from the extra responsibility implied by the very fact of her possessing such talents. She must not hide her gift in a napkin; it was meant for the use and service of others. In an humble and faithful spirit must she labour to do what is not impossible, or God would not have set her to do it.


I put into words what Charlotte Bronte put into actions.

The year 1848 opened with sad domestic distress. It is necessary, however painful, to remind the reader constantly of what was always present to the hearts of father and sisters at this time. It is well that the thoughtless critics, who spoke of the sad and gloomy views of life presented by the Brontes in their tales, should know how such words were wrung out of them by the living recollection of the long agony they suffered. It is well, too, that they who have objected to the representation of coarseness and shrank from it with repugnance, as if such conceptions arose out of the writers, should learn, that, not from the imagination - not from internal conception - but from the hard cruel facts, pressed down, by external life, upon their very senses, for long months and years together, did they write out what they saw, obeying the stern dictates of their consciences. They might be mistaken. They might err in writing at all, when their affections were so great that they could not write otherwise than they did of life. It is possible that it would have been better to have described only good and pleasant people, doing only good and pleasant things (in which case they could hardly have written at any time): all I say is, that never, I believe, did women, possessed of such wonderful gifts, exercise them with a fuller feeling of responsibility for their use. As to mistakes, stand now - as authors as well as women - before the judgment-seat of God.

"Jan. 11th, 1848.

"We have not been very comfortable here at home lately. Branwell has, by some means, contrived to get more money from the old quarter, and has led us a sad life. . . . Papa is harassed day and night; we have little peace, he is always sick; has two or three times fallen down in fits; what will be the ultimate end, God knows. But who is without their drawback, their scourge, their skeleton behind the curtain? It remains only to do one's best, and endure with patience what God sends."

I suppose that she had read Mr. Lewes' review on Recent Novels," when it appeared in the December of the last year, butI find no allusion to it till she writes to him on January 12th, 1848.

"Dear Sir, - I thank you then sincerely for your generous review; and it is with the sense of double content I express my gratitude, because I am now sure the tribute is not superfluous or obtrusive. You were not severe on Jane Eyre; you were very lenient. I am glad you told me my faults plainly in private, for in your public notice you touch on them so lightly, I should perhaps have passed them over thus indicated, with too little reflection.

"I mean to observe your warning about being careful how I undertake new works; my stock of materials is not abundant, but very slender; and, besides, neither my experience, my acquirements, nor my powers, are sufficiently varied to justify my ever becoming a frequent writer. I tell you this, because your article in Frazer left in me an uneasy impression that you were disposed to think better of the author of Jane Eyre than that individual deserved; and I would rather you had a correct than a flattering opinion of me, even though I should never see you.

"If I ever do write another book, I think I will have nothing of what you call 'melodrama;' I think so, but I am not sure. I think, too, I will endeavour to follow the counsel which shines out of Miss Austen's 'mild eyes,' 'to finish more and be more subdued;' but neither am I sure of that. When authors write best, or, at least, when they write most fluently, an influence seems to waken in them, which becomes their master - which will have its own way - putting out of view all behests but its own, dictating certain words, and insisting on their being used, whether vehement or measured in their nature; new-moulding characters, giving unthought of turns to incidents, rejecting carefully-elaborated old ideas, and suddenly creating and adopting new ones.

"Is it not so? And should we try to counteract this influence? Can we indeed counteract it?

"I am glad that another work of yours will soon appear; most curious shall I be to see whether you will write up to your own principles, and work out your own theories. You did not do it altogether in Ranthorpe - at least not in the latter part; but the first portion was, I think, nearly without fault; then it had a pith, truth, significance in it, which gave the book sterling value; but to write so, one must have seen and known a great deal, and I have seen and known very little.

"Why do you like Miss Austen so very much? I am puzzled on that point. What induced you to say that you would have rather written Pride and Prejudice, or Tom Jones, than any of the Waverley Novels?

"I had not seen Pride and Prejudice till I read that sentence of yours, and then I got the book. And what did I find ? An accurate, daguerreotyped portrait of a commonplace face a carefully-fenced, highly-cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses. These observations will probably irritate you, but I shall run the risk.

"Now I can understand admiration of George Sand; for though I never saw any of her works which I admired throughout (even Consuelo, which is the best, or the best that I have read, appears to me to couple strange extravagance with wondrous excellence), yet she has a grasp of mind, which, if I cannot fully comprehend, I can very deeply respect; she is sagacious and profound; - Miss Austen is only shrewd and observant.

"Am I wrong - or, were you hasty in what you said ? If you have time, I should be glad to hear further on this subject; if not, or if you think the questions frivolous, do not trouble yourself to reply. - I am, yours respectfully,

C. Bell."

To G. H. Lewes, Esq.

"Jan. 18th, 1848.

"Dear Sir, - I must write one more note, though I had not intended to trouble you again so soon. I have to agree with you, and to differ from you.

"You correct my crude remarks on the subject of the 'influence'; well, I accept your definition of what the effects of that influence should be; I recognise the wisdom of your rules for its regulation. . . .

"What a strange lecture comes next in your letter! You say I must familiarise my mind with the fact, that 'Miss Austen is not a poetess, has no " sentiment " (you scornfully enclose the word in inverted commas), no eloquence, none of the ravishing enthusiasm of poetry,' - and then you add, I must 'learn to acknowledge her as one of the greatest artists, of the greatest painters of human character, and one of the writers with the nicest sense of means to an end that ever lived.'

"The last point only will I ever acknowledge.

"Can there be a great artist without poetry?

"What I call - what I will bend to, as a great artist then - cannot be destitute of the divine gift. But by poetry, I am sure, you understand something different to what I do, as you do by 'sentiment.' It is poetry, as I comprehend the word, which elevates that masculine George Sand, and makes out of something coarse, something Godlike. It is 'sentiment,' in my sense of the term - sentiment jealously hidden, but genuine, which extracts the venom from that formidable Thackeray, and converts what might be corrosive poison into purifying elixir.

"If Thackeray did not cherish in his large heart deep feeling for his kind, he would delight to exterminate; as it is, I believe, he wishes only to reform. Miss Austen being, as you say, without 'sentiment,' without poetry, maybe is sensible, real (more real than true), but she cannot be great.

"I submit to your anger, which I have now excited (for have I not questioned the perfection of your darling?); the storm may pass over me. Nevertheless, I will, when I can (I do not know when that will be, as I have no access to a circulating library), diligently peruse all Miss Austen's works, as you recommend. . . . You must forgive me for not always being able to think as you do, and still believe me, yours gratefully,

C. Bell."

I have hesitated a little, before inserting the following extract from a letter to Mr. Williams, but it is strikingly characteristic; and the criticism contained in it is, from that circumstance, so interesting (whether we agree with it or not), that I have determined to do so, though I thereby displace the chronological order of the letters, in order to complete this portion of a correspondence which is very valuable, as showing the purely intellectual side of her character.

To W. S. Williams, Bsq.

"April 26th, 1848.

"My Dear Sir, - I have now read Rose, Blanche, and Violet, and I will tell you, as well as I can, what I think of it. Whether it is an improvement on Ranthorpe I do not know, for I liked Ranthorpe much; but, at any rate, it contains more of a good thing. I find in it the same power, but more fully developed.

"The author's character is seen in every page, which makes the book interesting - far more interesting than any story could do 1 but it is what the writer himself says that attracts far more than what he puts into the mouths of his characters. G. H. Lewes is, to my perception, decidedly the most original character in the book. . . . The didactic passages seem to me the best - far the best - in the work; very acute, very profound, are some of the views there given, and very clearly they are offered to the reader. He is a just thinker; he is a sagacious observer; there is wisdom in his theory, and, I doubt not, energy in his practice. But why, then, are you often provoked with him while you read? How does he manage, while teaching, to make his hearer feel as if his business was, not quietly to receive the doctrines propounded, but to combat them? You acknowledge that he offers you gems of pure truth; why do you keep perpetually scrutinising them for flaws?

"Mr. Lewes, I divine, with all his talents and honesty, must have some faults of manner; there must be a touch too much of dogmatism; a dash extra of confidence in him, sometimes. This you think while you are reading the book; but when you have closed it and laid it down, and sat a few minutes collecting your thoughts, and settling your impressions, you find the idea or feeling predominant in your mind to be pleasure at the fuller acquaintance you have made with a fine mind and a true heart, with high abilities and manly principles. I hope he will not be long ere he publishes another book. His emotional scenes are somewhat too uniformly vehement: would not a more subdued style of treatment often have produced a more masterly effect? Now and then Mr. Lewes takes a French pen into his hand, wherein he differs from Mr. Thackeray, who always uses an English quill. However, the French pen does not far. mislead Mr. Lewes; he wields it with British muscles.. All honour to him for the excellent general tendency of his book!

"He gives no charming picture of London literary society, and especially the female part of it; but all coteries, whether they be literary, scientific, political, or religious, must, it seems to me, have a tendency to change truth into affectation. When people belong to a clique, they must, I suppose, in some measure, write, talk, think, and live for that clique; a harassing and narrowing necessity. I trust, the press and the public show themselves disposed to give the book the reception it merits, and that is a very cordial one, far beyond anything due to a Bulwer or D'Israeli production."

Let us return from Currer Bell to Charlotte Bronte. The winter in Haworth had been a sickly season. Influenza had prevailed amongst the villagers, and where there was a real need for the presence of the clergyman's daughters, they were never found wanting, although they were shy of bestowing mere social visits on the parishioners. They had themselves suffered from the epidemic; Anne severely, as in her case it had been attended with cough and fever enough to make her elder sisters very anxious about her.

There is no doubt that the proximity of the crowded church-yard rendered the Parsonage unhealthy, and occasioned much illness to its inmates. Mr. Bronte represented the unsanitary state at Haworth pretty forcibly to the Board of Health; and, after the requisite visits from their officers, obtained a recommendation that all future interments in the churchyard should be forbidden, a new graveyard opened on the hill-side, and means set on foot for obtaining a water-supply to each house, instead of the weary, hard-worked housewives having to carry every bucketful, from a distance of several hundred yards, up a steep street. But he was baffled by the rate-payers; as, in many a similar instance, quantity carried it against quality, numbers against intelligence. And thus we find that illness often assumed a low typhoid form in Haworth, and fevers of various kinds visited the place with sad frequency.

In February, 1848, Louis Philippe was dethroned. The quick succession of events at that time called forth the following expression of Miss Bronte's thoughts on the subject, in a letter addressed to Miss Wooler, and dated March 31st.

"I remember well wishing my lot had been cast in the troubled times of the late war, and seeing in its exciting incidents a kind of stimulating charm, which it made my pulses beat fast to think of I remember even, I think; being a little impatient, that you would not fully sympathise with my feelings on those subjects; that you heard my aspirations and speculations very tranquilly, and by no means seemed to think the flaming swords could be any pleasant addition to Paradise. I have now out-lived youth; and, though I dare not say that I have outlived all its illusions - that the romance is quite gone from life - the veil fallen from truth, and that I see both in naked reality - yet, certainly, many things are not what they were ten years ago: and, amongst the rest, 'the pomp and circumstance of war have quite lost in my eyes their fictitious glitter. I have still no doubt that the shock of moral earthquakes wakens a vivid sense of life, both in nations and individuals; that the fear of dangers on a broad national scale, diverts men's minds momentarily from brooding over small private perils, and for the time gives them something like largeness of views; but, as little doubt have I, that convulsive revolutions put back the world in all that is good, check civilisation, bring the dregs of society to its surface; in short, it appears to me that insurrections and battles are the acute diseases of nations, and that their tendency is to exhaust, by their violence, the vital energies of the countries where they occur. That England may be spared the spasms, cramps, and frenzy-fits now contorting the Continent, and threatening Ireland, I earnestly pray. With the French and Irish I have no sympathy. With the Germans and Italians I think the case is different; as different as the love of freedom is from the lust for license."

Her birthday came round. She wrote to the friend whose birthday was within a week of hers; wrote the accustomed letter; but, reading it with our knowledge of what she had done, we perceive the difference between her thoughts and what they were a year or two ago, when she said "I have done nothing." There must have been a modest consciousness of having "done something" present in her mind, as she wrote this year: -

"I am now thirty-two. Youth is gone - gone, - and will never come back: can't help it. . . . It seems to me, that sorrow must come some time to everybody, and those who scarcely taste it in their youth, often have a more brimming and bitter cup to drain in after life; whereas, those who exhaust the dregs early, who drink the lees before the wine, may reasonably hope for more palatable draughts to succeed."

The authorship of Jane Eyre was as yet a close secret in the Bronte family; not even this friend, who was all but a sister knew more about it than the rest of the world. She might conjecture, it is true, both from her knowledge of previous habits, and from the suspicious fact of the proofs having been corrected at B----, that some literary project was afoot; but she knew nothing, and wisely said nothing, until she heard a report from others, that Charlotte Bronte was an author - had published a novel! Then she wrote to her; and received the two following letters; confirmatory enough, as it seems to me now, in their very vehemence and agitation of intended denial, of the truth of the report.

"April 28th, 1848.

"Write another letter, and explain that last note of yours distinctly. If your allusions are to myself, which I suppose they are, understand this, - I have given no one a right to gossip about me, and am not to be judged by frivolous conjectures, emanating from any quarter whatever. Let me know what you heard, and from whom you heard it."

"May 3rd, 1848.

"All I can say to you about a certain matter is this: the report - if report there be - and if the lady, who seems to have been rather mystified, had not dreamt what she fancied had been told to her - must have had its origin in some absurd misunderstanding. I have given no one a right either to affirm, or to hint, in the most distant manner, that I was 'publishing' - (humbug!) Whoever has said it - if any one has, which I doubt - is no friend of mine. Though twenty books were ascribed to me, I should own none. I scout the idea utterly. Whoever, after I have distinctly rejected the charge, urges it upon me, will do an unkind and an ill-bred thing. The most profound obscurity is infinitely preferable to vulgar notoriety; and that notoriety I neither seek nor will have. If then any B - an, or G - an, should presume to bore you on the subject, - to ask you what 'novel' Miss Bronte has been 'publishing,' you can just say, with the distinct firmness of which you are perfect mistress when you choose, that you are authorised by Miss Bronte to say, that she repels and disowns every accusation of the kind. You may add, if you please, that if any one has her confidence, you believe you have, and she has made no drivelling confessions to you on the subject. I am at a loss to conjecture from what source this rumour has come; and, I fear, it has far from a friendly origin. I am not certain, however, and I should be very glad if I could gain certainty. Should you hear anything more, please let me know. Your offer of Simeon's Life is a very kind one, and I thank you for it. I dare say Papa would like to see the work very much, as he knew Mr. Simeon. Laugh or scold A---- out of the publishing notion; and believe me, through all chances and changes, whether calumniated or let alone, - Yours faithfully,

C. Bronte."

The reason why Miss Bronte was so anxious to preserve her secret, was, I am told, that she had pledged her word to her sisters that it should not be revealed through her.

The dilemmas attendant on the publication of the sisters' novels, under assumed names, were increasing upon them. Many critics insisted on believing, that all the fictions published as by three Bells were the works of one author, but written at different periods of his development and maturity. No doubt, this suspicion affected the reception of the books. Ever since the completion of Anne Bronte's tale of Agnes Grey, she had been labouring at a second, The Tenant of Wildfell Hall. It is little known; the subject - the deterioration of a character, whose profligacy and ruin took their rise in habits of intemperance, so slight as to be only considered "good fellowship" - was painfully discordant to one who would fain have sheltered herself from all but peaceful and religious ideas. "She had" (says her sister of that gentle "little one"), "in the course of her life, been called on to contemplate near at hand, and for a long time, the terrible effects of talents misused and faculties abused; hers was naturally a sensitive, reserved, and dejected nature; what she saw sunk very deeply into her mind; it did her harm. She brooded over it till she believed it to be a duty to reproduce every detail (of course, with fictitious characters, incidents, and situations), as a warning to others. She hated her work, but would pursue it. When reasoned with on the subject, she regarded such reasonings as a temptation to self-indulgence. She must be honest; she must not varnish, soften, or conceal. This well-meant resolution brought on her misconstruction, and some abuse, which she bore, as it was her custom to bear whatever was unpleasant with mild steady patience. She was a very sincere and practical Christian, but the tinge of religious melancholy communicated a sad shade to her brief blameless life."

In the June of this year, The Tenant of Wildfell Hall was sufficiently near its completion to be submitted to the person who had previously published for Ellis and Acton Bell.

In consequence of his mode of doing business, considerable annoyance was occasioned both to Miss Bronte and to them. The circumstances, as detailed in a letter of hers to a friend in New Zealand, were these: - One morning, at the beginning of July, a communication was received at the Parsonage from Messrs. Smith and Elder, which disturbed its quiet inmates not a little, as, though the matter brought under their notice was merely referred to as one which affected their literary reputation, they conceived it to have a bearing likewise upon their character. Jane Eyre had had a great run in America, and a publisher there had consequently bid high for early sheets of the next work by "Currer Bell." These Messrs. Smith and Elder had promised to let him have. He was therefore greatly astonished, and not well pleased, to learn that a similar agreement had been entered into with another American house, and that the new tale was very shortly to appear. It turned out, upon inquiry, that the mistake had originated in Acton and Ellis Bell's publisher having assured this American house that, to the best of his belief, Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall (which he pronounced superior to either of the other two) were all written by the same author.

Though Messrs. Smith and Elder distinctly stated in their letter that they did not share in such "belief," the sisters were impatient till they had shown its utter groundlessness, and set themselves perfectly straight. With rapid decision, they resolved that Charlotte and Anne should start, for London, that very day, in order to prove their separate identity to Messrs. Smith and Elder, and demand from the credulous publisher his reasons for a "belief" so directly at variance with an assurance which had several times been given to him. Having arrived at this determination, they made their preparations. With resolute promptness. There were many household duties to be performed that day; but they were all got through. The two sisters each packed up a change of dress in a small box, which they sent down to Keighley by an opportune cart; and after early tea they set off to walk thither - no doubt in some excitement; for, independently of the cause of their going to London, it was Anne's first visit there. A great thunderstorm overtook them on their way that summer evening to the station; but they had no time to seek shelter. They only just caught the train at Keighley, arrived at Leeds, and were whirled up by the night train to London.

About eight o'clock on the Saturday morning, they arrived at the Chapter Coffee-house, Paternoster Row - a strange place, but they did not well know where else to go. They refreshed themselves by washing, and had some breakfast. Then they sat still for a few minutes, to consider what next should be done.

When they had been discussing their project in the quiet of Haworth Parsonage the day before, and planning the mode of setting about the business on which they were going to London, they had resolved to take a cab, if they should find it desirable, from their inn to Cornhill; but that, amidst the bustle and "queer state of inward excitement" in which they found themselves, as they sat and considered their position on the Saturday morning, they quite forgot even the possibility of hiring a conveyance; and when they set forth, they became so dismayed by the crowded streets, and the impeded crossings, that they stood still repeatedly, in complete despair of making progress, and were nearly an hour in walking the half-mile they had to go. Neither Mr. Smith nor Mr. Williams knew that they were coming; they were entirely unknown to the publishers of Jane Eyre, who were not, in fact, aware whether the " Bells" were men or women, but had always written to them as to men.

On reaching Mr. Smith's, Charlotte put his own letter into his hands; the same letter which had excited so much disturbance at Haworth Parsonage only twenty-four hours before. "Where did you get this?" said he, - as if he could not believe that the two young ladies dressed in black, of slight figures and diminutive stature, looking pleased yet agitated, could be the embodied Currer and Acton Bell, for whom curiosity had been hunting so eagerly in vain. An explanation ensued, and Mr. Smith at once began to form plans for their amusement and pleasure during their stay in London. He urged them to meet a few literary friends at his house; and this was a strong temptation to Charlotte, as amongst them were one or two of the writers whom she particularly wished to see; but her resolution to remain unknown induced her firmly to put it aside.

The sisters were equally persevering in declining Mr. Smith's invitations to stay at his house. They refused to leave their quarters, saying they were not prepared for a long stay.

When they returned back to their inn, poor Charlotte paid for the excitement of the interview, which had wound up the agitation and hurry of the last twenty-four hours, by a racking headache and harassing sickness. Towards evening, as she rather expected some of the ladies of Mr. Smith's family to call, she prepared herself for the chance, by taking a strong dose of sal-volatile, which roused her a little, but still, as she says, she was "in grievous bodily case," when their visitors were announced, in full evening costume. The sisters had not understood that it had been settled that they were to go to the Opera, and therefore were not ready. Moreover, they had no fine elegant dresses either with them, or in the world. But Miss Bronte resolved to raise no objections in the acceptance of kindness. So, in spite of headache and weariness, they made haste to dress themselves in their plain high-made country garments.

Charlotte says, in an account which she gives to her friend of this visit to London, describing the entrance of her party into the Opera-house: -

"Fine ladies and gentlemen glanced at us, as we stood by the box-door, which was not yet opened, with a slight, graceful superciliousness, quite warranted by the circumstances. Still I felt pleasurably excited in spite of headache, sickness, and conscious clownishness; and I saw Anne was calm and gentle, which she always is. The performance was Rossini's 'Barber of Seville,' - very brilliant, though I fancy there are things I should like better. We got home after one o'clock. We had never been in bed the night before; had been in constant excitement for twenty-four hours; you may imagine we were tired. The next day, Sunday, Mr. Williams came early to take us to church; and in the afternoon Mr. Smith and his mother fetched us in a carriage, and took us to his house to dine.

"On Monday we went to the Exhibition of the Royal Academy, the National Gallery, dined again at Mr. Smith's, and then went home to tea with Mr. Williams at his house.

"On Tuesday morning, we left London, laden with books Mr. Smith had given us, and got safely home. A more jaded wretch than I looked, it would be difficult to conceive. I was thin when I went, but I was meagre indeed when I returned, my face looking grey and very old, with strange deep lines ploughed in it - my eyes stared unnaturally. I was weak and yet restless. In a while, however, these bad effects of excitement went off, and I regained my normal condition."

The impression Miss Bronte made upon those with whom she first became acquainted during this visit to London, was of a person with clear judgment and fine sense; and though reserved, possessing unconsciously the power of drawing out others in conversation. She never expressed an opinion without assigning a reason for it; she never put a question without a definite purpose; and yet people felt at their ease in talking with her. All conversation with her was genuine and stimulating; and when she launched forth in praise or reprobation of books, or deeds, or works of art, her eloquence was indeed burning. She was thorough in all that she said or did; yet so open and fair in dealing with a subject, or contending with an opponent, that instead of rousing resentment, she merely convinced her hearers of her earnest zeal for the truth and right.

Not the least singular part of their proceedings was the place at which the sisters had chosen to stay.

Paternoster Row was for many years sacred to publishers. It is a narrow flagged street, lying under the shadow of St. Paul's; at each end there are posts placed, so as to prevent the passage of carriages, and thus preserve a solemn silence for the deliberations of the "Fathers of the Row." The dull warehouses on each side are mostly occupied at present by wholesale stationers; if they be publishers' shops, they show no attractive front to the dark and narrow street. Half-way up, on the left-hand side, is the Chapter Coffee-house. I visited it last June. It was then unoccupied. It had the appearance of a dwelling-house, two hundred years old or so, such as one sometimes sees in ancient country towns; the ceilings of the small rooms were low, and had heavy beams running across them; the walls were wainscotted breast high; the staircase was shallow, broad, and dark, taking up much space in the centre of the house. This then was the Chapter Coffee-house, which, a century ago, was the resort of all the booksellers and publishers; and where the literary hacks, the critics, and even the wits, used to go in search of ideas or employment. This was the place about which Chatterton wrote, in those delusive letters he sent to his mother at Bristol, while he was starving in London. "I am quite familiar at the Chapter Coffee-house, and know all the geniuses there." Here he heard of chances of employment; here his letters were to be left.

Years later, it became the tavern frequented by university men and country clergymen, who were up in London for a few days, and, having no private friends or access into society, were glad to learn what was going on in the world of letters, from the conversation which they were sure to hear in the Coffee-room. In Mr. Bronte's few and brief visits to town, during his residence at Cambridge, and the period of his curacy in Essex, he had stayed at this house; hither he had brought his daughters, when he was convoying them to Brussels; and here they came now, from very ignorance where else to go. It was a place solely frequented by men; I believe there was but one female servant in the house. Few people slept there; some of the stated meetings of the Trade were held in it, as they had been for more than a century; and, occasionally country booksellers, with now and then a clergyman, resorted to it; but it was a strange desolate place for the Miss Brontes to have gone to, from its purely business and masculine aspect. The old "grey-haired elderly man,'' who officiated as waiter seems to have been touched from the very first with the quiet simplicity of the two ladies, and he tried to make them feel comfortable and at home in the long, low, dingy room up-stairs, where the meetings of the Trade were held. The high narrow windows looked into the gloomy Row; the sisters, clinging together on the most remote window-seat, (as Mr. Smith tells me he found them, when he came, that Saturday evening, to take them to the Opera,) could see nothing of motion, or of change, in the grim, dark houses opposite, so near and close, although the whole breadth of the Row was between. The mighty roar of London was round them, like the sound of an unseen ocean, yet every footfall on the pavement below might be heard distinctly, in that unfrequented street. Such as it was, they preferred remaining at the Chapter Coffee-house, to accepting the invitation which Mr. Smith and his mother urged upon them, and, in after years, Charlotte says: -

"Since those days, I have seen the West End, the parks, the fine squares; but I love the City far better. The City seems so much more in earnest; its business, its rush, its roar, are such serious things, sights, sounds. The City is getting its living - the West End but enjoying its pleasure. At the West End you may be amused; but in the City you are deeply excited." (Villette, vol. I. p.89.)

Their wish had been to hear Dr. Croly on the Sunday morning, and Mr. Williams escorted them to St. Stephen's, Walbrook; but they were disappointed, as Dr. Croly did not preach. Mr. Williams also took them (as Miss Bronte has mentioned) to drink tea at his house. On the way thither, they had to pass through Kensington Gardens, and Miss Bronte was much struck with the beauty of the scene, the fresh verdure of the turf, and the soft rich masses of foliage." From remarks on the different character of the landscape in the South to what it was in the North, she was led to speak of the softness and varied intonation of the voices of those with whom she conversed in London, which seem to have made a strong impression on both sisters. All this time those who came in contact with the "Miss Browns" (another pseudonym, also beginning with B), seem only to have regarded them as shy and reserved little country-women, with not much to say. Mr. Williams tells me that on the night when he accompanied the party to the Opera, as Charlotte ascended the flight of stairs leading from the grand entrance up to the lobby of the first tier of boxes, she was so much struck with the architectural effect of the splendid decorations of that vestibule and saloon, that involuntarily she slightly pressed his arm, and whispered, "You know I am not accustomed to this sort of thing." Indeed, it must have formed a vivid contrast to what they were doing and seeing an hour or two earlier the night before, when they were trudging along, with beating hearts and high-strung courage, on the road between Haworth and Keighley, hardly thinking of the thunder-storm that beat about their heads, for the thoughts which filled them of how they would go straight away to London, and prove that they were really two people, and not one imposter. It was no wonder that they returned to Haworth utterly fagged and worn out, after the fatigue and excitement of this visit.

The next notice I find of Charlotte's life at this time is of a different character to anything telling of enjoyment.

"July 28th.

"Branwell is the same in conduct as ever. His constitution seems much shattered. Papa, and sometimes all of us, have sad nights with him. He sleeps most of the day, and consequently will lie awake at night. But has not every house its trial?"

While her most intimate friends were yet in ignorance of the fact of her authorship of Jane Eyre, she received a letter from one of them, making inquiries about Casterton School. It is but right to give her answer, written on August 28th, 1848.

"Since you wish to hear from me while you are from home, I will write without further delay. It often happens that when we linger at first in answering a friend's letter, obstacles occur to retard us to an inexcusably late period. In my last, I forgot to answer a question which you asked me, and was sorry afterwards for the omission. I will begin, therefore, by replying to it, though I fear what information I can give will come a little late. You said Mrs. ---- had some thoughts of sending ---- to school, and wished to know whether the Clergy Daughters' School at Casterton was an eligible place. My personal knowledge of that institution is very much out of date, being derived from the experience of twenty years ago. The establishment was at that time in its infancy, and a sad rickety infancy it was. Typhus fever decimated the school periodically; and consumption and scrofula, in every variety of form bad air and water, bad and insufficient diet can generate, preyed on the ill-fated pupils. It would not then have been a fit place for any of Mrs. ----'s children; but I understand it is very much altered for the better since those days. The school is removed from Cowan Bridge (a situation as unhealthy as it was picturesque - low, damp, beautiful with wood and water) to Casterton. The accommodations, the diet, the discipline, the system of tuition - all are, I believe, entirely altered and greatly improved. I was told that such pupils as behaved well, and remained at the school till their education was finished, were provided with situations as governesses, if they wished to adopt the vocation and much care was exercised in the selection, it was added, that they were also furnished with an excellent wardrobe on leaving Casterton. . . . The oldest family in Haworth failed lately, and have quitted the neighbourhood where their fathers resided before them for, it is said, thirteen generations. . .Papa, I am most thankful to say, continues in very good health, considering his age; his sight, too, rather, I think, improves than deteriorates. My sisters likewise are pretty well."

But the dark cloud was hanging over that doomed household, and gathering blackness every hour.

On October the 9th, she thus writes: -

"The past three weeks have been a dark interval in our humble home. Branwell's constitution had been failing fast all the summer; but still, neither the doctors nor himself thought him so near his end as he was. He was entirely confined to his bed but for one single day, and was in the village two days before his death. He died, after twenty minutes' struggle, on Sunday morning, September 24th. He was perfectly conscious till the last agony came on. His mind had undergone the peculiar change which frequently precedes death, two days previously; the calm of better feelings filled it; a return of natural affection marked his last moments. He is in God's hands now; and the All-Powerful is likewise the All-Merciful. A deep conviction that he rests at last - rests well, after his brief, erring, suffering, feverish life - fills and quiets my mind now. The final separation, the spectacle of his pale corpse, gave me more acute bitter pain than I could have imagined. Till the last hour comes, we never how know much we can forgive, pity, regret a near relative. All his vices were and are nothing now. We remember only his woes. Papa was acutely distressed at first, but, on the whole, has borne the event well. Emily and Anne are pretty well, though Anne is always delicate, and Emily has a cold and cough at present. It was my fate to sink at the crisis, when I should have collected my strength. Headache and sickness came on first on the Sunday; I could not regain my appetite. Then internal pain attacked me. I became at once much reduced. It was impossible to touch a morsel. At last, bilious fever declared itself. I was confined to bed a week, - a dreary week. But, thank God! health seems now returning. I can sit up all day, and take moderate nourishment. The doctor said at first, I should be very slow in recovering, but I seem to get on faster than he anticipated. I am truly much better."

I have heard, from one who attended Branwell in his last illness, that he resolved on standing up to die. He had repeatedly said, that as long as there was life there was strength of will to do what it chose; and when the last agony came on, he insisted on assuming the position just mentioned. I have previously stated, that when his fatal attack came on, his pockets were found filled with old letters from the woman to whom he was attached. He died she lives still, - in May Fair. The Eumenides, I suppose, went out of existence at the time when the wail was heard, "Great Pan is dead." I think we could better have spared him than those awful sisters who sting dead conscience into life.

I turn from her for ever. Let us look once more into the Parsonage at Haworth.

"Oct. 29th, 1848.

"I think I have now nearly got over the effects of my late illness, and am almost restored to my normal condition of health. I sometimes wish that it was a little higher, but we ought to be content with such blessings as we have, and not pine after those that are out of our reach. I feel much more uneasy about my sister than myself just now. Emily's cold and cough are very obstinate. I fear she has pain in her chest, and I sometimes catch a shortness in her breathing, when she has moved at all quickly. She looks very thin and pale. Her reserved nature occasions me great uneasiness of mind. It is useless to question her; you get no answers. It is still more useless to recommend remedies; they are never adopted. Nor can I shut my eyes to Anne's great delicacy of constitution. The late sad event has, I feel, made me more apprehensive than common. I cannot help feeling much depressed sometimes. I try to leave all in God's hands; to trust in His goodness; but faith and resignation are difficult to practise under some circumstances. The weather has been most unfavourable for invalids of late; sudden changes of temperature, and cold penetrating winds have been frequent here. Should the atmosphere become more settled, perhaps a favourable effect might be produced on the general health, and these harassing colds and coughs be removed. Papa has not quite escaped, but he has so far stood it better than any of us. You must not mention my going to ---- this winter. I could not, and would not, leave home on any account. Miss ---- has been for some years out of health now. These things make one feel, as well as know, that this world is not our abiding-place. We should not knit human ties too close, or clasp human affections too fondly. They must leave us, or we must leave them, one day. God restore health and strength to all who need it!"

I go on now with her own affecting words in the biographical notice of her sisters.

"But a great change approached. Affliction came in that shape which to anticipate is dread; to look back on grief. In the very heat and burden of the day, the labourers failed over their work. My sister Emily first declined. . . . Never in all her life had she lingered over any task that lay before her, and she did not linger now. She sank rapidly. She made haste to leave us. . . . Day by day, when I, saw with what a front she met suffering, I looked on her with an anguish of wonder and love: I have seen nothing like it; but, indeed, I have never seen her parallel in anything. Stronger than a man) simpler than a child, her nature stood alone. The awful point was that, while full of ruth for others, on herself she had no pity; the spirit was inexorable to the flesh; from the trembling hands, the unnerved limbs, the fading eyes, the same service was exacted as they had rendered in health. To stand by and witness this, and not dare to remonstrate, was a pain no words can render."

In fact, Emily never went out of doors after the Sunday succeeding Branwell's death. She made no complaint; she would not endure questioning; she rejected sympathy and help. Many a time did Charlotte and Anne drop their sewing, or cease from their writing, to listen with wrung hearts to the failing step, the laboured breathing, the frequent pauses, with which their sister climbed the short staircase; yet they dared not notice what they observed, with pangs of suffering even deeper than hers. They dared not notice it in words, far less by the caressing assistance of a helping arm or hand. They sat, still and silent.

"Nov. 23rd, 1848.

"I told you Emily was ill, in my last letter. She has not rallied yet. She is very ill. I believe, if you were to see her, your impression would be that there is no hope. A more hollow, wasted, pallid aspect I have not beheld. The deep tight cough continues; the breathing after the least exertion is a rapid pant; and these symptoms are accompanied by pains in the chest and side. Her pulse, the only time she allowed it be to felt, was found to beat 115 per minute. In this state she resolutely refuses to see a doctor; she will give no explanation of her feelings, she will scarcely allow her feelings to be alluded to. Our position is, and has been for some weeks, exquisitely painful. God only knows how all this is to terminate. More than once, I have been forced boldly to regard the terrible event of her loss as possible, and even probable. But nature shrinks from such thoughts. I think Emily seems the nearest thing to my heart in the world."

When a doctor had been sent for, and was in the very house, Emily refused to see him Her sisters could only describe to him what symptoms they had observed; and the medicines which he sent she would not take, denying that she was ill.

"Dec. 10th, 1848.

"I hardly know what to say to you about the subject which now interests me the most keenly of anything in this world, for, in truth, I hardly know what to think myself. Hope and fear fluctuate daily. The pain in her side and chest is better; the cough, the shortness of breath, the extreme emaciation continue. I have endured, however, such tortures of uncertainty on this subject that, at length, I could endure it no longer; and as her repugnance to seeing a medical man continues immutable, - as she declares 'no poisoning doctor' shall come near her, - I have written unknown to her, to an eminent physician in London, giving as minute a statement of her case and symptoms as I could draw up, and requesting an opinion. I expect an answer in a day or two. I am thankful to say, that my own health at present is very tolerable. It is well such is the case; for Anne, with the best will in the world to be useful, is really too delicate to do or bear much. She, too, at present, has frequent pains in the side. Papa is also pretty well, though Emily's state renders him very anxious.

"The ----s (Anne Bronte's former pupils) were here about a week ago. They are attractive and stylish-looking girls. They seemed overjoyed to see Anne: when I went into the room, they were clinging round her like two children - she, meantime, looking perfectly quiet and passive. . . . I. and H. took it into their heads to come here. I think it probable offence was taken on that occasion, - from what cause, I know not; and as, if such be the case, the grudge must rest upon purely imaginary grounds, - and since, besides, I have other things to think about, my mind rarely dwells upon the subject. If Emily were but well, I feel as if I should not care who neglected, misunderstood, or abused me. I would rather you were not of the number either. The crab-cheese arrived safely. Emily has just reminded me to thank you for it: it looks very nice. I wish she were well enough to eat it."

But Emily was growing rapidly worse. I remember Miss Bronte's shiver at recalling the pang she felt when, after having searched in the little hollows and sheltered crevices of the moors for a lingering spray of heather - just one spray, however withered - to take in to Emily, she saw that the flower was not recognised by the dim and indifferent eyes. Yet, to the last, Emily adhered tenaciously to her habits of independence. She would suffer no one to assist her. Any effort to do so roused the old stern spirit. One Tuesday morning, in December, she arose and dressed herself as usual, making many a pause, but doing everything for herself, and even endeavouring to take up her employment of sewing the servants looked on, and knew what the catching, rattling breath, and the glazing of the eye too surely foretold; but she kept at her work; and Charlotte and Anne, though full of unspeakable dread, had still the faintest spark of hope. On that morning Charlotte wrote thus - probably in the very presence of her dying sister: -

"Tuesday.

"I should have written to you before, if I had had one word of hope to say; but I have not. She grows daily weaker. The physician's opinion was expressed too obscurely to be of use. He sent some medicine, which she would not take. Moments so dark as these I have never known. I pray for God's support to us all. Hitherto He has granted it."

The morning drew on to noon. Emily was worse: she could only whisper in gasps. Now, when it was too late, she said to Charlotte, "If you will send for a doctor, I will see him now." About two o'clock she died.

"Dec. 21st, 1848.

"Emily suffers no more from pain or weakness now. She never will suffer more in this world. She is gone, after a hard short conflict. She died on Tuesday, the very day I wrote to you. I thought it very possible she might be with us still for weeks; and a few hours afterwards, she was in eternity. Yes; there is no Emily in time or on earth now. Yesterday we put her poor, wasted, mortal frame quietly under the church pavement. We are very calm at present. Why should we be otherwise? The anguish of seeing her suffer is over; the spectacle of the pains of death is gone by; the funeral day is past. We feel she is at peace. No need now to tremble for the hard frost and the keen wind. Emily does not feel them. She died in a time of promise. We saw her taken from life in its prime. But it is God's will, and the place where she is gone is better than that she has left.

"God has sustained me, in a way that I marvel at, through such agony as I had not conceived. I now look at Anne, and wish she were well and strong; but she is neither; nor is papa. Could you now come to us for a few days? I would not ask you to stay long. Write and tell me if you could come next week, and by what train. I would try to send a gig for you to Keighley. You will, I trust, find us tranquil. Try to come. I never so much needed the consolation of a friend's presence. Pleasure, of course, there would be none for you in the visit, except what your kind heart would teach you to find in doing good to others."

As the old, bereaved father and his two surviving children followed the coffin to the grave, they were joined by Keeper, Emily's fierce, faithful bull-dog. He walked alongside of the mourners, and into the church, and stayed quietly there all the time that the burial service was being read. When he came home, he lay down at Emily's chamber door, and howled pitifully for many days. Anne Bronte drooped and sickened more rapidly from that time; and so ended the year 1848.

Elizabeth Gaskell

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