Lob's room has gone very dark as it sits up awaiting the possible
return of the adventurers. The curtains are drawn, so that no light
comes from outside. There is a tapping on the window, and anon two
intruders are stealing about the floor, with muffled cries when they
meet unexpectedly. They find the switch and are revealed as Purdie
and his Mabel. Something has happened to them as they emerged from
the wood, but it is so superficial that neither notices it: they are
again in the evening dress in which they had left the house. But they
are still being led by that strange humour of the blood.
MABEL (looking around her curiously). A pretty little room; I wonder
who is the owner?
PURDIE. It doesn't matter; the great thing is that we have escaped
MABEL. Jack, look, a man!
(The term may not be happily chosen, but the person indicated is Lob
curled up on his chair by a dead fire. The last look on his face
before he fell asleep having been a leery one it is still there.)
PURDIE. He is asleep.
MABEL. Do you know him?
PURDIE. Not I. Excuse me, sir, Hi! (No shaking, however, wakens the
MABEL. Darling, how extraordinary.
PURDIE (always considerate). After all, precious, have we any right to
wake up a stranger, just to tell him that we are runaways hiding in
MABEL (who comes of a good family). I think he would expect it of us.
PURDIE (after trying again). There is no budging him.
MABEL (appeased). At any rate, we have done the civil thing.
(She has now time to regard the room more attentively, including the
tray of coffee cups which MATEY had left on the table in a not
unimportant moment of his history.) There have evidently been people
here, but they haven't drunk their coffee. Ugh! cold as a deserted
egg in a bird's nest. Jack, if you were a clever detective you could
construct those people out of their neglected coffee cups. I wonder
who they are and what has spirited them away?
PURDIE. Perhaps they have only gone to bed. Ought we to knock them
MABEL (after considering what her mother would have done). I think
not, dear. I suppose we have run away, Jack--meaning to?
PURDIE (with the sturdiness that weaker vessels adore). Irrevocably.
Mabel, if the dog-like devotion of a lifetime . . . (He becomes
conscious that something has happened to LOB'S leer. It has not left
his face but it has shifted.) He is not shamming, do you think?
MABEL. Shake him again.
PURDIE (after shaking him). It's all right. Mabel, if the dog-like
devotion of a lifetime . . .
MABEL. Poor little Joanna! Still, if a woman insists on being a
pendulum round a man's neck . . .
PURDIE. Do give me a chance, Mabel. If the dog-like devotion of a
lifetime . . .
(JOANNA comes through the curtains so inopportunely that for the
moment he is almost pettish.)
May I say, this is just a little too much, Joanna!
JOANNA (unconscious as they of her return to her dinner gown). So,
sweet husband, your soul is still walking alone, is it?
MABEL (who hates coarseness of any kind). How can you sneak about in
this way, Joanna? Have you no pride?
JOANNA (dashing away a tear). Please to address me as Mrs. Purdie,
madam. (She sees LOB.) Who is this man?
PURDIE. We don't know; and there is no waking him. You can try, if you
(Failing to rouse him JOANNA makes a third at table. They are all a
little inconsequential, as if there were still some moon-shine in
JOANNA. You were saying something about the devotion of a lifetime;
please go on.
PURDIE (diffidently). I don't like to before you, Joanna.
JOANNA (becoming coarse again). Oh, don't mind me.
PURDIE (looking like a note of interrogation). I should certainly like
to say it.
MABEL (loftily). And I shall be proud to hear it.
PURDIE. I should have liked to spare you this, Joanna; you wouldn't
put your hands over your ears?
JOANNA (alas). No, sir.
MABEL. Fie, Joanna. Surely a wife's natural delicacy . . .
PURDIE (severely). As you take it in that spirit, Joanna, I can
proceed with a clear conscience. If the dog-like devotion of a
lifetime--(He reels a little, staring at LOB, over whose face the
leer has been wandering like an insect.)
MABEL. Did he move?
PURDIE. It isn't that. I am feeling--very funny. Did one of you tap me
just now on the forehead?
(Their hands also have gone to their foreheads.)
MABEL. I think I have been in this room before.
PURDIE (flinching). There is something coming rushing back to me.
MABEL. I seem to know that coffee set. If I do, the lid of the milk
jug is chipped. It is!
JOANNA. I can't remember this man's name; but I am sure it begins with L.
PURDIE. Mabel, your dress?
MABEL (beholding it). How on earth . . . ?
JOANNA. My dress! (To PURDIE.) You were in knickerbockers in the
PURDIE. And so I am now. (He sees he is not.) Where did I change? The
wood! Let me think. The wood . . . the wood, certainly. But the
wood wasn't the wood.
JOANNA (revolving like one in pursuit). My head is going round.
MABEL. Lob's wood! I remember it all. We were here. We did go.
PURDIE. So we did. But how could . . . ? where was . . . ?
JOANNE. And who was . . . ?
MABEL And what was . . . ?
PURDIE (even in this supreme hour a man). Don't let go. Hold on to
what we were doing, or we shall lose grip of ourselves. Devotion.
Something about devotion. Hold on to devotion. 'If the dog-like
devotion of a lifetime . . . ' Which of you was I saying that to?
MABEL. To me.
PURDIE. Are you sure?
MABEL (shakily). I am not quite sure.
PURDIE (anxiously). Joanna, what do you think? (With a sudden increase
of uneasiness.) Which of you is my wife?
JOANNA (without enthusiasm). I am. No, I am not. It is Mabel who is
PURDIE (with a curious gulp). Why, of course you are, Mabel!
MABEL. I believe I am!
PURDIE. And yet how can it be? I was running away with you.
JOANNA (solving that problem). You don't need to do it now.
PURDIE. The wood. Hold on to the wood. The wood is what explains it.
Yes, I see the whole thing. (He gazes at LOB.) You infernal old
rascal! Let us try to think it out. Don't any one speak for a moment.
Think first. Love . . . Hold on to love. (He gets another tap.) I
say, I believe I am not a deeply passionate chap at all; I believe I
am just . . . . a philanderer!
MABEL. It is what you are.
JOANNA (more magnanimous). Mabel, what about ourselves?
PURDIE (to whom it is truly a nauseous draught). I didn't know. Just
a philanderer! (The soul of him would like at this instant to creep
into another body.) And if people don't change, I suppose we shall
begin all over again now.
JOANNA (the practical). I daresay; but not with each other. I may
philander again, but not with you.
(They look on themselves without approval, always a sorry occupation.
The man feels it most because he has admired himself most, or perhaps
partly for some better reason.)
PURDIE (saying good-bye to an old friend). John Purdie, John Purdie,
the fine fellow I used to think you! (When he is able to look them in
the face again.) The wood has taught me one thing, at any rate.
MABEL (dismally). What, Jack?
PURDIE. That it isn't accident that shapes our lives.
JOANNA. No, it's Fate.
PURDIE (the truth running through him, seeking for a permanent home in
him, willing to give him still another chance, loth to desert him).
It's not Fate, Joanna. Fate is something outside us. What really
plays the dickens with us is some thing in ourselves. Something that
makes us go on doing the same sort of fool things, however many
chances we get.
MABEL. Something in ourselves?
PURDIE (shivering). Something we are born with.
JOANNA. Can't we cut out the beastly thing?
PURDIE. Depends, I expect, on how long we have pampered him. We can at
least control him if we try hard enough. But I have for the moment an
abominably clear perception that the likes of me never really tries.
Forgive me, Joanna--no, Mabel--both of you. (He is a shamed
man.) It isn't very pleasant to discover that one is a rotter. I
suppose I shall get used to it.
JOANNA. I could forgive anybody anything to-night. (Candidly.) It is
so lovely not to be married to you, Jack.
PURDIE (spiritless). I can understand that. I do feel small.
JOANNA (the true friend). You will soon swell up again.
PURDIE (for whom, alas, we need not weep). That is the appalling
thing. But at present, at any rate, I am a rag at your feet,
Joanna--no, at yours, Mabel. Are you going to pick me up? I don't
MABEL. I don't know whether I want to, Jack. To begin with, which of
us is it your lonely soul is in search of?
JOANNA. Which of us is the fluid one, or the fluider one?
MABEL. Are you and I one? Or are you and Joanna one? Or are the three
of us two?
JOANNA. He wants you to whisper in his ear, Mabel, the entrancing
poem, 'Mabel Purdie.' Do it, Jack; there will be nothing wrong in it
PURDIE. Rub it in.
MABEL. When I meet Joanna's successor--
PURDIE (quailing). No, no, Mabel none of that. At least credit me with
having my eyes open at last. There will be no more of this. I swear
it by all that is--
JOANNA (in her excellent imitation of a sheep). Baa-a, he is off
PURDIE. Oh Lord, so I am.
MABEL. Don't, Joanna.
PURDIE (his mind still illumined). She is quite right--I was. In my
present state of depression--which won't last--I feel there is
something in me that will make me go on being the same ass, however
many chances I get. I haven't the stuff in me to take warning. My
whole being is corroded. Shakespeare knew what he was talking
about--'The fault, dear Brutus, is not in our stars, But in
ourselves, that we are underlings.'
JOANNA. For 'dear Brutus' we are to read 'dear audience' I suppose?
PURDIE. You have it.
JOANNA. Meaning that we have the power to shape ourselves?
PURDIE. We have the power right enough.
JOANNA. But isn't that rather splendid?
PURDIE. For those who have the grit in them, yes. (Still seeing with a
strange clearness through the chink the hammer has made.) And they
are not the dismal chappies; they are the ones with the thin bright
faces. (He sits lugubriously by his wife and is sorry for the first
time that she has not married a better man.) I am afraid there is not
much fight in me, Mabel, but we shall see. If you catch me at it
again, have the goodness to whisper to me in passing, 'Lob's Wood.'
That may cure me for the time being.
MABEL (still certain that she loved him once but not so sure why.)
Perhaps I will . . . as long as I care to bother, Jack. It depends on
you how long that is to be.
JOANNA (to break an awkward pause). I feel that there is hope in that
as well as a warning. Perhaps the wood may prove to have been useful
after all. (This brighter view of the situation meets with no
immediate response. With her next suggestion she reaches harbour.)
You know, we are not people worth being sorrowful about--so let us
(The ladies succeed in laughing though not prettily, but the man has
been too much shaken.)
JOANNA (in the middle of her laugh). We have forgotten the others! I
wonder what is happening to them?
PURDIE (reviving). Yes, what about them? Have they changed!
MABEL. I didn't see any of them in the wood.
JOANNA. Perhaps we did see them without knowing them; we didn't know
PURDIE (daunted). That's true.
JOANNA. Won't it be delicious to be here to watch them when they come
back, and see them waking up--or whatever it was we did.
PURDIE. What was it we did? I think something tapped me on the
MABEL (blanching). How do we know the others will come back?
JOANNA (infected). We don't know. How awful!
PURDIE. I distinctly hear some one on the stairs.
MABEL. It will be Matey.
PURDIE (the chink beginning to close). Be cautious both of you; don't
tell him we have had any . . . odd experiences.
(It is, however, MRS. COADE who comes downstairs in a dressing-gown
and carrying a candle and her husband's muffler.)
MRS. COADE. So you are back at last. A nice house, I must say. Where
PURDIE (taken aback). Coady! Did he go into the wood, too?
MRS. COADE (placidly). I suppose so. I have been down several times to
look for him.
MABEL. Coady, too!
JOANNA (seeing visions). I wonder . . . Oh, how dreadful!
MRS. COADE. What is dreadful, Joanna?
JOANNA (airily). Nothing. I was just wondering what he is doing.
MRS. COADE. Doing? What should he be doing? Did anything odd happen to
you in the wood?
PURDIE (taking command). No, no, nothing.
JOANNA. We just strolled about, and came back. (That subject being
exhausted she points to LOB). Have you noticed him?
MRS. COADE. Oh, yes; he has been like that all the time. A sort of
stupor, I think; and sometimes the strangest grin comes over his
PURDIE (wincing). Grin?
MRS. COADE. Just as if he were seeing amusing things in his sleep.
PURDIE (guardedly). I daresay he is. Oughtn't we to get Matey to him?
MRS. COADE. Matey has gone, too.
MRS. COADE. At all events he is not in the house.
JOANNA (unguardedly). Matey! I wonder who is with him.
MRS. COADE. Must somebody be with him?
JOANNA. Oh, no, not at all.
(They are simultaneously aware that someone outside has reached the
MRS. COADE. I hope it is Coady.
(The other ladies are too fond of her to share this wish.)
MABEL. Oh, I hope not.
MRS. COADE (blissfully). Why, Mrs. Purdie?
JOANNA (coaxingly). Dear Mrs. Coade, whoever he is, and whatever he
does, I beg you not to be surprised. We feel that though we had no
unusual experiences in the wood, others may not have been so
MABEL. And be cautious, you dear, what you say to them before they
MRS. COADE. 'Come to'? You puzzle me. And Coady didn't have his
(Let it be recorded that in their distress for this old lady they
forget their own misadventures. PURDIE takes a step toward the
curtains in a vague desire to shield her;--and gets a rich reward; he
has seen the coming addition to their circle.)
PURDIE (elated and pitiless). It is Matey!
(A butler intrudes who still thinks he is wrapped in fur.)
JOANNA (encouragingly). Do come in.
MATEY. With apologies, ladies and gents . . . May I ask who is host?
PURDIE (splashing in the temperature that suits him best). A very
reasonable request. Third on the left.
MATEY (advancing upon Lob). Merely to ask, sir, if you can direct me
to my hotel?
(The sleeper's only response is a alight quiver in one leg.)
The gentleman seems to be reposing.
MRS. COADE. It is Lob.
MATEY. What is lob, ma'am?
MRS. COADE (pleasantly curious). Surely you haven't forgotten?
PURDIE (over-riding her). Anything we can do for you, sir? Just give
it a name.
JOANNA (in the same friendly spirit). I hope you are not alone: do say
you have some lady friends with you.
MATEY (with an emphasis on his leading word). My wife is with me.
JOANNA. His wife! . . . (With commendation.) You have been quick!
MRS. COADE. I didn't know you were married.
MATEY. Why should you, madam? You talk as if you knew me.
MRS. COADE. Good gracious, do you really think I don't?
PURDIE (indicating delicately that she is subject to a certain
softening). Sit down, won't you, my dear sir, and make yourself
MATEY (accustomed of late to such deferential treatment). Thank you.
But my wife . . .
JOANNA (hospitably). Yes, bring her in; we are simply dying to make
MATEY. You are very good; I am much obliged.
MABEL (as he goes out). Who can she be?
JOANNA (leaping). Who, who, who!
MRS. COADE. But what an extraordinary wood. He doesn't seem to know
who he is at all.
MABEL (soothingly). Don't worry about that, Coady darling. He will
know soon enough.
JOANNA (again finding the bright side). And so will the little wife!
By the way, whoever she is, I hope she is fond of butlers.
MABEL (who has peeped). It is Lady Caroline!
JOANNA (leaping again). Oh, joy, joy! And she was so sure she couldn't
take the wrong turning!
(Lady Caroline is evidently still sure of it.)
MATEY. May I present my wife--Lady Caroline Matey.
MABEL (glowing). How do you do!
PURDIE. Your servant, Lady Caroline.
MRS. COADE. Lady Caroline Matey! You?
LADY CAROLINE (without an r in her). Charmed, I'm sure.
JOANNA (neatly). Very pleased to meet any wife of Mr. Matey.
PURDIE (taking the floor). Allow me. The Duchess of Candelabra. The
Ladies Helena and Matilda M'Nab. I am the Lord Chancellor.
MABEL. I have wanted so long to make your acquaintance.
LADY CAROLINE. Charmed.
JOANNA (gracefully). These informal meetings are so delightful, don't
LADY CAROLINE. Yes, indeed.
MATEY (the introductions being thus pleasantly concluded). And your
friend by the fire?
PURDIE. I will introduce you to him when you wake up--I mean when he
MATEY. Perhaps I ought to have said that I am _James_ Matey.
LADY CAROLINE (the happy creature). _The_ James Matey.
MATEY. A name not, perhaps, unknown in the world of finance.
JOANNA. Finance? Oh, so you did take that clerkship in the City!
MATEY (a little stiffly). I began as a clerk in the City, certainly;
and I am not ashamed to admit it.
MRS. COADE (still groping). Fancy that, now. And did it save you?
MATEY. Save me, madam?
JOANNA. Excuse us--we ask odd questions in this house; we only mean,
did that keep you honest? Or are you still a pilferer?
LADY CAROLINE (an outraged swan). Husband mine, what does she mean?
JOANNA. No offence; I mean a pilferer on a large scale.
MATEY (remembering certain newspaper jealousy). If you are referring
to that Labrador business--or the Working Women's Bank . . .
PURDIE (after the manner of one who has caught a fly). O-ho, got him!
JOANNA (bowing). Yes, those are what I meant.
MATEY (stoutly). There was nothing proved.
JOANNA (like one calling a meeting). Mabel, Jack, here is another of
us! You have gone just the same way again, my friend. (Ecstatically.)
There is more in it, you see, than taking the wrong turning; you
would always take the wrong turning. (The only fitting comment.)
LADY CAROLINE. If you are casting any aspersions on my husband, allow
me to say that a prouder wife than I does not to-day exist.
MRS. COADE (who finds herself the only clear-headed one). My dear, do
MABEL. So long as you are satisfied, dear Lady Caroline. But I thought
you shrank from all blood that was not blue.
LADY CAROLINE. You thought? Why should you think about me? I beg to
assure you that I adore my Jim.
(She seeks his arm, but her Jim has encountered the tray containing
coffee cups and a cake, and his hands close on it with a certain
intimacy.) Whatever are you doing, Jim?
MATEY. I don't understand it, Caroliny; but somehow I feel at home
with this in my hands.
MRS. COADE. Look at me well; don't you remember me?
MATEY (musing). I don't remember you; but I seem to associate you
with hard-boiled eggs. (With conviction.) You like your eggs
PURDIE. Hold on to hard-boiled eggs! She used to tip you especially to
see to them.
(MATEY'S hand goes to his pocket.)
Yes, that was the pocket.
LADY CAROLINE (with distaste). Tip!
MATEY (without distaste). Tip!
PURDIE. Jolly word, isn't it?
MATEY (raising the tray). It seems to set me thinking.
LADY CAROLINE (feeling the tap of the hammer). Why is my work-basket
in this house?
MRS. COADE. You are living here, you know.
LADY CAROLINE. That is what a person feels. But when did I come? It is
very odd, but one feels one ought to say when did one go.
PURDIE. She is coming to with a wush!
MATEY (under the hammer). Mr. . . . Purdie!
LADY CAROLINE. MRS. Coade!
MATEY. The Guv'nor! My clothes!
LADY CAROLINE. One is in evening dress!
JOANNA (charmed to explain). You will understand clearly in a minute,
Caroliny. You didn't really take that clerkship, Jim; you went into
domestic service; but in the essentials you haven't altered.
PURDIE (pleasantly). I'll have my shaving water at 7.30 sharp, Matey.
MATEY (mechanically). Very good, sir.
LADY CAROLINE. Sir? Midsummer Eve! The wood!
PURDIE. Yes, hold on to the wood.
MATEY. You are . . . you are . . . you are Lady Caroline Laney!
LADY CAROLINE. It is Matey, the butler!
MABEL. You seemed quite happy with him, you know, Lady Caroline.
JOANNA (nicely). We won't tell.
LADY CAROLINE (subsiding). Caroline Matey! And I seemed to like it!
MRS. COADE (expressing a general sentiment). It is rather difficult to
see what we should do next.
MATEY (tentatively). Perhaps if I were to go downstairs?
PURDIE. It would be conferring a personal favour on us all.
(Thus encouraged MATEY and his tray resume friendly relations with
LADY CAROLINE (with itching fingers as she glares at Lob). It is all
that wretch's doing.
(A quiver from Lob's right leg acknowledges the compliment. The gay
music of a pipe is heard from outside.)
JOANNA (peeping). Coady!
MRS. COADE. Coady! Why is he so happy?
JOANNA (troubled). Dear, hold my hand.
MRS. COADE (suddenly trembling). Won't he know me?
PURDIE (abashed by that soft face). Mrs. Coade, I 'm sorry. It didn't
so much matter about the likes of us, but for your sake I wish Coady
hadn't gone out.
MRS. COADE. We that have been happily married this thirty years.
COADE (popping in buoyantly). May I intrude? My name is Coade. The
fact is I was playing about in the wood on a whistle, and I saw your
MRS. COADE (the only one with the nerve to answer). Playing about in
the wood with a whistle!
COADE (with mild dignity). And why not, madam?
MRS. COADE. Madam! Don't you know me?
COADE. I don't know you . . . (Reflecting.) But I wish I did.
MRS. COADE. Do you? Why?
COADE. If I may say so, you have a very soft, lovable face.
(Several persons breathe again.)
MRS. COADE (inquisitorially). Who was with you, playing whistles in
(The breathing ceases.)
COADE. No one was with me.
(And is resumed.)
MRS. COADE. No . . . lady?
COADE. Certainly not. (Then he spoils it.) I am a bachelor.
MRS. COADE. A bachelor!
JOANNA. Don't give way, dear; it might be much worse.
MRS. COADE. A bachelor! And you are sure you never spoke to me before?
COADE. Not to my knowledge. Never . . . except in dreams.
MABEL (taking a risk). What did you say to her in dreams?
COADE. I said, 'My dear.' (This when uttered surprises him.) Odd!
JOANNA. The darling man!
MRS. COADE (wavering). How could you say such things to an old woman?
COADE (thinking it out). Old? I didn't think of you as old. No, no,
young--with the morning dew on your face--coming across a lawn--in a
black and green dress--and carrying such a pretty parasol.
MRS. COADE (thrilling). That was how he first met me! He used to love
me in black and green; and it _was_ a pretty parasol. Look, I am old
. . . So it can't be the same woman.
COADE (blinking). Old? Yes, I suppose so. But it is the same soft,
lovable face, and the same kind, beaming smile that children could
warm their hands at.
MRS. COADE. He always liked my smile.
PURDUE. So do we all.
COADE (to himself). Emma!
MRS. COADE. He hasn't forgotten my name!
COADE. It is sad that we didn't meet long ago. I think I have been
waiting for you. I suppose we have met too late? You couldn't
overlook my being an old fellow, could you, eh?
JOANNA. How lovely; he is going to propose to her again. Coady, you
happy thing, he is wanting the same soft face after thirty years!
MRS. COADE (undoubtedly hopeful). We mustn't be too sure, but I think
that is it. (Primly.) What is it exactly that you want, Mr. Coade?
COADE (under a lucky star). I want to have the right to hold the
parasol over you. Won't you be my wife, my dear, and so give my long
dream of you a happy ending?
MRS. COADE (preening). Kisses are not called for at our age, Coady,
but here is a muffler for your old neck.
COADE. My muffler; I have missed it. (It is however to his forehead
that his hand goes. Immediately thereafter he misses his sylvan
attire.) Why . . . why . . . what . . . who . . . how is this?
PURDIE (nervously). He is coming to.
COADE (reeling and righting himself). Lob!
(The leg indicates that he has got it.)
Bless me, Coady, I went into that wood!
MRS. COADE. And without your muffler, you that are so subject to
chills. What are you feeling for in your pocket?
COADE. The whistle. It is a whistle I--Gone! of course it is. It's
rather a pity, but . . . (Anxious.) Have I been saying awful things
MABEL. You have been making her so proud. It is a compliment to our
whole sex. You had a second chance, and it is her, again!
COADE. Of course it is. (Crestfallen.) But I see I was just the same
nice old lazy Coady as before; and I had thought that if I had a
second chance, I could do things. I have often said to you, Coady,
that it was owing to my being cursed with a competency that I didn't
write my great book. But I had no competency this time, and I haven't
written a word.
PURDIE (bitterly enough). That needn't make you feel lonely in this
MRS. COADE (in a small voice). You seem to have been quite happy as an
old bachelor, dear.
COADE. I am surprised at myself, Emma, but I fear I was.
MRS. COADE (with melancholy perspicacity). I wonder if what it means
is that you don't especially need even me. I wonder if it means that
you are just the sort of amiable creature that would be happy
anywhere, and anyhow?
COADE. Oh dear, can it be as bad as that!
JOANNA (a ministering angel she). Certainly not. It is a romance, and
I won't have it looked upon as anything else.
MRS. COADE. Thank you, Joanna. You will try not to miss that whistle,
COADE (getting the footstool for her). You are all I need.
MRS. COADE. Yes; but I am not so sure as I used to be that it is a
JOANNA. Coady, behave.
(There is a knock on the window.)
PURDIE (peeping). Mrs. Dearth! (His spirits revive.) She is alone. Who
would have expected that of _her_?
MABEL. She is a wild one, Jack, but I sometimes thought rather a dear;
I do hope she has got off cheaply.
(ALICE comes to them in her dinner gown.)
PURDIE (the irrepressible). Pleased to see you, stranger.
ALICE (prepared for ejection.) I was afraid such an unceremonious
entry might startle you.
PURDIE. Not a bit.
ALICE (defiant). I usually enter a house by the front door.
PURDIE. I have heard that such is the swagger way.
ALICE (simpering). So stupid of me. I lost myself in the wood . . .
and . . .
JOANNA (genially). Of course you did. But never mind that; do tell us
LADY CAROLINE (emerging again). Yes, yes, your name.
ALICE. Of course, I am the Honourable Mrs. Finch-Fallowe.
LADY CAROLINE. Of course, of course!
PURDIE. I hope Mr. Finch-Fallowe is very well? We don't know him
personally, but may we have the pleasure of seeing him bob up
ALICE. No, I am not sure where he is.
LADY CAROLINE (with point). I wonder if the dear clever police know?
ALICE (imprudently). No, they don't.
(It is a very secondary matter to her. This woman of calamitous fires
hears and sees her tormentors chiefly as the probable owner, of the
cake which is standing on that tray.) So awkward, I gave my
sandwiches to a poor girl and her father whom I met in the wood, and
now . . . isn't it a nuisance--I am quite hungry. (So far with a
mincing bravado.) May I?
(Without waiting for consent she falls to upon the cake, looking over
it like one ready to fight them for it.)
PURDIE (sobered again). Poor soul.
LADY CAROLINE. We are so anxious to know whether you met a friend of
ours in the wood--a Mr. Dearth. Perhaps you know him, too?
ALICE. Dearth? I don't know any Dearth.
MRS. COADE. Oh, dear what a wood!
LADY CAROLINE. He is quite a front door sort of man; knocks and rings,
PURDIE. Don't worry her.
ALICE (gnawing). I meet so many; you see I go out a great deal. I
have visiting-cards--printed ones.
LADY CAROLINE. How very distingue. Perhaps Mr. Dearth has painted
your portrait; he is an artist.
ALICE. Very likely; they all want to paint me. I daresay that is the
man to whom I gave my sandwiches.
MRS. COADE. But I thought you said he had a daughter?
ALICE. Such a pretty girl; I gave her half a crown.
COADE. A daughter? That can't be Dearth.
PURDIE (darkly). Don't be too sure. Was the man you speak of a rather
chop-fallen, gone-to-seed sort of person.
ALICE. No, I thought him such a jolly, attractive man.
COADE. Dearth jolly, attractive! Oh no. Did he say anything about his
LADY CAROLINE, Yes, do try to remember if he mentioned her.
ALICE (snapping). No, he didn't.
PURDIE. He was far from jolly in her time.
ALICE (with an archness for which the cake is responsible). Perhaps
that was the lady's fault.
(The last of the adventurers draws nigh, carolling a French song as he
COADE. Dearth's voice. He sounds quite merry!
JOANNA (protecting). Alice, you poor thing.
PURDIE. This is going to be horrible.
(A clear-eyed man of lusty gait comes in.)
DEARTH. I am sorry to bounce in on you in this way, but really I have
an excuse. I am a painter of sorts, and . . .
(He sees he has brought some strange discomfort here.)
MRS. COADE. I must say, Mr. Dearth, I am delighted to see you looking
so well. Like a new man, isn't he?
(No one dares to answer.)
DEARTH. I am certainly very well, if you care to know. But did I tell
you my name?
JOANNA (for some one has to speak). No, but--but we have an instinct
in this house.
DEARTH. Well, it doesn't matter. Here is the situation; my daughter
and I have just met in the wood a poor woman famishing for want of
food. We were as happy as grigs ourselves, and the sight of her
distress rather cut us up. Can you give me something for her? Why are
you looking so startled? (Seeing the remains of the cake.) May I have
(A shrinking movement from one of them draws his attention, and he
recognises in her the woman of whom he has been speaking. He sees her
in fine clothing and he grows stern.)
I feel I can't be mistaken; it was you I met in the wood? Have you
been playing some trick on me? (To the others.) It was for her I
wanted the food.
ALICE (her hand guarding the place where his gift lies). Have you come
to take hack the money you gave me?
DEARTH. Your dress! You were almost in rags when I saw you outside.
ALICE (frightened as she discovers how she is now attired). I don't
. . . understand . . .
COADE (gravely enough). For that matter, Dearth, I daresay you were
different in the wood, too.
(DEARTH sees his own clothing.)
DEARTH. What . . . !
ALICE (frightened). Where am I? (To Mrs. Coade.) I seem to know you
. . . do I?
MRS. COADE (motherly). Yes, you do; hold my hand, and you will soon
remember all about it.
JOANNA. I am afraid, Mr. Dearth, it is harder for you than for the
rest of us.
PURDIE (looking away). I wish I could help you, but I can't; I am a
MABEL. We are awfully sorry. Don't you remember . . . Midsummer Eve?
DEARTH (controlling himself). Midsummer Eve? This room. Yes, this room
. . . You was it you? . . . were going out to look for something . . .
The tree of knowledge, wasn't it? Somebody wanted me to go, too . . .
Who was that? A lady, I think . . . Why did she ask me to go?
What was I doing here? I was smoking a cigar . . . I laid it down,
there . . . (He finds the cigar.) Who was the lady?
ALICE (feebly). Something about a second chance.
MRS. COADE. Yes, you poor dear, you thought you could make so much of
DEARTH. A lady who didn't like me-- (With conviction.) She had good
reasons, too--but what were they . . . ?
ALICE. A little old man! He did it. What did he do?
(The hammer is raised.)
DEARTH. I am . . . it is coming back--I am not the man I thought
ALICE. I am not Mrs. Finch-Fallowe. Who am I?
DEARTH (staring at her). You were that lady.
ALICE. It is you--my husband!
(She is overcome.)
MRS. COADE. My dear, you are much better off, so far as I can see,
than if you were Mrs. Finch-Fallowe.
ALICE (with passionate knowledge). Yes, yes indeed! (Generously.) But
DEARTH. Alice! . . . I--(He tries to smile.) I didn't know you when I
was in the wood with Margaret. She . . . she . . . Margaret . . .
(The hammer falls.)
O my God!
(He buries his face in his hands.)
ALICE. I wish--I wish--
(She presses his shoulder fiercely and then stalks out by the door.)
PURDIE (to LOB, after a time). You old ruffian.
DEARTH. No, I am rather fond of him, our lonely, friendly little host.
Lob, I thank thee for that hour.
(The seedy-looking fellow passes from the scene.)
COADE. Did you see that his hand is shaking again?
PURDIE. The watery eye has come back.
JOANNA. And yet they are both quite nice people.
PURDIE (finding the tragedy of it). We are all quite nice people.
MABEL. If she were not such a savage!
PURDIE. I daresay there is nothing the matter with her except that she
would always choose the wrong man, good man or bad man, but the wrong
man for her.
COADE. We can't change.
MABEL. Jack says the brave ones can.
JOANNA. 'The ones with the thin bright faces.'
MABEL. Then there is hope for you and me, Jack.
PURDIE (ignobly). I don't expect so.
JOANNA (wandering about the room, like one renewing acquaintance with
it after returning from a journey). Hadn't we better go to bed? It
must be getting late.
PURDIE. Hold on to bed! (They all brighten.)
MATEY (entering). Breakfast is quite ready.
LADY CAROLINE. My watch has stopped.
JOANNA. And mine. Just as well perhaps!
MABEL. There is a smell of coffee.
(The gloom continues to lift.)
COADE. Come along, Coady; I do hope you have not been tiring your
MRS. COADE. I shall give it a good rest to-morrow, dear.
MATEY. I have given your egg six minutes, ma'am.
(They set forth once more upon the eternal round. The curious JOANNA
JOANNA. A strange experiment, Matey; does it ever have any permanent
MATEY (on whom it has had none). So far as I know, not often, miss;
but, I believe, once in a while.
(There is hope in this for the brave ones. If we could wait long
enough we might see the DEARTHS breasting their way into the light.)
_He_ could tell you.
(The elusive person thus referred to kicks responsively, meaning
perhaps that none of the others will change till there is a tap from
another hammer. But when MATEY goes to rout him from his chair he is
no longer there. His disappearance is no shock to MATEY, who shrugs
his shoulders and opens the windows to let in the glory of a summer
morning. The garden has returned, and our queer little hero is busy
at work among his flowers. A lark is rising.)