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From: The Independent - London
Date: 19940504
Author:KEVIN JACKSON
May is the cruellest month. At least, pedantic admirers of T S Eliot could be forgiven for thinking so, since the blow they took to their collective solar plexus in April, with the cinema release of Tom & Viv, is about to be followed up by a knockout punch to their corporate jaw - the premiere of an unconventional (to put it soothingly) opera version of The Waste Land. This particular Waste Land begins with an assassin's bullet in the night and ends with the gibberish of a drunken old dame and the Bourbon-steeped stoicism of a cheap private detective, name of Chris Marlowe: "And maybe it was ...
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