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From: The Birmingham Post (England)
Date: 20040901
Author:
Byline: Christopher Morley
Not often does a soloist's footwear merit discussion in a concert review, but Gemma Rosefield really should have been wearing Doc Marten boots instead of smart stilettos for her performance of Judith Weir's Unlocked at the Presteigne Festival on Saturday afternoon. One of these five fantasias for unaccompanied cello on songs collected from American jails requires the soloist to stamp on the floor - just one of several fascinating explorations of sound resources - but here the effect was decidedly muffled. I have heard Ulrich Heinen, the work's ...
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