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From: Harper's Magazine
Date: 20021001
Author:
I greatly enjoyed Cristina Nehring's article on Edna St. Vincent Millay ["Last the Night," Reviews, July]. I have been pleased to see the recent turnaround in critical appraisals of Millay's work, because I teach her, alongside Emily Dickinson, Elizabeth Bishop, and Marianne Moore. Nehring, however, mentions the latter two poets in a way that is misleading. Bishop's work is highly musical--much more so than the work of a number of her "modernist" contemporaries, such as Robert Lowell. It is true that Bishop did not turn out to be a sonneteer, as Millay was. Yet to represent ...
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