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From: The Washington Post
Date: 19920413
Author:Hal Hinson
"Edward II," Derek Jarman's phantasmagoric, outrageously stylized interpretation of the Christopher Marlowe play, is more a creature of its director's sensibility than its creator's.
In its settings (mostly bare walls and dirt floors) and its wardrobe (characters wear contemporary, mostly black fashions) and countless other anachronisms, the film presents an out-of-time, theatrical sense of history. Faithfulness to either period or text has been abandoned in favor of a politicized, revisionist version of the play's events in which Marlowe's buried subtext - in particular, the sexual ...
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