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From: International Herald Tribune
Date: 20020511
Author:Roderick Conway Morris
00-00-0000
Emile Zola's ''L'Oeuvre'' of 1886 stirred up a tremendous furor in
the French art scene, with every second artist in Paris seeing himself
or some friend or enemy in one character or another, even causing
Paul Cezanne to break off relations with the author, whom he had known
since childhood.But when Vincent Van Gogh seemed to follow the trajectory
of Zola's antihero, Claude Lantier, descending into despair, madness
and finally committing suicide, real life seemed to be imitating fiction.
Camille Pissarro had already identified his former friend Paul Gauguin
with Zola's ...
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