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From: Studies in Romanticism
Date: 20020622
Author:Vine, Steve
1. Kantian Blake
IN AN ESSAY OF 1833, ENTITLED THE "BARRENNESS OF THE IMAGINATIVE faculty in the productions of Modern Art," Charles Lamb lambasts what he calls the "material sublime" (1) of John Martin's paintings. In an argument that passionately privileges spirituality over materiality and imagination over visual presentation, Lamb criticizes Martin's panoramic canvas "Belshazzar's Feast" (1820) for being too material. Although Lamb considers the "towered structures" of Martin's art as belonging to the "highest order" (Elia 259) of the material sublime, the term ...
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