It's the frontier that is both the father and the killer. As people came, opportunities widened with the spreading America, as it pushed westward - economic opportunities, coupled with cultural and innovative creations moved with them - music, for instance, changed with the changing landscape - money was brought in, and immigrants found a new prosperity.
Of course, the frontier sort of was swallowed, and in the world the new frontier has opened up, as American vision of police and developer of the world grew with the frontier - to the moon even. Mexico was largely swallowed by the US, but even more recently influence in all nations has taken hold - the central idea has remained the same.
The problem comes when the backlash hits. Simply put, the frontier has become to wide - like a modern day Rome, the spirit cannot hold, and the backlash is an economic disaster - the frontiers in China, for instance, care not for the identity - they just care for the profit. Likewise, in Canada, generally the sentiment is we like you if you pay, but if you have no money to buy our stuff, we wouldn't mind selling it to someone who could.
The vision of the collective identity, and the pioneer spirit was unable to pass the eventually established border, and as a result, we have this so called "economic recession."
What to me seems the centre of the pioneer spirit, which is something taken in by Fitzgerald and Willa Cather, is something of a faith in the coming prosperity in the expansion - that conquering the frontier will bring a new prosperity - it is the general attitude that really stands behind the war ethos (if not the wars themselves, as they are products of another mentality) and creates the image of the noble, flag planting soldier which dominates cinema. Is it a myth, or does it have ignoble repercussions? Generally that is the attitude - some are left behind, others paved to make way, and others still used as pawns - but the spirit, in its innocent phases, seems the lasting effect of an American vision, which is ultimately unique to itself, and the basis of the whole culture. If I were to make comment, I would suggest that the 1860s were the real time of independence for the US (or at least the white, anglo half of it). And that the earlier wig-wearing independence seekers were still more or less colonial subjects, with some of them anticipating the boom that would follow.




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