Humbert was a master manipulator, right from the word go-
Humbert's narcissism is apparent from the start, note for example his hilarious statement that the McCoo's house burned down due to the "the synchronous conflagration that had been raging all night in my veins"-ironic, perhaps, interesting nonetheless. Also note his description of the dog which is nearly run over by the car he is travelling in, the kind of dog that will always be at risk from being run over my cars, in any case he is tempting fate as his conclusion is an oddly prophetic summarisation of his own relationship with Lolita. (And ironic, considering the fact that the car that runs over Dolores tries to avoid a dog and thus hits her.)
He immediately sets upon Dolores-best get the description out of the way as quickly as possible-accusing her of philistine vulgarity, all American pretension and drabness a book-club bourgeoisie if ever there was one. Perhaps he was right, but he fails to notice the fakeness behind his own "old world politeness" how is equally constrained by the image of him as a old world intellectual and how he needs to keep this image up in order to hide his inner, perverse nature. Baudelaire once claimed that the devil's greatest trick was to convince the world he didn't exist and Humbert's trick echoes the devil's deceit.
He deceives Dolores into thinking he is in love with her-that is coldness is a old world idiosyncrasy, rather than being a manipulation of Dolores, supposed instantaneous, attraction to him. When she threatens to send Lolita to boarding school he knows that he cannot beat her into submission like he did to Valeria, twisting the wrist she once broke, he had to manipulate her, and make it out as if it was she who always made the decisions, that Dolores wore the trousers in the house and that Humbert lived in a state of perpetual acquiescence, poor, vulnerable Humbert! He tricks his rather bland next-door-neighbours, Jane and John (even their names are a reflection of bland, dour Americana!) into thinking that he had an affair with Dolores year before and that he was in fact Lolita's real father-not that he lets us see this in a negative light, it was an act of cleverness, rather than a string in the web of Humbert's deceit. But even the subtlest spiders have weak points!
He fails to differentiate the difference between a moth and a butterfly when he picks up Lolita and he convinces her that if she leaves him she will only end up in a cold, loveless home, where she will rot amongst the drudgery. He fails to see how much Lolita desires normality, how she wants a father figure in her life-instead he deceives us with his nebulous neologisms, he sexually manipulates Lolita when she is sick and constantly tricks a wide range of people-priests, psychoanalysts and naive neighbours and teachers-as well as Lolita herself in delaying the news of her mothers death.



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"Granita" was a terrific story, but made all the better if one has read Lolita first. It only makes sense, right? In order to understand the parody, one needs to be familiar with what's being parodied.

