Poem of the Day

[quasimodo1]

Oh gracious moon, now as the year turns,
I remember how, heavy with sorrow,
I climbed this hill to gaze on you,
And then as now you hung above those trees
Illuminating all. But to my eyes
Your face seemed clouded, temulous
From the tears that rose beneath my lids,
So painful was my life: and is, my
Dearest moon; its tenor does not change.
And yet, memory and numbering the epochs
Of my grief is pleasing to me. How welcome
In that youthful time -when hope's span is long,
And memory short -is the remembrance even of
Past sad things whose pain endures.

Giacomo Leopardi

[quasimodo1]

A VALEDICTION: FORBIDDING MOURNING
As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say
The breath goes now, and some say, No:

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move,
'Twere profanation of our joys
To tell the laity our love.

Moving of th' earth brings harms and fears,
Men reckon what it did and meant,
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we by a love so much refined
That our selves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.

If they be two, they are two so
As stiff twin compasses are two;
Thy soul, the fixed foot, makes no show
To move, but doth, if th' other do.

And though it in the centre sit,
Yet when the other far doth roam,
It leans and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.

[quasimodo1]

Ploughman at the Plough

HE behind the straight plough stands
Stalwart, firm shafts in his hands.

Naught he cares for wars and naught
For the fierce disease of thought.

Only for the winds, the sheer
Naked impule of the year,

Only for the soil which stares
Clean into God's face he cares.

In the stark might of his deed
There is more than art or creed;

In his wrist more strength is hid
Than in the monstrous pyramid;

Stauncher than stern Everest
Be the muscles of his breast;

Not the Atlantic sweeps a flood
Potent as the ploughman's blood.

He, his horse, his ploughshare, these
Are the onnly verities.

Dawn to dusk with God he stands,
The earth poised on his broad hands.

Louis Golding

[zhanyundong]

The Solitary Reaper

Behold her， single in the field，

Yon solitary Highland Lass！

Reaping and singing by herself；

Stop here， or gently pass！

Alone she cuts and binds the grain，

And sings a melancholy strain；

O listen！ for the Vale profound

Is overflowing with the sound.

No Nightingale did ever chaunt

More welcome notes to weary bands

Of travellers in some shady haunt，

Among Arabian sands：

A voice so thrilling ne'er was heard

In spring-time from the Cuckoo-bird，

Breaking the silence of the seas

Among the farthest Hebrides.

Will no one tell me what she sings？——

Perhaps the plaintive numbers flow

For old， unhappy， far-off things，

And battles long ago：

Or is it some more humble lay，

Familiar matter of to-day？

Some natural sorrow， loss， or pain，

That has been， and may be again？

Whate'er the theme， the Maiden sang

As if her song could have no ending；

I saw her singing at her work，

And o'er the sickle bending；——

I listened， motionless and still；

And， as I mounted up the hill，

The music in my heart I bore，

Long after it was heard no more.

[quasimodo1]

Gerard Manley Hopkins (1844–89). Poems. 1918.

32. Spelt from Sibyl’s Leaves


EARNEST, earthless, equal, attuneable, ' vaulty, voluminous, … stupendous
Evening strains to be tíme’s vást, ' womb-of-all, home-of-all, hearse-of-all night.
Her fond yellow hornlight wound to the west, ' her wild hollow hoarlight hung to the height
Waste; her earliest stars, earl-stars, ' stárs principal, overbend us,
Fíre-féaturing heaven. For earth ' her being has unbound, her dapple is at an end, as- 5
tray or aswarm, all throughther, in throngs; ' self ín self steedèd and páshed—qúite
Disremembering, dísmémbering ' áll now. Heart, you round me right
With: Óur évening is over us; óur night ' whélms, whélms, ánd will end us.
Only the beak-leaved boughs dragonish ' damask the tool-smooth bleak light; black,
Ever so black on it. Óur tale, O óur oracle! ' Lét life, wáned, ah lét life wind 10
Off hér once skéined stained véined variety ' upon, áll on twó spools; párt, pen, páck
Now her áll in twó flocks, twó folds—black, white; ' right, wrong; reckon but, reck but, mind
But thése two; wáre of a wórld where bút these ' twó tell, each off the óther; of a rack
Where, selfwrung, selfstrung, sheathe- and shelterless, ' thóughts agaínst thoughts ín groans grínd.

[quasimodo1]

Admonitions to a Special Person


Watch out for power,
for its avalanche can bury you,
snow, snow, snow, smothering your mountain.

Watch out for hate,
it can open its mouth and you'll fling yourself out
to eat off your leg, an instant leper.

Watch out for friends,
because when you betray them,
as you will,
they will bury their heads in the toilet
and flush themselves away.

Watch out for intellect,
because it knows so much it knows nothing
and leaves you hanging upside down,
mouthing knowledge as your heart
falls out of your mouth. ....

{excerpt}

[quasimodo1]

Of course, it is strange to inhabit the earth no longer,

to give up customs one barely had time to learn,

not to see roses and other promising Things in terms of a human future;

no longer to be what one was in infinitely anxious hands;

to leave even one's own first name behind,
forgetting it as easily as a child abandons a broken toy.
Strange to no longer desire one's desires.
Strange to see meanings that clung together once, floating away in every direction.
And being dead is hard work and full of retrieval before one can gradually feel a trace of eternity.
Though the living are wrong to believe in the too-sharp distinctions which

they themselves have created.
Angels (they say) don't know whether it is the living they are moving among, or the dead.
The eternal torrent whirls all ages along in it, through both realms forever,

and their voices are drowned out in its thunderous roar. ... {excerpt from the Duino Elegies translated by Stephen Mitchell}

[quasimodo1]

Rabbi Ben Ezra
by Robert Browning


Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith, 'A whole I planned,
Youth shows but half; trust God: see all, nor be
afraid!'

Not that, amassing flowers,
Youth sighed, 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned, 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends
them all!'

Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.

Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast;
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the
maw-crammed beast?

Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.

Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge
the throe!

For thence,—a paradox
Which comforts while it mocks,—
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink
i' the scale.

What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test—
Thy body at its best,
How far can that project thy soul on its lone way?

Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to
live and learn'?

Not once beat 'Praise be thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call thy plan:
Thanks that I was a man!
Maker, remake, complete,—I trust what Thou
shalt do!'

For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest:
Would we some prize might hold
To match those manifold
Possessions of the brute,—gain most, as we did best!

Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry, 'All good things
Are ours, nor soul helps flesh more, now, than
flesh helps soul!'

Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the
germ.

And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.

Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.

For, note when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots—'Add this to the rest,
Take it and try its worth: here dies another day.'

So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
'This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the
Past.'

For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.

As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further. Thou waitedst age: wait death nor be afraid!

Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own,
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel
alone.

Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace
at last!

Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They, this thing, and I, that: whom shall my
soul believe?

Not on the vulgar mass
Called 'work', must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:

But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instinct immature,
All purposes unsure,
That weighed not as his work, yet swelled
the man's amount:

Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher
shaped.

Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,—
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize
to-day!'

Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay
endure.

He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy souls its bent,
Try thee and turn thee forth, sufficiently impressed.

What though the earlier grooves
Which ran the laughing loves
Around thy base, no longer pause and press?
What though about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?

Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash, and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st
thou with earth's wheel?

But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I—to the wheel of life
With shapes and colours rife,
Bound dizzily,—mistake my end, to slake Thy thirst:

So, take and use Thy work,
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the
aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete
the same!

[quasimodo1]

I have a Bird in spring
Which for myself doth sing --
The spring decoys.
And as the summer nears --
And as the Rose appears,
Robin is gone.

Yet do I not repine
Knowing that Bird of mine
Though flown --
Learneth beyond the sea
Melody new for me
And will return.

Fast is a safer hand
Held in a truer Land
Are mine --
And though they now depart,
Tell I my doubting heart
They're thine.

In a serener Bright,
In a more golden light
I see
Each little doubt and fear,
Each little discord here
Removed.

Then will I not repine,
Knowing that Bird of mine
Though flown
Shall in a distant tree
Bright melody for me
Return.

[jondrette]

by dylan thomas
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

[Pensive]

by dylan thomas
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Beautiful! It's one of my favourites. I love its rhyme and rhythm. Dylan's works are really cool.

[SnipSnap]

Improved Farm Land
Carl Sandburg

Tall timber stood here once, here on a corn belt farm along the Monon.
Here the roots of a half mile of trees dug their runners deep
in the loam for a grip and a hold against wind storms.
Then the axmen came and the chips flew to the zing of steel and handle--
the lank railsplitters cut the big ones first, the beeches and the oaks, then the brush.
Dynamite, wagons and horses took the stumps--the plows sunk their teeth in--
now it is first class corn land--improved property--and the hogs grunt over the fodder crops.
It would come hard now for this half mile of improved farm lond along
the Monon corn belt, on a piece of Grand Prarie, to remember
once it had a great singing family of trees.

[quasimodo1]

A STRANGE WILD SONG
He thought he saw an Elephant
That practised on a fife:
He looked again, and found it was
A letter from his wife.
"At length I realize," he said,
"The bitterness of life!"

He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
"Unless you leave this house," he said,
"I'll send for the police!"

he thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
"The one thing I regret," he said,
"Is that it cannot speak!"

He thought he saw a Banker's Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus.
"If this should stay to dine," he said,
"There won't be much for us!"

He thought he saw a Kangaroo
That worked a Coffee-mill:
He looked again, and found it was
A Vegetable-Pill.
"Were I to swallow this," he said,
"I should be very ill!"

He thought he saw a Coach-and-Four
That stood beside his bed:
He looked again, and found it was
A Bear without a Head.
"Poor thing," he said, "poor silly thing!
It's waiting to be fed!"

[quasimodo1]

The Statesmen



How blest the land that counts among
Her sons so many good and wise,
To execute great feats of tongue
When troubles rise.


Behold them mounting every stump,
By speech our liberty to guard.
Observe their courage—see them jump,
And come down hard!


"Walk up, walk up!" each cries aloud,
"And learn from me what you must do
To turn aside the thunder cloud,
The earthquake too.


"Beware the wiles of yonder quack
Who stuffs the ears of all that pass.
I—I alone can show that black
Is white as grass."


They shout through all the day and break
The silence of the night as well.
They'd make—I wish they'd go and make—
Of Heaven a Hell.


A advocates free silver, B
Free trade and C free banking laws.
Free board, clothes, lodging would from me
Win wamr applause.


Lo, D lifts up his voice: "You see
The single tax on land would fall
On all alike." More evenly
No tax at all.


"With paper money," bellows E,
"We'll all be rich as lords." No doubt—
And richest of the lot will be
The chap without.


As many "cures" as addle-wits
Who know not what the ailment is!
Meanwhile the patient foams and spits
Like a gin fizz.


Alas, poor Body Politic,
Your fate is all too clearly read:
To be not altogether quick,
Nor very dead.


You take your exercise in squirms,
Your rest in fainting fits between.
'Tis plain that your disorder's worms—
Worms fat and lean.


Worm Capital, Worm Labor dwell
Within your maw and muscle's scope.
Their quarrels make your life a Hell,
Your death a hope.


God send you find not such an end
To ills however sharp and huge!
God send you convalesce! God send
You vermifuge.

[quasimodo1]

After Rain

BEHOLD the blossom-bosomed Day again,
With all the star-white Hours in her train,
Laughs out of pearl-lights through a golden ray,
That, leaning on the woodland wildness, blends
A sprinkled amber with the showers that lay
Their oblong emeralds on the leafy ends.
Behold her bend with maiden-braided brows
Above the wildflower, sidewise with its strain
Of dewy happiness, to kiss again
Each drop to death; or, under rainy boughs,
With fingers, fragrant as the woodland rain,
Gather the sparkles from the sycamore,
To set within each core
Of crimson roses girdling her hips,
Where each bud dreams and drips.

Smoothing her blue-black hair,--where many a tusk
Of iris flashes,--like the falchions' sheen
Of Faery 'round blue banners of its Queen,--
Is it a Naiad singing in the dusk,
That haunts the spring, where all the moss is musk
With footsteps of the flowers on the banks?
Or just a wild-bird voluble with thanks?

Balm for each blade of grass: the Hours prepare
A festival each weed's invited to.
Each bee is drunken with the honied air:
And all the air is eloquent with blue.
The wet hay glitters, and the harvester
Tinkles his scythe,--as twinkling as the dew,--
That shall not spare
Blossom or brier in its sweeping path;
And, ere it cut one swath,
Rings them they die, and tells them to prepare.

What is the spice that haunts each glen and glade?
A Dryad's lips, who slumbers in the shade?
A Faun, who lets the heavy ivy-wreath
Slip to his thigh as, reaching up, he pulls
The chestnut blossoms in whole bosomfuls?
A sylvan Spirit, whose sweet mouth doth breathe
Her viewless presence near us, unafraid?
Or troops of ghosts of blooms, that whitely wade
The brook? whose wisdom knows no other song
Than that the bird sings where it builds beneath
The wild-rose and sits singing all day long.

Oh, let me sit with silence for a space,
A little while forgetting that fierce part
Of man that struggles in the toiling mart;
Where God can look into my heart's own heart
From unsoiled heights made amiable with grace;
And where the sermons that the old oaks keep
Can steal into me.--And what better then
Than, turning to the moss a quiet face,
To fall asleep? a little while to sleep
And dream of wiser worlds and wiser men.

Madison Cawein