
Originally Posted by
Quark
I knew this would be hard to explain. Well, it's not so hard to explain as it is hard to explain concisely. The clause " 'About Love' does not entirely agree with Alekhin" is not a good one, so let's scrap it and start over. What I meant was that Alekhin's story is filled with irony and things that make the reader question his story. We never know whether he loves Anna or just appreciates her lifestyle. We never know whether Anna loves him or just finds his conversation pleasant. These unsolved questions cast a general ambiguity over the story. I used the word "mystery" to refer to this ambiguity. Lawrence uses the word, too, but in a much different sense. I think Lawrence does know what love is, and he wouldn't bother with the questions this story raises. He argues that love should be mysterious, not because it's ambiguous, but because it shouldn't be intellectualized. It's sort of like in Apocalypse when he talks about how science has ruined the way we look at the sun and the constellations. Lawrence isn't suggesting that they're ambiguous. He's just arguing that our understanding shouldn't be so intellectual; instead, it should be more--I don't know--spiritual.