I went away for a few days when there wasn't much activity on the thread; and then, of course, as soon as I leave everyone comes back. Well, it will take me a moment to work through what everyone said, but I am glad that we got some discussion going.
I thought they did. Here, hold on, let me find it. Mrmhph... This book is heavy. It's not just Fathers and Sons; it's a twelve-hundred page hard cover anthology of Russian Literature. It's got everything from Goncharov to Tolstoy, and there is even some Russian art shoved in the middle. Hey look a glossy picture of a painting by some famous Critical Realist. Wow, my idea of perspective is so being changed. Now, to find Turgenev I need remember when Fathers and Sons was published (everything is ordered chronologically). I'm thinking it has to be after Dead Souls, but before Anna Karenina. I flip randomly and hope I find it, but, no, I'm still in Tolstoy country. Oh, oh, wait, I have it. Turgenev! Here we go. Scanning... Yes, I'm right. Turgenev writes, "He was waiting for his son, who'd just graduated." In my book, this is page 635, but I think the page numbers are a little skewed by the other twelve hundred pages of Russian Lit crammed around the novel.
Do you think Bazarov changes in the novel? I actually found him to be somewhat of a flat character. He grows a little bit in the end, but his character doesn't change that much.
I'm thinking about starting the Chekhov thread sometime in early January. I know everyone else is doing their's at the exact same time, but I don't want to wait any longer than I already have.
So you're drawn to Bazarov, too? I think he is likable, at times. Particularly, when he's refuting the arguments of idiots. But, I don't know if that means he has good interpersonal skills. You're right that Bazarov quickly befriends many of the people around him, but what do you suppose that means? I'm not even convinced that Bazarov is even capable of friendship. He's very cold and detached. Later in the novel you'll see how this part of his personality puts a strain on his relationships.
Ha, I like Arkadii as a yo-yo. Also, it's impressive that you remember all three of Baz's names. I'm still not convinced Bazarov is the center of the story, though. When you say that Bazarov is the main character, I think you may be confusing conflict with plot. Baz does push the story to crisis. Ultimately, though, the crisis is Arkadii's. He is the one that feels compelled to choose. I know "main character" is not really a literary term, but I think if we had to apply the vague phrase to anyone, it would be him.
I'm starting to agree with you. Originally, I thought Arkadii's decision was between Bazarov and Pavel. Yet, that doesn't really make any sense since Arkadii only pities Pavel. Really, the father is the other option for Arkadii. He has to decide whether to accept the radical doctrines of Bazarov or have compassion for his father.
Yeah, it sounds like many of us are just rereading it.



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I know those anthology books - first off, they are so heavy one would get arthritis in the arms, trying to hold one up to read. I made the mistake of picking up two of those, looked barely used, from my library 'freeby' shelf...no wonder someone got rid of them; who would want to lug these 2000 p. Literature anthologies to class?!
on this point*
"It's so mysterious, the land of tears." 


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