Escape into Night (1972): A six-part British TV serial adaptation of Catherine Storr's children's fantasy novel Marianne Dreams. I only recently learned of the existence of this show, and having loved Bernard Rose's Paperhouse (1988), based on the same novel, I had to check it out.
Here's Wikipedia's plot summary of the source novel, which applies to both media versions: Marianne is a young girl who is bedridden with a long-term illness. She draws a picture to fill her time, and finds that she spends her dreams within the picture she has drawn. As time goes by, she becomes sicker, and starts to spend more and more time trapped within her fantasy world, and her attempts to make things better by adding to and crossing out things in the drawing make things progressively worse. Her only companion in her dreamworld is a boy called Mark, who is also a long-term invalid in the real world.
Well, the TV version is very different from the later movie. I understand from reviews that this version is much more faithful to the novel (which I haven't read), but I actually liked most of the plot changes the movie made. It didn't help that the lead actress of the show, Vikki Chambers, was very stiff, while the movie's lead, Charlotte Burke, was much, much better. The boys who played Mark in both versions were very good as well. In supporting roles, the differences between professional film actors and '70s low-budget British TV actors are about as you'd expect.
In general, the TV version is worth watching once, but the film is a must-see. Sadly, it's unavailable on DVD in the U.S., so I had to ask my father to bring a copy back when he took a trip to England.
Escape into Night: 7/10
Paperhouse: 10/10
Flashpoint (1984): Kris Kristofferson and Treat Williams are border patrol officers who come across a long-buried jeep containing a mysterious stash of money and a rifle, and then soon find themselves up against some federal agents who have their own agenda.
I've been enjoying the Tangerine Dream soundtrack CD from this movie for 30 years, but had never seen the film itself until now. Sadly, it's pretty disposable. The plot turns out to be thin and slow to progress, the climax just kind of happens, and the director strangely ends up breaking the fourth wall to explain the MacGuffins to the audience, while the lead characters never do learn exactly what's going on. The main positives in the movie, besides the soundtrack (nice to see the music in context at last), are the always likeable Kristofferson and Kurtwood Smith (That 70s Show) as the villainous lead Fed.
4/10


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