Originally Posted by
Gladys
An interesting counter to such a dismissal of God is offered in Ibsen's first successful play Brand of 1865. Here the priest Brand, living in a humble manse under the overhang of a remote glacier subject to avalanches, willingly sacrifices his life to an omnipotent and unchangeable God, a God of love.
His God is fully defined by an unqualified, infinite and absolute love for the individual, a love without weakness or wavering. Brand is unreservedly a disciple and, for him, uncompromising love is the only possible truth. Human truths fade into insignificance alongside his timeless and limitless perspective. He is a man of action while other look on.