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Thread: Favorite poem?

  1. #676
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    Elizabeth Bishop - One Art

    The art of losing isn't hard to master;so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster : places, and names, and where it was you meant to travel. None of these will bring disaster.

    I lost my mother's watch. And look! my last, or next-to-last, of three loved houses went.The art of losing isn't hard to master.I lost two cities, lovely ones. And, vaster,some realms I owned, two rivers, a continent. I miss them, but it wasn't a disaster.

    Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) like disaster.
    Last edited by Emmaline; 03-16-2010 at 07:32 PM.

  2. #677
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    I carry your heart with me (i carry it in my heart) i am never without it (anywhere
    i go you go, my dear; and whatever is doneby only me is your doing, my darling)

    I fear no fate (for you are my fate, my sweet) i want no world (for beautiful you are my world, my true)and it's you are whatever a moon has always meant and whatever a sun will always sing is you

    Here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than soul can hope or mind can hide)and this is the wonder that's keeping the stars apart

    I carry your heart (i carry it in my heart)

    I carry your heart with me - EE Cummings

  3. #678
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    Love is always patient and kind; it is never jealous. Love
    is never boastful or conceited...
    It is never rude or selfish...It does not take offense, and it
    is not resentful.

    Love takes no pleasure in other people's sins but
    delights in truth. It is always ready to excuse, to trust, to
    hope, and to endure whatever comes.

  4. #679
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    I feel like I've known you forever
    Although I only met you sometime this past year
    But our friendship will remain forever
    No matter what shall cross our paths and hearts

    The best thing that's happened to me
    Is finding a forever friend like you
    You're there to listen, help, and talk to
    And best of all, I know I can confide in you

    Some say the best love is one sprung from friendship
    So I feel this is why we should try
    Time leads us in this direction
    Should we follow on down the line?

    Friendship and love are always intertwined
    Too close which sometimes causes confusion
    But if we don't try, we will never know if it was meant to be
    But forever you will remain my friend

    I don't know if this is going to work
    I'm not totally sure we should try
    But I have all these mixed feelings
    Bottled up inside

    I love you both inside and out as my best friend
    And I know that you love me that way too
    So when I say "best friends forever"
    That even means when I'm saying" Goodbye, I love you, too."
    Last edited by Emmaline; 03-15-2010 at 08:00 PM.

  5. #680
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    The Highwayman--Alfred Noyes

    The wind was a torrent of darkness upon the gusty trees,
    The moon was a ghostly galleon tossed upon cloudy seas,
    The road was a ribbon of moonlight looping the purple moor,
    And the highwayman came riding--
    Riding--riding--
    The highwayman came riding, up to the old inn door.

    He'd a French cocked hat on his forehead, and a bunch of lace at his chin;
    He'd a coat of the claret velvet, and breeches of fine doe-skin.
    They fitted with never a wrinkle; his boots were up to his thigh!
    And he rode with a jeweled twinkle--
    His rapier hilt a-twinkle--
    His pistol butts a-twinkle, under the jeweled sky.

    Over the cobbles he clattered and clashed in the dark inn-yard,
    He tapped with his whip on the shutters, but all was locked and barred,
    He whistled a tune to the window, and who should be waiting there
    But the landlord's black-eyed daughter--
    Bess, the landlord's daughter--
    Plaiting a dark red love-knot into her long black hair.

    Dark in the dark old inn-yard a stable-wicket creaked
    Where Tim, the ostler listened--his face was white and peaked--
    His eyes were hollows of madness, his hair like mouldy hay,
    But he loved the landlord's daughter--
    The landlord's black-eyed daughter;
    Dumb as a dog he listened, and he heard the robber say:

    "One kiss, my bonny sweetheart; I'm after a prize tonight,
    But I shall be back with the yellow gold before the morning light.
    Yet if they press me sharply, and harry me through the day,
    Then look for me by moonlight,
    Watch for me by moonlight,
    I'll come to thee by moonlight, though hell should bar the way."

    He stood upright in the stirrups; he scarce could reach her hand,
    But she loosened her hair in the casement! His face burnt like a brand
    As the sweet black waves of perfume came tumbling o'er his breast,
    Then he kissed its waves in the moonlight
    (O sweet black waves in the moonlight!),
    And he tugged at his reins in the moonlight, and galloped away to the west.

    He did not come in the dawning; he did not come at noon.
    And out of the tawny sunset, before the rise of the moon,
    When the road was a gypsy's ribbon over the purple moor,
    The redcoat troops came marching--
    Marching--marching--
    King George's men came marching, up to the old inn-door.

    They said no word to the landlord; they drank his ale instead,
    But they gagged his daughter and bound her to the foot of her narrow bed.
    Two of them knelt at her casement, with muskets by their side;
    There was Death at every window,
    And Hell at one dark window,
    For Bess could see, through her casement, the road that he would ride.

    They had bound her up at attention, with many a sniggering jest!
    They had tied a rifle beside her, with the barrel beneath her breast!
    "Now keep good watch!" and they kissed her. She heard the dead man say,
    "Look for me by moonlight,
    Watch for me by moonlight,
    I'll come to thee by moonlight, though Hell should bar the way."

    She twisted her hands behind her, but all the knots held good!
    She writhed her hands till her fingers were wet with sweat or blood!
    They stretched and strained in the darkness, and the hours crawled by like years,
    Till, on the stroke of midnight,
    Cold on the stroke of midnight,
    The tip of one finger touched it! The trigger at least was hers!

    The tip of one finger touched it, she strove no more for the rest;
    Up, she stood up at attention, with the barrel beneath her breast.
    She would not risk their hearing, she would not strive again,
    For the road lay bare in the moonlight,
    Blank and bare in the moonlight,
    And the blood in her veins, in the moonlight, throbbed to her love's refrain.

    Tlot tlot, tlot tlot! Had they heard it? The horse-hooves, ringing clear;
    Tlot tlot, tlot tlot, in the distance! Were they deaf that they did not hear?
    Down the ribbon of moonlight, over the brow of the hill,
    The highwayman came riding--
    Riding--riding--
    The redcoats looked to their priming! She stood up straight and still.

    Tlot tlot, in the frosty silence! Tlot tlot, in the echoing night!
    Nearer he came and nearer! Her face was like a light!
    Her eyes grew wide for a moment, she drew one last deep breath,
    Then her finger moved in the moonlight--
    Her musket shattered the moonlight--
    Shattered her breast in the moonlight and warned him--with her death.

    He turned, he spurred to the West; he did not know who stood
    Bowed, with her head o'er the casement, drenched in her own red blood!
    Not till the dawn did he hear it, and his face grew grey to hear
    How Bess, the landlord's daughter,
    The landlord's black-eyed daughter,
    Had watched for her love in the moonlight, and died in the darkness there.

    Back, he spurred like a madman, shrieking a curse to the sky,
    With the white road smoking behind him and his rapier brandished high!
    Blood-red were his spurs in the golden noon, wine-red was his velvet coat
    When they shot him down in the highway,
    Down like a dog in the highway,
    And he lay in his blood in the highway, with the bunch of lace at his throat.

    And still on a winter's night, they say, when the wind is in the trees,
    When the moon is a ghostly galleon tossed upon cloudy seas,
    When the road is a gypsy's ribbon looping the purple moor,
    The highwayman comes riding--
    Riding--riding--
    The highwayman comes riding, up to the old inn-door.

    Over the cobbles he clatters and clangs in the dark inn-yard,
    He taps with his whip on the shutters, but all is locked and barred,
    He whistles a tune to the window, and who should be waiting there
    But the landlord's black-eyed daughter--
    Bess, the landlord's daughter--
    Plaiting a dark red love-knot into her long black hair.

  6. #681
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    Favorite poems! Yea!

    If
    If you can keep your head when all about you
    Are losing theirs and blaming it on you,
    If you can trust yourself when all men doubt you
    But make allowance for their doubting too,
    If you can wait and not be tired by waiting,
    Or being lied about, don’t deal in lies,
    Or being hated, don’t give way to hating,
    And yet don’t look too good, nor talk too wise:
    If you can dream–and not make dreams your master,
    If you can think–and not make thoughts your aim;
    If you can meet with Triumph and Disaster
    And treat those two impostors just the same;
    If you can bear to hear the truth you’ve spoken
    Twisted by knaves to make a trap for fools,
    Or watch the things you gave your life to, broken,
    And stoop and build ‘em up with worn-out tools:

    If you can make one heap of all your winnings
    And risk it all on one turn of pitch-and-toss,
    And lose, and start again at your beginnings
    And never breath a word about your loss;
    If you can force your heart and nerve and sinew
    To serve your turn long after they are gone,
    And so hold on when there is nothing in you
    Except the Will which says to them: “Hold on!”

    If you can talk with crowds and keep your virtue,
    Or walk with kings–nor lose the common touch,
    If neither foes nor loving friends can hurt you;
    If all men count with you, but none too much,
    If you can fill the unforgiving minute
    With sixty seconds’ worth of distance run,
    Yours is the Earth and everything that’s in it,
    And–which is more–you’ll be a Man, my son!

    –Rudyard Kipling

    Tonight I can write the saddest lines.

    Write, for example,'The night is shattered
    and the blue stars shiver in the distance.'

    The night wind revolves in the sky and sings.

    Tonight I can write the saddest lines.
    I loved her, and sometimes she loved me too.

    Through nights like this one I held her in my arms

    I kissed her again and again under the endless sky.

    She loved me sometimes, and I loved her too.
    How could one not have loved her great still eyes.

    Tonight I can write the saddest lines.
    To think that I do not have her. To feel that I have lost her.

    To hear the immense night, still more immense without her.
    And the verse falls to the soul like dew to the pasture.

    What does it matter that my love could not keep her.
    The night is shattered and she is not with me.

    This is all. In the distance someone is singing. In the distance.
    My soul is not satisfied that it has lost her.

    My sight searches for her as though to go to her.
    My heart looks for her, and she is not with me.

    The same night whitening the same trees.
    We, of that time, are no longer the same.

    I no longer love her, that's certain, but how I loved her.
    My voice tried to find the wind to touch her hearing.

    Another's. She will be another's. Like my kisses before.
    Her voide. Her bright body. Her inifinite eyes.

    I no longer love her, that's certain, but maybe I love her.
    Love is so short, forgetting is so long.

    Because through nights like this one I held her in my arms
    my sould is not satisfied that it has lost her.

    Though this be the last pain that she makes me suffer
    and these the last verses that I write for her.
    -Pablo Neruda

    The Prophet, Joy and Sorrow
    Then a woman said, "Speak to us of Joy and Sorrow."

    And he answered:

    Your joy is your sorrow unmasked.

    And the selfsame well from which your laughter rises was oftentimes filled with your tears.

    And how else can it be?

    The deeper that sorrow carves into your being, the more joy you can contain.

    Is not the cup that hold your wine the very cup that was burned in the potter's oven?

    And is not the lute that soothes your spirit, the very wood that was hollowed with knives?

    When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy.

    When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.

    Some of you say, "Joy is greater than sorrow," and others say, "Nay, sorrow is the greater."

    But I say unto you, they are inseparable.

    Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed.

    Verily you are suspended like scales between your sorrow and your joy.

    Only when you are empty are you at standstill and balanced.

    When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.
    -Khalil Gibran

    Each of these has touched my soul and influenced my life at one point or another in my life.
    Now I have shared them with you! Comments welcome!
    ConstantReader
    'Each of us is something of a schizophrenic personality, tragically divided against ourselves." ~Martin Luther King, Jr., Strength to Love, 1963

  7. #682
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    The Flight by Sara Teasdale

    __________
    Look back with longing eyes and know that I will follow,
    Lift me up in your love as a light wing lifts a swallow,
    Let our flight be far in sun or blowing rain--
    But what if I heard my first love calling me again?

    Hold me on your heart as the brave sea holds the foam,
    Take me far away to the hills that hide your home:
    Peace shall thatch the roof and love shall latch the door--
    But what if I heard my first love calling me once more?

  8. #683
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    Choosing an all-time favorite poem is extremely difficult. But I can say with certitude that the following is my favorite romantic era poem:

    Music, when soft voices die,
    Vibrates in the memory;
    Odours, when sweet violets sicken,
    Live within the sense they quicken.

    Rose leaves, when the rose is dead,
    Are heap'd for the beloved's bed;
    And so thy thoughts, when thou art gone,
    Love itself shall slumber on.

    —Percy Bysshe Shelley
    Be respectful to your superiors, if you have any. — Mark Twain

    We are all here on earth to help others; what on earth the others are here for, I have no idea. — W.H. Auden

  9. #684
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    I have two favourites, which may have been mentioned before. Either Browning's 'My Last Duchess', or perhaps even better, Charles Baudelaire's 'Hymne à la Beauté'. if you haven't read it, PLEASE do so one day - it's utterly wonderful. Certainly worth learning French for.

    De Satan ou de Dieu, qu'importe? Ange ou Sirène,
    Qu'importe, si tu rends, — fée aux yeux de velours,
    Rythme, parfum, lueur, ô mon unique reine! —
    L'univers moins hideux et les instants moins lourds?


    CJ
    Last edited by rondon9898; 03-28-2010 at 08:13 PM.

  10. #685
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    I have a bit of a bias on this one, it was the poem that got me heavy into poetry.

    Edgar Allan Poe - The Happiest Day

    I. The happiest day--the happiest hour
    My seared and blighted heart hath known,
    The highest hope of pride and power,
    I feel hath flown.

    II. Of power! said I? Yes! such I ween
    But they have vanished long, alas!
    The visions of my youth have been--
    But let them pass.

    III. And pride, what have I now with thee?
    Another brow may ev'n inherit
    The venom thou hast poured on me--
    Be still my spirit!

    IV. The happiest day--the happiest hour
    Mine eyes shall see--have ever seen
    The brightest glance of pride and power
    I feel have been:

    V. But were that hope of pride and power
    Now offered with the pain
    Ev'n _then_ I felt--that brightest hour
    I would not live again:

    VI. For on its wing was dark alloy
    And as it fluttered--fell
    An essence--powerful to destroy
    A soul that knew it well.
    "We are animals with problems that no other animal has." - Radam J. Starkiller

  11. #686
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    Quote Originally Posted by Emmaline View Post
    The Highwayman--Alfred Noyes

    The wind was a torrent of darkness upon the gusty trees,
    The moon was a ghostly galleon tossed upon cloudy seas,
    The road was a ribbon of moonlight looping the purple moor,
    And the highwayman came riding--
    Riding--riding--
    The highwayman came riding, up to the old inn door.

    He'd a French cocked hat on his forehead, and a bunch of lace at his chin;
    He'd a coat of the claret velvet, and breeches of fine doe-skin.
    They fitted with never a wrinkle; his boots were up to his thigh!
    And he rode with a jeweled twinkle--
    His rapier hilt a-twinkle--
    His pistol butts a-twinkle, under the jeweled sky.

    Over the cobbles he clattered and clashed in the dark inn-yard,
    He tapped with his whip on the shutters, but all was locked and barred,
    He whistled a tune to the window, and who should be waiting there
    But the landlord's black-eyed daughter--
    Bess, the landlord's daughter--
    Plaiting a dark red love-knot into her long black hair.

    Dark in the dark old inn-yard a stable-wicket creaked
    Where Tim, the ostler listened--his face was white and peaked--
    His eyes were hollows of madness, his hair like mouldy hay,
    But he loved the landlord's daughter--
    The landlord's black-eyed daughter;
    Dumb as a dog he listened, and he heard the robber say:

    "One kiss, my bonny sweetheart; I'm after a prize tonight,
    But I shall be back with the yellow gold before the morning light.
    Yet if they press me sharply, and harry me through the day,
    Then look for me by moonlight,
    Watch for me by moonlight,
    I'll come to thee by moonlight, though hell should bar the way."

    He stood upright in the stirrups; he scarce could reach her hand,
    But she loosened her hair in the casement! His face burnt like a brand
    As the sweet black waves of perfume came tumbling o'er his breast,
    Then he kissed its waves in the moonlight
    (O sweet black waves in the moonlight!),
    And he tugged at his reins in the moonlight, and galloped away to the west.

    He did not come in the dawning; he did not come at noon.
    And out of the tawny sunset, before the rise of the moon,
    When the road was a gypsy's ribbon over the purple moor,
    The redcoat troops came marching--
    Marching--marching--
    King George's men came marching, up to the old inn-door.

    They said no word to the landlord; they drank his ale instead,
    But they gagged his daughter and bound her to the foot of her narrow bed.
    Two of them knelt at her casement, with muskets by their side;
    There was Death at every window,
    And Hell at one dark window,
    For Bess could see, through her casement, the road that he would ride.

    They had bound her up at attention, with many a sniggering jest!
    They had tied a rifle beside her, with the barrel beneath her breast!
    "Now keep good watch!" and they kissed her. She heard the dead man say,
    "Look for me by moonlight,
    Watch for me by moonlight,
    I'll come to thee by moonlight, though Hell should bar the way."

    She twisted her hands behind her, but all the knots held good!
    She writhed her hands till her fingers were wet with sweat or blood!
    They stretched and strained in the darkness, and the hours crawled by like years,
    Till, on the stroke of midnight,
    Cold on the stroke of midnight,
    The tip of one finger touched it! The trigger at least was hers!

    The tip of one finger touched it, she strove no more for the rest;
    Up, she stood up at attention, with the barrel beneath her breast.
    She would not risk their hearing, she would not strive again,
    For the road lay bare in the moonlight,
    Blank and bare in the moonlight,
    And the blood in her veins, in the moonlight, throbbed to her love's refrain.

    Tlot tlot, tlot tlot! Had they heard it? The horse-hooves, ringing clear;
    Tlot tlot, tlot tlot, in the distance! Were they deaf that they did not hear?
    Down the ribbon of moonlight, over the brow of the hill,
    The highwayman came riding--
    Riding--riding--
    The redcoats looked to their priming! She stood up straight and still.

    Tlot tlot, in the frosty silence! Tlot tlot, in the echoing night!
    Nearer he came and nearer! Her face was like a light!
    Her eyes grew wide for a moment, she drew one last deep breath,
    Then her finger moved in the moonlight--
    Her musket shattered the moonlight--
    Shattered her breast in the moonlight and warned him--with her death.

    He turned, he spurred to the West; he did not know who stood
    Bowed, with her head o'er the casement, drenched in her own red blood!
    Not till the dawn did he hear it, and his face grew grey to hear
    How Bess, the landlord's daughter,
    The landlord's black-eyed daughter,
    Had watched for her love in the moonlight, and died in the darkness there.

    Back, he spurred like a madman, shrieking a curse to the sky,
    With the white road smoking behind him and his rapier brandished high!
    Blood-red were his spurs in the golden noon, wine-red was his velvet coat
    When they shot him down in the highway,
    Down like a dog in the highway,
    And he lay in his blood in the highway, with the bunch of lace at his throat.

    And still on a winter's night, they say, when the wind is in the trees,
    When the moon is a ghostly galleon tossed upon cloudy seas,
    When the road is a gypsy's ribbon looping the purple moor,
    The highwayman comes riding--
    Riding--riding--
    The highwayman comes riding, up to the old inn-door.

    Over the cobbles he clatters and clangs in the dark inn-yard,
    He taps with his whip on the shutters, but all is locked and barred,
    He whistles a tune to the window, and who should be waiting there
    But the landlord's black-eyed daughter--
    Bess, the landlord's daughter--
    Plaiting a dark red love-knot into her long black hair.
    I had loved it when we read it in school. It still has a special place in my heart. But, now there others too. Esp. in the ballad form I love The Rime of the Ancient Mariner.

  12. #687
    Registered User Lost_Souls's Avatar
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    *Double Post*
    Last edited by Lost_Souls; 06-02-2010 at 08:55 AM.
    "All visible objects, man, are but as pasteboard masks. But in each event in the living act, the undoubted deed there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask!"

  13. #688
    Registered User Lost_Souls's Avatar
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    I agree with The Waste Land. There are many ways of reading it, but once you figure out the network of allusions you just have to stand back and marvel at the 'fragments he has shored against his ruin'

    On a lighter note, Emily Dickinson's release of supressed passion is quite powerful:

    Wild nights! Wild nights!
    Were I with thee,
    Wild nights should be
    Our luxury!

    Futile the winds
    To a heart in port,
    Done with the compass,
    Done with the chart.

    Rowing in Eden!
    Ah! the sea!
    Might I but moor
    To-night in thee!
    "All visible objects, man, are but as pasteboard masks. But in each event in the living act, the undoubted deed there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask!"

  14. #689
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    Quote Originally Posted by Miranda View Post
    I turned to speak to God
    About the world's despair:
    But to make matters worse
    I found He wasn't there.

    God turned to speak to me
    (don't anybody laugh)
    God found I wasn't there _
    At least not over half.

    Robert Frost
    I hadn't read this before, great poem! I love many Frost poems, particularly Design which I always read to my fundie Creationist or rather "Intelligent Design" friends:

    I found a dimpled spider, fat and white,
    On a white heal-all, holding up a moth
    Like a white piece of rigid satin cloth --
    Assorted characters of death and blight
    Mixed ready to begin the morning right,
    Like the ingredients of a witches' broth --
    A snow-drop spider, a flower like a froth,
    And dead wings carried like a paper kite.

    What had that flower to do with being white,
    The wayside blue and innocent heal-all?
    What brought the kindred spider to that height,
    Then steered the white moth thither in the night?
    What but design of darkness to appall?--
    If design govern in a thing so small.

  15. #690
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    'Ode to a Nightingale' by Keats.

    Ode to a Nightingale

    MY heart aches, and a drowsy numbness pains
    My sense, as though of hemlock I had drunk,
    Or emptied some dull opiate to the drains
    One minute past, and Lethe-wards had sunk:
    'Tis not through envy of thy happy lot, 5
    But being too happy in thine happiness,
    That thou, light-wingèd Dryad of the trees,
    In some melodious plot
    Of beechen green, and shadows numberless,
    Singest of summer in full-throated ease. 10

    O for a draught of vintage! that hath been
    Cool'd a long age in the deep-delvèd earth,
    Tasting of Flora and the country-green,
    Dance, and Provençal song, and sunburnt mirth!
    O for a beaker full of the warm South! 15
    Full of the true, the blushful Hippocrene,
    With beaded bubbles winking at the brim,
    And purple-stainèd mouth;
    That I might drink, and leave the world unseen,
    And with thee fade away into the forest dim: 20

    Fade far away, dissolve, and quite forget
    What thou among the leaves hast never known,
    The weariness, the fever, and the fret
    Here, where men sit and hear each other groan;
    Where palsy shakes a few, sad, last grey hairs, 25
    Where youth grows pale, and spectre-thin, and dies;
    Where but to think is to be full of sorrow
    And leaden-eyed despairs;
    Where beauty cannot keep her lustrous eyes,
    Or new Love pine at them beyond to-morrow. 30

    Away! away! for I will fly to thee,
    Not charioted by Bacchus and his pards,
    But on the viewless wings of Poesy,
    Though the dull brain perplexes and retards:
    Already with thee! tender is the night, 35
    And haply the Queen-Moon is on her throne,
    Cluster'd around by all her starry Fays
    But here there is no light,
    Save what from heaven is with the breezes blown
    Through verdurous glooms and winding mossy ways. 40

    I cannot see what flowers are at my feet,
    Nor what soft incense hangs upon the boughs,
    But, in embalmèd darkness, guess each sweet
    Wherewith the seasonable month endows
    The grass, the thicket, and the fruit-tree wild; 45
    White hawthorn, and the pastoral eglantine;
    Fast-fading violets cover'd up in leaves;
    And mid-May's eldest child,
    The coming musk-rose, full of dewy wine,
    The murmurous haunt of flies on summer eves. 50

    Darkling I listen; and, for many a time
    I have been half in love with easeful Death,
    Call'd him soft names in many a musèd rhyme,
    To take into the air my quiet breath;
    Now more than ever seems it rich to die, 55
    To cease upon the midnight with no pain,
    While thou art pouring forth thy soul abroad
    In such an ecstasy!
    Still wouldst thou sing, and I have ears in vain—
    To thy high requiem become a sod. 60

    Thou wast not born for death, immortal Bird!
    No hungry generations tread thee down;
    The voice I hear this passing night was heard
    In ancient days by emperor and clown:
    Perhaps the self-same song that found a path 65
    Through the sad heart of Ruth, when, sick for home,
    She stood in tears amid the alien corn;
    The same that ofttimes hath
    Charm'd magic casements, opening on the foam
    Of perilous seas, in faery lands forlorn. 70

    Forlorn! the very word is like a bell
    To toll me back from thee to my sole self!
    Adieu! the fancy cannot cheat so well
    As she is famed to do, deceiving elf.
    Adieu! adieu! thy plaintive anthem fades 75
    Past the near meadows, over the still stream,
    Up the hill-side; and now 'tis buried deep
    In the next valley-glades:
    Was it a vision, or a waking dream?
    Fled is that music:—do I wake or sleep?

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