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Thread: Favorite poem?

  1. #661
    www.markbastable.co.uk
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    ...just one? Well, I might go for Prufrock, or some cummings, a Frost or a Graves, or one of Harsent's Punch sequence.

    But today - and tomorrow it might be different - I'll choose this...

    Musee des Beaux Arts - Auden

    About suffering they were never wrong,
    The Old Masters; how well, they understood
    Its human position; how it takes place
    While someone else is eating or opening a window or just walking dully along;
    How, when the aged are reverently, passionately waiting
    For the miraculous birth, there always must be
    Children who did not specially want it to happen, skating
    On a pond at the edge of the wood:
    They never forgot
    That even the dreadful martyrdom must run its course
    Anyhow in a corner, some untidy spot
    Where the dogs go on with their doggy life and the torturer's horse
    Scratches its innocent behind on a tree.
    In Breughel's Icarus, for instance: how everything turns away
    Quite leisurely from the disaster; the ploughman may
    Have heard the splash, the forsaken cry,
    But for him it was not an important failure; the sun shone
    As it had to on the white legs disappearing into the green
    Water; and the expensive delicate ship that must have seen
    Something amazing, a boy falling out of the sky,
    Had somewhere to get to and sailed calmly on

  2. #662
    GypsyDream GypsyDream's Avatar
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    One of My Favorites

    One of my favorite poems is a fairly simple one (but I think it is better for that) It is by Leigh Hunt:

    Jenny Kiss'd me when we met,
    Jumping from the chair she sat in;
    Time, you thief, who love to get
    Sweets into your list, put that in!
    Say I'm weary, say I'm sad,
    Say that health and wealth have miss'd me
    Say I'm growing old, but add,
    Jenny kissed me.


    I have many other poems that I love, but for some reason this one has stayed with me.

  3. #663
    Registered User JackieGinger's Avatar
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    why, this thread is addictive...

  4. #664
    Metamorphosing Pensive's Avatar
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    Quote Originally Posted by GypsyDream View Post
    One of my favorite poems is a fairly simple one (but I think it is better for that) It is by Leigh Hunt:

    Jenny Kiss'd me when we met,
    Jumping from the chair she sat in;
    Time, you thief, who love to get
    Sweets into your list, put that in!
    Say I'm weary, say I'm sad,
    Say that health and wealth have miss'd me
    Say I'm growing old, but add,
    Jenny kissed me.


    I have many other poems that I love, but for some reason this one has stayed with me.
    A beautiful poem indeed, I must add.
    I sang of leaves, of leaves of gold, and leaves of gold there grew.

  5. #665
    Registered User wlz's Avatar
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    Sestina: Altaforte by Ezra Pound

    LOQUITUR: En Bertans de Born. Dante Alighieri put this man in hell
    for that he was a stirrer up of strife. Eccovi! Judge ye! Have I dug
    him up again? The scene is at his castle, Altaforte. "Papiols" is his
    jongleur. "The Leopard," the device of Richard Coeur de Lion.

    I

    Damn it all! all this our South stinks peace.
    You whoreson dog, Papiols, come! Let's to music!
    I have no life save when the swords clash.
    But ah! when I see the standards gold, vair, purple, opposing
    And the broad fields beneath them turn crimson,
    Then howl I my heart nigh mad with rejoicing.

    II

    In hot summer I have great rejoicing
    When the tempests kill the earth's foul peace,
    And the lightning from black heav'n flash crimson,
    And the fierce thunders roar me their music
    And the winds shriek through the clouds mad, opposing,
    And through all the riven skies God's swords clash.

    III

    Hell grant soon we hear again the swords clash!
    And the shrill neighs of destriers in battle rejoicing,
    Spiked breast to spiked breat opposing!
    Better one hour's stour than a year's peace
    With fat boards, bawds, wine and frail music!
    Bah! there's no wine like the blood's crimson!

    IV

    And I love to see the sun rise blood-crimson.
    And I watch his spears through the dark clash
    And it fills all my heart with rejoicing
    And pries wide my mouth with fast music
    When I see him so scorn and defy peace,
    His long might 'gainst all darkness opposing.

    V

    The man who fears war and squats opposing
    My words for stour, hath no blood of crimson
    But is fit only to rot in womanish peace
    Far from where worth's won and the swords clash
    For the death of such sluts I go rejoicing;
    Yea, I fill all the air with my music.

    VI

    Papiols, Papiols, to the music!
    There's no sound like to swords swords opposing,
    No cry like the battle's rejoicing
    When our elbows and swords drip the crimson
    And our charges 'gainst "The Leopard's" rush clash.
    May God damn for ever all who cry "Peace!"

    VII

    And let the music of the swords make them crimson!
    Hell grant soon we hear again the swords clash!
    Hell blot black for always the thought "Peace!"
    "Have the strength to force the moment to its crisis".

  6. #666
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    This might have already been posted in this thread, but I'm not going through 45 pages, so I'll just post it anyway
    I haven't really read that much poetry to be honest, but my favourite I've read so far is Ted Hughes' Thistles, as you may be able to tell from my signature. The poem in full:

    Against the rubber tongues of cows and the hoeing hands of men
    Thistles spike the summer air
    And crackle open under a blue-black pressure.

    Every one a revengeful burst
    Of resurrection, a grasphed fistful
    Of splintered weapons and Icelandic frost thrust up

    From the underground stain of a decayed Viking.
    They are like pale hair and the gutturals of dialects.
    Every one manages a plume of blood.

    Then they grow grey like men.
    Mown down, it is a feud. Their sons appear
    Stiff with weapons, fighting back over the same ground.
    Against the rubber tongues of cows and the hoeing hands of men
    Thistles spike the summer air

  7. #667
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    I like Stopping by Woods on A Snowy Evening by Robert Frost....

  8. #668
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    Don't know much on poetry,lol.Rhime Of The Ancient Mariner,Beowulf,the Robert Frost poem I quoted from below,The Boy Who Laughed At Santa Claus,Casey At The Bat,Edgar Allen Poe's The Raven and To Helen.That's about my limit.Oh and Four Ruthless Rhymes,but I only remember three of them

    Making toast by the fireside Nurse fell in the grate and died
    But what makes it ten times worse All the toast was burnt with nurse.

    There's been an accident they said Your servant's cut in half,He's dead
    Oh that is terrible but please Send me the half that's got my keys.

    Billy in one of his nice new sashes Fell in the fire and was burned to ashes
    Now although the room groes chilly I haven't the heart to poke up Billy.
    Last edited by Armand2u; 02-05-2010 at 02:16 PM. Reason: Erors
    Two Roads Diverged In A Wood And I,I Took The One Less Travelled By,And That Has Made ALL The Difference.
    Robert Frost-The Road Not Taken

    Get Busy Living Or Get Busy Dieing.
    Stephen King-Different Seasons

    The Only Thing Necessary For The Continuance Of Evil Is For A Good Man To Do Nothing.
    Sir Edmund Burke

  9. #669
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    Oh yes - I remember scraps -

    Always hold on tight to nurse
    For fear of finding Something Worse

    good advice.

  10. #670
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    Keats' Ode To A Nightingale is one that I'm fond of, but also, Whitman's Crossing Brooklyn Ferry. Someone referenced William Carlos Williams earlier, but I never could enjoy his work. Another antiquated and overlooked poem is Timor Mortis Conturbat Me. I suggest everyone check it out.

  11. #671
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    Blackberrying by Sylvia Plath

    Nobody in the lane, and nothing, nothing but blackberries,
    Blackberries on either side, though on the right mainly,
    A blackberry alley, going down in hooks, and a sea
    Somewhere at the end of it, heaving. Blackberries
    Big as the ball of my thumb, and dumb as eyes
    Ebon in the hedges, fat
    With blue-red juices. These they squander on my fingers.
    I had not asked for such a blood sisterhood; they must love me.
    They accommodate themselves to my milkbottle, flattening their sides

    Overhead go the choughs in black, cacophonous flocks --
    Bits of burnt paper wheeling in a blown sky.
    Theirs is the only voice, protesting, protesting.
    I do not think the sea will appear at all.
    The high, green meadows are glowing, as if lit from within.
    I come to one bush of berries so ripe it is a bush of flies,
    Hanging their bluegreen bellies and their wing panes in a Chinese screen.
    The honey-feast of the berries has stunned them; they believe in heaven.
    One more hook, and the berries and bushes end.

    The only thing to come now is the sea.
    From between two hills a sudden wind funnels at me,
    Slapping its phantom laundry in my face.
    These hills are too green and sweet to have tasted salt.
    I follow the sheep path between them. A last hook brings me
    To the hills' northern face, and the face is orange rock
    That looks out on nothing, nothing but a great space
    Of white and pewter lights, and a din like silversmiths
    Beating and beating at an intractable metal
    Last edited by Babyguile; 02-16-2010 at 12:36 AM.
    'Anger's my meat; I sup upon myself,
    And so shall starve with feeding.'
    Volumnia in Coriolanus

  12. #672
    Registered User yunxin's Avatar
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    It Is the Hour 此刻 --George Gordon Byron, Lord Byron
    
    It is the hour when from the boughs
    The nightingale's high note is heard;
    It is the hour -- when lover's vows
    Seem sweet in every whisper'd word;
    And gentle winds and waters near,
    Make music to the lonely ear.
    Each flower the dews have lightly wet,
    And in the sky the stars are met,
    And on the wave is deeper blue,
    And on the leaf a browner hue,
    And in the Heaven that clear obscure
    So softly dark, and darkly pure,
    That follows the decline of day
    As twilight melts beneath the moon away.

  13. #673
    Pro Libertate L.M. The Third's Avatar
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    Great thread! Can't figure out why my computer won't let me get to the last page here
    I have so many favorites, but here are two Milton poems that I've been obsessed with lately, and I bet no one has posted. Very religious, I know, but they are so packed with meaning on music, poetry, and humanity. And besides that, I just love the flow and choice of words. You can judge if they deserve the attention I'm giving them.

    At A Solemn Music

    Blest pair of sirens, pledges of heaven's joy,
    Sphere-born harmonious sisters, Voice and Verse,
    Wed your divine sounds, and mixed power employ,
    Dead things with inbreathed sense able to pierce,
    And to our high-raised fantasy present
    That undisturbed song of pure concent,
    Aye sung before the sapphire-coloured throne
    To him that sits thereon,
    With saintly shout and solemn jubilee;
    Where the bright seraphim in burning row
    Their loud uplifted angel-trumpets blow,
    And the cherubic host in thousand choirs
    Touch their immortal harps of golden wires,
    Hymns devout and holy psalms
    Singing everlastingly.

    That we on earth, with undiscording voice,
    May rightly answer that melodious noise;
    As once we did, till disproportioned sin
    Jarred against nature's chime, and with harsh din
    Broke the fair music that all creatures made
    To their great Lord, whose love their motion swayed
    In perfect diapason, whilst they stood
    In first obedience, and their state of good.
    O may we soon again renew that song,
    And keep in tune with heaven, till God ere long
    To his celestial consort us unite,
    To live with him, and sing in endless morn of light.

    Last edited by L.M. The Third; 02-28-2010 at 01:31 AM. Reason: Hmmm, so why had I made quick decision these were sonnets, based on aprox. length, when I'd never counted the lines?

  14. #674
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    Has anyone put this one up yet? Sailing to Byzantium by W.B. Yeats.
    My favorite bit is the first half on the second stanza.

    THAT is no country for old men. The young
    In one another's arms, birds in the trees
    - Those dying generations - at their song,
    The salmon-falls, the mackerel-crowded seas,
    Fish, flesh, or fowl, commend all summer long
    Whatever is begotten, born, and dies.
    Caught in that sensual music all neglect
    Monuments of unageing intellect.

    An aged man is but a paltry thing,
    A tattered coat upon a stick, unless
    Soul clap its hands and sing, and louder sing
    For every tatter in its mortal dress,
    Nor is there singing school but studying
    Monuments of its own magnificence;
    And therefore I have sailed the seas and come
    To the holy city of Byzantium.

    O sages standing in God's holy fire
    As in the gold mosaic of a wall,
    Come from the holy fire, perne in a gyre,
    And be the singing-masters of my soul.
    Consume my heart away; sick with desire
    And fastened to a dying animal
    It knows not what it is; and gather me
    Into the artifice of eternity.

    Once out of nature I shall never take
    My bodily form from any natural thing,
    But such a form as Grecian goldsmiths make
    Of hammered gold and gold enamelling
    To keep a drowsy Emperor awake;
    Or set upon a golden bough to sing
    To lords and ladies of Byzantium
    Of what is past, or passing, or to come

  15. #675
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    this has always been a personal favourite.
    it is exceptionally beautiful in its simplicity.

    On a Discovered Curl of Hair

    When your soft welcomings were said,
    This curl was waving on your head,
    And when we walked where breakers dinned
    It sported in the sun and wind,
    And when I had won your words of grace
    It brushed and clung about my face.
    Then, to abate the misery
    Of absentness, you gave it me.

    Where are its fellows now? Ah, they
    For brightest brown have donned a gray,
    And gone into a caverned ark,
    Ever unopened, always dark!

    Yet this one curl, untouched of time,
    Beams with live brown as in its prime,
    So that it seems I even could now
    Restore it to the living brow
    By bearing down the western road
    Till I had reached your old abode.

    February 1913.

    By Thomas Hardy, in memory of his darling Emma

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