
Originally Posted by
billl
Another smart technique might be to go ahead and write it down, but then look at it again later, with the expectation that there will be some gold in there along with a lot of other stuff that was just filler, necessarily laid out as you were racing to get it all down. When the muse hits, type away, I say, and save the analysis and editing for later. Chances are there'll be something well worth cleaning up--and, if there is, it'd be a shame not to do the cleaning.
I think that the unprofessional therapist is a good idea, but it might be fun to think of subtler ways to convey it than full-on crying. You got the concept down, but here's a place where the implemantation could be worked on maybe. Maybe, in her counseling, she returns a couple times to a certain theme that doesn't apply to her patient, and keeps staring at a family photo on the desk, fiddling with her ring... Or something less cliched than my example. I know it'd be a challenge in such a brief story, but it'd be cool if it worked.
I also like the way that Danny 'triumphs' over a flawed therapeutic process, and fixes himself. However, and this is just my opinion, I think it's strange to point to 'voices in the head' being his guide out of the situation, because it just seems to be one, standard internal voice doing the thinking during the narration of the story. If there are other voices, I don't think they'd really deserve any credit . Maybe it's a joke? It could be a good gotcha-horror type ending though, if the narration avoided Danny's thought processes, and the character was revealed solely through movement and dialogue....
I liked the story, and I was able to 'buy into' the emotional/irresponsible therapist--and the fact that you wrote it so quickly did maybe contribute to a less-than-ponderous pace . I think it was a pretty good job, and very inspired, but like Aunt Shecky says, it could also be improved (even a more beautiful marble painting!).