Malory's Le Morte d'Arthur. Who's more British than King Arthur?
Although, after reading JBI's post, I concede that Malory borrows from a rather French chivalric tradition.
Malory's Le Morte d'Arthur. Who's more British than King Arthur?
Although, after reading JBI's post, I concede that Malory borrows from a rather French chivalric tradition.
Good thinking! And theres the whole thing about Tea.
I think Wild Woman has hit on something.and Kilted does have a point regarding Scott.
If we are thinking that line, than Brideshead revisited is also discounted.
I would go with Tom Jones by Feilding. I think it satirically portrays the british quite well!
"Come away O human child!To the waters of the wild, With a faery hand in hand, For the worlds more full of weeping than you can understand."
W.B.Yeats
"If it looks like a Dwarf and smells like a Dwarf, then it's probably a Dwarf (or a latrine wearing dungarees)"
Artemins Fowl and the Lost Colony by Eoin Colfer
my poems-please comment Forum Rules
Brideshead Revisited or The Heart of The Matter... though I also think a strong case could be made for The Lord of The Rings...
Last edited by _Shannon_; 03-11-2009 at 09:00 PM.
Brideshead Revisited and Mrs Dalloway
[QUOTE=Brian Bean;684913]
No, I just mean from a modern perspective, that sort of stern morality and refinedness you get in Brief Encounter. Loved it.
Good point from kilted- I suppse the majority of people will choose English novels, but I didn't want to stop people picking seminal works from Wales, Scotland, and Ireland simply because I didn't know much about them.
Last edited by kelby_lake; 03-12-2009 at 01:50 PM.
Just to clarify I am not oposed by any means to the choice of an english novel - england after all does make up a large component of the UK. What I am opposed to however is a "manor house" type story. I would not disagree out of hand with choices like Defoe's Moll Flanders or the works of many other victorian writers however.
This is just why I think we need to define what britishness is before we can come up with a novel we think best encapsulates it. (who knows the novel best encampassing "britain" may not have even been written by a brit.)
There once was a scotsman named Drew
Who put too much wine in his stew
He felt a bit drunk
And fell off his bunk
And landed smack into his shoe ~(C) Ms Niamh Anne King
I don't think Britishness can be defined in any meaningful sense. After all, The Act of Union with Scotland was just a convenient device for getting around the dual monarchy situation. Personally, I am in favour of Scottish independence and ditto for the Welsh but, by the same token I would welcome English independence,.The idea of Great Britain holds little attraction for me and in France I am L'Anglais, in Germany I am Der Englander and in Italy L'Inglese. Up until 1945 I would have been proud of my English heritage but not subsequently; for an answer to that it is necessary to read my book Pro Bono Publico.
"Brave New World" is a great British novel by Aldous Huxley.
Douglas Adam's books,esp. Hitchiker's Guide to the Galaxy are great British novels.
Three Men in a Boat (To Say Nothing of the Dog) by Jerome K. Jerome.
~
"It is not that I am mad; it is only that my head is different from yours.”
~
i would have said it sounds a bit more like self-promotion!
i think the concept of Britishness is mostly bound up in the victorian era when the novel form became increasingly popular, and so is defined by ideas of empire and male hegemony and the misguided opinion that the British race was superior to everybody else, etc
im not sure Britishness really has any meaning today, apart from the olympics.. and even then it is pretty tenuous
so when i think of ideas of Britishness it is definitely (for me) confined to a historical viewpoint which I think probably stretches from the late eighteenth century right up to the end of world war II
When the going gets weird, the weird turn pro
Very interesting point mentioned by JBI
To some extent I agree. We cannot identify something as pure literature of a country ... all the oral and even written literature are influencing each other not only the western literature but also the eastern too (a kind of intertexuality). Once I had a project about Chaucer Boccaccio and One and Thousand Nights. There were the same or similar stories in three books ... of course Chaucer got influenced by Decameron but there are some hints that there are other influences. On this point I agree with JBI, but any country needs to make itself identified by something called literature ... it is an identity for that. Something interesting... I think you heard about Jalal ad-Din Muhammad Rumi (Maulana) and there are some countries claiming he is their poet and not the others. There are classifications of this kind, even we have Irish literature, Scottish literature ... British ... but let it be what is the problem.
One more thing, now we have english literature and English literature ... english as those authors who are not from any english speaking countries but colonial world or just writing in English. And English literature as those written by an English author (British, Canadian, Australian, American ...) ... we are good classifiers in anything
Art is a lie that leads to the truth.
--Picasso
Unfortunately there is a tendency for literary topics to stray into political and other areas and this one was already off-topic with the re-defining of British into regional literature. The original post asked " What is THE great British novel ?" Members can choose anything from the UK's constituent parts but have chosen to begin a debate about individual countries contributions rather than refer to them collectively as British literature. However, what is your choice for THE great British novel Wessex ?