I started a similar thread "The Magical World of Children's Illustration". In doing so I discovered many of the illustrators' themes crossed over into the adult realm of fine literature. Therefore I thought I would start this separate thread. I hope you will check out both. Some of the same artists will be featured in both threads, but with entirely different themes and subject matter. I often come across these marvelous and talented illustrators while expanding my own offline files and thought it would be nice to share them with others on this forum. Please contribute if you have an interest in book illustrators - these can be books, plays, poetry. I hope to make a separate thread for "Shakespeare Illustrated", since there are tons of illustrations on the subject of Shakespeare's work.
I will start with one of my favorite artists, whose work is beautifully decorative and fluid. I have recently purchased a book of Kay's "Unknown Paintings" and find them fascinating and always so exquisite.
Kay Nielsen
I quote a brief biography from Wikipedia:
Kay Nielsen (whose first name is pronounced "kigh"), (1886-1957) was a Danish illustrator who was popular in the early 20th century, the "golden age of illustration" which lasted from when Daniel Vierge and other pioneers developed printing technology to the point that drawings and paintings could be reproduced with reasonable facility, He joined the ranks of Arthur Rackham and Edmund Dulac in enjoying the success of the gift books of the early 20th century. This fad lasted until roughly the end of World War II when economic changes made it more difficult to make a profit from elaborately illustrated books.[citation needed]
Born in Copenhagen into an artistic family, his father was director of the Royal Danish Theatre. He studied art in Paris from 1904 to 1911, and then lived in England from about 1911 to 1916. He received his first English commission from Hodder and Stoughton to illustrate a collection of fairytales, providing 24 colour plates and more than 15 monotone illustrations - In Powder and Crinoline, Fairy Tales Retold by Sir Arthur Quiller-Couch, 1913. A year later, he also provided 24 colour plates and more than 21 monotone images for the children's collection East of The Sun West of The Moon, old tales from the North, 1914.[1] The colour images for both In Powder and Crinoline and East of the Sun and West of the Moon were reproduced by a 4-colour process - in contrast to many of the illustrations prepared by his contemporaries that characteristically utilised a traditional 3-colour process.
Meanwhile he painted (in tempera) landscapes in the Dover area. Nielsen came into contact with The Society of Tempera Painters where he learned new skills, and was able to reduce the time involved in the process. In 1917 he left for New York where there was an exhibition of his work and subsequently returned to Denmark. Together with a collaborator, Johannes Poulsen, he painted stage scenery for the Royal Danish Theatre in Copenhagen. Following his theatrical work in Copenhagen, Nielsen returned to contributing to illustrated books with the publication of Fairy Tales by Hans Andersen in 1924. That title included 12 colour plates and more than 40 monotone illustrations - the colour images were prepared with integrated formal and informal borders; the informal borders were produced in a mille fleur-type style. A year later, his superb contribution to Hansel and Gretel, and Other Stories by the Brothers Grimm was first published with 12 colour images and over 20 detailed monotone illustrations. A further 5 years passed before the publication of Red Magic - the final title to be illustrated comprehensively by Nielsen: the 1930 version of Red Magic included 8 colour and more than 50 monotone contributions from the Danish artist. His art has a very hard edge, which makes his work suitable for conversion into cinema cartoon form.
In 1939 he left for California and worked for Hollywood companies, inluding The Walt Disney Company, where his work was used in the "Ave Maria" and "Night on Bald Mountain" sequences of Fantasia. In 1940 he was laid off. He did some work on "The Little Mermaid" story, but it was almost 50 years before this reached the cinema. His final years were spent in poverty. His last works were for local schools and churches. His reputation has grown steadily since then.
These are from "Arabian Nights"; the first one has long been my favorite:
The Sultan and Scheherazade
The Tale of the First Dervish
The Tale of the Young Thief
The Sultan and Scheherazade
The Favorite
The Dervish Arranged for Them to Be Together
"It's so mysterious, the land of tears." 
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Originally Posted by Dark Muse
or do they have to be presented on platters only?
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