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Thread: What's the most bautiful thing (image, piece of text, etc.) you ever read?

  1. #16
    Registered User kelby_lake's Avatar
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    Christina Rossetti
    Remember


    REMEMBER me when I am gone away,
    Gone far away into the silent land;
    When you can no more hold me by the hand,
    Nor I half turn to go, yet turning stay.
    Remember me when no more day by day
    You tell me of our future that you plann'd:
    Only remember me; you understand
    It will be late to counsel then or pray.
    Yet if you should forget me for a while
    And afterwards remember, do not grieve:
    For if the darkness and corruption leave
    A vestige of the thoughts that once I had,
    Better by far you should forget and smile
    Than that you should remember and be sad.

  2. #17
    Registered User armenian's Avatar
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    theres a scene in crime and punishment where the main character was a dream about watching a horse being beat and feeling helpless to stop it. if i could find the exact words i would post them, something about that scene just made me feel.

  3. #18
    Jealous Optimist Dori's Avatar
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    Quote Originally Posted by armenian View Post
    theres a scene in crime and punishment where the main character was a dream about watching a horse being beat and feeling helpless to stop it. if i could find the exact words i would post them, something about that scene just made me feel.
    Oh yes, I recall that seen: let me see if I can locate it...

    *Searches through Litnet's online text of C&P*

    Ah yes, it's Chapter 5 of Part 1 (I particularly like the first paragraph; D. was quite the psychologist. It's such a great introduction to what is to follow.):

    In a morbid condition of the brain, dreams often have a singular actuality, vividness, and extraordinary semblance of reality. At times monstrous images are created, but the setting and the whole picture are so truthlike and filled with details so delicate, so unexpectedly, but so artistically consistent, that the dreamer, were he an artist like Pushkin or Turgenev even, could never have invented them in the waking state. Such sick dreams always remain long in the memory and make a powerful impression on the overwrought and deranged nervous system.

    Raskolnikov had a fearful dream. He dreamt he was back in his childhood in the little town of his birth. He was a child about seven years old, walking into the country with his father on the evening of a holiday. It was a grey and heavy day, the country was exactly as he remembered it; indeed he recalled it far more vividly in his dream than he had done in memory. The little town stood on a level flat as bare as the hand, not even a willow near it; only in the far distance, a copse lay, a dark blur on the very edge of the horizon. A few paces beyond the last market garden stood a tavern, a big tavern, which had always aroused in him a feeling of aversion, even of fear, when he walked by it with his father. There was always a crowd there, always shouting, laughter and abuse, hideous hoarse singing and often fighting. Drunken and horrible-looking figures were hanging about the tavern. He used to cling close to his father, trembling all over when he met them. Near the tavern the road became a dusty track, the dust of which was always black. It was a winding road, and about a hundred paces further on, it turned to the right to the graveyard. In the middle of the graveyard stood a stone church with a green cupola where he used to go to mass two or three times a year with his father and mother, when a service was held in memory of his grandmother, who had long been dead, and whom he had never seen. On these occasions they used to take on a white dish tied up in a table napkin a special sort of rice pudding with raisins stuck in it in the shape of a cross. He loved that church, the old-fashioned, unadorned ikons and the old priest with the shaking head. Near his grandmother's grave, which was marked by a stone, was the little grave of his younger brother who had died at six months old. He did not remember him at all, but he had been told about his little brother, and whenever he visited the graveyard he used religiously and reverently to cross himself and to bow down and kiss the little grave. And now he dreamt that he was walking with his father past the tavern on the way to the graveyard; he was holding his father's hand and looking with dread at the tavern. A peculiar circumstance attracted his attention: there seemed to be some kind of festivity going on, there were crowds of gaily dressed townspeople, peasant women, their husbands, and riff-raff of all sorts, all singing and all more or less drunk. Near the entrance of the tavern stood a cart, but a strange cart. It was one of those big carts usually drawn by heavy cart-horses and laden with casks of wine or other heavy goods. He always liked looking at those great cart- horses, with their long manes, thick legs, and slow even pace, drawing along a perfect mountain with no appearance of effort, as though it were easier going with a load than without it. But now, strange to say, in the shafts of such a cart he saw a thin little sorrel beast, one of those peasants' nags which he had often seen straining their utmost under a heavy load of wood or hay, especially when the wheels were stuck in the mud or in a rut. And the peasants would beat them so cruelly, sometimes even about the nose and eyes, and he felt so sorry, so sorry for them that he almost cried, and his mother always used to take him away from the window. All of a sudden there was a great uproar of shouting, singing and the balalaïka, and from the tavern a number of big and very drunken peasants came out, wearing red and blue shirts and coats thrown over their shoulders.

    "Get in, get in!" shouted one of them, a young thick-necked peasant with a fleshy face red as a carrot. "I'll take you all, get in!"

    But at once there was an outbreak of laughter and exclamations in the crowd.

    "Take us all with a beast like that!"

    "Why, Mikolka, are you crazy to put a nag like that in such a cart?"

    "And this mare is twenty if she is a day, mates!"

    "Get in, I'll take you all," Mikolka shouted again, leaping first into the cart, seizing the reins and standing straight up in front. "The bay has gone with Matvey," he shouted from the cart--"and this brute, mates, is just breaking my heart, I feel as if I could kill her. She's just eating her head off. Get in, I tell you! I'll make her gallop! She'll gallop!" and he picked up the whip, preparing himself with relish to flog the little mare.

    "Get in! Come along!" The crowd laughed. "D'you hear, she'll gallop!"

    "Gallop indeed! She has not had a gallop in her for the last ten years!"

    "She'll jog along!"

    "Don't you mind her, mates, bring a whip each of you, get ready!"

    "All right! Give it to her!"

    They all clambered into Mikolka's cart, laughing and making jokes. Six men got in and there was still room for more. They hauled in a fat, rosy-cheeked woman. She was dressed in red cotton, in a pointed, beaded headdress and thick leather shoes; she was cracking nuts and laughing. The crowd round them was laughing too and indeed, how could they help laughing? That wretched nag was to drag all the cartload of them at a gallop! Two young fellows in the cart were just getting whips ready to help Mikolka. With the cry of "now," the mare tugged with all her might, but far from galloping, could scarcely move forward; she struggled with her legs, gasping and shrinking from the blows of the three whips which were showered upon her like hail. The laughter in the cart and in the crowd was redoubled, but Mikolka flew into a rage and furiously thrashed the mare, as though he supposed she really could gallop.

    "Let me get in, too, mates," shouted a young man in the crowd whose appetite was aroused.

    "Get in, all get in," cried Mikolka, "she will draw you all. I'll beat her to death!" And he thrashed and thrashed at the mare, beside himself with fury.

    "Father, father," he cried, "father, what are they doing? Father, they are beating the poor horse!"

    "Come along, come along!" said his father. "They are drunken and foolish, they are in fun; come away, don't look!" and he tried to draw him away, but he tore himself away from his hand, and, beside himself with horror, ran to the horse. The poor beast was in a bad way. She was gasping, standing still, then tugging again and almost falling.

    "Beat her to death," cried Mikolka, "it's come to that. I'll do for her!"

    "What are you about, are you a Christian, you devil?" shouted an old man in the crowd.

    "Did anyone ever see the like? A wretched nag like that pulling such a cartload," said another.

    "You'll kill her," shouted the third.

    "Don't meddle! It's my property, I'll do what I choose. Get in, more of you! Get in, all of you! I will have her go at a gallop! . . ."

    All at once laughter broke into a roar and covered everything: the mare, roused by the shower of blows, began feebly kicking. Even the old man could not help smiling. To think of a wretched little beast like that trying to kick!

    Two lads in the crowd snatched up whips and ran to the mare to beat her about the ribs. One ran each side.

    "Hit her in the face, in the eyes, in the eyes," cried Mikolka.

    "Give us a song, mates," shouted someone in the cart and everyone in the cart joined in a riotous song, jingling a tambourine and whistling. The woman went on cracking nuts and laughing.. . He ran beside the mare, ran in front of her, saw her being whipped across the eyes, right in the eyes! He was crying, he felt choking, his tears were streaming. One of the men gave him a cut with the whip across the face, he did not feel it. Wringing his hands and screaming, he rushed up to the grey-headed old man with the grey beard, who was shaking his head in disapproval. One woman seized him by the hand and would have taken him away, but he tore himself from her and ran back to the mare. She was almost at the last gasp, but began kicking once more.

    "I'll teach you to kick," Mikolka shouted ferociously. He threw down the whip, bent forward and picked up from the bottom of the cart a long, thick shaft, he took hold of one end with both hands and with an effort brandished it over the mare.

    "He'll crush her," was shouted round him. "He'll kill her!"

    "It's my property," shouted Mikolka and brought the shaft down with a swinging blow. There was a sound of a heavy thud.

    "Thrash her, thrash her! Why have you stopped?" shouted voices in the crowd.

    And Mikolka swung the shaft a second time and it fell a second time on the spine of the luckless mare. She sank back on her haunches, but lurched forward and tugged forward with all her force, tugged first on one side and then on the other, trying to move the cart. But the six whips were attacking her in all directions, and the shaft was raised again and fell upon her a third time, then a fourth, with heavy measured blows. Mikolka was in a fury that he could not kill her at one blow.

    "She's a tough one," was shouted in the crowd.

    "She'll fall in a minute, mates, there will soon be an end of her," said an admiring spectator in the crowd.

    "Fetch an axe to her! Finish her off," shouted a third.

    "I'll show you! Stand off," Mikolka screamed frantically; he threw down the shaft, stooped down in the cart and picked up an iron crowbar. "Look out," he shouted, and with all his might he dealt a stunning blow at the poor mare. The blow fell; the mare staggered, sank back, tried to pull, but the bar fell again with a swinging blow on her back and she fell on the ground like a log.

    "Finish her off," shouted Mikolka and he leapt beside himself, out of the cart. Several young men, also flushed with drink, seized anything they could come across--whips, sticks, poles, and ran to the dying mare. Mikolka stood on one side and began dealing random blows with the crowbar. The mare stretched out her head, drew a long breath and died.

    "You butchered her," someone shouted in the crowd.

    "Why wouldn't she gallop then?"

    "My property!" shouted Mikolka, with bloodshot eyes, brandishing the bar in his hands. He stood as though regretting that he had nothing more to beat.

    "No mistake about it, you are not a Christian," many voices were shouting in the crowd.

    But the poor boy, beside himself, made his way, screaming, through the crowd to the sorrel nag, put his arms round her bleeding dead head and kissed it, kissed the eyes and kissed the lips. . . . Then he jumped up and flew in a frenzy with his little fists out at Mikolka. At that instant his father, who had been running after him, snatched him up and carried him out of the crowd.

    "Come along, come! Let us go home," he said to him.

    "Father! Why did they . . . kill . . . the poor horse!" he sobbed, but his voice broke and the words came in shrieks from his panting chest.

    "They are drunk. . . . They are brutal . . . it's not our business!" said his father. He put his arms round his father but he felt choked, choked. He tried to draw a breath, to cry out--and woke up.

    He waked up, gasping for breath, his hair soaked with perspiration, and stood up in terror.

    "Thank God, that was only a dream," he said, sitting down under a tree and drawing deep breaths. "But what is it? Is it some fever coming on? Such a hideous dream!"
    com-pas-sion (n.) [ME. & OFr. <LL. (Ec.) compassio, sympathy < compassus, pp. of compati, to feel pity < L. com-, together + pali, to suffer] sorrow for the sufferings or trouble of another or others, accompanied by an urge to help; deep sympathy; pity

    Dostoevsky Forum!

  4. #19
    Registered User armenian's Avatar
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    nice going,

  5. #20
    noquoteisthisshort. coolestnerdever's Avatar
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    "I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet." ~Sylvia Plath, The Bell Jar, Chapter 7
    Well behaved women rarely make history.
    -Laurel Thatcher Ulrich.

  6. #21
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    There's so much to choose from.

    One of my favorite scenes is when Natasha comes to Prince Andrei's wagon in the middle of the night while he lies wounded from a shell fragment received at the battle of Borodino.

    And I don't know if it's beautiful or not, but my favorite opening sentence of any book:

    The man in black fled across the desert, and the gunslinger followed.

    Everything's right there in that one sentence.

  7. #22
    give me leave to speak
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    :you shall above all things be glad and young: e.e. cummings
    you shall above all things be glad and young
    For if you're young,whatever life you wear


    it will become you;and if you are glad
    whatever's living will yourself become.
    Girlboys may nothing more than boygirls need:
    i can entirely her only love


    whose any mystery makes every man's
    flesh put space on;and his mind take off time


    that you should ever think,may god forbid
    and (in his mercy) your true lover spare:
    for that way knowledge lies,the foetal grave
    called progress,and negation's dead undoom.


    I'd rather learn from one bird how to sing
    than teach ten thousand stars how not to dance

  8. #23
    Registered User Proust71's Avatar
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    In Victor Hugo's work The Hunchback of Notre-Dame, the author digresses, although importantly, to the works and construction of architecture. Never before have I beheld something that captivated me and informed me simultaneously. Beautifully done. Oh, and I cannot languish the ending to Plato's The Republic, as it structures the reincarnation of the soul, which, albeit I do not believe in such recurrences of human essence, aesthetically penetrated my mind wherein I shall never forget.
    How often is not the prospect of future happiness thus sacrificed to one's impatient insistence upon immediate gratification.

    -Swann's Way

  9. #24
    Registered User kelby_lake's Avatar
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    “--and I looked and looked at her, and knew as clearly as I know I am to die, that I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. She was only the faint violet whiff and dead leaf echo of the nymphet I had rolled myself upon with such cries in the past; an echo on the brink of a russet ravine, with a far wood under a white sky, and brown leaves choking the brook, and one last cricket in the crisp weeds . . . but thank God it was not that echo alone that I worshipped. What I used to pamper among the tangled vines of my heart, mon grand pèchè radieux, had dwindled to its essence: sterile and selfish vice, all that I canceled and cursed. You may jeer at me, and threaten to clear the court, but until I am gagged and half-throttled, I will shout my poor truth. I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another's child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque part oû nous ne serons jamais sèparès; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torn--even then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.”

  10. #25
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    To say that I can cite a "most beautiful" piece of literature would be very difficult. I can say that a "very beautiful" piece of literature would be Eavan Boland's poem, "Listen. This is the Noise of Myth." Definitely read it if you haven't yet. Also, most of John Banville's work is beautifully written.

  11. #26
    Two Gun Kid Idril's Avatar
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    Halldor Laxness regularly creates scenes that I proclaim to be the most beautiful thing ever written, the book Independent People is rich with such moments and I can easily say the book as a whole is the most beautiful book I've ever read despite it's bleak content. Here is a sampling:

    "A grassy hollow on the margin of the river, and leading up to it through the dew the wandering trail left by two inexperienced feet. The birds were silent for a while. She sat on the bank and listened. Then she stripped herself of her torn everyday rags under a sky that could wipe even the sunless winters of a whole lifetime from the memory, the sky of this Midsummer Eve. Young goddess of the sunlit night, perfect in her half-mature nakedness. Nothing in life is so beautiful as the night before what is yet to be, the night and its dew. She wished her wish, slender and half-grown in the half-grown grass and its dew. Body and soul were one, and the unity was perfectly pure in the wish."

    "When life is a weariness and escape impossible, it is wonderful to have a friend who can bring us peace with the touch of a hand."

    Those were good days. They were serene days and quite undemonstrative, like the best days in one's life; the boy never forgot them. Nothing happens; one simply lives and breathes and wishes for nothing more, and nothing more."

    And then there's this from his World Light:

    "And the night went on passing. All life's thread were entwined into one cord, all it's laws reduced to their fundamentals, love reigned alone. The first rays of the morning sun found a man and woman, naked, smiling mankind's eternal smile at one another, and the murmur of the birds had grown louder and the sea was ruffled by the morning breeze, and they had started whispering to one another and telling one another the story of their love."

    I have to stop now or I'll end up repeating the whole of his books. I'm not sure they retain their full power when read out of context but they hold a lot of power for me.
    the luminous grass of the prairie hides
    feet lovely and still as sleeping doves,
    porcelain bones strong enough to carry a life,
    but weighty and unmovable
    As black Dakota hills.
    ~ Riesa

  12. #27
    Of Subatomic Importance Quark's Avatar
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    Quote Originally Posted by Dori View Post
    One of my favorite passages (I prefer the Garnett translation--of this passage especially--but another is provided for those who particularly dislike Garnett's translations):

    THE IDIOT by Fyodor Dostoevsky
    Excerpted from Part II, Chapter V
    I liked that part, too. The novel was a little inconsistent in quality, but certain sections were very engaging. That part describing Myskin's seisure was one of the better parts that kept you reading through some of the long boring sections.

    If I had to pick a beautiful piece of text, I'd probably go with the end of Kafka's The Trial. It may seem like an odd choice since it's rather morbid and not particularly pretty, but there is an image which is quite moving at the very end. K., who's been dodging conviction for an undefined crime, is finally caught and about to be killed when he sees someone in the distance appear from out a window in a far off building.

    As he looked round, he saw the top floor of the building next
    to the quarry. He saw how a light flickered on and the two halves of a
    window opened out, somebody, made weak and thin by the height and the
    distance, leant suddenly far out from it and stretched his arms out even
    further. Who was that? A friend? A good person? Somebody who was
    taking part? Somebody who wanted to help? Was he alone? Was it
    everyone? Would anyone help? Were there objections that had been
    forgotten? There must have been some. The logic cannot be refuted, but
    someone who wants to live will not resist it. Where was the judge he'd
    never seen? Where was the high court he had never reached? He raised
    both hands and spread out all his fingers.
    I suppose it's not as beautiful if you haven't read the rest of the story, so I'll try to explain it quickly. K. has been on a search for the high court in order to face the accusations against him, but instead he's lead through a maze of beauracracy. He never meets the judge in charge of his case. He only get to communicate with certain petty officials who don't even seem particularly interested in whether K. is innocent or not. K's search becomes more abstract as the story goes on. It becomes less about him, and more about finding justice. The petty officials try to get K. to abandon his ideals of truth and justice, and instead work within the corrupt system. K. defies them to the end, so they have to execute him. When the person emerges from the window in the quote above, it's a symbol for those ideals that K. searched for. Kafka handles it well, too. He makes the person ambiguous. We never know who they were or why they opened the window, just as we're never sure whether K's idea of truth and justice is real either. The image is both an effective symbol and a beautiful image.
    "Par instants je suis le Pauvre Navire
    [...] Par instants je meurs la mort du Pecheur
    [...] O mais! par instants"

    --"Birds in the Night" by Paul Verlaine (1844-1896). Join the discussion here: http://www.online-literature.com/for...5&goto=newpost

  13. #28
    Registered User WayneHughes's Avatar
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    From Heart of Darkness by Joseph Conrad:

    Forthwith a change came over the waters, and the serenity became less brilliant but more profound. The old river in its broad reach rested unruffled at the decline of day, after ages of good service done to the race that peopled its banks, spread out in the tranquil dignity of a waterway leading to the uttermost ends of the earth. We looked at the venerable stream not in the vivid flush of a short day that comes and departs for ever, but in the august light of abiding memories. And indeed nothing is easier for a man who has, as the phrase goes, "followed the sea" with reverence and affection, that to evoke the great spirit of the past upon the lower reaches of the Thames. The tidal current runs to and fro in its unceasing service, crowded with memories of men and ships it had borne to the rest of home or to the battles of the sea. It had known and served all the men of whom the nation is proud, from Sir Francis Drake to Sir John Franklin, knights all, titled and untitled--the great knights-errant of the sea. It had borne all the ships whose names are like jewels flashing in the night of time, from the Golden Hind returning with her rotund flanks full of treasure, to be visited by the Queen's Highness and thus pass out of the gigantic tale, to the Erebus and Terror, bound on other conquests-- and that never returned. It had known the ships and the men. They had sailed from Deptford, from Greenwich, from Erith-- the adventurers and the settlers; kings' ships and the ships of men on 'Change; captains, admirals, the dark "interlopers" of the Eastern trade, and the commissioned "generals" of East India fleets. Hunters for gold or pursuers of fame, they all had gone out on that stream, bearing the sword, and often the torch, messengers of the might within the land, bearers of a spark from the sacred fire. What greatness had not floated on the ebb of that river into the mystery of an unknown earth! . . . The dreams of men, the seed of commonwealths, the germs of empires.

  14. #29
    Alea iacta est. mortalterror's Avatar
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    The first two pages of Thomas Wolfe's Look Homeward, Angel has to be the most beautiful opening I can recall to a novel, as impressive in fact as the opening of Nabokov's Lolita. I'm not sure if it's still under copyright, so I'll post a link to it's Amazon site.

    http://www.amazon.com/gp/reader/0743...0J#reader-link
    "So-Crates: The only true wisdom consists in knowing that you know nothing." "That's us, dude!"- Bill and Ted
    "This ain't over."- Charles Bronson
    Feed the Hungry!

  15. #30
    Registered User kelby_lake's Avatar
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    It's strange!

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