Waiting for Godot by Samuel Beckett

[mayneverhave]

Waiting for Godot by Samuel Beckett

Waiting for Godot is one of Samuel Beckett's most famous and oft-read dramas, ostensibly concerning the exploits of two men, Vladimir and Estragon, as they wait for the arrival of a man, or entity, known as Godot. The bulk of the play consists of witty back-and-forth between the two main characters, as they reminisce, argue, complain about physical discomfort, and consider hanging themselves. For two acts, Godot continues his absence, and the curtain closes on the two deciding to leave, only to remain motionless.

In this play, Beckett achieves, what I consider, the sublime peak of absurdist-fiction. The play is not about religion, existentialism, or the war. Rather, the point of the play is nothing, in the most definite sense of the word. The play concerns itself with the fundamental absurdity of reality, life, and meaninglessness.

I highly recommend this play to anyone who is interested in the philosophy of the absurd, existentialism, or experimental literature. The play is extremely open to interpretation, and is simultaneously humorous and thought-provoking; a supreme work of twentieth century literature.

10/10

[Nossa]

I love this play...I'd def. recommend it!! 10/10

[Kafka's Crow]

Read it hundreds of time and still you will come back for more. This is the kind of literature that was 'built to last' as it just keeps on generating interpretations without giving up its final and definitive meaning. 12/10!

[ben.!]

We're learning about Absurdist theatre in this term for Drama. My drama teacher distinctly dislikes absurdism, and especially Waiting for Godot. She thinks that as a few scenes Absurdism is okay, but as a whole play it gets dragging.

I love Waiting for Godot however! I saw an excerpt of it performed by two Irishmen in an Irish pub, on a famed Dublin Literature Pub Crawl. I've loved it ever since!

Hooray for Beckett and Waiting for Godot! I'm going to read it in its entirety when I get around to it sometime, the excerpt I heard was awesome...

[Kafka's Crow]

We're learning about Absurdist theatre in this term for Drama. My drama teacher distinctly dislikes absurdism, and especially Waiting for Godot. She thinks that as a few scenes Absurdism is okay, but as a whole play it gets dragging.

I love Waiting for Godot however! I saw an excerpt of it performed by two Irishmen in an Irish pub, on a famed Dublin Literature Pub Crawl. I've loved it ever since!

Hooray for Beckett and Waiting for Godot! I'm going to read it in its entirety when I get around to it sometime, the excerpt I heard was awesome...

Good of you to go against your teacher's dislike. If you think Godot is good, try Beckett's novels. They will blow your mind. Start with Murphy and work your way up to more complex works. That's where Beckett's true artistry shows. He plays with words, kills them for sport; words dry out in his hands and crumble into ashes and dust. Strangely enough, the final effect is amazingly hilarious.

[Mr.Safdar]

i have read "waiting for Goddot" more than two or three times but still unable to solve the desired requirements that have described in this very play. will somebody share with me how many presentation can be made on this play or will some body tell me that what are the major question that arise in a readers' mind. if somebody share with me i will be thankful to him/her.

[CognitiveArtist]

This is the first, and still only, Beckett piece I've gotten through. I had to do a sociology essay on this play (my teacher is a maverick) and I've learned of some interesting interpretations through research. I must confess before I read literature on Waiting for Godot I completely missed most of these ideas, and I read it once, saw the excellent film adapation and finally read it again.

A key theme is mind vs body. Vladimir (or didi) is the mind who's always trying to remember or plan for the future, while Estragon (or gogo) is the body who's concerned with eating and bodily comfort. This reading also explains why Estragon concerns himself with his feet and the shoes upon them while Vladimir concerns himself with his hat. It also could explain why Beckett won't have them "part", or only part when they go to sleep. This theme can also be seen with Pozzo and Lucky, with Pozzo the body and Lucky the mind ("guess who taught me all these beautiful things. My Lucky!"). Except with this couple the body is dominant, where as in the case of Vladimir and Estragon it's really Vladimir who is making them remain waiting for Godot whilst also having a partially paternal relationship with Estragon.

Another theme is death. Night seems to be oblivion, nothingness or death. Whilst "the twilight" is dying, the fleeting transformation at the end of day which often has the most dazzling and beautiful rays and moments. It's interesting that Pozzo's speech on the twilight is critiqued, that is they judge and focus the style rather than the content. Humans can even live above or transcend in some way the notion of their undoing, their finitude. I can't remember much exactly on this theme, but i recall Vladimir saying something like "it's how you do it". This theme of style or attitude (I'd even call it an existential theme or dimension) can be seen to arch over the play, it's not what you wait for but how you wait.

There is slavery and oppression, which is clear with Pozzo and Lucky. They both seem dependent upon each other, despite Pozzo having at least physical dominance.


The way in which this play is special is because of it's poverty of presentation, the information given and the plot and setting are all very generic. This allows for it to retain the sense of being above it's explanations, which is how I take it to be. I haven't even heard a persuasive interpretation about who/what Godot is!

Hope these comments are helpful or interesting.

[amalia1985]

The scenes of Pozzo and Lucky are among the most powerful moments in the history of Theatre, in my opinion. It is a play that "stays" with you. I agree with CognitiveArtist. I cannot positively "adopt" any interpretation provided by teachers, scholars, critics...Can Godot be "God" or a form of it, or simply another name for "Hope"? It is possible, because the theme of domination, the stronger and the weaker, is very tense, but noone can say for certain, and this is one of the reasons that mark the unique character of Beckett's masterpiece, as you said.

[andave_ya]

oh my goodness.

I read Waiting for Godot the day before yesterday and I just thought it was extremely queer. Why would anyone want to read a play about nothing?? I'm not sure what, exactly, I took away from it so I can't at all see what everyone else likes about it?? Enlighten me, please??

[aryalah]

Hi! I'm new in this forum. Do you know the joke that Estragon starts to tell Wladimirin "Waiting for Godot": "An Englishman having drunk a little more than usual goes to a brothel" and so on. Or is it just another joke by Samuel ;-)

[Dimitra]

I read it yesterday.It was amazing,it was like it spoke to my soul this play.I will have to read it again definitely.

[DanielBenoit]

This is such a masterpiece of minimalist theatre. There is such poetry in Beckett's words of linguistic confusion. One interesting fun fact about Beckett; is that, after struggling to break from the influence of Joyce, he had an epiphany that instead of using language in the universal optimism of Joyce, Beckett decided to express the inexpresability and meaninglessness of communication. Which is shown at best in Waiting for Godot. Such a beautiful play.

[Monamy]

The scenes of Pozzo and Lucky are among the most powerful moments in the history of Theatre, in my opinion. It is a play that "stays" with you. I agree with CognitiveArtist. I cannot positively "adopt" any interpretation provided by teachers, scholars, critics...Can Godot be "God" or a form of it, or simply another name for "Hope"? It is possible, because the theme of domination, the stronger and the weaker, is very tense, but noone can say for certain, and this is one of the reasons that mark the unique character of Beckett's masterpiece, as you said.

Many readers thought that Godot is actually God in the play, for the two main characters in the play are simply waiting for him to show up and - at least - find out what he has to say or do. It gives the impression that there's nothing really left of this world.

I was surprised when Beckett stated that he didn't mean God in his play, but simply a man that didn't show up. I was disappointed for some time, for it would really make perfect sense, right? I couldn't understand that particular thing in the play, but everything else was so black and empty to that point that it actually gave me a laugh.

Like mayneverhave said, it's a really powerful example for the Theatre of the Absurd at that time. It's a pretty fun read, don't believe those who say it isn't. There is no actual point or goal in the play, but it's a good read nevertheless

9/10

[mal4mac]

There's a collection of all his plays available from faber without annotation. Is this the best buy, or do his plays need annotation? Any favoured annotated version? Or a good separate guide?

[Helga]

A few years ago a tv station showed a few movie adaptations of his plays, including waiting for Godot, and I just fell for him and read the play. just the other day I bought a collection of his work, unfortunately in Icelandic cause you can't get it in English but it's a pretty good translation so it'll do.

but this play gets 10/10