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Thread: the Mirror in victorian literature

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    the Mirror in victorian literature

    Hi everybody.

    first of all, sorry for my not extreme good english...

    Im going to wrote,a big essay about: "Mirror in the victorian literature, On posture of chosen reading ". I found this forum so I thought that maybe you will be so kind, and give me some suggestions. The books I choose: "Strange cases of dr Jekyll and mr Hyde",
    Through the Looking-Glass and What Alice Found There, and the Picture of Dorian Grey. I try to proof that, subject of mirror is something unaccidental in victorian literature.
    Im waiting for your comments

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    ellen c
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    Mirror in Victorian Lit.

    I think you have a very good idea there, Fazie
    I shall brush up my texts and get back to you
    ellen c

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    Seeker of Knowledge Shannanigan's Avatar
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    That does sound very interesting, if its not accidental, what significance are you thinking the mirror has to Victorian literature?
    You learn more about a road by travelling it than by consulting all of the maps in the world.

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    I was thinking about, literature as a mirror of epoc, and mirrors in that literature. Why mirror and antagonism is in victorian literature so visible? Is that beacuse hipocrisy? We can put mirror beetwen Dorian and his image, beetwen Jekyll and mr Hyde... I have problem to proof that literature is a mirror of epoc. For me this is obvious A myths about dualism, evil- good, sacrum-profanum is something deep in our nature. i write some more when i have some time im waiting for yours comments and ideas

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    ellen c
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    I think of the mirror in the Wilde and Stevenson books as good v evil in one human being. Have not read the Alice book yet.
    ellen c

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    I think it is an interesting subject as well.
    I Think you could be right in asuming that the mirror is there to show the dualism between good and evil.
    It couldd be, that it has to do with pre-freudian psycology. Maybe it can be understood in the same way that Stephen Greenblat sees the play within the play as Shakespeare used it in for example Hamlet. It could thus be a way for playwrights and authors to describe the psycology of the characters.
    (Stephen Greenblatt: "Shakespearean Negotiations")

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    Registered User Chrysalisyah's Avatar
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    Quote Originally Posted by fazie View Post
    Hi everybody.

    first of all, sorry for my not extreme good english...

    Im going to wrote,a big essay about: "Mirror in the victorian literature, On posture of chosen reading ". I found this forum so I thought that maybe you will be so kind, and give me some suggestions. The books I choose: "Strange cases of dr Jekyll and mr Hyde",
    Through the Looking-Glass and What Alice Found There, and the Picture of Dorian Grey. I try to proof that, subject of mirror is something unaccidental in victorian literature.
    Im waiting for your comments
    I have read the Strange Cases of Dr Jekyll and Mr Hyde, but haven't read the others you mentioned above. In my opinion, subject of mirror is something inevitable in victorian literature. The literature are the mirror of the writers' times. Thus, marking epoch in the literature world. Sorry if I weren't being specific enough.
    Currently reading: Castle of Otranto (Horace Walpole), Agnes Grey (Anne Bronte), Childe Harold's Pilgrimage (Lord George Gordon Byron)

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    Registered User Chrysalisyah's Avatar
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    Quote Originally Posted by fazie View Post
    I was thinking about, literature as a mirror of epoc, and mirrors in that literature. Why mirror and antagonism is in victorian literature so visible? Is that beacuse hipocrisy? We can put mirror beetwen Dorian and his image, beetwen Jekyll and mr Hyde... I have problem to proof that literature is a mirror of epoc. For me this is obvious A myths about dualism, evil- good, sacrum-profanum is something deep in our nature. i write some more when i have some time im waiting for yours comments and ideas
    The dualities of men is often portrayed in victorian literature - it symbolises how the mind works; the subconscious and the conscious mind. Subliminal side in a person. V interesting topic you have here.
    Currently reading: Castle of Otranto (Horace Walpole), Agnes Grey (Anne Bronte), Childe Harold's Pilgrimage (Lord George Gordon Byron)

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    Yes its very interesting, but small amount of people writing here

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    deus ex machina Shalot's Avatar
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    Are you allowed to reference poems in your paper? You could also use the mirror that Tennyson mentions in his poem "The Lady of Shalott." To sum the poem up very briefly and sloppily, The Lady of Shalott is about this women who has this weird curse upon her --- she is pretty much all alone on this island, up in a tower, weaving on her loom, and watching what she weaves in a mirror -- in fact she can only view the world through that mirror. Then one day Lancelot comes into view, she sees him in the mirror and she is compelled to look directly at him, and at that point the mirror shatters and she feels the curse upon her. And at the end of the poem she dies...

    You could definately mention the significance of the mirror in your paper --- let me know how it turns out. This sounds so interesting.

    http://www.pathguy.com/shalott.htm
    "...if you weren't smart enough to get a pedophile in a dress to put a small amount of water on the child’s forehead, then what the eff did you think was going to happen?

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    deus ex machina Shalot's Avatar
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    Talking

    Lewis Carroll - Through the Looking Glass

    Alice Enters Wonderland through a mirror.

    The Victorian period was an age of transition and change was something to be feared (maybe feared is too stong of a word, but in general change makes most of us a little apprehensive. We are naturally a little scared when we delve into the unknown). In The Lady of Shalott and in Through The Looking Glass, the mirror is a represents a pivotal point in the lives of these two female characters.

    The Lady of Shalott is somewhat content with her life on the island alone, going about her day, weaving her tapestries. Then she sees Lancelot in the mirror and turns to look at him directly -- not through the mirror where the reflections are backwards (left is right, right is left) and the consequences for the lady of Shalott are dire. At the end of the poem she dies.

    And in through the Looking Glass, Alice enters wonderland through a mirror and all is changed --- maybe the mirror represents a change in perception.

    Sorry -- just ramblings (perhaps incoherent on a very interesting topic).

    I hope some of these thoughts can help you with your paper (or at least get the word count to the desired minimum
    "...if you weren't smart enough to get a pedophile in a dress to put a small amount of water on the child’s forehead, then what the eff did you think was going to happen?

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    Hi Fazie,

    I'm joe mcquade. I'm new. This is the first time I've posted. I read your idea of a thesis for an essay on the mirror etc. and am fascinated by it. Right now I just want to mention the concept of the shadow in Jung which seems to be related to the mirror image. And also to the concept of the alter-ego which seems to be related to the mirror image and to the shadow. image. And to alterity or otherness. And possibly Narcissism because the mirror is especially important to narcissists. And the mirror is also an important metaphor in the imagery of Plato, and later in St Paul's epistle to the Corinthians. I don't know to what length and depth you are going, but I hope these brief ideas may be helpful in your investigations.

    Don't get lost in the labyrinth.

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    Bibliophile JBI's Avatar
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    No time hath she to sport and play:
    38A charmed web she weaves alway.
    39A curse is on her, if she stay
    40Her weaving, either night or day,
    41 To look down to Camelot.
    42She knows not what the curse may be;
    43Therefore she weaveth steadily,
    44Therefore no other care hath she,
    45 The Lady of Shalott.

    46She lives with little joy or fear.
    47Over the water, running near,
    48The sheepbell tinkles in her ear.
    49Before her hangs a mirror clear,
    50 Reflecting tower'd Camelot.
    51And as the mazy web she whirls,
    52She sees the surly village churls,
    53And the red cloaks of market girls
    54 Pass onward from Shalott.

    55Sometimes a troop of damsels glad,
    56An abbot on an ambling pad,
    57Sometimes a curly shepherd lad,
    58Or long-hair'd page in crimson clad,
    59 Goes by to tower'd Camelot:
    60And sometimes thro' the mirror blue
    61The knights come riding two and two:
    62She hath no loyal knight and true,
    63 The Lady of Shalott.

    64But in her web she still delights
    65To weave the mirror's magic sights,
    66For often thro' the silent nights
    67A funeral, with plumes and lights
    68 And music, came from Camelot:
    69Or when the moon was overhead
    70Came two young lovers lately wed;
    71`I am half sick of shadows,' said
    72 The Lady of Shalott.

    Part III
    73A bow-shot from her bower-eaves,
    74He rode between the barley-sheaves,
    75The sun came dazzling thro' the leaves,
    76And flam'd upon the brazen greaves
    77 Of bold Sir Lancelot.
    78A red-cross knight for ever kneel'd
    79To a lady in his shield,
    80That sparkled on the yellow field,
    81 Beside remote Shalott.

    82The gemmy bridle glitter'd free,
    83Like to some branch of stars we see
    84Hung in the golden Galaxy.
    85The bridle bells rang merrily
    86 As he rode down from Camelot:
    87And from his blazon'd baldric slung
    88A mighty silver bugle hung,
    89And as he rode his arm our rung,
    90 Beside remote Shalott.

    91All in the blue unclouded weather
    92Thick-jewell'd shone the saddle-leather,
    93The helmet and the helmet-feather
    94Burn'd like one burning flame together,
    95 As he rode down from Camelot.
    96As often thro' the purple night,
    97Below the starry clusters bright,
    98Some bearded meteor, trailing light,
    99 Moves over green Shalott.

    100His broad clear brow in sunlight glow'd;
    101On burnish'd hooves his war-horse trode;
    102From underneath his helmet flow'd
    103His coal-black curls as on he rode,
    104 As he rode down from Camelot.
    105From the bank and from the river
    106He flash'd into the crystal mirror,
    107'Tirra lirra, tirra lirra:'
    108 Sang Sir Lancelot.

    109She left the web, she left the loom
    110She made three paces thro' the room
    111She saw the water-flower bloom,
    112She saw the helmet and the plume,
    113 She look'd down to Camelot.
    114Out flew the web and floated wide;
    115The mirror crack'd from side to side;
    116'The curse is come upon me,' cried
    117 The Lady of Shalott.

  14. #14
    Neo-Scriblerus Modest Proposal's Avatar
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    I think 'The Lady of Shalot' has some very interesting implications about 'mirrors'. If I remember correctly, she can only look at things through the mirror and when she looks directly and sees Lancelot she is doomed to die tragically.

  15. #15
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    Haha, wow JBI and I agree on something. You beat me to it, however.

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