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Thread: Marianne

  1. #1
    Ecurb Ecurb's Avatar
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    Marianne

    I was reading Tennyson today and came upon a poem with which I was unfamiliar. It’s “Marianne in the Moated Grange”, and describes the self-centered and almost erotic pleasure of grief. Marianne, it seems, is so happy in her unhappiness that she desires nothing more.

    The poem explores what Shelley called, “The dark idolatry of self”. I consider it a masterpiece.

    With blackest moss the flower-plots
    Were thickly crusted, one and all:
    The rusted nails fell from the knots
    That held the pear to the gable-wall.
    The broken sheds look'd sad and strange:
    Unlifted was the clinking latch;
    Weeded and worn the ancient thatch
    Upon the lonely moated grange.
    She only said, "My life is dreary,
    He cometh not," she said;
    She said, "I am aweary, aweary,
    I would that I were dead!"

    Her tears fell with the dews at even;
    Her tears fell ere the dews were dried;
    She could not look on the sweet heaven,
    Either at morn or eventide.
    After the flitting of the bats,
    When thickest dark did trance the sky,
    She drew her casement-curtain by,
    And glanced athwart the glooming flats.
    She only said, "The night is dreary,
    He cometh not," she said;
    She said, "I am aweary, aweary,
    I would that I were dead!"

    Upon the middle of the night,
    Waking she heard the night-fowl crow:
    The **** sung out an hour ere light:
    From the dark fen the oxen's low
    Came to her: without hope of change,
    In sleep she seem'd to walk forlorn,
    Till cold winds woke the gray-eyed morn
    About the lonely moated grange.
    She only said, "The day is dreary,
    He cometh not," she said;
    She said, "I am aweary, aweary,
    I would that I were dead!"

    About a stone-cast from the wall
    A sluice with blacken'd waters slept,
    And o'er it many, round and small,
    The cluster'd marish-mosses crept.
    Hard by a poplar shook alway,
    All silver-green with gnarled bark:
    For leagues no other tree did mark
    The level waste, the rounding gray.
    She only said, "My life is dreary,
    He cometh not," she said;
    She said "I am aweary, aweary
    I would that I were dead!"

    And ever when the moon was low,
    And the shrill winds were up and away,
    In the white curtain, to and fro,
    She saw the gusty shadow sway.
    But when the moon was very low
    And wild winds bound within their cell,
    The shadow of the poplar fell
    Upon her bed, across her brow.
    She only said, "The night is dreary,
    He cometh not," she said;
    She said "I am aweary, aweary,
    I would that I were dead!"

    All day within the dreamy house,
    The doors upon their hinges creak'd;
    The blue fly sung in the pane; the mouse
    Behind the mouldering wainscot shriek'd,
    Or from the crevice peer'd about.
    Old faces glimmer'd thro' the doors
    Old footsteps trod the upper floors,
    Old voices called her from without.
    She only said, "My life is dreary,
    He cometh not," she said;
    She said, "I am aweary, aweary,
    I would that I were dead!"

    The sparrow's chirrup on the roof,
    The slow clock ticking, and the sound
    Which to the wooing wind aloof
    The poplar made, did all confound
    Her sense; but most she loathed the hour
    When the thick-moted sunbeam lay
    Athwart the chambers, and the day
    Was sloping toward his western bower.
    Then said she, "I am very dreary,
    He will not come," she said;
    She wept, "I am aweary, aweary,
    Oh God, that I were dead!”

  2. #2
    Registered User tailor STATELY's Avatar
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    The repetition in the poem seems to me a lament; I read it as loss and hopelessness. AllPoetry reinforces what I saw in the poem: https://allpoetry.com/Mariana-in-the-Moated-Grange.

    Thank you for posting this, indeed, masterpiece

    Ta ! (short for tarradiddle),
    tailor
    tailor

    who am I but a stitch in time
    what if I were to bare my soul
    would you see me origami

    7-8-2015

  3. #3
    Ecurb Ecurb's Avatar
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    Quote Originally Posted by tailor STATELY View Post
    The repetition in the poem seems to me a lament; I read it as loss and hopelessness. AllPoetry reinforces what I saw in the poem: https://allpoetry.com/Mariana-in-the-Moated-Grange.

    Thank you for posting this, indeed, masterpiece

    Ta ! (short for tarradiddle),
    tailor
    Your interpretation is clearly the standard one. I see (in addition to your interpretation, not as opposed to it) the repetition as a sort of mantra of self-intoxication, which is reenforced by Marianne's sensuous infatuation with the beauty of grief, as expressed in the verses.

    "She could not look on the sweet heaven,
    Either at morn or eventide.
    After the flitting of the bats,
    When thickest dark did trance the sky,
    She drew her casement-curtain by,
    And glanced athwart the glooming flats."

    Maranne, after all, need not have "drawn" her casement curtain by" only at morn or eventide. She could have enjoyed the noon sunshine, and fought against the gloom. But she chose not to. I get the impression from the beauty of the lines that she relished (in a strange, almost erotic way) her grief. There are many poems about grief. I'd suggest that my interpretation is what moves this poem to another level (along, of course, with the skillfull manipulation of sound and image).

  4. #4
    Registered User tailor STATELY's Avatar
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    Perhaps... I'm not the best in poetry interpretations... one can see that in the Alphabetical Poem First Lines game... https://www.online-literature.com/fo...em-First-Lines where I tend to be more literal in my interpretations and miss a layer or two sometimes. Your take makes me pause to reread at a more leisurely pace and ponder. Thank you for your thoughts

    Ta ! (short for tarradiddle),
    tailor
    tailor

    who am I but a stitch in time
    what if I were to bare my soul
    would you see me origami

    7-8-2015

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