That's reasonable. However, it's also reasonable to think "the evil that men do lives after them, the good is oft interred with the bones." To concentrate on one aspect of Castro's political career (whether it is his brutal dictatorship or courageous revolution) and ignore the other seems like political opportunism, and his death might not be the proper time for that. Some ignore Castro's brutality; others prefer to ignore his charisma and courage.
(Actually, "brutality" is the wrong word, but I didn't change it because word choice might stimulate discussion. "Brutes" kill people, but, generally, they are not evil when they do. Humans are capable of evil, not brutes. Also, I agree that we shouldn't ignore evil -- but we can and should admire virtues like courage, while deploring sin. It's fair to castigate Castro, but the man is dead, and it's reasonable to look back at the man as a complex human -- narcissistic, violent and power-hungry, but brave and capable.)



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), I want to assert that appreciating a poem (I don't mean in an aesthetic way) is not the same as recognizing that a poet doesn't have to answer to me in what he or she says. As it happens, I don't know how I feel about this poem from a non-aesthetic point of view. It depends when it was written and what Neruda knew about the Castro regime at the time. Many people had high hopes for Castro in the beginning (apparently including Kennedy). If Neruda's poem reflected that time, then well, it was naive at worst. If he wrote it later, knowing about the human rights abuses, then it is a literary artifact of a useful idiot, and I certainly do not appreciate it. But it would still deserve to be read. It's like a statue of Lenin or Caligula or Nero. Art is still art even when it depicts a homicidal goon.