THE ENEMY WITHIN.
Chapter 1:
Betrayal is an ugly word, but the act even more so.
Likewise, darkness in motive and deed is never more defined than when it is set in an arena of beauty and light. Such a setting is Catalonia in north east Spain, up against the Pyrenees that divides it from France’s epicene civilization and her music hall statesmanship. In this region, the Empordà, the northernmost territory of the Province of Girona, stretches from the northern border of the Gironès to the French border, and encompasses El Cap de Creus, home to a string of quiet, villages by the sea—Roses, Port Lligat, and Cadaqués—where Salvador Dali, Picasso and the poet García Lorca spent fruitful time. The landscape and the weather of the Empordà are dramatically beautiful. Wind-battered marine pines and olive trees grow at ninety-degree angles from the pink granite cliffs; their inclined trunks casting shadows on the white coastal sand. In the shallows, the colour of the Mediterranean shifts from aquamarine to jade to blue, and then, at the line of the horizon, the water deepens to a royal purple.
Inland, the landscape shifts to rolling hills and flatlands. Here, the fields are maroon-colored where the earth is exposed, fluorescent green where the grass is left to grow. Hay bales are scattered across the flatlands. The sky fans open—a vast, bright blue. But this is not all. In the lower Empordà, a smooth network of roads links a string of medieval villages built of carved stone. One can stroll through the villages’ windy, cool corridors, stop to taste the bold, aromatic wines of the region, and eat local dishes such as salt cod with wild mushrooms, or oven-roasted rabbit with garlic and tomato sauce.
It is no surprise therefore that when the people of the Empordà speak of the local landscape, they do so passionately and with symbolic weight. After all, Catalans have had to resort to innovative and often perilous strategies to resist the systematic oppression which was imposed against their language and culture by the late Franco dictatorship. One could say that in the Empordà—a region at the core of rural Catalonia—the people are as resilient as the landscape they inhabit. It would also be pertinent to note, that landscape also elucidates literature, because literature is the landscape’s memory through time.


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anyway, I think I can wait sir. At least I think I now 