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Thread: Favorite Composer

  1. #1
    A 40 Bag To Freedom E.A Rumfield's Avatar
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    Favorite Composer

    I'd have to say Gustav Mahler.

    http://www.youtube.com/watch?v=WVsLCzSK7Rs

    Tchaikovsky is great along with, Stravinsky, Franz Schubert, Mozart, Ludwig Van of course.

    In a similar vein of classical music, does anyone listen to jazz? John Coltrane, Miles Davis, Charlie Parker, Charles Mingus, Eric Dolphy, Theloniuos Monk or Django Reinhardt.
    Last edited by E.A Rumfield; 09-02-2012 at 10:58 PM.
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    Tie between Holst and Dvorak.

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    A 40 Bag To Freedom E.A Rumfield's Avatar
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    Dvorak. I heard him once I think. Never heard of Holst.
    Her hair was like a flowing cascade and her breasts were real awesome also.
    My ***** Better Have My Money by Fly Guy
    My ***** better have my money.
    Through rain, sleet, or snow,
    my ho better have my money.
    Not half, not some, but all my cash.
    Because if she don't, I'll put my foot dead in her ***.

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    Maybe YesNo's Avatar
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    At the moment my favorite composer is Richard Rodgers: Carousel, Sound of Music, Oklahoma. I'm sure I'll find others as I think about it.

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    Quote Originally Posted by E.A Rumfield View Post
    Dvorak. I heard him once I think. Never heard of Holst.
    You have to check out Dvorak's 7th and 9th symphonies and Holst's Planets Suite. They're the definition of epic.

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    Card-carrying Medievalist Lokasenna's Avatar
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    Wagner is absolutely at the top for me, with Mozart and Beethoven just a little bit behind.

    Dvorak. I heard him once I think. Never heard of Holst.
    I second Mutatis' comments. Dvorak is one of the greatest of the Romantic composers. As well as the 7th and 9th symphonies, you might want to listen to his 8th symphony, his cello concerto, and his slavonic dances. Holst is good, though I wouldn't rate him anywhere near Dvorak personally - The Planets is his only truly great piece of work, though I have recently been enjoying some of his wind suites.

    If you haven't come across it yet, there is a very popular and long-running thread called 'Classical Listening' that's usually a really good place to find music recommendations.

    Oh, and I've not yet made any attempts at listening to jazz, though at some point I intend to educate myself in that area!
    "I should only believe in a God that would know how to dance. And when I saw my devil, I found him serious, thorough, profound, solemn: he was the spirit of gravity- through him all things fall. Not by wrath, but by laughter, do we slay. Come, let us slay the spirit of gravity!" - Nietzsche

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    In the fog Charles Darnay's Avatar
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    Holst's Planets is wonderful, as is Dvorak.

    Like books, I could never settle on a favourite. I have been listening to a lot of Mahler recently. Mozart comes towards the top of the list, as well as JS Bach. Chopin, when I'm in the mood for Chopin, can be the best thing in the world.

    As for jazz.....if you have not heard Miles Davis' "Kind of Blue" you are missing out on life. Exhibit A: http://www.youtube.com/watch?v=PoPL7BExSQU
    I wrote a poem on a leaf and it blew away...

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    A 40 Bag To Freedom E.A Rumfield's Avatar
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    Chopin is kind of like frosting.
    Her hair was like a flowing cascade and her breasts were real awesome also.
    My ***** Better Have My Money by Fly Guy
    My ***** better have my money.
    Through rain, sleet, or snow,
    my ho better have my money.
    Not half, not some, but all my cash.
    Because if she don't, I'll put my foot dead in her ***.

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    I'll put it in a word for Ravel, though I really love Beethoven's piano sonatas.

    EDIT: Oh yeah, Bach. You should listen to Glenn Gould's recordings of the Goldberg Variations.

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    Registered User Emil Miller's Avatar
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    Quote Originally Posted by Mutatis-Mutandis View Post
    You have to check out Dvorak's 7th and 9th symphonies and Holst's Planets Suite. They're the definition of epic.
    Dvorak's 7th is an epic work but the definitive recorded performance is Pierre Monteux with the London Symphony Orchestra. It quite simply blows all of the opposition clean out of the water in one the most brilliant and dynamic performances ever committed to record. The nerve tingling brass entry at 37.11 is one of the highlights of all orchestral music.

    http://youtu.be/IXf0DcX8lO8
    "L'art de la statistique est de tirer des conclusions erronèes a partir de chiffres exacts." Napoléon Bonaparte.

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  11. #11
    Artist and Bibliophile stlukesguild's Avatar
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    1. J.S. Bach
    2. W.A. Mozart
    3. L. v. Beethoven
    4. Richard Wagner
    5. Franz Schubert
    6. Joseph Haydn
    7. Richard Strauss
    8. Gustav Mahler
    9. Johannes Brahms
    10. G.F. Handel
    11. Piotr I. Tchaikovsky
    12. Anton Dvorak
    13. Claude Debussy
    14. Antonio Vivaldi
    15. Claudio Monteverdi
    16. Robert Schumann
    17. Giuseppe Verdi
    18. Heinrich Ignaz Franz Biber
    19. Carlo Gesualdo
    20. Dimitri Shostakovitch
    21. Sergei Rachmaninoff
    22. Guillaume Dufay
    23. Jean-Philippe Rameau
    24. Gabriel Fauré
    25. Frederick Chopin
    26. Franz Liszt
    27. Christoph Willibald Gluck
    28. Maurice Ravel
    29. Hector Berlioz
    30. Georg Telemann
    31. Igor Stravinsky
    32. Josquin des Prez
    33. Nikolai Rimsky-Korsakov
    34. Giacomo Puccini
    35. Gaetano Donizetti
    36. Vincenzo Bellini
    37. Béla Bartók
    38. Sergei Prokofiev
    39. Henry Purcell
    40. Domenico Scarlatti
    41. Alessandro Scarlatti
    42. Hildegard of Bingen
    43. Luigi Boccherini
    44. Jacques Offenbach
    45. Johann Strauss II
    46. Jules Massenet
    47. Ralph Vaughan-Williams
    48. Felix Mendelssohn
    49. Modeste Mussorgsky
    50. Jean Sibelius

    The first 15 are pretty much set in stone for me... after that..? I could easily move a composer up or down depending upon my mood... and I could easily imagine replacing some 4 or 5 with other names on another day: Buxtehude, Lully, Delius, Scriabin, Balakirev, Weinberg, Zelenka, Takemitsu, etc...
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    Artist and Bibliophile stlukesguild's Avatar
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    Dvorak's 7th is an epic work but the definitive recorded performance is Pierre Monteux with the London Symphony Orchestra. It quite simply blows all of the opposition clean out of the water in one the most brilliant and dynamic performances ever committed to record. The nerve tingling brass entry at 37.11 is one of the highlights of all orchestral music.

    I'll have to look into picking up a copy... although I tend to lean toward Pierre Monteaux for French music. With Dvorak the Eastern Europeans seem to "get" him the best: István Kertész, Rafael Kubelik, and most recently, Otmar Suitner, a student of Clemens Krauss.
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  13. #13
    Registered User Emil Miller's Avatar
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    Quote Originally Posted by stlukesguild View Post
    Dvorak's 7th is an epic work but the definitive recorded performance is Pierre Monteux with the London Symphony Orchestra. It quite simply blows all of the opposition clean out of the water in one the most brilliant and dynamic performances ever committed to record. The nerve tingling brass entry at 37.11 is one of the highlights of all orchestral music.

    I'll have to look into picking up a copy... although I tend to lean toward Pierre Monteaux for French music. With Dvorak the Eastern Europeans seem to "get" him the best: István Kertész, Rafael Kubelik, and most recently, Otmar Suitner, a student of Clemens Krauss.
    Of course Kubelik made important recordings of Dvorak's symphonies but it doesn't follow that a Czech is necessarily the best for his homeland's music.
    There are plenty of examples of outstanding recordings by non national conductors and orchestras. Monteux had a wide repertoire that included the likes of Schoenberg and Stravinsky, he conducted the first performance of The Rite of Spring in 1910. His recording of the Sibelius 2nd with the LSO is justly famous and only beaten by Koussevitzky and the Boston Symphony.
    Perhaps the best performance of Cesar Frank's Symphony in D minor is that conducted by Sir Thomas Beecham with the French National Radio Orchestra. Beecham excelled in French music and one only has to listen to Bizet's sparkling youthful symphony in C to realise that French music doesn't require a French conductor for optimum performance
    Last edited by Emil Miller; 09-03-2012 at 04:41 PM.
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