Dresden Dolls? Well, I like their tunes, and I like their image, and I like their attitude, musically and attitudinally. But what really endears them to me is their wit. I don't mean just humour, although they have plenty of that, but the inventive application of their intelligence. Also I'd do Amanda Palmer like a shot. And then again, a bit later, less like a shot.
As to Melissa - I've never really connected with that Southern thing of which the Allmans are probably the best known example. The chord sequences and tunes always seem mundane to me, and the whole sound smacks of a place and a life that has nothing I can share. Talking about Eat a Peach, Greil Marcus is quoted on Wikipedia as saying that it's front-porch music stolen from the utopia of shared southern memory, which he intends as a compliment, but it's pretty much what I think too - and I don't feel invited up on to the stoop. Out of sheer respect for their rep and influence, I'll give it 4/10.
(See, you once complained that people rated songs low without any reason given. That'll teach ya...)
Can't see the Brecht here in the UK. Someone else take it.



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